ON THE QUESTION OF SOME WAYS TO VERBALIZE THE IMAGE OF MOTHERLAND IN S.A. YESENIN’S WORKS

This article aims to identify ways of verbalization of the image of the Motherland in S.A. Yesenin’s poems and to analyze the possible individual author's features of including of these elements into the text by the author. The feeling of Motherland is at the heart of the worldview of S.A. Yesenin, Motherland is the source from which he draws strength. Yesenin and Russia - the relation of these words is indissoluble. Such an attitude to Motherland could not fail to find realization in the poet's work, and we see that S.A. Yesenin's poems are filled with love for Motherland - for Russia, for Ryazan. The purpose of the proposed research is an attempt to consider with the help of which lexemes the author verbalizes the image of Motherland in his work. After the analysis we came to following conclusions: for explication of the image of motherland poet uses lexemes homeland, Russia. The lexeme motherland is used by the author in this spelling, without using a capital letter. Such a spelling, in connection with traditions, denotes the homeland as the place of birth, and not the country as a whole. We believe that the use of the lexeme motherland in the variant of writing with a small letter is due to the division of Motherland into large and small in the poet's picture of the world; for S.A. Yesenin motherland is Russia, to which so much attention is paid in poet's works. As an individual author's features of the verbalization of the image of motherland we can also note the use of the lexeme Rus ’ which was used to designate the territory of the Old Russian state. We believe that this use is associated with the poet's desire for imagery, typical of the representatives of the imagism movement, to which S.A. Yesenin belonged. Also for the verbalization of the image of the motherland author uses the lexemes Raseya, Rasseya; in addition, when analyzing the texts of poems, it is possible to distinguish all sorts of descriptive turns that explicate the image of the motherland in the picture of the world of S.A. Yesenin.

Emecheta, Buchi

Buchi Emecheta (1944–2017) was a Nigerian writer, born in Lagos to a seamstress mother and a railway worker father. Emecheta’s early ambition was to get an education, like her brother Adolphus. Orphaned early in life, a scholarship to a coveted high school gave her the opportunity she wanted. Married at sixteen to Sylvester Onwordi, she joined him in London in 1962. Their marriage soon ended because of Onwordi’s physical and mental abuse. By the age of twenty two, she was a single mother with five children. Her first novel, In the Ditch, published in 1972, chronicled the struggles of Adah, who represented Emecheta’s own alter ego, in raising children in the slums of London. Overall, Emecheta published over twenty books, which frequently centered on a black woman’s experience. Many of her novels revisit the same themes and draw inspiration from her life. There is perhaps no other African writer in whose works their own biography is centered as much as it is in hers. Her work illuminates her life while her life informs her work. Her life and fiction feed one another to the extent that her novels are often referred to as “fictionalized” accounts of her life. Although Emecheta was a symbol of the modern African woman, she rejected being called a feminist. If she were to be called a feminist, it had to be “feminist with a small letter ‘f’.” A term she would have accepted for herself as well as for her strong female characters would have been Obioma Nnaemeka’s “nego-feminism,” a feminism of Africa, of negotiation, and a no ego feminism.

Assessing Students’ Ability in Writing Argumentative Essay at SMAN 1 Soe Kab. Timur Tengah Selatan NTT

This research aims at finding out the students’ ability in writing argumentative essay at SMAN 1 Soe Kab. Timur Tengah Selatan NTT. The researcher will focus on evaluating the students’ writing ability in one aspect of writing namely mechanics. The researcher applied quantitative method and descriptive analysis design. The research was conducted in August 2017. This research was conducted at SMAN 1 Soe Kabupaten Timur Tengah Selatan NTT.. The population of this research was the eleventh grade students at SMAN 1 Soe Kabupaten Timur Tengah Selatan NTT in the 2018/2019 academic year. The number of population is 142 in four classes. The researcher took 5 students from each class as the sample of the research. Therefore, there were 20 students as sample. The test was used to find out the students’ ability in writing argumentative essay. In collecting data, the researcher asked the students to write an argumentative essay by choosing one of the give topics. To analyze the data, the researcher focused on evaluating the students’ writing in mechanics criteria. The result of the research shows that the students still have low ability in using mechanics in writing argumentative essay. The mean score of students is 2.45. In the students’ writing, most of the students got problem in: (1) The use of capital in the beginning of a sentence. Many of students still use small letter when they write the first letter in the beginning of a paragraph. (2)The students still use some capital letter in the middle of sentences. They write with capital letter in not appropriate position. (3) Some students still do not understand about the use of comma and point in a sentence.

Shifting Places

This chapter examines representations of sand in pre-state Hebrew poetry. It first considers the poem “A Small Letter” (1894), subtitled “From the Diaspora to My Brothers in Zion,” by Hayim Nahman Bialik, who describes the diaspora as unstable ground on which permanent residence is impossible. It then discusses changes in the Yishuv’s attitude toward the geographical space of Eretz Israel in the 1920s and how these relate to the evolving political structure of the Yishuv. It also analyzes the poetry of the Third Aliyah, including Avot Yeshurun’s Hunger and Thirst, in which the sand draws its meaning from place. The chapter suggests that the poetry of the Third Aliyah portrays Tel Aviv as a text written on sand, and that such portrayal is intertwined with the city’s location on the coast.

Cenzura w Biblii

The article focuses on the analysis of an interview regarding Bible translation and related censorship. The author comments on the statements of one of the interlocutors, adding her own insights and analyses. Bible translators make certain parts of the text more approachable, as was the case with the refrain to Song of Songs, which, in most translations, mentions “embracing” while the protestant Bible contains the correct translation, i.e. “caressing.” Similarly, translators correct the Bible, as they have a different notion of what a sacral text should look like. For example, they introduce neutral phrases instead of offensive words. In Czajkowski’s opinion, translators often censor the Bible, trying to make the text less blunt. However, sometimes discrepancies are a result of not understanding the original text. Not always are these differences a consequence of the translator’s work, though. It is clearly visible e.g. in the case of “pneuma,” a word which can be translated into ghost or soul, spelled with a small letter, or the Holy Ghost. The author does not support the so-called “inclusive” translation. The inspired text should not be changed. Such changes can be replaced with explanations or comments. In order to discover the original meaning of the Holy Scripture, one can compare one of the Polish translations with translations into other foreign languages or other translations into Polish.

Terms Involving the Divergence Equation

This chapter estimates the terms in the stress which involve solving a divergence equation of the form ∂ⱼQsuperscript jl = Usuperscript l = esuperscript iGreek Small Letter Lamda Greek Small Letter Xiusuperscript l. These terms are the High–Low Interaction term, the main High–High terms, the remainder of the High–High terms, and the Transport term. For each of these factors, the parametrix expansion for the divergence equation is used. The error of the expansion is eliminated by solving the divergence equation. The chapter also considers the bounds which are obeyed for the parametrices of the oscillatory terms and concludes by applying the parametrix.

Stress Terms Not Involving Solving the Divergence Equation

This chapter estimates the terms in the new stress that do not involve solving the divergence equation. These terms are the Mollification terms and the Stress term. Throughout the estimates, Bsubscript Greek Small Letter Lamda will be assumed to be some constant. After considering the Mollification term from the velocity, the chapter introduces a proposition stating that for k = 0, … , L, there exist constants Cₖ depending on Bsubscript Greek Small Letter Lamda. It then estimates the material derivative, highlighting wastefulness in the estimate, and discusses a commutator estimate suggesting that it may be important to work with frequency energy levels of order L greater than or equal to 2. Finally, it presents the Mollification term from the stress as well as estimates for the Stress term.

Checking Frequency Energy Levels for the Velocity and Pressure

This chapter checks frequency energy levels for the velocity and pressure. It begins by comparing the different estimates obtained for the corrections to the velocity and the pressure with the Main Lemma. It then considers bounds that will be established for a particular constant C once the constant Bsubscript Greek Small Letter Lamda has been chosen. It also checks whether the frequency and energy levels of the new velocity and pressure are consistent with the claims of the Main Lemma (10.1). To complete the proof of the Main Lemma (10.1), it now only remains to choose a constant Bsubscript Greek Small Letter Lamda so that (243) and (244) can be verified for the new energy levels. This choice of Bλ‎ is the last step of the proof.