scholarly journals The Socio-cultural and Political Undertones in Demetillo's Barter in Panay: An Epic

2014 ◽  
Vol 16 (1) ◽  
Author(s):  
Leo Andrew B. Biclar

The Philippines, a treasury of oral folk epics, calls us for opportunities to research epics in transition, documenting and introducing them to wider audiences. Losing of the epic tradition attracts national and international attention and becomes a concern of the state and the educational system. This study is focused on the metahistorical contexts of the epic Barter in Panay by Ricaredo Demetillo (1961) who gathered his materials from Maragtas. The study is anchored to Hornedo’s (2004) theory of reality frames in teaching literature. Employing descriptive-qualitative method of research through textual analysis unfolds the value of the text as literary and historical records. The study aims to answer: How the narrative structure of the epic unveils the political and social practices of the Visayan people? How the characterization reveals the themes and metahistorical contexts of the epic? Barter in Panay reflects the “sweetness and light” of the Filipino lifeways-its unique genetic origin and rich traditions. The voice in the epic sketches the community beyond the spatial and projects itself into the future who continues his legacy to the young listening to the tales. The epic contains historically self-aware characters providing integral engines to the Filipino identity. The study benchmarks for literary-anthropological research.Keywords – Literature, Barter in Panay, metahistorical contexts, reality frames of teaching literature, Central Panay, folk literature, descriptive design, Philippines 

2018 ◽  
Vol 7 (1) ◽  
pp. 20
Author(s):  
Andri Wicaksono

Abstrak: Penelitian ini bertujuan mendeskripsikan realitas sejarah sosial-politik Indonesia dalam novel Larasati karya Pramoedya Ananta Toer dengan perspektif New Historicism. Penelitian ini menggunakan metode kualitatif interpretif dengan paralel pembacaan antara karya sastra dengan teks sejarah dan desain analisis isi. Gambaran realitas sejarah sosial dan politik Indonesia (periode 1945 hingga 1966) dalam novel Larasati dengan perspektif New Historicism Greenblatt dianggap efektif untuk mengeksplorasi fenomena teks sastra. Novel ini secara langsung berkaitan dengan manifestasi politik Indonesia yang meliputi (1) struktur ideologi yang digunakan untuk memperkuat kekuatan berbasis negara, dan (2) praktik diskursif, bahasa politik yang mengacu pada konstruksi pengetahuan melalui bahasa yang memberi makna pada segi material dan praktik sosial-politik yang melingkupinya.Kata-kata kunci: historisisme baru, ideologi, politik, praktik diskursif Abstract: This study aimed to describe the nature of social and political history reality of Indonesia in novel Larasati by Pramoedya Ananta Toer through New Historicism perspective. The research used interpretive qualitative method on the readability parallel between literary and historical texts also content analysis design. The description of social and political history reality of Indonesia (period 1945 until 1966) in the novel by using the perspective of New Historicism Greenblatt is considered effective in exploring the phenomenon of literary text. The novel is directly related to the political manifestation of Indonesia that covers (1) ideology structure used to reinforce the state-based power and (2) political discursive practices, the political language that refers to the knowledge construction through the language that gives meaning to the material aspects and social practices. Keywords: new historicism, ideology, political, discursive practices 


2020 ◽  
Vol 10 ◽  
pp. 51-62
Author(s):  
Indira Acharya Mishra

This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ridicule the restrictive feminine gender roles that limit women's opportunity. To examine the voice of protest against patriarchy in the selected poems, the article takes theoretical support from French feminism, though not limited to it. The finding of the article suggests that Nepali women have used the genre to the political end, as a medium to advocate women's rights.


2019 ◽  
Vol 3 (1) ◽  
pp. 82
Author(s):  
Mhd Alfahjri Sukri

This research was conducted to see how Mohammad Natsir thought about the relationship between Islam and Pancasila. This study also explains the causes of Natsir's change of mind which initially supported Pancasila as part of Islam and later turned into an opponent of Pancasila in Konstituante on 11 November to 6 December 1957. The methodology used was a qualitative method by describing the results of the analysis carried out. The research data is obtained through a review of documents and scientific literature. The results of the study show that Mohammad Natsir's change of mind regarding the relationship between Islam and Pancasila was influenced by Mohammad Natsir's political socialization which began from Natsir's view of Islam influenced by the childhood environment (conditional and socio-cultural) in Minangkabau; direct influence from national figures such as Ahmad Hassan, H. Agus Salim, Sheikh Ahmad Syurkati and H. O Tjokroaminoto; the indirect influence of international figures throughout reading book such as Hassan Al-Banna, Amir Syakib Arselan, Rashid Ridha and Muhammad Abduh; the influence of Natsir's organization and political parties, namely Jong Islamieten Bond (JIB), Islamic Unity (Persis), and Masyumi political parties; and the influence of the political conditions at that time which made Natsir's views change, which initially accepted Pancasila and then became an opponent of the Pancasila. This research shown there are two patterns of Natsir's relationship with Pancasila, namely (1) Natsir accepted Pancasila and, (2) Natsir opposed Pancasila.


Author(s):  
Celine Parreñas Shimizu

Transnational films representing intimacy and inequality disrupt and disgust Western spectators. When wounded bodies within poverty entangle with healthy wealthy bodies in sex, romance and care, fear and hatred combine with desire and fetishism. Works from the Philippines, South Korea, and independents from the United States and France may not be made for the West and may not make use of Hollywood traditions. Rather, they demand recognition for the knowledge they produce beyond our existing frames. They challenge us to go beyond passive consumption, or introspection of ourselves as spectators, for they represent new ways of world-making we cannot unsee, unhear, or unfeel. The spectator is redirected to go beyond the rapture of consuming the other to the rupture that arises from witnessing pain and suffering. Self-displacement is what proximity to intimate inequality in cinema ultimately compels and demands so as to establish an ethical way of relating to others. In undoing the spectator, the voice of the transnational filmmaker emerges. Not only do we need to listen to filmmakers from outside Hollywood who unflinchingly engage the inexpressibility of difference, we need to make room for critics and theorists who prioritize the subjectivities of others. When the demographics of filmmakers and film scholars are not as diverse as its spectators, films narrow our worldviews. To recognize our culpability in the denigration of others unleashes the power of cinema. The unbearability of stories we don’t want to watch and don’t want to feel must be borne.


Asian Survey ◽  
1986 ◽  
Vol 26 (2) ◽  
pp. 127-140 ◽  
Author(s):  
Bernardo M. Villegas

1994 ◽  
Vol 53 (1) ◽  
pp. 124-131 ◽  
Author(s):  
Terutomo Ozawa

Structural upgrading and industrial dynamismin Pacific Asia—initially Japan, then the Asian NIEs (Newly Industrializing Economies: South Korea, Taiwan, Hong Kong, and Singapore) following closely behind, and most recently, ASEAN 4 (Thailand, Malaysia, Indonesia, and the Philippines)—have been unprecedentedly phenomenal. This regional supergrowth in industrial activities has become the center of attention, but the evolving changes in the political systems and societal structures of the Pacific Asian nations have been, no doubt, equally important, although rather subtle and not so dramatic in appearance.


Author(s):  
Svetlana M. Klimova ◽  

The article examines the phenomenon of the late Lev Tolstoy in the context of his religious position. The author analyzes the reactions to his teaching in Russian state and official Orthodox circles, on the one hand, and Indian thought, on the other. Two sociocultural images of L.N. Tolstoy: us and them that arose in the context of understanding the position of the Russian Church and the authorities and Indian public and religious figures (including Mahatma Gandhi, who was under his influence). A peculiar phenomenon of intellectually usL.N. Tolstoy among culturally them (Indian) correspondents and intellectually them Tolstoy among culturally us (representatives of the official government and the Church of Russia) transpires. The originality of this situation is that these im­ages of Lev Tolstoy arise practically at the same period. The author compares these images, based on the method of defamiliarisation (V. Shklovsky), which allows to visually demonstrate the religious component of Tolstoy’s criticism of the political sphere of life and, at the same time, to understand the psychological reasons for its rejection in Russian official circles. With the methodological help of defamiliarisation the author tries to show that the opinion of Tolstoy (as the writer) becomes at the same time the voice of conscience for many of his con­temporaries. The method of defamiliarisation allowed the author to show how Leo Tolstoy’s inner law of nonviolence influenced the concept of non­violent resistance in the teachings of Gandhi.


Author(s):  
D.A. Tomiltseva ◽  
A.S. Zheleznov

Artificial agents i.e., man-made technical devices and software that are capable of taking meaningful actions and making independent decisions, permeate almost all spheres of human life today. Being new political actants, they transform the nature of human interactions, which gives rise to the problem of ethical and political regulation of their activities. Therefore, the appearance of such agents triggers a global philosophical reflection that goes beyond technical or practical issues and makes researchers return to the fundamental problems of ethics. The article identifies three main aspects that call for philosophical understanding of the existence of artificial agents. First, artificial agents reveal the true contradiction between declared moral and political values and real social practices. Learning from the data on the assessments and conclusions that have already taken place, artificial agents make decisions that correspond to the prevailing behavioral patterns rather than moral principles of their creators or consumers. Second, the specificity of the creation and functioning of artificial agents brings the problem of responsibility for their actions to the forefront, which, in turn, requires a new approach to the political regulation of the activities of not only developers, customers and users, but also the agents themselves. Third, the current forms of the activity of artificial agents shift the traditional boundaries of the human and raise the question of redefining the humanitarian. Having carefully analyzed the selected aspects, the authors reveal their logic and outline the field for further discussion.


Sign in / Sign up

Export Citation Format

Share Document