Cenzura w Biblii

Author(s):  
Marcin Majewski ◽  
Artur Sporniak ◽  
Teresa Szostek ◽  
Michał Czajkowski

The article focuses on the analysis of an interview regarding Bible translation and related censorship. The author comments on the statements of one of the interlocutors, adding her own insights and analyses. Bible translators make certain parts of the text more approachable, as was the case with the refrain to Song of Songs, which, in most translations, mentions “embracing” while the protestant Bible contains the correct translation, i.e. “caressing.” Similarly, translators correct the Bible, as they have a different notion of what a sacral text should look like. For example, they introduce neutral phrases instead of offensive words. In Czajkowski’s opinion, translators often censor the Bible, trying to make the text less blunt. However, sometimes discrepancies are a result of not understanding the original text. Not always are these differences a consequence of the translator’s work, though. It is clearly visible e.g. in the case of “pneuma,” a word which can be translated into ghost or soul, spelled with a small letter, or the Holy Ghost. The author does not support the so-called “inclusive” translation. The inspired text should not be changed. Such changes can be replaced with explanations or comments. In order to discover the original meaning of the Holy Scripture, one can compare one of the Polish translations with translations into other foreign languages or other translations into Polish.

2017 ◽  
Vol 68 (1) ◽  
pp. 3-10
Author(s):  
Robert A. Bascom

In a 1979 article in The Bible Translator, Harold Fehderau developed a basic theoretical outline for what subsequently became common practice in many Bible translation projects—consulting both a formal “base” translation and a functional “model” translation in the language(s) of wider communication in the region. The starting point for this approach is the fact that most translation projects worldwide did not (and still do not) work directly with the source languages, but rather work(ed) with the biblical text by way of a single intermediate translation in the language(s) of wider communication within the local context. The clear advantage of this practice is that translators will by definition be translating from the text they are best able to understand, which presumably gives them the best chance to represent the original text well. But there are pitfalls to this method, some of which Fehderau alluded to in his article. One such pitfall will now be examined, from a consultant visit to the Tojolabal translation project being carried out in southern Mexico.


Author(s):  
EMMANUEL FOSTER ASAMOAH

Bible translation is among the most difficult exercises in scholarship, for it needs careful analysis of the biblical texts in the light of the culture of the indigenous people to make the word of God acceptable in their culture, while not deviating from the original meaning. The Asante-Twi Bible (2012) is a product of Bible translation exercise in contemporary scholarship. However, there exist in it some translation problems; some texts which are said by Christians have been translated to carry verbal insults and derogatory remarks in the Asante-Twi language, which are not what the Greek texts intended. An example is Acts 12:15, which suggests that Rhoda was insulted by a group of Christians for saying the truth. Using Mother-tongue Biblical Hermeneutics and exegesis, the study has found out that the translation of οἱ δὲ πρὸς αὐτὴν εἶπαν· Μαίνῃ… (hoi de pros auten eipan…) (“And they said: You are mad!”…) as “Na wɔka kyerɛɛ no sɛ: Woabɔ dam!...” (And they said to her: You are mad!...) in the Asante-Twi Bible should rather be: “Nanso wɔka kyerɛɛ no sɛ: Biribi ha wo!...” (But they said to her: You are troubled!...). The study has added to the interpretations of Acts 12:15 in Asante-Twi. It is being recommended that in the future revision of the Asante-Twi Bible, the Bible Society of Ghana should consider using “Na wɔka kyerɛɛ no sɛ: Biribi ha wo!...” in the translation of οἱ δὲ πρὸς αὐτὴν εἶπαν· Μαίνῃ… (hoi de pros auten eipan…). Keywords: Insult, Bible translation, Mother-tongue, Asante-Twi and Woabɔ dam.


2013 ◽  
Vol 23 (2) ◽  
Author(s):  
Radegundis Stolze

Recently many new German bible translations have appeared. The article first presents a comparison of paragraphs from ten different translations, with examples taken from the New Testament. This shows some basic trends. On the one hand, the objective of bible translation is Christian education, edification and worship usage. On the other hand, some translations focus on the cultural information, easy readability and inclusive language. Such orientation accepts purposeful adaptation and thus modifies the original text. And there are a few translations that constitute the product of an individual interpretation of the text, and its presentation in a literary form. The discussion of these translation trends is complemented by a critique of the prominent focus on the language rather than on the message, and the question of a text's truth and a translator's linguistic awareness is raised. The traditional translation criticism distinguishing between literal and target-oriented translation, and even cultural adaptation, is integrated here by a discussion of the procedural, functional, objectivistic and ethical implications of the new bible translations. One feature of all recent projects of bible translation seems to be a pedagogical concern. Authors think that they need to guide readers in their interpretation, because those may be unable to understand the very old, strange and often opaque text; or they might misunderstand it and thus miss the true message; or they should learn something about the historic culture; and last but not least, traditional patriarchal attitudes promoted by Christianity should be overcome with a new text. The idea is that people's thinking can be directed by language. Thus the question is raised, whether a translation should also be an interpretation. In a critical view of the interpretive translation, this article presents the hermeneutic approach to translation. This implies a well-informed openness as an attitude towards the original message, rather than a method. The focus is neither on language structure nor on the addressees, but on the text's message. This includes the problem of understanding a written text, what is never a matter of fact. The text's theological exegesis is a prerequisite for the translation, but the value of that translation is not only based on that. Translation aims at a faithful representation of the message and opens the direction of a text, but the individual interpretation is always done by the readers themselves. When the translator as a reader identifies himself with the message, s/he will cognitively produce formulations apt to give resonance to this message. The translator becomes a co-author of that text, and just as for the original author, one will never totally govern the readers' understanding. The translator's voice will be more convincing, when only one person is responsible for the text production, different from the team works in various official projects of bible translation. Even if the bible as such is a composition of many different books and pieces of texts, these manifold voices may be better noted by one translator alone, rather than by many contributors, each of whom as a specialist only translates one book. Finally, the stylistic shape of the target text is decisive. The bible translator should have an excellent knowledge of the target language, in order to present various nuances. Translating is not an information about an original text, it represents that original message in another language.


2012 ◽  
Author(s):  
David R. Law

Historical Critical Analysis is the main way in which the Bible (both the Hebrew Bible/Old Testament and the New Testament) has been examined and read by scholars in the last century. The term refers to a range of methodologies which examine the origins of biblical texts, in relation to other contemporaneous texts, to form critical approaches and to questions of authorship, audience and authenticty. The aim is to get as close to the ‘original text’ and its ‘original meaning’ as possible. For many years Historical Critical Method has been the cornerstone upon which biblical scholarship is built, even as modern studies examine other theoretical approaches to reading the text in history, tradition, and from different audience perspectives the Historical Critical Method still presents the crucial starting point for students and scholars.


2021 ◽  
Vol 84 (2) ◽  
pp. 147-166
Author(s):  
Kasper Siegismund

The new Bible translation, Bibelen 2020, makes biblical books accessible to readers with little prior knowledge of the Bible, in idiomatic, contemporary Danish. However, the article argues that the attempt to make the texts accessible may have problematic consequences when the translation directly reflects one specific interpretation. This is particularly the case in the Song of Songs. Bibelen 2020 indicates the speaker of each passage, and the introduction identifies one female speaker (“Sulamit”) and one male (her beloved “Salomon”). In a very problematic way, this interpretation and the idea that the beloved is “Salomon”, referred to as “king”, have been built into the translation. The article discusses the once popular interpretation of the book as a drama including one woman and two men and argues that elements of such an approach can illuminate important aspects of the text. It is argued that these aspects are largely lost in the translation in Bibelen 2020.


Babel ◽  
1998 ◽  
Vol 44 (2) ◽  
pp. 139-149
Author(s):  
Bruno Rochette

Abstract Examining the prologue to the Greek Ben Sirach, this article tries to describe how the Greek translators of religious texts perceive the difficulties and the limits of their task. Conscious of the changes resulting from the passage of one language to another, they conceive their work as inspired by God. Therefore the work translated does not appear as a simple translation mechanically done, but as a new text reflecting the conception of the inspired translator whose faith is the warrant for the quality and accuracy of the translation. Two other comments on translation are taken into account : Corpus Hermeticum XVI and the Letter of Pseudo-Aristeas on the translation of the Septuagint. The examination of these texts leads to the conclusion that ancient translators of religious writings strove to show the vision of truth as they saw it in the original text to the new audience using another language. This conception of translating will be followed by Latin translators adopting, like Hieronymus, the principle of literality for the translation of the Bible, since in the Holy Scripture even the word order is mystery, as the Father says. A comparison with the modern theory and practice of translation of religious texts is also instructive for the modern translator. It can incite him to be careful of the likelihood of changing the sense of the original he is translating. Résumé En examinant le prologue de la version grecque du livre de Ben Sirach le Sage, cet article décrit comment les traducteurs grecs de textes religieux perçoivent les difficultés et les limites de leur tâche. Conscients des changements consécutifs au passage d'une langue à l'autre, ils conçoivent leur travail comme inspiré par Dieu. Par conséquent, l'oeuvre traduite n'apparaît pas comme une simple traduction, réalisée mécaniquement, mais comme un nouveau texte reflétant la conception du traducteur inspiré. Sa foi est le garant de la qualité et de l'exactitude de la traduction. Deux autres commentaires sur la traduction sont pris en compte : Corpus Hermeticum XVI et la Lettre du Pseudo-Aristée sur la Septante. L'examen de ces textes conduit à la conclusion que les traducteurs anciencs de textes religieux se sont efforcés de montrer à un public nouveau parlant une autre langue la vision de la vérité telle qu'ils la perçoivent dans le texte original. Cette manière de concevoir la traduction sera suivie par les traducteurs latins qui adoptent, comme Jérôme, le principe de littéralité pour la traduction de la Bible, car, dans l'Écriture Sainte, meme l'ordre des mots est mystère, comme le dit le Père. Une comparaison avec la théorie et la pratique moderne de la traduction de textes sacrés peut aussi etre instructive pour le traducteur d'aujourd'hui. Elle devrait l'inciter à etre attentif à la probabilité de changer le sens de l'original qu'il traduit.


Author(s):  
Jean-Claude Loba-Mkole

This article argues for the importance of Bible translations through its historical achievements and theoretical frames of reference. The missionary expansion of Christianity owes its very being to translations. The early Christian communities knew the Bible through the LXX translations while churches today still continue to use various translations. Translations shape Scripture interpretations, especially when a given interpretation depends on a particular translation. A particular interpretation can also influence a given translation. The article shows how translation theories have been developed to clarify and how the transaction source-target is culturally handled. The articles discuss some of these “theoretical frames”, namely the functional equivalence, relevance, literary functional equivalence and intercultural mediation. By means of a historical overview and a reflection on Bible translation theories the article aims to focus on the role of Africa in translation history.


The Library ◽  
2021 ◽  
Vol 22 (3) ◽  
pp. 344-375
Author(s):  
Alexander Soetaert ◽  
Heleen Wyffels

Abstract The career of the Catholic Englishman Laurence Kellam is often reduced to his most impressive edition, the Old Testament of the Douay-Rheims Bible (1609–1610), an English Catholic Bible translation edited by the English College of Douai. Yet, there has been scarce attention for the remaining 190 editions, printed in English, as well as in Latin, French and Dutch, that bear a Kellam imprint. The discovery of another fifty editions that should be ascribed to the Kellam press demands a reappraisal of its activities and significance. By analysing both printed and archival sources, this article intends to fit the Bible edition of 1609–1610, and English Catholic printing on the continent more generally, into the wider perspective of three generations of publishing activities and family history, highlighting the increasingly tight connections between several generations of the Kellam family and the authors, institutions, and fellow-publishers of their host society.


AJS Review ◽  
2004 ◽  
Vol 28 (1) ◽  
pp. 43-62 ◽  
Author(s):  
Gershon Shaked

Canonization of the Bible resulted from a consensus of those to whom it was addressed and a ruling group of religious elites that established its sanctity. They declared that “Torah was given to Moses at Sinai” and valued it above and beyond its literary value. The process of canonization was not a simple one. Several books were included only after struggles among various pressure groups. For example: “At first, Proverbs, Song of Songs and Ecclesiastes were considered non-canonical because they consisted of parables, but later the men of the Great Assembly interpreted them.” (ءAvot dءRabbi Natan, 1). Further: “The sages wished to exclude Ecclesiastes because it contained inconsistencies, but they included it because it begins and ends with teachings of Torah” (Shabbat, 30:b).


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