scholarly journals Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione

2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Carlotta Sillano
Keyword(s):  
Sound Studies ◽  
Active Listening ◽  
Subjective Perception ◽  
Musical Language ◽  
Environmental Sound ◽  
Creative Processes ◽  
Soundscape Studies ◽  
History Of ◽  
Musical Sounds ◽  
The Relationship

The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape.

scholarly journals Music, Politics, and History: An Introduction

2021 ◽  
Vol 60 (2) ◽  
pp. 362-374
Author(s):  
David Kennerley
Keyword(s):  
Sound Studies ◽  
The Body ◽  
Future Research ◽  
Short Article ◽  
Distinctive Features ◽  
Music And Politics ◽  
Introductory Article ◽  
History Of ◽  
Eighteenth And Nineteenth Centuries ◽  
The Relationship

AbstractMusic has been steadily rising up the historical agenda, a product of the emergence of sound studies, the history of the senses, and a mood of interdisciplinary curiosity. This introductory article offers a critical review of how the relationship between music and politics has featured in extant historical writing, from classic works of political history to the most recent scholarship. It begins by evaluating different approaches that historians have taken to music, summarizes the important shifts in method that have recently taken place, and advocates for a performance-centered, contextualized framework that is attentive to the distinctive features of music as a medium. The second half examines avenues for future research into the historical connections between music and politics, focusing on four thematic areas—the body, emotions, space, and memory—and closes with some overarching reflections on music's use as a tool of power, as well as a challenge to it. Although for reasons of cohesion, this short article focuses primarily on scholarship on Britain and Ireland in the eighteenth and nineteenth centuries, its discussion of theory and methods is intended to be applicable to the study of music and political culture across a broad range of periods and geographies.

Sound and Meaning in Recordings of Schubert's “Die junge Nonne”

2007 ◽  
Vol 11 (2) ◽  
pp. 209-236 ◽  
Author(s):  
Daniel Leech-Wilkinson
Keyword(s):  
Music Perception ◽  
Music Cognition ◽  
Emotional States ◽  
Performance History ◽  
Performance Style ◽  
The Past ◽  
History Of ◽  
Musical Sounds ◽  
The Relationship ◽  
Recorded Performance

Musicology's growing interest in performance brings it closer to musical science through a shared interest in the relationship between musical sounds and emotional states. However, the fact that musical performance styles change over time implies that understandings of musical compositions change too. And this has implications for studies of music cognition. While the mechanisms by which musical sounds suggest meaning are likely to be biologically grounded, what musical sounds signify in specific performance contexts today may not always be what they signified in the past, nor what they will signify in the future. Studies of music cognition need to take account of performance style change and its potential to inflect conclusions with cultural assumptions. The recorded performance history of Schubert's “Die junge Nonne” offers examples of significant change in style, as well as a range of radically contrasting views of what the song's text may mean. By examining details of performances, and interpreting them in the light of work on music perception and cognition, it is possible to gain a clearer understanding of how signs of emotional state are deployed in performance by singers. At the same time, in the absence of strong evidence as to how individual performances were understood in the past, we have to recognise that we can only speak with any confidence for our own time.

The Oxford Handbook of Cinematic Listening

2021 ◽  
Keyword(s):  
Case Studies ◽  
Sound Studies ◽  
Literary Studies ◽  
Theoretical Frameworks ◽  
Moving Image ◽  
Central Topic ◽  
History Of ◽  
Original Case ◽  
To Receive ◽  
The Relationship

It has long been suggested that films have changed the way we listen, but cinema’s contribution to broader listening cultures has only recently started to receive serious academic attention. Taking this issue as its central topic, The Oxford Handbook of Cinematic Listening explores—from philosophical, archival, empirical, and analytical perspectives—the genealogies of cinema’s audiovisual practices, the relationship between film aesthetics and listening protocols, and the extension of cinematic modes of listening into other media and everyday situations. Featuring scholars from musicology, film and literary studies, ethnomusicology and sound studies, media and communications, and psychology, this Handbook aims to foster new ways of thinking about the intersection between the history of listening and the history of the moving image. It offers a wealth of original case studies and novel perspectives that show how cinematic listening is constantly being redefined in relation to shifting historical, spatial, textual, and theoretical frameworks.

scholarly journals Marido, de Lídia Jorge: a percepção subjetiva da violência do Estado Novo / Marido, by Lidia Jorge: The Subjective Perception of New State Violence

2019 ◽  
Vol 39 (61) ◽  
pp. 101
Author(s):  
Marcos Vinícius Ferreira de Oliveira
Keyword(s):  
Broad Spectrum ◽  
State Violence ◽  
Recent History ◽  
Subjective Perception ◽  
Interdisciplinary Perspective ◽  
History Of ◽  
The Relationship

Resumo: Estudo do conto “Marido”, de Lídia Jorge, numa perspectiva interdisciplinar, que põe em diálogo a Literatura, Sociologia e a Filosofia, buscando verificar, na leitura proposta, alguns elementos do gênero narrativo, as singularidades da sua construção, o modo pelo qual a escritora o realiza na sua ficção, e, principalmente, da relação que esta estabelece com a História recente do seu país, no amplo espectro da contemporaneidade, um espaço privilegiado para a representação, tanto das consequências quanto da naturalização da violência, deixando entrever que ela foi empregada como elemento de amálgama na relação entre os portugueses e a política do Estado Novo.Palavras-chave: Lídia Jorge; ficção portuguesa contemporânea; violência; Estado Novo.Abstract: A study of the story “Marido”, by Lídia Jorge, in an interdisciplinary perspective, that puts in dialogue the Literature, Sociology and Philosophy, trying to verify, in the proposed reading, some elements of the narrative genre, the singularities of its construction, by the writer in her fiction, and especially the relationship she establishes with the recent history of her country, in the broad spectrum of contemporary times, a privileged space for the representation of both the consequences and the naturalization of violence, leaving to see that it was used as an element of amalgam in the relationship between the Portuguese and the politics of the Estado Novo.Keywords: Lídia Jorge; contemporary Portuguese fiction; violence; Estado Novo.

scholarly journals The cinematic soundscape: conceptualising the use of sound in Indian films

2012 ◽  
Vol 2 (2) ◽  
pp. 65-78
Author(s):  
Budhaditya Chattopadhyay
Keyword(s):  
Sound Studies ◽  
Sound Design ◽  
Environmental Sound ◽  
Theoretical Frameworks ◽  
Audience Engagement ◽  
Moving Image ◽  
Indian Cinema ◽  
Direct Recording ◽  
The Relationship ◽  
Point Of Departure

This article examines the trajectories of sound practice in Indian cinema and conceptualises the use of sound since the advent of talkies. By studying and analysing a number of sound- films from different technological phases of direct recording, magnetic recording and present- day digital recording, the article proposes three corresponding models that are developed on the basis of observations on the use of sound in Indian cinema. These models take their point of departure in specific phases of technological transitions and intend to highlight characteristics defining the sound aesthetics that emerges from these different phases of sound practice. The models furthermore seek to frame the aesthetics within theoretical frameworks of sound studies in general. The argument developed following the observations is that, through different phases of cinematic sound practice, Indian films have been primarily shifting the relationship between audio and visual from a merely vococentric contract to a creative realm of sound, in which audience engagement with the moving image is increasingly instigated by the spatial reordering of environmental sound or ambience. I term this arrangement of sound ‘The Cinematic Soundscape’, which is crafted by digital technologies such as ‘sync’ recording and multi-track sound design, emphasising a cognitive theoretical premise in cinematic sound studies.

The relationship of the scleractinian corals to the rugose corals

Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver
Keyword(s):  
Critical Points ◽  
Scleractinian Corals ◽  
Convincing Evidence ◽  
Early Triassic ◽  
Rugose Corals ◽  
History Of ◽  
The Subject ◽  
Relationship Of ◽  
The Relationship ◽  
Biologic Factors

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.

Investigating the Relationship Between Self-Esteem and Stigma Among Young Adults With History of Suicide Attempts

Crisis ◽  
2016 ◽  
Vol 37 (4) ◽  
pp. 265-270 ◽  
Author(s):  
Meshan Lehmann ◽  
Matthew R. Hilimire ◽  
Lawrence H. Yang ◽  
Bruce G. Link ◽  
Jordan E. DeVylder
Keyword(s):  
Young Adults ◽  
Suicide Attempts ◽  
Self Esteem ◽  
High Risk Population ◽  
High Functioning ◽  
People With Mental Illness ◽  
History Of ◽  
The Individual ◽  
The Impact ◽  
The Relationship

Abstract. Background: Self-esteem is a major contributor to risk for repeated suicide attempts. Prior research has shown that awareness of stigma is associated with reduced self-esteem among people with mental illness. No prior studies have examined the association between self-esteem and stereotype awareness among individuals with past suicide attempts. Aims: To understand the relationship between stereotype awareness and self-esteem among young adults who have and have not attempted suicide. Method: Computerized surveys were administered to college students (N = 637). Linear regression analyses were used to test associations between self-esteem and stereotype awareness, attempt history, and their interaction. Results: There was a significant stereotype awareness by attempt interaction (β = –.74, p = .006) in the regression analysis. The interaction was explained by a stronger negative association between stereotype awareness and self-esteem among individuals with past suicide attempts (β = –.50, p = .013) compared with those without attempts (β = –.09, p = .037). Conclusion: Stigma is associated with lower self-esteem within this high-functioning sample of young adults with histories of suicide attempts. Alleviating the impact of stigma at the individual (clinical) or community (public health) levels may improve self-esteem among this high-risk population, which could potentially influence subsequent suicide risk.

Misreading Egypt

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
New Media ◽  
Narrative Form ◽  
Experimental Film ◽  
Tower Of Babel ◽  
Avant Garde ◽  
Sergei Eisenstein ◽  
History Of ◽  
The One ◽  
The Relationship ◽  
Modern Technologies

The first chapter of Hieroglyphic Modernisms exposes the complex history of Western misconceptions of Egyptian writing from antiquity to the present. Hieroglyphs bridge the gap between modern technologies and the ancient past, looking forward to the rise of new media and backward to the dispersal of languages in the mythical moment of the Tower of Babel. The contradictory ways in which hieroglyphs were interpreted in the West come to shape the differing ways that modernist writers and filmmakers understood the relationship between writing, film, and other new media. On the one hand, poets like Ezra Pound and film theorists like Vachel Lindsay and Sergei Eisenstein use the visual languages of China and of Egypt as a more primal or direct alternative to written words. But Freud, Proust, and the later Eisenstein conversely emphasize the phonetic qualities of Egyptian writing, its similarity to alphabetical scripts. The chapter concludes by arguing that even avant-garde invocations of hieroglyphics depend on narrative form through an examination of Hollis Frampton’s experimental film Zorns Lemma.

Meat without Animals: Outcast Objects and the Improvement of London

2018 ◽  
Author(s):  
Ted Geier
Keyword(s):  
Animal Rights ◽  
Legal Reform ◽  
Meat Production ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

Covers the long history of the Smithfield animal market and legal reform in London. Shows the relationship of civic improvement tropes, including animal rights, to animal erasure in the form of new foodstuffs from distant meat production sites. The reduction of lives to commodities also informed public abasement of the butchers.

A Note on the Publication History of John Polidori's The Vampyre

2020 ◽  
Vol 22 (3) ◽  
pp. 330-343
Author(s):  
Fabio Camilletti
Keyword(s):  
Textual Criticism ◽  
Active Role ◽  
Publication History ◽  
History Of ◽  
The Relationship ◽  
Opening Up

It is generally assumed that The Vampyre was published against John Polidori's will. This article brings evidence to support that he played, in fact, an active role in the publication of his tale, perhaps as a response to Frankenstein. In particular, by making use of the tools of textual criticism, it demonstrates how the ‘Extract of a Letter from Geneva’ accompanying The Vampyre in The New Monthly Magazine and in volume editions could not be written without having access to Polidori's Diary. Furthermore, it hypothesizes that the composition of The Vampyre, traditionally located in Geneva in the course of summer 1816, can be postdated to 1818, opening up new possibilities for reading the tale in the context of the relationship between Polidori, Byron, and the Shelleys.

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