scholarly journals SEJARAH POLITIK INDONESIA DALAM NOVEL LARASATI KARYA PRAMOEDYA ANANTA TOER

2018 ◽  
Vol 7 (1) ◽  
pp. 20
Author(s):  
Andri Wicaksono
Keyword(s):  
Qualitative Method ◽  
Political History ◽  
Social Practices ◽  
New Historicism ◽  
The Political ◽  
The Novel ◽  
Discursive Practices ◽  
Historical Texts ◽  
Pramoedya Ananta Toer ◽  
Analysis Design

Abstrak: Penelitian ini bertujuan mendeskripsikan realitas sejarah sosial-politik Indonesia dalam novel Larasati karya Pramoedya Ananta Toer dengan perspektif New Historicism. Penelitian ini menggunakan metode kualitatif interpretif dengan paralel pembacaan antara karya sastra dengan teks sejarah dan desain analisis isi. Gambaran realitas sejarah sosial dan politik Indonesia (periode 1945 hingga 1966) dalam novel Larasati dengan perspektif New Historicism Greenblatt dianggap efektif untuk mengeksplorasi fenomena teks sastra. Novel ini secara langsung berkaitan dengan manifestasi politik Indonesia yang meliputi (1) struktur ideologi yang digunakan untuk memperkuat kekuatan berbasis negara, dan (2) praktik diskursif, bahasa politik yang mengacu pada konstruksi pengetahuan melalui bahasa yang memberi makna pada segi material dan praktik sosial-politik yang melingkupinya.Kata-kata kunci: historisisme baru, ideologi, politik, praktik diskursif Abstract: This study aimed to describe the nature of social and political history reality of Indonesia in novel Larasati by Pramoedya Ananta Toer through New Historicism perspective. The research used interpretive qualitative method on the readability parallel between literary and historical texts also content analysis design. The description of social and political history reality of Indonesia (period 1945 until 1966) in the novel by using the perspective of New Historicism Greenblatt is considered effective in exploring the phenomenon of literary text. The novel is directly related to the political manifestation of Indonesia that covers (1) ideology structure used to reinforce the state-based power and (2) political discursive practices, the political language that refers to the knowledge construction through the language that gives meaning to the material aspects and social practices. Keywords: new historicism, ideology, political, discursive practices 

Archival Enthusiasm

2020 ◽  
pp. 68-102
Author(s):  
Lindsay V. Reckson
Keyword(s):  
Jim Crow ◽  
Political History ◽  
Racial Violence ◽  
The Political ◽  
The Novel ◽  
Death Scene ◽  
Moving Body ◽  
Jim Crow Era ◽  
History Of ◽  
Religious Enthusiasm

This chapter examines the ecstatic performances haunting Stephen Crane’s 1895 narrative of the Civil War, The Red Badge of Courage. While much has been made of the way the novel strategically “forgets” the political history of the war, this chapter analyzes the novel’s complex overlay of religious enthusiasm and minstrel performance, exploring how Red Badge deploys these forms in order to grapple with the embodied semiotics of the Jim Crow era. Recovering traces of the midcentury minstrel figure “Dandy Jim of Caroline” in Jim Conklin’s exuberant death scene, the chapter argues that the narrative afterlife of such traces reveals the novel’s tendency to simultaneously erase and embed the excesses of war and postwar racial violence. Marking the historical resonance between minstrelsy and religious enthusiasm in their objectification of the moving body, Red Badge’s performances treat bodies as kinetic archives, whose stylized gestures offer stunning testimony to history’s traumatic returns. In this sense, the novel treats the ambivalence of performance as precisely the arena in which literature might grapple with history’s unaccountable remainders.

scholarly journals PERTENTANGAN DAN KESADARAN KELAS DALAM NOVEL BUMI MANUSIA KARYA PRAMOEDYA ANANTA TOER (PENDEKATAN TEORI MARXIS)

2017 ◽  
Vol 9 (1) ◽  
Author(s):  
Risnawati Risnawati ◽  
Anshari Anshari ◽  
Aslan Abidin
Keyword(s):  
Qualitative Method ◽  
Marxist Theory ◽  
Native People ◽  
Class Conflict ◽  
Class Consciousness ◽  
Theory Approach ◽  
The Novel ◽  
Pramoedya Ananta Toer ◽  
Maximum Effort ◽  
Abstract Class

Abstract. Class Antagonism and Class Consciousness In Novel Human Earth Works Pramoedya Ananta Toer (Marxist Theory Approach). The purpose of this study was to: (1) Describe the picture of class conflict in the novel Earth of Mankind by Pramoedya Ananta Toer. (2) Describe the class consciousness of the Earth Novel Human Pramoedya Ananta Toer. The method used in this research is descriptive qualitative method. The data used in this study a sentence or paragraph that contains a picture of class conflict and class consciousness that is present in Earth's novel Man Pramoedya Ananta Toer. Data collected by reading techniques and note techniques. Based on this analysis we can conclude several things, namely: (1) the class antagonism is one form of fraud against human values, because in it there is oppression, deprivation, injustice and lack of freedom the Proletariat. The bourgeoisie has caused many problems of humanity. The conflict that led to the conflict between Native people are Nyai Ontosoroh as the Proletariat by Europeans as the bourgeoisie. (2) Nyai and Minke has been trying hard to fight against the bourgeoisie. However, not all desirable things can be owned and not all desired can be realized even with maximum effort. A struggle not only be seen from the results, but can be seen as a long process that forms an inner personality.

scholarly journals 'Aku Terbakar Amarah Sendirian': Pena Pram di Bawah Regim Soeharto

2018 ◽  
Vol 19 (1) ◽  
pp. 25
Author(s):  
Dina Dyah Kusumayanti
Keyword(s):  
Historical Background ◽  
Literary Texts ◽  
The Political ◽  
The Novel ◽  
Sociology Of Literature ◽  
Political Issues ◽  
Political Events ◽  
Pramoedya Ananta Toer ◽  
Points Of View ◽  
Political Decisions

This article aims at examining Pramudya Ananta Toer’s Buru Tetralogy. Many literary scholars have studied this tetralogy from the points of view of nationalism, posctolonialism, and feminism. However, this article presupposes that this tetralogy is conscpicuous especially regarding the political nuance of the ruling regime and some political issues encountered by the protagonist, Minke. Sosiology of literature is the approach underpinning the scrutiny of four novels incorporated in the tetralogy. Swingewood’s sociology of literature helps this current research to find any relation between the political and historical background of the novels and detils on the political issues found in them. Results show that some political agendas in the novel have proven equal to some political agendas under the Soeharto regim. Oligopoly and oligarchy in the novels which are practiced by the regim is an instance to this. This paper elucidated the regim’s political decisions and the political events confronted by Minke. Constraint of this research is on its textual examination of Pram’s tetralogy Buru. In order to investigate these literary texts and the historical political moments under Soeharto’s regime, further research on the historical and political events of the regime need to be elucidated and have to refer to the historical and political documents and medias.      Key words: Tetralogy Buru, sociology of literature, historical and political issues, Pramoedya Ananta Toer.

scholarly journals OFFRED AS THE VICTIM OF TOTALITARIANISM IN MARGARET ATWOOD’S THE HANDMAID’S TALE

Prosodi ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 15-26
Author(s):  
Ribka Transiska Deboranti ◽  
Mamik Tri Wedati
Keyword(s):  
Political System ◽  
Qualitative Method ◽  
Hannah Arendt ◽  
Margaret Atwood ◽  
Literary Work ◽  
The Political ◽  
The Novel ◽  
The Republic ◽  
The Way ◽  
Descriptive Qualitative

This study uses descriptive qualitative method which focusing on the literary work in the novel and interpretation on the analysis. The main data is taken from the novel The Handmaid’s Tale written by Margaret Atwood. This subject of study focus on the influences of totalitarianism held in the Republic of Gilead and how Offred resists totalitarianism in the novel. In order to analyze the text, this study uses the theory of Totalitarianism by Friedrich and Brzeziinski and Hannah Arendt. The result of this analysis depicts the political system of totalitarianism in Gilead influences their societies, especially Offred and the way to resist against the regime. The features of totalitarianism are used to depict the characteristics of totalitarianism that happen in Gilead society. The totalitarianism ideology brings Offred’s action to resist against it.

scholarly journals THE STYLES OF JAVANESE POLITICAL LEADERSHIP IN PRAMOEDYA ANANTA TOER’S NOVEL AROK DEDES

2021 ◽  
Vol 3 (2) ◽  
pp. 103-113
Author(s):  
Yuhandri Pane ◽  
M. Manugeren ◽  
Purwarno Purwarno
Keyword(s):  
Leadership Style ◽  
Qualitative Method ◽  
Political Leadership ◽  
Cultural Norms ◽  
The Novel ◽  
Sense Of Ownership ◽  
Individual Personality ◽  
Norms And Values ◽  
Pramoedya Ananta Toer ◽  
The Individual

The research is focused on the styles of Javanese political leadership revealed in the novel Arok Dedes written by Pramoedya Ananta Toer. The Javanese leadership style is a cultural heritage and deserves to be maintained and revitalized and to be adjusted to the changing of times. Javanese people live side by side in harmony with cultural norms and values  and lifestyle becomes an ethnic identity.  The objectives are to find styles and how the styles of Javanese political leadership are revealed in Pramoedya Ananta Toer’s novel Arok Dedes. A theory of Javanese leadership style, with its slogan of 5Ms is used a base and the whole research is conducted by means of descriptive qualitative method revealing the individual personality. The results show that the 5Ms of style are found in the novel: 1) melek/awas (awareness), 2) melik (sense of ownership), 3) muluk (poverty solution, 4) melok (aspiration realization), and 5) meluk (accomodation), all of which are performed by a leader of Tumapel district, named Ken Arok. 

scholarly journals Arok Dedes dan Pararaton: Transformasi Dan Dinamika Sastra dalam Wacana Globalisasi Sastra

ATAVISME ◽  
2013 ◽  
Vol 16 (1) ◽  
pp. 119-128
Author(s):  
Trisna Kumala Satya Dewi
Keyword(s):  
Historical Context ◽  
Literary Work ◽  
The Political ◽  
The Novel ◽  
13Th Century ◽  
Power Politics ◽  
Key Words Transformation ◽  
Pramoedya Ananta Toer ◽  
Literary Phenomenon

Arok Dedes karya Pramoedya Ananta Toer (1999) merupakan sebuah potret dinamika sastra sebagai akibat transformasinya dari karya terdahulu, yaitu Pararaton karya sastra Jawa Kuna yang termashur. Novel Arok Dedes, dalam hal relevansinya dengan konteks sejarah pun, merupakan suatu gejala sastra yang dinamis sebab dinamika sastra tidak terlepas dari sejarah. Dalam novel Arok Dedes, lewat kepiawaian dan proses kreatifnya, Pramoedya Ananta Toer berusaha mengungkapkan kembali peristiwa pada abad ke-13 sebagai sebuah sindiran untuk peristiwa masa kini, khususnya pada abad 20-an. Arok Dedes mengisahkan perebutan kekuasaan pertama dalam sejarah bangsa Indonesia, yang konon merupakan pengulangan peristiwa masa lalu. Pramoedya Ananta Toer sebagai pengarang Arok Dedes cukup berhasil dalam mengangkat ’mitos’ Dedes dan mengungkapkannya dalam wacana globalisasi. Peran Dedes cukup menonjol dalam percaturan politik, kekuasaan, dan negara sebab Dedeslah penyusun strategi pemindahan kekuasaan dari suaminya (Tunggul Ametung) ke tangan Arok. Mitos tentang Ken Dedes yang memiliki kharisma ’kebesaran’ atau ’prabawa’ (kewibawaan) yang digali oleh Pramoedya Ananta Toer dari Pararaton ini menjadikan Arok Dedes sebagai karya sastra modern yang patut disimak, khususnya dalam wacana globalisasi sekarang ini. Dedes, sebagai sosok perempuan, berkaitan dengan kekuasaan, politik, dan kenegaraan. Abstract: Pramoedya Ananta Toer’s Arok Dedes (1999) is a portrait of literary dynamics as the result of its transformation from the previous work, namely Pararatonan outstanding literary work of old Java. The novel of Arok Dedes, in its relevance with historical context, means a dynamic literary phenomenon because the literary dynamics cannot be separated from history. In the novel Arok Dedes, through his creative sophistication and process, Pramoedya Ananta Tour attempted to retell the 13th century of the event as a satire on present events, especially in the 20th century. Arok Dedes narrated the struggle for the first power in Indonesian history, which is a repetition of preceding events. Pramoedya Ananta Tour, as the author of Arok Dedes, was successful enough in presenting Dedes’ myth and expressing it in globalization discourses. The role of Dedes was noteworthy in the political domain, power, and state because Dedes was the mastermind of power transfer from her husband (Tunggul Ametung) to Arok. The myth of Ken Dedes having prestige or wisdom dug by Pramoedya Ananta Tour from Pararaton makes Arok Dedes a significant modern literary work, particularly in the current globalization discourses. Dedes, as woman figure, was related to power, politics, and state. Key Words: transformation, discourse, globalization

scholarly journals Bolivia Hoy: Rupturas, inercias y desafios

2011 ◽  
Vol 18 ◽  
pp. 23-48 ◽  
Author(s):  
Pablo Stefanoni
Keyword(s):  
Political History ◽  
The Political ◽  
The Novel ◽  
Social Equality ◽  
The Past ◽  
Constituent Assembly ◽  
The Social ◽  
The Government ◽  
Vague Objective ◽  
The Way

The arrival of Evo Morales to power in January of 2006 –supported with an unprecedent 54% of the votes– marked a milestone in Bolivian political history and opened the way to an ambitious project of re-foundation of the country. Those events were translated in the call for a Constituent Assembly and in the nationalization of hydrocarbons, within the framework of a strong “ruralización de la política”. More than five years of that one triumph has passed and after a re-election with 64% of the votes in December 2009 that consolidated the “evista” hegemonyhas declined.  Now the government faces a series of challenges tied to the effective materialization of the change proposed in the re-foundational speeches. This article analyses the novel experience of “Indians in the power” centered in the tension between the changes implemented and the inertias of the past in spheres such as the democratic radicalization, the social equality, the model of development, and the political project. All these themes affected by a powerful, and yet somehow vague objective: the decolonization of the country.La llegada de Evo Morales al poder en enero de 2006 ―avalado con un inédito 54% de los votos― marcó un punto de inflexión en la historia política boliviana y abrió paso a un ambicioso proyecto de refundación del país. Esos ejes se tradujeron en la convocatoria a una Asamblea Constituyente y en la nacionalización de los hidrocarburos, en el marco de una fuerte “ruralización de la política”.  A más de cinco años de aquel triunfo y luego de una reelección con el 64% en diciembre de 2009 que consolidó la hegemonía “evista”, el gobierno enfrenta una serie de retos vinculados a la materialización efectiva del cambio propuesto en los discursos refundacionales. En este artículo se analiza esta experiencia novedosa de “los indios en el poder” centrada en la tensión entre los cambios operados y las inercias del pasado en esferas como la radicalización democrática, la igualdad social, el modelo de desarrollo y el proyecto político. Temas todos ellos atravesados por un objetivo tan poderoso como por momentos impreciso: la descolonización del país.

scholarly journals MAKNA PERJUANGAN DALAM NOVEL INDONESIA BERLATAR PERANG KEMERDEKAAN (TINJAUAN NEW HISTORICISM GREENBLATT)

2019 ◽  
Vol 18 (2) ◽  
pp. 210-220
Author(s):  
Andri Wicaksono
Keyword(s):  
Literary Texts ◽  
Primary Data ◽  
New Historicism ◽  
The Novel ◽  
Historical Texts ◽  
Freedom Fighters ◽  
History Of ◽  
Data Source ◽  
The Republic ◽  
Events Data

Through this new approach of historicism, this study aims to reveal the construction of the meaning of "striving" in a new historical perspective, either by 'republican' or ruler (colonist who wants to set foot again). The novels characterized by the background during the independence war were chosen to be the primary data source in this study. The method used in the research is qualitative interpretive, namely the parallel reading between literary texts representing the history of the Indonesian struggle with historical texts depicting similar events. Data analysis techniques used are content analysis consisting of three paths, including: data reduction, data presentation, and conclusion drawing or verification. The results showed that the meaning of the struggle in the novel consists of two points of view, namely for the republic and ruler (colonizers: England who dibonceng NICA). From the perspective of freedom fighters, the republic considers the figures involved to show respect for the national struggle and to contribute to defending the independence already achieved. As for the opposite, for the colonizing nation (the Netherlands), struggling in that perspective is no more proper "terrorist and thief".

scholarly journals The Socio-cultural and Political Undertones in Demetillo's Barter in Panay: An Epic

2014 ◽  
Vol 16 (1) ◽  
Author(s):  
Leo Andrew B. Biclar
Keyword(s):  
Qualitative Method ◽  
Narrative Structure ◽  
The Philippines ◽  
Social Practices ◽  
The Political ◽  
Genetic Origin ◽  
Teaching Literature ◽  
International Attention ◽  
Folk Literature ◽  
The Voice

The Philippines, a treasury of oral folk epics, calls us for opportunities to research epics in transition, documenting and introducing them to wider audiences. Losing of the epic tradition attracts national and international attention and becomes a concern of the state and the educational system. This study is focused on the metahistorical contexts of the epic Barter in Panay by Ricaredo Demetillo (1961) who gathered his materials from Maragtas. The study is anchored to Hornedo’s (2004) theory of reality frames in teaching literature. Employing descriptive-qualitative method of research through textual analysis unfolds the value of the text as literary and historical records. The study aims to answer: How the narrative structure of the epic unveils the political and social practices of the Visayan people? How the characterization reveals the themes and metahistorical contexts of the epic? Barter in Panay reflects the “sweetness and light” of the Filipino lifeways-its unique genetic origin and rich traditions. The voice in the epic sketches the community beyond the spatial and projects itself into the future who continues his legacy to the young listening to the tales. The epic contains historically self-aware characters providing integral engines to the Filipino identity. The study benchmarks for literary-anthropological research.Keywords – Literature, Barter in Panay, metahistorical contexts, reality frames of teaching literature, Central Panay, folk literature, descriptive design, Philippines 

scholarly journals Women's Resistance in Indonesian Drama (A Gender Study)

2021 ◽  
Vol 58 (2) ◽  
pp. 4693-4701
Author(s):  
Budi Waluyo, Andrik Purwasito, Warto, Slamet Subiyantoro
Keyword(s):  
Qualitative Method ◽  
Colonial Period ◽  
Gender Justice ◽  
The Novel ◽  
Dutch Government ◽  
Gender Study ◽  
Pramoedya Ananta Toer ◽  
The Mind ◽  
Resistance Movement ◽  
Dutch Colonial

Gender injustice problems experienced by women have led to the emergence of the women's resistance movement. Not only today, women's resistance to gender injustice has existed even before Indonesia gained its independence. Nyai Ontosoroh is one of the characters in Bumi Manusia, a novel written by Pramoedya Ananta Toer which reflects women's resistance to gender injustice during the Dutch colonial period. Nyai Ontosoroh’s struggle in the novel was later adapted in a drama entitled “Nyai Ontosoroh” by R Giryadi. The main focus in the drama is Nyai Ontosoroh's resistance to various gender injustices she has received, including her resistance to the Dutch government. The figure of Nyai Ontosoroh is depicted as a Javanese woman who has gone far beyond her time. She fought for her destiny out of the colonialism of the mind and the occupation of freedom. She also has the courage to express her opinion openly and blatantly. This research aims to explain and describe forms of gender injustice and women’s resistance in “Nyai Ontosoroh” drama. The descriptive qualitative method with a feminist approach was applied in the analysis. The description includes forms of gender injustice and women's resistance found in the drama. The conclusion of this paper shows that there are still many gender injustices experienced by women, even in their homes. The large number of injustices that occur against women certainly creates various forms of resistance to combat these injustices. Women must fight to get gender justice properly.

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