scholarly journals Følelseshistorie – Teoretiske brudflader og udfordringer.

Kulturstudier ◽  
2013 ◽  
Vol 4 (2) ◽  
Author(s):  
Karen Vallgårda
Keyword(s):  
Emotional Experience ◽  
Postcolonial Studies ◽  
Ontological Status ◽  
History Of Emotions ◽  
Methodological Challenges ◽  
Social Constitution ◽  
Starting Point ◽  
History Of ◽  
Changes Over Time ◽  
Over Time

<p>Følelseshistorie er et forskningsfelt i eksplosiv vækst. Med udgangspunkt i væsentlige nyere bidrag inden for historiefaget og kulturstudier diskuterer artiklen de centrale teoretiske problemstillinger, forskere konfronteres med, når de vil undersøge følelser i forskellige historiske kontekster: Hvordan skal vi definere følelser? I hvor høj grad er de socialt konstituerede og kulturelt specifikke? Er der noget naturgivent og universelt ved det menneskelige følelsesliv? Artiklen taler for at undersøge følelser som en form for praksis, der udspringer fra en social struktureret krop, og som påvirker de sociale sammenhænge, hvori de udøves.</p><p><strong><em>Abstract</em></strong></p><p><em>The history of emotions is currently a rapidly expanding field. Probing a number of important recent contributions to the field, this article discusses the central theoretical and methodological challenges that researchers must confront when interrogating emotions in different historical contexts: How should we define emotions? To what extent are they socially constituted and culturally contingent? Is there anything universal about human emotional experience? The article makes the case that the greatest challenge for historians of emotion is to conceptualize emotions in a way that captures their social constitution while at the same time implies a principle of emotional changes over time. Taking Monique Scheer’s concept of ”emotional practices” as a starting point, the article argues that it could productively be combined with theories that point to the sociopolitical effects of emotions. This conceptualization makes it possible to shift the theoretical focus away from the emotions’ ontological status towards an analysis of how emotions are done and with what effects. Examining different empirical examples from postcolonial studies, the article finally shows how the concept of emotional practices is useful to think with in analyses of the sociopolitical implications of emotions.</em></p>

Natural History Wet Collections: Observations on PH Readings from the Use of Different Ethanol and Label Types

2019 ◽  
Vol 33 (1) ◽  
pp. 7-17
Author(s):  
Ximo Mengual ◽  
France Gimnich ◽  
Hannah Petersen ◽  
Jonas J. Astrin
Keyword(s):  
Natural History ◽  
Tissue Samples ◽  
Daily Work ◽  
Starting Point ◽  
Good Starting Point ◽  
Research Questions ◽  
Almost All ◽  
Changes Over Time ◽  
Fluid Preservation ◽  
Over Time

Abstract We examined the effects of different types of specimen labels and tags on pH of different concentrations of ethanol typically used for fluid preservation in natural history collections. Labels were immersed in three different concentrations of ethanol, 96% pure undenatured ethanol (EtOH), 96% EtOH denatured with methyl-ethyl ketone (MEK), and 99.8% pure undenatured EtOH, with or without the presence of insect specimens, and the solutions were evaluated after 26 months for changes over time in pH reading. In general, pH readings of all label trials with 96% and 99.8% ethanol increased over time, except for trials of denatured alcohol, which demonstrated lower pH readings in almost all treatments, regardless of label type. Samples that contained labels with ordinary, nonstandardized, not explicitly acid-free printing paper had higher pH readings compared after the trial. Our observations are a good starting point for further experiments to answer research questions related to chemical interactions with labels in ethanol-preserved specimens, including tissue samples for molecular analyses, which can guide collection staff in their daily work.

The History of the Adhān: a View from the Hadith Literature

2020 ◽  
pp. 27-48
Author(s):  
Maroussia Bednarkiewicz
Keyword(s):  
Alternative Means ◽  
History Of ◽  
Call To Prayer ◽  
Changes Over Time ◽  
Over Time

The Qurʾan itself refers to a call to prayer (although using another term, nidāʾ, not adhān) without laying down a form. Several stories are told of how the call to prayer was originally formulated. Some describe fire, horns, and even semantrons as alternative means suggested or even tried at the earliest stage. Maroussia Bednarkiewicz traces variant wordings to different stages in history, regional centres, traditionists, and jurisprudents. Changes over time suggest that verbatim transmission was a low priority, yet an original core story can be discerned.

scholarly journals How Smokers Became Outlaws: An Application Of The Stakeholder Salience Model To A Social Problem

2013 ◽  
Vol 11 (12) ◽  
pp. 577
Author(s):  
Susan K. Key ◽  
Rosalia N. Scripa ◽  
Robert Juneau
Keyword(s):  
United States ◽  
Social Movements ◽  
Social Problem ◽  
The United States ◽  
Public Perceptions ◽  
Stakeholder Salience ◽  
Stakeholder Groups ◽  
History Of ◽  
Changes Over Time ◽  
Over Time

Smoking bans have gone from being essentially non-existent to being the norm over the course of the last 50 years. When some of these authors started teaching, it was the norm to smoke in the classroom, in hospitals, on airplanes, in prison and in the office. Times have changedsmoking is no longer allowed in these locations in the United States. In this paper, an overview of the history of smoking advocacy, the impacts of smoke-free legislation on different stakeholders, and changes in public perceptions of smoking are provided. Mitchell and Agles 1997 Stakeholder Salience Model are used to illustrate the changes over time in stakeholder status for both smokers and nonsmokers. The Mitchell Model could have been useful to predict the change in status that the two stakeholder groups experienced and the authors suggest that management should note the emergence of urgent stakeholders in the future, as they may gain salience in other matters that can impact company wealth. Firms have to be aware of both their customers needs (smokers) as well as other social movements that may affect the use of their product, such as nonsmoking legislation. This is the first paper to apply stakeholder salience, including the concepts of urgency, power, and legitimacy, to the changing fortunes of smokers. It looks at how smoking and smokers have gone from the norm in U.S. society to outlaw status.

scholarly journals EXPERIENCE IN DEVELOPING RELATIVE PERIODIZATION OF THE PODBOLOT’YEVO CEMETERY (based on the study of shapes of clay vessels)

2019 ◽  
Author(s):  
Ю.Б. Цетлин ◽  
П.Р. Холошин
Keyword(s):  
Archaeological Sites ◽  
Special Focus ◽  
Practical Application ◽  
Archaeological Data ◽  
Left Behind ◽  
Systemic Analysis ◽  
History Of ◽  
Changes Over Time ◽  
Clay Pots ◽  
Over Time

Статья посвящена краткому изложению методики построения периодизации археологических памятников по данным изучения древней керамики и результатам практического применения ее к материалам Подболотьевского могильника древней муромы. Системный анализ форм 223 глиняных сосудов из 129 погребений позволил выделить в истории могильника пять последовательных периодов, отражающих динамику развития гончарных традиций муромского населения, оставившего этот могильник. Особое внимание уделено проверке построенной периодизации по независимым археологическим данным. The paper summarizes the methodology of developing relative periodization of archaeological sites based on the data of studies regarding ancient ceramics and results of their practical application to the materials from the Podbolotyevo cemetery of the ancient Muroma. The systemic analysis of shapes of 233 clay pots from 129 graves made it possible to identify five subsequent periods in the history of the cemetery. These reflect changes over time in development of pottery making traditions of the Muroma population that left behind this cemetery. The paper places a special focus on verification of the suggested periodization with the help of independent archaeological data.

scholarly journals Staging the Past: The Period Room in New Zealand

2021 ◽  
Author(s):  
◽  
Kimberley Jane Stephenson
Keyword(s):  
New Zealand ◽  
Colonial History ◽  
The Past ◽  
European Settlement ◽  
Display Mode ◽  
Starting Point ◽  
Museum Professionals ◽  
History Of ◽  
Physical Changes ◽  
Over Time

<p>Before 1940, few of the nation’s museums actively collected or displayed artefacts associated with the history of European settlement in New Zealand. Over the following three decades, an interest in ‘colonial history’ blossomed and collections grew rapidly. Faced with the challenge of displaying material associated with the homes of early settlers, museums adopted the period room as a strategy of display. The period room subsequently remained popular with museum professionals until the 1980s, when the type of history that it had traditionally been used to represent was increasingly brought into question. Filling a gap in the literature that surrounds museums and their practices in New Zealand, this thesis attempts to chart the meteoric rise and fall of the period room in New Zealand. Taking the two period rooms that were created for the New Zealand Centennial Exhibition in 1939 as its starting point, the thesis begins by considering the role that the centennials, jubilees and other milestones celebrated around New Zealand in the 1940s and 1950s played in the development of period rooms in this country, unpacking the factors that fuelled the popularity of this display mode among exhibition organisers and museum professionals. The thesis then charts the history of the period room in the context of three metropolitan museums – the Otago Early Settlers Museum, the Canterbury Museum, and the Dominion Museum – looking at the physical changes that were made to these displays over time, the attitudes that informed these changes, and the role that period rooms play in these institutions today.</p>

scholarly journals Orientalism and New musicology

2018 ◽  
Vol 44 (2) ◽  
pp. 581-593
Author(s):  
Sanela Nikolić
Keyword(s):  
Postcolonial Studies ◽  
Analytical Models ◽  
Music Practice ◽  
Starting Point ◽  
Musical Representations ◽  
Aesthetic Enjoyment ◽  
History Of ◽  
Cultural Power ◽  
Western European ◽  
European Colonialism

The aim of this paper is to outline the history of the concept of Orientalism in the field of New musicology and to point out that musicological discussions of Orientalism significantly changed disciplinary profile of musicology in the direction of interdisciplinary or contextual musicology. The area of Postcolonial studies has been recognized by New musicology as a possible starting point for theorizing the new issues related to the questions of music, race, ethnic and national otherness, and European colonialism. In 1991, with the publication of Ralph P. Locke’s text “Constructing the Oriental ‘Other’: Saint-Saëns’s Samson et Dalila” in Cambridge Opera Journal, the musicological research of the European professional music tradition from the aspects of postcolonial theories has been institutionalized and the concept of Orientalism has been introduced into the field of research objects of musicology. What is present as the common aspects of all musicological studies that address the issue of musical representations of the Orient are interdisciplinarity and contextuality. Contrary to the reduction of the complex Western European music practices to the idea of an autonomous work of music devoted to an aesthetic enjoyment, postcolonial musicology proposed poststructuralist analytical models of text and discourse and affirm the interest in the context of work of music. In that manner, musicology has been updated as a discipline that autocritically approaches Western European professional music practice by seeing it/ self as only one of the possible historical formations of culture/knowledge in which there are visible clusters, conflicts, and aspirations to present (Western) European capitalist patriarchal politics as a universal economic, political and cultural power.

Muck, Mummies and Medicine: Disgust in Early Modern Science

2020 ◽  
Vol 4 (1) ◽  
pp. 43-65
Author(s):  
Sarah-Maria Schober
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Modern Science ◽  
Culture Studies ◽  
Early Modern Science ◽  
History Of Emotions ◽  
History Of ◽  
Changing Role ◽  
Over Time

Abstract This essay shows that early modern practices that used human bodily matter cannot be – as hitherto – explained by the absence of the emotion of disgust nor as being conducted in spite of disgust. Instead, it proposes to read those practices’ changing history as part of the history of the ‘paradox of disgust’. Four case studies (on anatomy, excrement, mummies and skulls) demonstrate that disgust was highly productive: it attracted fascination, allowed physicians to fashion themselves, and was even believed capable of healing. Over time and for complex reasons, however, the productive side of disgust declined. Combining current approaches in the history of emotions and material culture studies, this essay sets out not only to propose a new narrative for the changing role of disgust in early modern science and societies, but also to explore how variations in settings and human intervention changed the way emotions were used and perceived.

Monsters Everywhere

2017 ◽  
Author(s):  
Mathias Clasen
Keyword(s):  
Cultural Change ◽  
Edgar Allan Poe ◽  
Horror Films ◽  
Human Biology ◽  
Stephen King ◽  
History Of ◽  
Possibility Space ◽  
Changes Over Time ◽  
Slasher Films ◽  
Over Time

The chapter gives an outline of the history of American horror across media, from prehistoric roots to postmodern slasher films and horror videogames. A specifically American literary horror tradition crystallizes in the mid-1800s, with authors such as Edgar Allan Poe, and is developed in the twentieth century by writers including H. P. Lovecraft. In that century, horror films—beginning with Universal’s monster films of the 1930s—became the dominant medium for the genre. Horror became a mainstream genre during the 1970s and 1980s, with the emergence of popular writers like Stephen King and many lucrative film releases. Slasher films dominated the 1980s and were reinvented in a postmodern version in the 1990s. Horror videogames became increasingly popular, offering high levels of immersion and engagement. The chapter shows that horror changes over time, in response to cultural change, but changes within a possibility space constrained by human biology.

Introduction: Scottish Colonial Literature, 1603–1707

2021 ◽  
pp. 1-22
Author(s):  
Kirsten Sandrock
Keyword(s):  
Seventeenth Century ◽  
Postcolonial Studies ◽  
Historical Context ◽  
Literary Texts ◽  
Power Dynamics ◽  
Colonial Literature ◽  
Utopian Literature ◽  
Starting Point ◽  
History Of ◽  
Atlantic Literature

This chapter establishes the book's key claim that Scottish colonial literature in the seventeenth century is poised between narratives of possession and dispossession. It introduces the term colonial utopian literature to frame the intricate relationship between colonialism and utopianism in the seventeenth century. The chapter uses the instances of book burnings in Edinburgh and London in 1700 that revolved around Scotland's colonial venture in Darien as a starting point for the discussion to make a case for the centrality of literary texts in the history of Scottish colonialism. In addition, it introduces the historical context of seventeenth-century Scottish colonialism, especially in relation to the emergent British Empire, inner-British power dynamics, and other European imperial projects. On a theoretical level, the chapter enters debates about Scotland's position in colonial and postcolonial studies through its focus on pre-1707 Atlantic literature. It also makes a fresh argument about Atlantic writing contributing to the transformation of utopian literature from a fictional towards a reformist genre.

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