Fikih Maqasid dalam Fatwa Majelis Ulama Indonesia tentang Penggunaan Vaksin Covid-19 Produk Astrazeneca

The rapid advancement of fiqh discourse has reached a thematic study phase and has shifted to a philosophical style. The philosophical type can be carried out through an integrated combination of fiqh and maqasid al-shari‘ah to produce a fiqh maqasid discourse in the Indonesian Ulama Council’s Fatwa Number 14 of 2021. Fiqh maqasid epistemology also needs to be addressed in this discourse. Efforts to reveal the existence of fiqh maqasid in the MUI fatwa and its epistemological building in this study used content analysis methods and Islamic legal philosophy as the approach. This research concludes that the fiqh maqasid paradigm has been applied in the MUI fatwa by using tarjih based on maqasid al-shari‘ah. In the realm of epistemology, fiqh maqasid originates from transcendental texts supported by ijma‘, and qawa’id al-fiqh. The paradigm in fiqh maqasid involves an integral relationship between ushul al-fiqh, fiqh, reality, maqasid al-shari‘ah, and qawa’id al-fiqh. While the truth in fiqh maqasid is based on the pragmatic theory of truth using instruments of utility, workability, satisfactory consequences.

Poems (1848)

Chapter 5 follows the story of Qing Dynasty Manchu poet and translator Bujilgen Jakdan, following the course of the Manchu and mixed-verse Manchu–Chinese poems included in the final volume of his poetry collection. It considers the integral relationship between the Manchu and Chinese languages in helping to create a formal poetic register of Manchu. It also follows Jakdan’s poetic descriptions of his own life as a translator, and discusses the broader context of translation in nineteenth-century China.

An Integral Ecology as the Ground for Good Business

Integral ecology is an increasingly important term in Catholic social teaching. This paper brings this term in relation to business drawing upon the integral relationship between human and natural ecology. Pope Francis and his two predecessors believe that the current ecological conversation can increase our sensitivity to our impact on the natural environment as well as help us to rediscover the moral and spiritual consciousness of human nature and development that has been weakened and disordered in the wider culture. An integral ecology can enlarge our notion of the good, especially the good in business. Without the cultural and environmental insights from an integral ecology that has the capacity to provide deep moral and spiritual roots, business will always be prone to see itself within its own autonomous and utilitarian sphere failing to connect to the natural and human realities in which it is embedded.

Musical Analysis, Beauty and Spirituality of Selected Bandishes (Compositions) of Ustad Latafat Hussain Khan

The musical structure, as well as the lyrics of the bandish (composition), have an integral relationship with the performance of the composition by a vocalist or musician. Although Classical Music is primarily a performing art, it incorporates literary and poetic contents, which makes it more impressive, intriguing, and engaging to one's heart. The genre of classical music has been enriched by the creative work of several composers of Indian Classical Vocal music. Ustad Latafat Hussain Khan was one of the stalwart musicians of the Agra style of Indian Classical music. He was not only an eminent vocalist but also created many bandishes under the pseudonym ‘Premdas.’ This present writing presents the actual meaning/semantics of the bandish, inner meaning or philosophical essence and the spiritual/religious perspective portrayed by the composer in three of his selected Khayal bandishes. By presenting the notation of these bandish, in the concerned raga, the embedded melody format, beautification of the taal and laya (rhythm and tempo) with the help of Swara (voice sound/ tone) and lyrics (Bol) by the composer has been analyzed. The reflection of characteristics of Agra style in the bandish has discussed. For the study, personal interviews of eminent musicians and existing pieces of concerned literature had been consulted. It may be said that the analysis of these bandishes of Ustad Latafat Hussain Khan made it evident that they bear the signature of his skillful ability and his uniqueness as a vibrant composer.

Somatic Sensing and Creaturely Knowing in the University Improvisation Class

This chapter introduces an approach to teaching dance improvisation in a university setting which invites students to search beneath their learnt dance techniques and familiar movement patterns in order to uncover their most fundamental levels of ‘creaturely knowing’, a term used by Maxine Sheets-Johnstone, and ‘somaesthetic sensing’, a term used by Richard Shusterman. Sourcing movement through this improvisational approach has the potential to heighten and broaden students’ sense of self-identity and stimulate their creativity and artistry. In the process, students come to understand their integral relationship with, and their connection to, the ecology of the classroom and, by inference, a world ecology. Specific links with the biological and neurological sciences and the artistic and educational practice of improvisation are espoused, along with the educational value of such a practice within academia.

An integral relationship for a fractional one-phase Stefan problem

A one-dimensional fractional one-phase Stefan problem with a temperature boundary condition at the fixed face is considered by using the Riemann–Liouville derivative. This formulation is more convenient than the one given in Roscani and Santillan (Fract. Calc. Appl. Anal., 16, No 4 (2013), 802–815) and Tarzia and Ceretani (Fract. Calc. Appl. Anal., 20, No 2 (2017), 399–421), because it allows us to work with Green’s identities (which does not apply when Caputo derivatives are considered). As a main result, an integral relationship between the temperature and the free boundary is obtained which is equivalent to the fractional Stefan condition. Moreover, an exact solution of similarity type expressed in terms of Wright functions is also given.

Ecofeminism, Nascent Critical Approach: An Analysis of Fire on the Mountain

Understanding of the after effects of industrialization on ecological balance it is helpful to study human culture through a reunion of the theme of 'nature' as it is depicted in the works of different writers who write for nature; and thereby highlight the harmful effects of human alliance with nature. Anita Desai belongs to the genre of such writers who fits herself with the basic ideas of the environmentalists and ecologists. Fire on the Mountain publicises ecoawareness by acknowledging the landscape, by expressing human actions in animal terms, by representing to us the diverse nature of mountain biosphere and connecting them with various moods of feminist behaviour; and thus aims at achieving an integral relationship between woman and nature.