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2021 ◽  
pp. 1-12
Author(s):  
Leonardo Mondaini ◽  
Bernhard Meirose ◽  
Felipe Mondaini

In this article, a stochastic SIR-type model for COVID-19 epidemic is built using the standard field theoretical language based on creation and annihilation operators. From the model, we derive the time evolution of the mean number of infectious (active cases) and deceased individuals. In order to capture the effects of lockdown and social distancing, we use a time-dependent infection rate. The results are in good agreement with the data for three different waves of epidemic activity in South Korea.


Author(s):  
Jaykov Foukzon

In this paper intuitionistic set theory INC#∞# in infinitary set theoretical language is considered. External induction principle in nonstandard intuitionistic arithmetic were derived. Non trivial application in number theory is considered.The Goldbach-Euler theorem is obtained without any references to Catalan conjecture. Main results are: (i) number ee is transcendental; (ii) the both numbers e + π and e − π are irrational.


2021 ◽  
pp. 32-41
Author(s):  
Oleg Domanov

Situation semantics is an effective instrument for analysing semantical aspects of natural languages with explicit dependence on contexts, like referential opacity of belief contexts etc. Making use of type-theoretical approaches not only makes its formalism more practical in many ways, but also facilitates its migration to computer systems, specifically, the formalization in functional programming languages. The article deals with a prototype of the type theoretical language of situation semantics, implemented on the basis of the language Racket. It decribes principal approaches, methods of solving some problems of formal semantics as well as issues that need to be addressed.


Author(s):  
Jaykov Foukzon

In this paper intuitionistic set theory INC# ∞# in infinitary set theoretical language is considered. External induction principle in nonstandard intuitionistic arithmetic were derived. Non trivial application in number theory is considered.The Goldbach-Euler theorem is obtained without anyreferences to Catalan conjecture.


Author(s):  
Ayman A. El-Desouky

The question of iʿjāz al-Qurʾān, or the inimitability of the Qur’an, from the time of the first revelations and to this day, has been central both to the formulation of Islamic theological thought, or kalām, and to the emergence and development of Classical Arabic literary and rhetorical theories. And just as the first attempts at explaining the miraculous nature of the Qur’an had naturally to develop a new language of systematic reflection that is fundamentally linguistic and rhetorical in nature but theological in its thrust, so too did the literary approaches that began to emerge early in the twentieth century. Modern literary approaches have since had to face the same double challenge: literarily, the challenge is how to develop a critical theoretical language with which to approach the singularity of a text (let alone its unique modes of reception), but hermeneutically, the challenge emerges in the struggle to account for the theological dimension of the experience that such an exceptionally matchless text elicits. The chapter’s aim is therefore not so much to rehearse the full history of iʿjāz discussions, already well covered in Qur’anic Studies, as to revisit the discussions from the centralizing challenge of the unique nexus of the theological and the literary in Islamic traditions.


Author(s):  
Владимир Красиков ◽  
Vladimir Krasikov

The paper explores the relationship between two levels of theory, i.e. its initial theoretical basis and its logic. The author describes three possible states of the initial theoretical basis: the potential, the state of the hypothesis, and the formation state. These states presumably differ in the degree of internal correlation of ingredients, which depends on the activity of the researcher’s mind. The author tries to determine the ontological location of the original theoretical basis. An analysis of historical and philosophical literature revealed the following characteristic positions, i.e. objective idealism, representationism, praxeological apriorism, praxeological subjectivism, and culturological transcendentalism. Each of the positions has its own argument and rational grounds. After a brief comparison, the author focuses on the last one. He analyses the possible mechanisms of the epistemological genesis of the idealized subject of theory from a potential initial theoretical basis, i.e. choice, invention, and transfer. In this paper, the methodological level of theory is understood as a set of its interpretations, i.e. in practical experience, semantics, and spiritual-theoretical space. Then the author identifies the main forms of interaction of the initial theoretical framework and the logic of theory. First, scientists, often unaccountably, shape the potential space of the original theoretical basis through the methodological operations of idealizations, design, and hypothetical input. In addition, theorists, who purposefully develop a theory, conceptualize the corresponding specific methods through the empirical projection of the theory, by introducing definitions of certain terms of the theoretical language in terms of the empirical language and vice versa. Finally, the author summarizes that the initial theoretical foundations formed into conceptual frameworks are prescriptions of scientific activity and operators of reflexive acts. Thus, rationality is a constant search for proportion and equilibrium between the postulated order (the ontological scheme) and the order of judgments about it (the methodology).


2019 ◽  
Vol 29 (5) ◽  
pp. 33-56

In contrast to the more popular interpretations of Timothy Morton’s dark ecology as one more example of speculative realism, the article suggests regarding it argue as a special case of Jacques Derrida’s deconstruction. By examining Morton’s earlier writing, the author demonstrates that it extends the deconstructionist structure of argumentation by criticizing ecological discourse in order to justify dark ecology. Derrida revealed the violent structure of writing as the basis of the logocentric myth, and Morton has similarly shown that the Romantic idea of a harmonious Nature came about as a result of the consumerism of the privileged classes in modern industrial society. Explication of this connection exposes limitations that are significant for dark ecology in Morton’s interpretation of Derrida, which ignores Derrida’s criticism of various attempts to emancipate otherness. Examination of Derrida’s texts shows that they do not deconstruct logocentrism but argue against the alternatives offered by Michel Foucault and Emmanuel Levinas. Deconstruction therefore continues to operate symmetrically on them. From a similar viewpoint, Morton’s use of dark metaphors appears unjustified because it does not recognize the possibility of deconstructing darkness rather than light. However, Derrida’s solution - his concept of the democracy to come - is incompatible with Morton’s resort to the concept of a hyperobject. Morton’s ecology should instead be read as a theoretical language, indifferent to the dichotomy between light and darkness and descriptive of a new democracy, the distinctive feature of which is the inevitable proximity of the Other.


2019 ◽  
Vol 46 (3) ◽  
pp. 161-170
Author(s):  
Graham Freeman ◽  
Robert J. Glushko

The organization of musical resources in a piece of music is opaque for everyone but for those with the highest levels of musical education. For the average listener, the specific vocabulary of musical organization is usually replaced by metaphorical language relating to inspiration and musical affect, or by a social perspective that rids the music of its specific theoretical language and provides a more relatable perspective of the music as a historical and communal event. We examine the ways in which information architecture and organizational theory can surface the inner workings of music in a relatable and approachable way. We consider music as a series of design resources that composers draw upon and organize according to a series of constraints that create a sense of musical structure to which the listener can relate. After a general introduction to the literature relating to constraints and creativity, we use two historical anecdotes that provide accessible demonstrations of how musicians in the seventeenth and twentieth centuries organized their musical resources both for their own compositional needs and for the purposes of didactic communication.


Author(s):  
Karolina Wereta

The article carries out a reflection on practical, theoretical and methodological problems faced by social science researchers investigating armed conflicts. Based on Colombia’s ongoing internal war, the paper will discuss the difficulties in data collection (including source selection and information extraction), data sharing and the limitations of exiting theoretical language. It will also exploit other related factors such as the fragmentation of sociological research and the growth of publications regarding the conflict, violence, and the peace processes initiating in Colombia. In the presented article, the author analysis both governmental and non-governmental reports and also outlines several key cultural and political issues affecting data collection and their further publication in Colombia.


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