Clearing the Air

Author(s):  
Gregory Wood

This book examines smoking's importance to the social and cultural history of working people in twentieth-century United States. Now that most workplaces in the United States are smoke-free, it may be difficult to imagine the influence that nicotine addiction once had on the politics of worker resistance, workplace management, occupational health, vice, moral reform, grassroots activism, and the labor movement. The experiences, social relations, demands, and disputes that accompanied smoking in the workplace in turn shaped the histories of antismoking politics and tobacco control. The steady expansion of cigarette smoking among men, women, and children during the first half of the twentieth century brought working people into sustained conflict with managers' demands for diligent attention to labor processes and work rules. Addiction to nicotine led smokers to resist and challenge policies that coldly stood between them and the cigarettes they craved. The book argues that workers' varying abilities to smoke on the job stemmed from the success or failure of sustained opposition to employer policies that restricted or banned smoking. During World War II, workers in defense industries, for example, struck against workplace smoking bans. By the 1970s, opponents of smoking in workplaces began to organize, and changing medical knowledge and dwindling union power contributed further to the downfall of workplace smoking. The demise of the ability to smoke on the job over the past four decades serves as an important indicator of how the power of workers' influence in labor-management relations has dwindled over the same period.

2016 ◽  
Vol 5 (1) ◽  
pp. 186-216
Author(s):  
Leonardo Luiz Silveira Da Silva

Resumo: A descolonização do Oriente Médio que originou novos Estados na região da Bacia do rio Jordão, coincide temporalmente com um novo arranjo da ordem mundial que se reorganizava no período pós-Segunda Guerra Mundial. A trajetória da política externa da Jordânia na segunda metade do século XX é extremamente didática para entendermos os efeitos das relações de poder entre as nações em âmbito regional e global para a mudança de comportamento dos Estados que praticavam políticas anti-hegemônicas. Nesta trajetória destaca-se a intensa disputa pelos escassos recursos hídricos regionais, à medida que o recurso é fundamental para o desenvolvimento das atividades econômicas e para a própria soberania do Estado. Na já distante década de 1950, poucos anos após o conflito da Guerra de Independência que opôs Israel e os Estados árabes vizinhos, a Jordânia passou a adotar uma postura intransigente em relação à aproximação com Israel, apesar dos esforços dos Estados Unidos para promover a estabilidade regional. Com o acordo de paz entre Egito e Israel, mediado pelos Estados Unidos e costurado na virada das décadas de 1970 e 1980, o tabu da oposição sistemática a Israel foi rompido. Desta forma, este artigo tem como objetivo apresentar as mudanças na política externa da Jordânia na segunda metade do século XX, associando estas mudanças às novas estratégias norte-americanas para região, permitindo a compreensão das novas formas de imperialismo que dominam o cenário do Oriente Médio desde a década de 1970.Palavras-Chave: Jordânia, Estados Unidos, Israel, políticas anti-hegemônicas. Abstract: The decolonization of the Middle East that originated in the new states of the Jordan Basin region coincides temporally with a new arrangement of the world order, which is rearranged in the post - World War II period. The trajectory of the Jordanian foreign policy in the second half of the twentieth century is extremely didactic to understand the effects of power relations between nations on a regional and global level to the changing behavior of States which practiced anti - hegemonic politics. On this path there is the intense competition for scarce regional water resources, as the feature is essential for the development of economic activities and the very sovereignty of the state. In the distant 1950s, a few years after the conflict of the War of Independence which opposed Israel and neighboring Arab states, Jordan adopted an uncompromising stance towards rapprochement with Israel, despite U.S. efforts to promote peace in the region. With the peace agreement between Egypt and Israel, brokered by the United States and sewn at the turn of the 1970s and 1980s, the pattern of systematic opposition to Israel was broken. This paper aims to present the changes in Jordan's foreign policy in the second half of the twentieth century, linking these changes to the new US strategy for the region, allowing the understanding of new forms of imperialism which dominate the Middle East scenario since the decade 1970.Keywords: Jordan, United States, Israel, anti - hegemonic politics.


Author(s):  
Eileen H. Tamura

As a leading dissident in the World War II concentration camps for Japanese Americans, Joseph Yoshisuke Kurihara stands out as an icon of Japanese American resistance. In this biography, Kurihara's life provides a window into the history of Japanese Americans during the first half of the twentieth century. Born in Hawaiʻi to Japanese parents who immigrated to work on the sugar plantations, Kurihara was transformed by the forced removal and incarceration of ethnic Japanese during World War II. As an inmate at Manzanar in California, Kurihara became one of the leaders of a dissident group within the camp and was implicated in “the Manzanar incident,” a serious civil disturbance that erupted on December 6, 1942. In 1945, after three years and seven months of incarceration, he renounced his U.S. citizenship and boarded a ship for Japan, never to return to the United States. Shedding light on the turmoil within the camps as well as the sensitive and formerly unspoken issue of citizenship renunciation among Japanese Americans, this book explores one man's struggles with the complexities of loyalty and dissent.


2020 ◽  
Vol 16 (1) ◽  
pp. 50-69
Author(s):  
Claudia Mareis

This article discusses a particular strand in the history of creativity in the mid-twentieth century shaped by an instrumental, production-oriented understanding of the term. When the field of creativity research emerged in the United States after World War II, debates around creativity were driven not only by humanist intents of self-actualization but also by the aim of rendering individual creative potentials productive for both society and economy. Creativity was thus defined in terms of not mere novelty and originality but utility and productivity. There was a strong interest, too, in methods and techniques that promised to systematically enhance human creativity. In this context, the article looks at the formation of brainstorming, a group-based creativity method that came into fashion in the United States around 1950. It discusses how this method had been influenced by concepts of human productivity developed and applied during World War II and prior to it. Using the brainstorming method as a case in point, this article aims not only to shed light on the quite uncharted history of creativity in the mid-twentieth century, but also to stress the conducive role of allegedly trivial creativity methods in the rise of what sociologist Andreas Reckwitz has identified as the “creativity dispositif”: a seemingly playful, but indeed rigid, imperative in post-Fordist and neoliberal societies that demand the constant production of innovative outcomes under flexible, yet self-exploitative working conditions.


Author(s):  
Sikivu Hutchinson

Although early twentieth century humanist discourse was informed by an explicit emphasis on class and socioeconomic redress, contemporary iterations within “organized humanism” have been less definitive. In the post–World War II era, humanist scholars and activists have taken diverse approaches to connecting organized humanism and humanist discourse with class politics and class analyses. Changing demographics in the United States, including the rise of “Religious Nones” and the US shift from a majority white population, may play a prominent role in clarifying the nexus between humanism and class analysis.


Author(s):  
William J. Maxwell

This part marshals the largely uncompiled evidence of FBI author files to suggest that the worst suspicions about the stakeout of Paris noir were basically correct—that Wright was not too wrong, it follows, when he darkly joked that any African American “who is not paranoid is in serious shape,” at least if he or she sought literary license outside the United States during the Hoover era. Two decades before American involvement in World War II opened the floodgates of black Paris, the FBI began to influence the movements of expatriate Afro-modernists—this even as it manipulated “lit.-cop federalism” to nationalize itself in the mind of white America. In the French capital of black transnationalism, and satellites beyond, FBI agents and informers kept tabs on a network of black literary travelers they hoped to link by the vulnerabilities of statelessness alone. Thus, this book's fourth thesis: The FBI helped to define the twentieth-century Black Atlantic, both blocking and forcing its flows.


1984 ◽  
Vol 37 (3) ◽  
pp. 380-397 ◽  
Author(s):  
Alfred S. McLaren

This paper examines the evolution of the arctic submarine and the ever-increasing scientific and commercial potential which have accompanied this evolution over the past 340 years. It is a sporadic history of arctic submarine ideas, concepts and actual experiences with vessels at sea. It happens to be a history that is largely American, with important additions as a result of the experiences of the Germans, Soviets and the British, particularly during World War II. Finally, it is a history in which five early visionaries in particular stand out: Bishop John Wilkins of England; Jules Verne of France; Professor Anschutz-Kampfe of Germany; the submarine designer Simon Lake, of the United States — whose influence extended over four decades until well into the twentieth century; and Sir Hubert Wilkins of Australia.


2000 ◽  
Vol 1 (4) ◽  
pp. 693-698 ◽  
Author(s):  
Marina Moskowitz

A generation of historians, working at the intersection of business history and cultural history, has examined the consumer culture that flourished in the United States in the nineteenth and twentieth centuries. In studies of advertising, marketing, department stores, credit systems, and other aspects of selling and buying, these scholars have shown that American businesses not only produced consumer goods but also created consumer desire.


Author(s):  
Llana Barber

As any ten-year-old in East L.A., or Philly’s El Norte knows, borders tend to follow working-class Latinos wherever they live and regardless of how long they have been in the United States. Mike Davis, Magical Urbanism As the twentieth century drew to a close, Lawrence barely resembled the city it had been at the end of World War II. While its landscape was still dominated by brick mills and triple-decker homes, its economy and population had been profoundly transformed by suburbanization, deindustrialization, and Latino immigration. As scholars develop a distinct historiography of postwar Latino urbanism, Lawrence may not prove to be typical—as no city could possibly be—but its history nonetheless provides a set of essential questions to address: What was the role of U.S. imperialism in the Latinization (and globalization) of U.S. cities in the late twentieth century? How did race and class segregation in the era of suburbanization and urban crisis impact Latino settlement patterns and experiences? How did Latinos fight against disinvestment and discrimination and strive to claim their right to the city? Where did Latinos fit in the larger stigmatization of the “inner city” and the broad turn to conservatism that this discourse helped enable? From the periphery of U.S. empire to the ghettos at its center, Latino migration in the crisis era was a protracted struggle against containment and marginalization. Imperial migrants fought to have in the United States what U.S. intervention had denied them at home, pushing back against barriers of race and class in a segregated metropolitan landscape....


Author(s):  
Lara Kuykendall

The visual artists known as the Regionalists rose to prominence in the United States during the 1930s. They advocated the use of realistic styles to depict the lives and environs of everyday Americans. The most well-known Regionalists were Thomas Hart Benton, Grant Wood, and John Steuart Curry, whose paintings and prints chronicled the agrarian Midwest. During the Great Depression, Regionalism was seen as a comfortingly accessible mode of art. It appeared to celebrate American cultural history using a realistic figural style that repudiated abstraction, which was understood to be a European import. The populist art group Associated American Artists successfully marketed and sold lithographs by many Regionalists to middle-class patrons across the country, thereby extending Regionalism’s influence to those who were not accustomed to owning works of art. The Regionalists’ views of American life were not exclusively flattering, but their approach differed from the critical approach of Social Realists like Ben Shahn or Philip Evergood, whose works illuminated injustices they perceived in contemporary life. The regionalist heyday drew to a close with the advent of World War II and the development of Abstract Expressionism.


2016 ◽  
Vol 32 (1) ◽  
pp. 49-60 ◽  
Author(s):  
Kobayashi Kaori

In 1882, a critic of the journal Theatre noted that ‘the theatrical life of the present day might be described as a round of glorified strolling. The ‘circuits’ of Bristol, Norwich, and York of the last century are now replaced by those of the United States, South Africa, India, and Australia, and a modern actor thinks as little of a season in Melbourne or New York as his grandfather did of a week’s ‘starring’ in Edinburgh.’ Yet the story of how these Western theatre companies reached audiences in the faraway lands of the British Empire and Asia is still relatively untold. In this article Kaori Kobayashi explores in detail some itineraries around the turn of the twentieth century of these travelling companies, many of them relatively obscure, showing that the companies had a particular and significant impact on the development of Shakespearean performance and interpretation in the East. In essence, it is impossible to understand the rise of ‘Asian Shakespeare’ without also grasping how Western touring companies helped shape the East’s engagement with the West’s most canonical dramatist. Kaori Kobayashi is Professor of English at Nagoya City University, author of The Cultural History of The Taming of The Shrew (in Japanese, 2007), and editor of Shakespeare Performance Studies in Japan (in Japanese, 2010).


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