Refiguring the Language of Race

2016 ◽  
Author(s):  
Katja Garloff
Keyword(s):  
Turn Of The Century ◽  
The Other ◽  
Self Awareness ◽  
Love Stories ◽  
The Public ◽  
The Social ◽  
Political Orientations ◽  
Final Verdict ◽  
German Jewish ◽  
The One

This chapter jumps to the turn of the century, when the rise of racial antisemitism fostered a new Jewish self-awareness and rendered “interracial” love and marriage central to the public debates about German Jewish identity. It analyzes three German Jewish writers of different and paradigmatic political orientations, who used love stories to diagnose the reasons for the faltering of emancipation: the assimilationist Ludwig Jacobowski, the Zionist Max Nordau, and the mainstream liberal Georg Hermann. Their works, including Jacobowski's Werther the Jew (1892), Nordau's Doctor Kohn (1899), and Hermann's Jettchen Gebert (1906), show how love stories potentially escape the ideological constraints of increasingly racialized models of identity. On the one hand, the love plot affords an opportunity to expose the obstacles encountered by Jews seeking integration in times of rising antisemitism. On the other hand, the open endings of most love stories and the ambiguous use of racial language allow the authors to eschew a final verdict on the success or failure of integration. The chapter argues that the love plot generates a host of equivocations between the social and the biological, and the particular and the universal, creating a metaphorical surplus that opens up venues to rethink the project of Jewish emancipation and assimilation.

Eugenics and Progressive Thought: a Study in Ideological Affinity

1979 ◽  
Vol 22 (3) ◽  
pp. 645-671 ◽  
Author(s):  
Michael Freeden
Keyword(s):  
Political Theory ◽  
Political Thought ◽  
Turn Of The Century ◽  
The Other ◽  
Central Question ◽  
The Social ◽  
The One ◽  
The Right ◽  
A Minor

The issues raised by eugenics are of more than passing interest for the student of political thought. In itself a minor offshoot of turn-of-the-century socio-biological thought which never achieved ideological ‘take-off’ in terms of influence or circulation, there was certainly more in eugenics than nowadays meets the eye. The following pages propose to depart from the over-simplistic identification of eugenics, as political theory, with racism or ultra-conservatism and to offer instead two alternative modes of interpretation. On the one hand, eugenics will be portrayed as an exploratory avenue of the social-reformist tendencies of early-twentieth-century British political thought. On the other, it will serve as a case-study illustrating the complexity and overlapping which characterize most modern ideologies. While recognizing, of course, the appeal of eugenics for the ‘right’, a central question pervading the forthcoming analysis will be the attraction it had for progressives of liberal and socialist persuasions, with the ultimate aim of discovering the fundamental affinities the ‘left’ had, and may still have, with this type of thinking.

scholarly journals Exposed Pedagogy: Architecture as (a) Medium (of communication)

2021 ◽  
Author(s):  
◽  
Michael Smith
Keyword(s):  
Public Discourse ◽  
The Other ◽  
Social Implications ◽  
The Public ◽  
The Social ◽  
The One ◽  
Stimulation Of ◽  
Three Components

<p>Architecture schools are often isolated from the profession and the public they serve both pedagogically and physically, and often this is justified. Schools are not typically very public. However, schools could play a much greater role in the stimulation of a public discourse around architecture. The intent of this thesis is to examine how architecture can stimulate that discussion and ultimately how architecture could frame that discourse. The thesis proposes that an architecture school can and should be a vehicle for public discourse by way of framing that discourse on the one hand and overtly stimulating it on the other. Specifically, an architecture school has the capacity to contribute to public discourse through the visual affects of form making and the social implications of that same form. The research is divided into three components that chronicle an argument from contextualisation, through investigation to application.</p>

scholarly journals La mediación en sociedades interculturales. Referencia a la posible actuación del Defensor del Pueblo en procesos de mediación = Mediation in intercultural societies. Possible Ombudsman’s action in mediation processes

2018 ◽  
pp. 87
Author(s):  
María Pérez-Ugena Coromina
Keyword(s):  
Social Perception ◽  
The State ◽  
The Other ◽  
Neutral Position ◽  
Formal Aspect ◽  
Public Authorities ◽  
The Public ◽  
The Social ◽  
The One ◽  
Mediation Processes

Resumen: El objeto de este trabajo es una reflexión acerca de los conflictos que surgen en sociedades interculturales como consecuencia de marcos más plurales, acompañada de una propuesta de cauces de solución. Nos planteamos la conveniencia de utilizar mecanismos extrajudiciales de resolución de conflictos, en particular la mediación, como medio especialmente adecuado para este tipo de controversias. La integración en sociedades plurales exige un esfuerzo y toma de postura por el Estado. Los poderes públicos deben implicarse en lograr un mayor grado de convivencia democrática, incidiendo en el aspecto real y no formal de la libertad y la igualdad, de manera coherente con la concepción social del Estado. El Defensor del Pueblo es una figura idónea para poder actuar como mediador en conflictos propios de la interculturalidad. Su contacto con los problemas sociales, de una parte, y su posición neutral, basada en la auctoritas, de otra, le atribuyen unas características muy interesantes para que pueda ejercer esta función. Asumiría así el Estado este papel a través de la institución que resulta más cercana a la ciudadanía. Esto, a su vez, podría revertir en una mejora de la percepción social del Defensor del Pueblo.Palabras clave: Interculturalismo, mediación, Defensor del Pueblo.Abstract: The purpose of this work is a reflection on the conflicts that arise in intercultural societies as a consequence of more plural frameworks, accompanied by a proposal of channels of solution. We consider the convenience of using extrajudicial mechanisms for resolving conflicts, particularly mediation, as a particularly appropriate means for this type of dispute. The integration in plural societies requires an effort and takes position by the State. The public authorities must be involved in achieving a greater degree of democratic coexistence, focusing on the real and non-formal aspect of freedom and equality, in a manner consistent with the social conception of the State. The Ombudsman is an ideal figure to be able to act as mediator in conflicts of interculturality. His contact with social problems, on the one hand, and his neutral position, based on the auctoritas, on the other, attribute him some very interesting characteristics so that he can exercise this function. The State would assume this role through the institution that is closest to citizenship. This, in turn, could lead to an improvement in the social perception of the Ombudsman.Keywords: Interculturalism, mediation, Ombudsman. 

scholarly journals Social insurance in the Second Republic of Poland. Social advantage or the policy of caution

2015 ◽  
Vol 33 (1) ◽  
pp. 37-54
Author(s):  
Karol Chylak
Keyword(s):  
Social Insurance ◽  
Social Groups ◽  
The State ◽  
The Other ◽  
Second Republic ◽  
Social Insurance System ◽  
The Public ◽  
The Social ◽  
Uncertain Future ◽  
The One

Abstract Social insurance was conceived from a great thought of the social caution, from the thought of protection of an uncertain future. That thought of caution, during the time of development of social insurance, was implemented by the public entities on the one hand and by the civil activity on the other one. However, the process of creation of the social insurance system in Poland did not represent the policy of caution executed by the state. The only sign of caution could be seen with reference to the insurance associations as there the participants decided whether to enter the system or not whereas the state executed the policy of giving privileges to the certain social groups

scholarly journals Exposed Pedagogy: Architecture as (a) Medium (of communication)

2021 ◽  
Author(s):  
◽  
Michael Smith
Keyword(s):  
Public Discourse ◽  
The Other ◽  
Social Implications ◽  
The Public ◽  
The Social ◽  
The One ◽  
Stimulation Of ◽  
Three Components

<p>Architecture schools are often isolated from the profession and the public they serve both pedagogically and physically, and often this is justified. Schools are not typically very public. However, schools could play a much greater role in the stimulation of a public discourse around architecture. The intent of this thesis is to examine how architecture can stimulate that discussion and ultimately how architecture could frame that discourse. The thesis proposes that an architecture school can and should be a vehicle for public discourse by way of framing that discourse on the one hand and overtly stimulating it on the other. Specifically, an architecture school has the capacity to contribute to public discourse through the visual affects of form making and the social implications of that same form. The research is divided into three components that chronicle an argument from contextualisation, through investigation to application.</p>

Lorenzo at ‘The Theatre’ Meeting actors and audience

2018 ◽  
pp. 13-38
Author(s):  
N. Ceramella
Keyword(s):  
Social Structure ◽  
Social Situation ◽  
The Other ◽  
Detailed Account ◽  
The Social ◽  
New Perspective ◽  
The One

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.

State of Fashion: Searching for the New Luxury

APRIA Journal ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 11-16
Author(s):  
José Teunissen
Keyword(s):  
Twentieth Century ◽  
Daily Life ◽  
Life Cycles ◽  
The Other ◽  
Century Model ◽  
Cocktail Party ◽  
The Public ◽  
Other Hand ◽  
The One

In the last few years, it has often been said that the current fashion system is outdated, still operating by a twentieth-century model that celebrates the individualism of the 'star designer'. In I- D, Sarah Mower recently stated that for the last twenty years, fashion has been at a cocktail party and has completely lost any connection with the public and daily life. On the one hand, designers and big brands experience the enormous pressure to produce new collections at an ever higher pace, leaving less room for reflection, contemplation, and innovation. On the other hand, there is the continuous race to produce at even lower costs and implement more rapid life cycles, resulting in disastrous consequences for society and the environment.

scholarly journals A Public Safety Compliance Model of Safety Behaviors in the Age of the COVID-19 Pandemic

2021 ◽  
Vol 58 ◽  
pp. 004695802110313
Author(s):  
Mohammad Al-Bsheish ◽  
Mu’taman Jarrar ◽  
Amanda Scarbrough
Keyword(s):  
Public Safety ◽  
The Other ◽  
Safety Behaviors ◽  
Economic Sectors ◽  
The Public ◽  
Safety Compliance ◽  
Heavy Burden ◽  
Compliance Model ◽  
Entire World ◽  
The One

The outbreak of COVID-19 has placed a heavy burden on society, threatening the future of the entire world as the pandemic has hit health systems and economic sectors hard. Where time moves fast, continuing curfews and lockdown is impossible. This paper assembles three main safety behaviors, social distancing, wearing a facemask, and hygiene in one model (PSC Triangle) to be practiced by the public. Integrating public safety compliance with these behaviors is the main recommendation to slow the spread of COVID-19. Although some concerns and challenges face these practices, the shifting of public behaviors to be more safety-centered is appropriate and available as an urgent desire exists to return to normal life on the one hand and the medical effort to find effective cure or vaccine that has not yet succeeded on the other hand. Recommendations to enhance public safety compliance are provided.

Interactional means of teaming up: enacting the features of contemporary working life in a theater performance

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic
Keyword(s):  
Working Life ◽  
Social World ◽  
The Other ◽  
Social Setting ◽  
Live Performance ◽  
Societal Issues ◽  
The Core ◽  
The Social ◽  
Workplace Organization ◽  
The One

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.

scholarly journals Heritage Artefacts in the COVID-19 Era: The Aura and Authenticity of 3D Models

2021 ◽  
Vol 7 (1) ◽  
pp. 519-539
Author(s):  
Thiago Minete Cardozo ◽  
Costas Papadopoulos
Keyword(s):  
User Experience ◽  
Three Dimensional ◽  
3D Models ◽  
Essential Elements ◽  
The Other ◽  
Social Distancing ◽  
The Public ◽  
Affective Experiences ◽  
The One ◽  
Digital Engagement

Abstract Museums have been increasingly investing in their digital presence. This became more pressing during the COVID-19 pandemic since heritage institutions had, on the one hand, to temporarily close their doors to visitors while, on the other, find ways to communicate their collections to the public. Virtual tours, revamped websites, and 3D models of cultural artefacts were only a few of the means that museums devised to create alternative ways of digital engagement and counteract the physical and social distancing measures. Although 3D models and collections provide novel ways to interact, visualise, and comprehend the materiality and sensoriality of physical objects, their mediation in digital forms misses essential elements that contribute to (virtual) visitor/user experience. This article explores three-dimensional digitisations of museum artefacts, particularly problematising their aura and authenticity in comparison to their physical counterparts. Building on several studies that have problematised these two concepts, this article establishes an exploratory framework aimed at evaluating the experience of aura and authenticity in 3D digitisations. This exploration allowed us to conclude that even though some aspects of aura and authenticity are intrinsically related to the physicality and materiality of the original, 3D models can still manifest aura and authenticity, as long as a series of parameters, including multimodal contextualisation, interactivity, and affective experiences are facilitated.

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