MEDIA DESIGN IN THE FORMATION OF INNOVATIVE CULTURAL AND ENTERTAINMENT BUILDINGS

The article is devoted to identifying the design features of innovative cultural and entertainment buildings using media architecture and design tools to develop methodological foundations for their formation. Criteria for differentiation of these objects have been determined. The article presents the main typological characteristics of cultural and entertainment buildings using the means of media architecture and design. The functional components of this type of architectural object and complex have been determined. Modern fundamental approaches and the main trends in urban planning, spatial organization and architectural and planning solutions of innovative cultural and entertainment buildings using media architecture and design are identified. The article analyzes foreign experience in designing innovative cultural and entertainment buildings using media architecture and design. Trends in the formation of their volumetric-spatial structure have been determined. The factors influencing the formation of innovative cultural and entertainment buildings and complexes in the urban environment are identified. The article provides definitions of the concepts of "media architecture" and "media facade". The methods of architectural and design formation of innovative cultural and entertainment buildings using the means of media architecture and design are revealed: the method of multi-functional structure, the method of integration with the environment, the method of using national traditions, the method of complexity, the method of flexibility and communicativeness of space, the method of accessibility and adaptability (setting up a universal space), the reception of stylistic unity. The perspective directions of formation and development trends of innovative architectural objects in the urban environment with the use of media design means are determined.

STYLISTIC AND CONSTRUCTIONAL SOLUTIONS IN BOOK SERIES DESIGN "FAIRY TALES FROM AROUND THE WORLD" OF THE NATIONAL CHILDREN`S LITERATURE PUBLISHING HOUSE "VESELKA"

Aim: to analyze the stylistic and constructive features of the design of the books in the series “Fairy Tales from Around the World“ by the publishing house “Veselka“, to trace the sequence of the publishing project and the role of the designer and art-designer in it. Methodology. Historical and comparative methods, as well as art history methods of image and stylistic and formal analysis have been used in the research. Results. The artistic approaches to the creation of 25 books of the series “Fairy Tales from Around the World“ (1978–2016) have been analyzed, the stages of creating the book design of this series have been studied with the help interview of the main artist of the publishing house “Veselka“ (1975–2015), national artist of Ukraine M. Pshinka; the image and stylistic features of this series design have been revealed, which allowed synthesizing the verbal, figurative and architectonic levels of books, ensured the integrity of the book as an artistic object, contributed to the emotional and aesthetic expressiveness of illustrations. Scientific novelty. The image and stylistic features of the decoration of the series “Fairy Tales from Around the World“, founded in 1978 by the National Children's Literature Publishing House “Veselka“, have been analyzed for the first time. The analysis of the books` design in this series as a synthesis of text, illustrations, and layout design has been presented. The sequence of the artistic and production process and the designer`s role in achieving the synergy of visual and verbal images has been traced. The constructive elements of the layout have been analyzed and introduced to ensure the serial stylistic unity of the books, which illustrations were made by different artists, keeping their own bright individual style. Practical significance. The study allowed analyzing the design features of the layout, which due to the creative approach of designers and collaboration with leading Ukrainian illustrators ensured the continued popularity of the books “Fairy Tales from Around the World“ among several generations of young readers, success and awards at numerous international and national competitions over four decades. The construction and serial elements of the layout design, which provided the stylistic unity and recognizability of all books of the series, have been described. The results of the research can be used for further study of the traditions of the art school of illustration and design of Ukrainian books, and also serve as theoretical and visual material in the educational process specializing in “graphic design“.

Polyphony in the Choral Creation for Equal Voices Signed by Dan Voiculescu

"This paper represents a more detailed research of one of the defining stylistic aspects for equal voices choral creation composed by Dan Voiculescu. The composer managed to enrich the children's repertoire with important works, starting from the premise that it must be close to the contemporary musical language. Polyphony, in its various forms, gives this type of repertoire stylistic unity and offers many possibilities for modernizing the choral language. Dan Voiculescu uses poliphony to exploit and materialize it in a multitude of compositional devices. The most used polyphonic process in Voiculescu's choral creation is imitative polyphony. It is materialized in various forms, being connected mainly by the tradition of its application from ancient times (Renaissance, Baroque) to the present day. Keywords: polyphony, Composer Dan Voiculescu, choral music. "

“Why Are They Afraid?” (Interpretation of the Later Piano Work by Valentyn Sylvestrov)

Relevance of the study. Piano works written by the outstanding Ukrainian composer Valentyn Sylvestrov over the past two decades, in their totality, represent a unique phenomenon in Ukrainian and, possibly, world musical culture. Its uniqueness is primarily provided by such obvious properties as a huge volume, genre integrity and stylistic unity. The special requirements of the composer for the performers of these works, the specificity of their prevailing existence not on the concert stage, but in semi-amateur author’s “home” recordings, determine a whole complex of philosophical, musicological, cultural and interpretational problems awaiting their theoretical and practical solutions. The purpose of the study is to reveal the specifics of the performing reception of the later piano work by V. Sylvestrov through the prism of the categories of subjective and objective performance, on the basis of many years of experience in performing the works of the composer by the author of the article. The results and conclusions. Piano music is the quintessence of the composer’s later style, the center of attraction for his creative aspirations. Despite the seeming simplicity and the absence of technical virtuoso tasks, the later piano work of V. Sylvestrov poses certain interpretation problems for the pianist. The composer, with the help of numerous instructions, determines the special pronunciation of the musical text, which is characterized by the obligation for the performer and stylistic constancy. In bagatelles — these musical moments and insights — the subjectivity of the lyrical expression is achieved by the total restriction of the performing freedom, which is traditionally the defining quality of the subjective performing style. V. Sylvestrov’s careful writing of all performing designations deprives the pianist of the possibility of his own subjective reading. The composer objectifies the subjective, objectifies the implicit essence of pianistic art in an effort to stop the musical moments-insights presented to him from above.

PERSPECTIVE TRENDS OF INFRASTRUCTURE OF LIVING ENVIRONMENT ERGODESIGN FORMATION

The article provides definitions of the concepts of "residential infrastructure" and "ergodesign of living environment". It was determined that residential infrastructure is a set of residential units designed for household activities with a system of appropriate services. The article describes the features of architectural and design formation of the modern living environment. Perspective tendencies of ergodesign infrastructure of living environment creation for the purpose of methodological bases of its formation development are revealed. It is established that the infrastructure of the living environment in the future will be improved taking into account the peculiarities of the determining factors, but the architectural environment of local residential units will be more developed. The directions of the architectural environment development of local residential formations are connected. It was determined that they are connected with application of innovative technologies and new building materials, functional intensification of living environment infrastructure, creation of multifunctional residential complexes, development of scale characteristics of buildings and emergence of vertical megastructures. Concepts and directions of architectural designing objects of residential environment infrastructure with use of means of ergodesign are revealed. The methods of forming the ergodesign residential infrastructure formations, which are aimed at creating a humane psychologically and aesthetically comfortable environment of human life, are determined. It is revealed that the main perspective methods of local residential formation include creation of multifunctional residential buildings and structures, maximum usage the natural (water, relief, vegetation) and artificial elements in the structure of residential formations to achieve stylistic unity, creation of universal spaces with the possibility of changing them in time, creation living environment as a single energy system, the usage of advanced technologies, architectural and artistic and engineering achievements to create its unique artistic image, the introduction of automatic "intelligent" systems in the infrastructure of living environment, etc.

“SHESTON” OF S.G. SHESTAKOV AS A VARIETY OF A CENTON

The subject of this article is the original genre of literary games. Its creator is a translator S.G. Shestakov. This genre is a species of centon and is called a sheston. Unlike the traditional centon, it is combined from literary translations of the same text made by different authors, and the use of two lines from the same translation is not allowed. Sheston requires masterly technique, a sense of stylistic unity and a sense of humor, since this is a game genre. This form is associated with significant technical difficulties, therefore, shestons are best compiled on the basis of texts with sufficient autonomy of its structural elements. The article is written on the basis of three composite versions of Shakespeare’s sonnet 66.

Euphuism in Robert Southwell’s Religious Poetry (on the basis of “St Peter’s Complaynte”)

В статье рассматривается духовная лирика поэта-проповедника Р. Саутвелла (1561–1595) как представителя Елизаветинской эпохи. Основное внимание уделяется влиянию на творчество автора такого литературного направления, как эвфуизм. Чтобы продемонстрировать, насколько активно и целенаправленно поэт прибегает к эвфуистическим приемам, и достичь понимания того, с какой целью он это делает, кратко рассматривается биография Р. Саутвелла в рамках религиозного конфликта между католиками и протестантами, являющегося историко-культурным контекстом, в который вписано творчество поэта. Проводится подробный лингвостилистический анализ 26 лирических текстов из стихотворного цикла «Сетование святого Петра» с элементами лингвопоэтического анализа. Новизна данного исследования состоит в том, что впервые систематический анализ лирики Р. Саутвелла проводится с позиций лингвистики, а не литературоведения или религии. По результатам анализа автор делает вывод, что эвфуистические приемы позволили Р. Саутвеллу не только ярко и наглядно отразить в своих текстах остроту религиозного конфликта, в эпицентре и под непосредственным влиянием которого, а также сопутствовавших этому конфликту противоречий обеспечили сохранение стилистического единства во всех текстах рассматриваемого цикла. The article concentrates on the religious poetry of Robert Southwell (1561–1595) as a representative of the Elizabethan era; the focus of attention is the influence of euphuism on the poet’s writing style. Southwell actively and purposefully employs euphuistic means of expression, such as parallelism and especially alliteration, in his works; in order to achieve a better understanding of the reasoning behind this stylistic choice, Southwell’s biography is briefly examined within the framework of the religious conflict between Catholics and Protestants, which provides the historical and cultural context for Southwell’s texts. A detailed linguostylistic and linguopoetic analysis of 26 excerpts from his didactic religious poem “St Peter’s Complaynte” is then carried out. The novelty of the research lies in the fact that this article, unlike most previous works focused on Robert Southwell’s poetry, carries out a systematic analysis of Southwell's poems from a linguistic standpoint, as opposed to that of literary criticism or religion. Based on the results of the analysis, the author of the article concludes that employing euphuistic means of poetic expression as actively as Southwell does allows the poet to achieve a more vivid depiction of the religious conflict in the eye and under the influence of which his poetic texts were born; moreover, euphuism serves to create a stylistic unity between all the poetic texts that comprise “St Peter’s Complaynte”.

GARY CARPENTER (b. 1951)Love’s Eternity: Five Songs of Elizabeth Barrett Browning (2006)

This chapter studies Gary Carpenter’s Love’s Eternity (2006). Carpenter admits that this work is quite different from anything else in his output. It was first conceived as part of a radio programme about Robert Browning’s final days, and the knowledge of Browning’s affection for Schumann’s music had a subliminal influence on the style. Carpenter’s sensitivity to sound quality is exceptional: timings and tessitura ensure the complete audibility of the texts. The singer stays comfortably on the stave for the bulk of the piece, and the voice is allowed to cruise evenly through limpid lines that feel entirely natural from the outset. The music rises and falls in logical patterns, often repeated, in an unaffected, tonal idiom. Deep feeling is conveyed simply and directly without bombast or over-dramatization. Moreover, piano parts throughout have a strong stylistic unity. Their rich textures, often covering a wide range, contribute strongly to the expressive impact, providing warm sonorities and added colour to the plainer vocal lines.

PRINCIPLES OF FORMING OBJECTS OF ETHNOGRAPHIC TOURISM WITH REGIONAL FEATURES ON THE EXAMPLE OF THE BELGOROD REGION

The problems of planning the organization of territories and objects of ethnographic tourism, taking into account the landscape features of the regions of the Russian Federation, in particular the Belgorod region, are relevant. The study developed regional principles for planning ethno-tourist spaces on the example of the Belgorod region. The object of research is the territories favorable for the development of ethnographic tourism objects within the Belgorod region, the subject of research is the influence of regional historical and cultural features on the formation of ethnographic tourism territories. As a result of the study, based on the analysis of world and national experience in the design of ethnographic tourism objects, their typological and historical-cultural analysis, the principles of organizing ethnographic tourism objects were developed. These principles take into account such regional features of the cultural landscapes of the Belgorod region, as the principle of preservation of the cultural landscape, the principle of authenticity of the recreated environment, the principle of symbolic exposure, the principle of stylistic unity and the multi-level principle. The use of the developed principles will allow us to preserve the identity and originality of the environment, reduce anthropogenic pressures on valuable landscape areas, increase information content and determine the gradual immersion in the concept of a tourist site.