scholarly journals Mod en neutral seksualitet! eller Roland Barthes som queerteoretiker?

2013 ◽  
Vol 28 (70) ◽  
Author(s):  
Jonatan Leer

Jonatan Leer: “Towards a Neutral Sexuality! or Roland Barthes as a Queer Thinker?”This article argues that the work of Roland Barthes has interesting perspectives in common with queer theory. This argument is put forward by using his concept of ‘the neutral’ that Barthes defines as “that which outplays the paradigm”. This notion was presented at a series of lectures at Collège de France in 1977. Through a reading of Barthes’ autobiography, Roland Barthes par Roland Barthes (1975), the article demonstrates how Barthes tries to outplay the paradigms that rule over the hegemonic understanding of gender and sexuality. Furthermore, the fragmented text presents a vision of a sexual utopia, a neutral sexuality, that tries – like queer theory – to go and think beyond a binary conception of gender and sexuality. Finally, it is suggested that we should start to think about a movement of “French queer theory” in the late 1970’s that beside Barthes includes Jean Baudrillard.

Acta Poética ◽  
2015 ◽  
Vol 24 (1) ◽  
Author(s):  
Roland Barthes

A partir de 1954, Roland Barthes (1915-1980) comenzó a vislumbrar un proyecto semiológico —que lo llevaría a intentar, en la siguiente década, la fundación de una ciencia de los signos que tuviera como matriz la lingüística saussuriana— en numerosos ensayos y artículos periodísticos, al tiempo que profundizaba en un tema particular, la moda, que durante varios años le proveyó evidencias de que un fenómeno social podía estudiarse como sistema de signos. Fruto de esos años será su primer curso en la École Pratique des Hautes Études (1962-63), cuyo título fue: “Inventario de los sistemas contemporáneos de significación: sistemas de objetos (vestimenta, alimentación y alojamiento)”, y entre cuyos alumnos se contó a Jean Baudrillard. Como bien se sabe, aquel proyecto de una semiología fundada en la lingüística fracasó. No así la vertiente de la semiología literaria que el propio Barthes caracterizó en su discurso de ingreso al Collège de France (1977), como una semiología del texto que sería al mismo tiempo desconstrucción de la lingüística —y una escritura tal como él la practicara fértilmente en su obra crítica. En esta segunda vertiente, la impronta de la fenomenología francesa fue fundamental. En un ensayo poco conocido, publicado en Belgrado, “Nuevos senderos de la crítica literaria en Francia” (1959), Barthes concede a Gaston Bachelard la mayor importancia dentro de la crítica literaria francesa, y reconoce el valor de su aportación literaria: “la crítica de Bachelard es generosa, ayuda a producir en la interioridad del propio cuerpo el movimiento de la imaginación poética,que es un movimiento esencialmente liberador”.


Author(s):  
Hannah Dyer

Discussions surrounding the rights, desires, and subjectivities of queer youth in education have a history marked by both controversy and optimism. Many researchers, practitioners, and teachers who critically examine the role of education in the lives of queer youth insist that the youth themselves should be involved in setting the terms of debate surrounding if and how they should be included in sites of education. This is important because the ways in which their needs and subjectivities are conceptualized have a direct impact on the futures that queer youth imagine for themselves and for others. For example, the furious and impassioned debates about sex education in schooling are also to do with the amount of empathy we have for queer youth. Thus, sex education is a frequent point of analysis in literature on queer youth in education. Literature on queer youth and education also helpfully demonstrates how racialization, gender, neoliberalism, and settler-colonialism permeate discourses of queer inclusion and constitute the conditions of both acceptance and oppression for queer youth. While queer studies has at times sharpened perceptions of queer youth’s subjective and systemic experiences in education, it cannot be collapsed into a unified theory of sexuality because it too is ripe with debate, variation, and contradiction. As many scholars and intellectual traditions make clear, the global and transnational dimensions of gender and sexuality cannot be subsumed into a unified taxonomy of desire or subject formation. More ethical interactions between teachers, peers, and queer youth are needed because our theories of queer desire and the discourses we attach to them evince material realities for queer youth. Despite the often prevailing insistence that queer youth belong in educational institutions, homophobia and heteronormativity continue to make inclusion a complicated landscape. In recognition of these dynamics, literature in the field of educational studies also insists that some queer youth find hope in education. Withdrawing advocacy and representation for queer, trans, and nonbinary youth in educational settings becomes dangerous when it creates a terrain for isolation and shame. Importantly, queer theory and LGBTQ studies have conceptualized the needs of queer youth in ways that emphasize education as a space wrought with emotion, power, and desire. Early theorizing of non-normative sexual desire continues to set the stage for contemporary discussions of schools as spaces of power and repression. That is, histories of activism, knowledge, and policy construction have made the present conditions of both inclusion and exclusion for queer youth. Contemporary debates about belonging and marginalization in schools are made from the residues and endurance of earlier formations of gender and race.


2019 ◽  
Vol 19 (3) ◽  
Author(s):  
Elly Scrine

This paper conceptualises songwriting as an ‘after-queer’ approach for exploring notions of gender and sexuality with young people. The article draws on songs created by seven groups of young people in music-based workshops which took place in schools with participants aged between 14–17. During these workshops, songwriting was used to explore the participants' imaginings of what gender might look like in their "perfect world". 'After-queer' scholarship is introduced and referred to throughout the paper as it relates to queer theory and research with young people, particularly focusing on discourses of risk and vulnerability that emerge across these fields. The paper highlights the value of creative and arts-based methodologies in queer research, through which expansion and questions of possibility, alternative, and identity can be raised and responded to. 'After queer' is offered as a useful lens for critical analysis, particularly in light of complex questions related to the promotion of "diversity" that emerged through the findings.


2020 ◽  
Vol 81 ◽  
pp. 03005
Author(s):  
Maria Giulia Dondero

Cet article aborde les relations entre le langage visuel et les émotions. Cette exploration se compose de deux volets : le premier est consacré aux forces textualisées dans l’image, le second aux gestualités émotionnelles, à savoir aux pratiques énonciatives du corps qui accompagnent l’interprétation et l’appréciation des images. La première partie discute la contribution de René Thom à la réflexion sur les émotions de la contemplation esthétique face au déploiement des forces dans les tableaux ; tandis que la deuxième partie met en contraste l’analyse manuelle et l’analyse computationnelle au regard des gestes de l’analyste et de l’observateur. L’analyse manuelle est illustrée à travers la pratique d’enseignement de Roland Barthes au Collège de France, l’analyse computationnelle est en revanche prise en examen à partir des expériences de Lev Manovich et des Cultural Analytics.


2010 ◽  
Vol 28 (1) ◽  
pp. 209 ◽  
Author(s):  
Elaine Craig

The notion that queer theory and feminism are inevitably in tension with one another has been well developed both by queer and feminist theorists. Queer theorists have critiqued feminist theories for being anti-sex, overly moralistic, essentialist, and statist. Feminist theorists have rejected queer theory as being uncritically pro-sex and dangerously protective of the private sphere. Unfortunately these reductionist accounts of what constitutes a plethora of diverse, eclectic and overlapping theoretical approaches to issues of sex, gender, and sexuality, often fail to account for the circumstances where these methodological approaches converge on legal projects aimed at advancing the complex justice interests of women and sexual minorities. A recent decision from the Ontario Court of Justice addressing a three-parent family law dispute involving gay and lesbian litigants demonstrates why recognition of the convergences between feminist and queer legal theories can advance both queer and feminist justice projects. The objective of this article is to demonstrate, through different and converging interpretations of this case that draw on some of the theoretical insights offered in a new anthology called Feminist and Queer Legal Theory, one rather straight-forward claim. The claim advanced here is that activists, advocates, litigants and judges are all well served by approaching complex legal problems involving sex, sexuality and gender with as many “methods” for pursuing and achieving justice as possible.La notion que la théorie homosexuelle et le féminisme sont inévitablement en conflit l’un avec l’autre a été bien développée à la fois par les théoriciens et théoriciennes homosexuels et féministes. Les théoriciens et théoriciennes homosexuels ont critiqué les théories féministes les qualifiant d’être anti-sexe, trop moralistes, essentialistes et étatistes. Les théoriciens et théoriciennes féministes ont rejeté la théorie homosexuelle la qualifiant d’être pro-sexe sans esprit critique et dangereusement protectrice du domaine privé. Malheureusement, ces descriptions réductionnistes de ce qui constitue une pléthore d’approches théoriques aux questions de sexe, de genre et de sexualité qui sont diverses, éclectiques et qui se chevauchent manquent fréquemment de tenir compte de circonstances où ces approches méthodologiques convergent sur des projets légaux visant à faire avancer les intérêts juridiques complexes des femmes et des minorités sexuelles. Une décision récente de la Cour de justice de l’Ontario portant sur un litige en droit de la famille entre trois parents et impliquant des parties homosexuelles et lesbiennes démontre pourquoi la reconnaissance des convergences entre les théories juridiques féministes et homosexuelles peut faire avancer à la fois les projets légaux homosexuels et féministes. Le but de cet article n’est pas de suggérer qu’une seule «théorie juridique féministe homosexuelle» convergente soit possible, ou même désirable. Plutôt, le but est de démontrer, par le biais d’interprétations différentes et convergentes de ce cas qui s’inspirent de certaines intuitions théoriques présentées dans une nouvelle anthologie intitulée Feminist and Queer Legal Theory, une proposition assez simple. La proposition avancée ici est que les activistes, les avocats, les parties à un litige et les juges sont tous bien servis en abordant des problèmes légaux complexes au sujet de sexe, de sexualité et de genre avec autant de «méthodes» que possible pour considérer la justice dans tous ses détails.


Author(s):  
Nina Kuorikoski

North American television series The L Word (USA 2004-present) tells the story of a group of lesbian and bisexual women living in Los Angeles. The current article offers a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It demonstrates that even though the series deconstructs the normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the United States and the normative femininity of the lesbian characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to stretch the normative boundaries of gender and sexuality. Through this, the article strives to give a diverse account of the series' first two seasons and further critical discussion of The L Word and its representations.


2021 ◽  
pp. 118-128
Author(s):  
Jamile Satybaldieva

The article focuses on the issue of phenomenon of cinema in works of Jean-Francois Lyotard, Henri Bergson, Roland Barth, Michel Foucault and Jean Baudrillard. Postmodern methodology allows one to view cinema as a “deconstruction” of both cultural and socio-political discourse. Based on the analysis of the works of philosophers, the author generalizes the phenomenological characteristics of the cinema of postmodernism, such as the hypnotic ritualism of cinema; devaluation of meta-narratives; and appeal to the absolute “banal” and “hyper-realities”. It is noted that the spread of postmodern tendencies in modern cinema is manifested in drama, imagery, stylistics, montage and other components of the creative process. The author concludes that Jean-Francois Lyotard, Henri Bergson, Roland Barthes, Michel Foucault and Jean Baudrillard have laid the foundations for understanding the unity of philosophy and cinema in the modern world.


Author(s):  
Page Valentine Regan ◽  
Elizabeth J. Meyer

The concepts of queer theory and heteronormativity have been taken up in educational research due to the influence of disciplines including gender and sexuality studies, feminist theory, and critical race theory. Queer theory seeks to disrupt dominant and normalizing binaries that structure our understandings of gender and sexuality. Heteronormativity describes the belief that heterosexuality is and should be the preferred system of sexuality and informs the related male or female, binary understanding of gender identity and expression. Taken together, queer theory and heteronormativity offer frames to interrogate and challenge systems of sex and gender in educational institutions and research to better support and understand the experiences of LGBTQ youth. They also inform the development of queer pedagogy that includes classroom and instructional practices designed to expand and affirm gender and sexual diversity in schools.


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