Utopian and insular spaces in Chinese literature: An island approach

In response to the relative lack of scholarly attention paid to the relationship between island utopia and Chinese literature, this paper studies the imagination of both island and insular geographies in Chinese ‘utopian’ literature using an island-sensitive approach. Employing an expanded and constructive conception of the island, the paper examines the heterogeneity of Chinese island and insular imaginaries in literary works from diverse historical periods, especially in relation to the dominant western model of the remote tropical oceanic island. Based on the finding that the alterity of Chinese island and insular imagination lies as much in its depiction of spatial ambiguities as in its mixing of diverse figures, I reflect further on the benefits and perils of adopting a west-inflected island approach in examining the imaginary landscapes of utopianism and insularity in Chinese literature. It is argued that Chinese island literature is more a reading effect enabled by an imported theoretical approach than any inherent tradition in itself. In the end, two paths for innovating island aesthetics and epistemologies in cross-cultural contexts are proposed.

Utopie und Lebenszeit in der Aufklärung

The aim of this article is to outline how Hans Blumenberg’s conception of lifetime and world time (Lebenszeit und Weltzeit, 1986) can help to elucidate a substantial problem of utopian literature and its development from the 16th to the 18th century: utopias always try to illustrate the ways by which the single members of a political community harmonise with the community as a whole. The congruence of private good and common good, private interest and common interest, private will and general will is a main task of 17th and 18th century political philosophy. Blumenberg’s book, however, allows us to focus on the existential dimension of this harmonisation: under which circumstances may the single members become so wise and virtuous within their lifetimes that they always know about and comply with the common good? 18th century utopias seem to find answers to this question in theories of moral sense, common sense and aesthetic education.

HUMANISTIC IDEAS IN MORE’S UTOPIA

This article focusses on the humanistic ideas of Thomas More (1478–1535), explained in his book Utopia, a work of fiction and socio-political satire, written in Latin and published in 1516. In Utopia Thomas More gives an exhaustive and detailed description of The State of Utopia which already exists somewhere in the New World. Those types of theories which are oriented into the future, into something which is not yet realised but is potentially possible are called utopian literature. It covers a wide area consisting of itineraries about fictional countries, suggestions of legal or moral legislation, and attempts to find the best state regulation. Humanism is a philosophical movement that emphasizes the value and agency of human beings, individually and collectively. But the questions are: are all More’s humanistic ideas entirely good? Who can take responsibility to judge what is good for each man? The article deals with the mentioned dilemma. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0771/a.php" alt="Hit counter" /></p>

Introduction: Scottish Colonial Literature, 1603–1707

This chapter establishes the book's key claim that Scottish colonial literature in the seventeenth century is poised between narratives of possession and dispossession. It introduces the term colonial utopian literature to frame the intricate relationship between colonialism and utopianism in the seventeenth century. The chapter uses the instances of book burnings in Edinburgh and London in 1700 that revolved around Scotland's colonial venture in Darien as a starting point for the discussion to make a case for the centrality of literary texts in the history of Scottish colonialism. In addition, it introduces the historical context of seventeenth-century Scottish colonialism, especially in relation to the emergent British Empire, inner-British power dynamics, and other European imperial projects. On a theoretical level, the chapter enters debates about Scotland's position in colonial and postcolonial studies through its focus on pre-1707 Atlantic literature. It also makes a fresh argument about Atlantic writing contributing to the transformation of utopian literature from a fictional towards a reformist genre.

Scottish Colonial Literature

Scottish Colonial Literature is a comprehensive study of Scottish colonial writing before 1707. It brings together previously dispersed sources to argue for a tradition of Scottish colonial literature before the Union of Parliaments. It introduces the term colonial utopian literature to frame the intricate relationship between colonialism and utopianism in the seventeenth century. Offering case studies relating to colonial undertakings at Nova Scotia (1620s), East New Jersey (1680s) and at the Isthmus of Panama, then known as Darien (1690s), Scottish Colonial Literature explores how literature and culture shaped Scotland's colonial ventures in the seventeenth century. In addition, it considers works written in the larger context of the Scottish Atlantic so as to illuminate how the Atlantic shaped seventeenth-century Scottish literature and vice versa. One key question running through the book is the relationship between art and ideology. Textual narratives were powerful instruments of empire-building throughout the early modern period. This book focuses on utopianism as a framework that authors used to claim power over the Atlantic. In the Scottish context, the intersections between utopianism and colonialism shed light on the ambiguous narratives of possession and dispossession as well as internal and external colonialism in Scottish colonial writing of the seventeenth century. Scottish Colonial Literature enters debates about Scotland's position in colonial and postcolonial studies through its focus on pre-1707 Atlantic literature.

Leo Tolstoy and US Utopian Literature

American utopia in literary and documentary texts by American writers had an impact on Leo Tolstoy’s ideas and writings, which can be seen in the marginalia and annotations he left in his extensive personal library. The concept of utopia was deeply ingrained in Tolstoy, beginning with the childish legend of “the green stick” engraved with the magic words of universal happiness. As a child Tolstoy was fascinated with the potential of the “green stick” and its secret that could make all men happy, and he tried many times to find it. Tolstoy examined and developed this concept of universal happiness throughout different periods of his life. From the mid-1880s to his departure from Yasnaya Polyana in 1910, Tolstoy stayed in close contact with American religious writers. During this period, he received many books and periodicals from America and thus got to know the works of numerous American writers, philosophers, and public figures who were close to him in spirit. Tolstoy had a keen interest in American history, culture, art, traditions, and especially in the religious movements of America. Some of these ideas found expression in Tolstoy’s fiction and other writings.

Gardening in the Apocalypse

The “White City” of the 1893 Columbian Exposition in Chicago struck many Americans as a hopeful glimmer of the happy cities to come, but soon, visions of even happier utopian suburbs reclaimed dominance, asserting the need for “A Cityless and Countryless World.” When Bellamy produced his sequel to Looking Backward, it promised a future of commuting by motorcar and personal aircraft to and from cottages in garden suburbs. In different ways, influential reformers and architects such as Ebenezer Howard and Frank Lloyd Wright fed their readings of utopian literature into influential designs for destroying old cities and achieving suburban bliss. The last great nineteenth-century utopian visionary was also the greatest science-fiction author of the early twentieth century: H. G. Wells. He, perhaps more than any other writer, carried forward the Victorian call to abandon Babylon to new heights and fresh audiences, prophesying dreadful apocalypse, and luminously modern gardens to follow.

Architecture Under Nationalism

The international smash Looking Backward 2000–1887, by Edward Bellamy, represents the peak of nineteenth-century utopian literature. As the troubles of American industrial cities reached a boiling point, this novel offered a seductive vision of universal prosperity under industrial socialism. Its urban design content was somewhat vague, but Bellamy quickly published an essay clarifying his commitment to the principles of urban decentralization, and a number of his fans wrote sequels driving this point home. As a major political movement called “Nationalism” rose to carry out Bellamy’s vision, William Morris roused his pen in London to rebut Looking Backward with an anti-industrial counter-utopia of pastoral peace: News from Nowhere. The suburban Morris had more in common with Bellamy, however, than he realized. At the same time, the architect John Pickering Putnam called for garden apartments to define the coming Nationalist utopia, testing his ideas with several prominent projects in Boston’s Back Bay.