Live Music Performance: The Relationship Between Flow and Music Performance Anxiety

Most studies exploring the relation between flow and Music Performance Anxiety (MPA) have focused on the disposition of generally experiencing flow and the occurrence of MPA. Little is known about the connection between experiencing flow and MPA as it relates to a specific performance. In this study, flow and MPA have been investigated in 363 orchestral musicians in relation to a particular live music performance. The musicians were asked to fill out a questionnaire immediately after a concert. Flow experience during the performance was measured using the Flow Short Scale. The Performance-specific Questionnaire on MPA (PQM) was used for MPA. The PQM addresses particular aspects of MPA and refers retrospectively to the time before and during the performance as well as to the moment of filling out the questionnaire after the performance. Using three scales, the functional coping, the perceived symptoms of MPA and self-efficacy were determined for each time point of the performance. The results showed that experiencing flow was on average higher among orchestral musicians compared to a sample of the general population. However, there were differences between the professional and non-professional musicians. All PQM scales showed significant correlations with the global flow scale. Regression analysis on the global flow score found that regarding the time before the performance the PQM scale symptoms of MPA were diametrically connected with the flow experience. The PQM scale functional coping was shown to be positively related to the flow during the performance. Moreover, high self-efficacy was found to be closely related with stronger flow experience. Furthermore, flow seems to have positive effects on functionally coping with MPA and the self-efficacy after the performance. These findings confirm the negative relationship between flow and symptoms of MPA, offering further approaches in understanding the relationship especially for live music performances.

‘Aesthetic Proximity’ and Transnational TV Series

This article focuses on the short lived Turkish police procedural TV series, Cinayet (The Murder, Akbel Film and Adam Film, 2014) which is a scripted format adaptation of the celebrated Danish crime drama Forbrydelsen (DR, 2007-2012). By making a comparative textual analysis of the series, the article intends to emphasize the significance of ‘aesthetic proximity’ as a concept in discussing the global flow of television content and to reveal the challenges of adapting a scripted format which is stylistically different than the local stylistic conventions.

Galinha Pintadinha Runs the World: A Made-for-Children Brazilian Cartoon in the Global Flow of Television Content

The objective of this article is to understand how the YouTube hit Galinha Pintadinha (Lottie Dottie Chicken), a naïve Brazilian animation aimed at preschool children, defies the power of big media companies and offers new ways of audiovisual enjoyment. I will describe the emergence of the animation and its YouTube channel called Galinha Pintadinha, which initially had only the Brazilian preschool audience as a target, and then I will analyze its internationalization process that has been developing on YouTube. I have paid attention to the uploaded video strategies of the seven international YouTube channels of Galinha Pintadinha (American, British, French, Italian, Indian, Japanese, and Spanish) considering the number of subscribers to each channel, the number of views, and the growth of the channels. The success reached by Galinha Pintadinha around the world is a result of the audiovisual reconfiguration processes considering the Brazilian audiovisual history in the global flow of media content.

Relationship between precarious work and racism for migrants in Brazil

Amid the growing global flow of goods, workers migrating in search of work face a major challenge of integration in destination countries. Issues of racism and discrimination emerge in the workplace, causing inequality of opportunity. This research aims to describe the relationship between precarious work, discrimination at work, and perception of racism by migrant workers. The preliminary analysis of scientific production on the subject in Brazil suggests that the racist social structure is a condition for the insertion of migrant workers in precarious working conditions, compromising their social insertion. A quantitative cross-sectional study was conducted through a survey of four ethnic groups from different Brazilian regions. The results confirm the influence of precarious work on the perception of racism, with discrimination at work being a moderating variable in this relationship.

Transnational Legal Education

Transnational legal education is increasingly understood as important to teaching law within the context of a global political economy and global flow of goods, people, services, and legal concepts. Transnational legal education has been driven by the need for primarily elite lawyers, often working in global law firms, to serve expanding capitalist needs. This shift in legal services has accompanied the decentralization of state power and correlative privatization and deregulation of legal norms over the past forty years. However, what is often not explicitly stated by those supporting transnational legal education is that its pedagogy, and the material practices of transnational law, intrinsically involve the concept of legal pluralism. This chapter strives to place the concept of legal pluralism front and center into the conversation on transnational legal education and in so doing highlight that all legal processes (at subnational, national, and transnational levels) are relational, dynamic, and deeply imbricated in culturally contingent contexts and diverse worldviews. The lessons learnt about legal pluralism in the teaching of transnational law are thus relevant and applicable to all kinds of legal education, be it explicitly engaged with legal practices operating beyond national borders or not.

Global flow visualization of transonic cavity flow with various yaw angles

This study experimentally investigated transonic cavity flows with different length-to-depth ( L/ h) ratios and yaw angles. Two rectangular models with L/ h = 6.14 and 21.5 were examined with yaw angles of 10°, 30°, and 45° under a flow of Mach 0.83. The flow was visualized using pressure-sensitive paint (PSP) to obtain the detailed pressure distribution inside the cavity models. The acquired PSP data were compared with experimental data measured using Kulite transducers, and these data showed favorable agreement. Gradual pressure increases inside the cavity model with L/ h = 6.14 were observed from the PSP measurements as open cavity flow. The flow impingement at the bottom of the cavity and the significant pressure rise inside the cavity model with L/ h = 21.5 were observed as closed cavity flow. The present study quantitatively visualized the evolution of the pressure distribution from symmetric to asymmetric for different yaw angles using porous PSP sensors.

A Room with a landscape: Vedute from the Palace of the Privileged Company of Trieste and Rijeka

In the oldest Austro-Hungarian sugar refinement plant opened in mid 18thcentury in Rijeka, today Croatia, a series of “idealized” landscapes pained by unknown artisans include depictions of slaves. The so-called Vedute ideate are a rare depiction of the racialized slave labor in the Austro-Hungarian Empire that points to the invisible labor, which enabled industrial production of sugar and made visible the relation of the Austro-Hungarian Empire, together with the peripheral port town of Rijeka, to the global flow of capital and the history of colonialism. By drawing on Catherine Baker’s recently published “Race in Yugoslavia” we look at how representation of slavery did not receive critical assessment while the resentment for the racialization across ethnic lines, in relation to Europe proper where the inhabitants ex-Yugoslavia are themselves racialized as the European other, perseveres. With the repurposing of the industrial building in the framework of European Capital of Culture project, Rijeka 2020 – Port of Diversity, the Vedute ideate will be publicly displayed as part of the Museum of the City of Rijeka display but it is uncertain whether the museum will recognize colonialism as a constituent part of Rijeka’s industrialization and development.