dream state
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2021 ◽  
Author(s):  
◽  
Chloe Deanne Walbran

<p>This thesis explores interior immensity through the framework that targets the human being’s most inner self: the time human beings spend sleeping. The in-between state of sleep is left overlooked in architecture and leaves room for novel exploration. While spending time in a semi-conscious state, we can delve into the realms of the unknown. The primary goal is to challenge the conventional interior space of backpackers in New Zealand by inhabiting the beautiful ugliness of an industrial site. The boundary between the individual and mechanical piece of architecture is explored through a whimsical intimacy. A hydroelectric power station is the chosen apparatus. The power station allows a duality between operation and narration, between thematic qualities and program. The abnormalities hype the super-imagination of the client, somewhat like experiencing a dream state, the most active and often fantastic aspect within the threshold of consciousness.The thesis is grounded in three sections. I firstly explore the pragmatic site anomalies, the thematic qualities and their opportunities. I then move into conceptual exploration of the interior imagination while concluding with a fully functioning yet evocative design of sleep narration. The components of this thesis are largely visual.</p>


2021 ◽  
Author(s):  
◽  
Chloe Deanne Walbran

<p>This thesis explores interior immensity through the framework that targets the human being’s most inner self: the time human beings spend sleeping. The in-between state of sleep is left overlooked in architecture and leaves room for novel exploration. While spending time in a semi-conscious state, we can delve into the realms of the unknown. The primary goal is to challenge the conventional interior space of backpackers in New Zealand by inhabiting the beautiful ugliness of an industrial site. The boundary between the individual and mechanical piece of architecture is explored through a whimsical intimacy. A hydroelectric power station is the chosen apparatus. The power station allows a duality between operation and narration, between thematic qualities and program. The abnormalities hype the super-imagination of the client, somewhat like experiencing a dream state, the most active and often fantastic aspect within the threshold of consciousness.The thesis is grounded in three sections. I firstly explore the pragmatic site anomalies, the thematic qualities and their opportunities. I then move into conceptual exploration of the interior imagination while concluding with a fully functioning yet evocative design of sleep narration. The components of this thesis are largely visual.</p>


2021 ◽  
Vol 33 (3-4) ◽  
pp. 16-27
Author(s):  
Charles Campbell

According to Jean Baudrillard, in a totally functional world people become irrational and subjective, given to projecting their fantasies of power into the efficiency of the system, a state of ‘spectacular alienation’. I argue that Americans as a society have accommodated themselves to such a system to the detriment of their ability to make sense in their public discourse. Baudrillard finds pathology in the system of objects as it determines social relations. In one symptom, people may obsess over a fetish object. For American society, the magical mechanical object is the gun. I show evidence for this weapons fetish in American fiction, cinema, television and serious journalism. Then, using Baudrillard and other analysts, I show how the American obsession with the superior functionality of weapons joins its myth of exceptionality and preference for simulation over reality to create a profound American dream state that protects a very deep sleep.


2021 ◽  
pp. 212-232
Author(s):  
Charly Coleman

This chapter presents Denis Diderot’s philosophy of the self in light of debates over the neuroscientific turn in historical research. Recent literature features an ideal of self-ownership that the history of philosophy shows to be radically contingent. Situating Diderot’s articles on dreaming and distraction in the Encyclopédie within the context of eighteenth-century theological and medical reflections on the self’s command over its ideas and actions, the chapter interrogates the relationship between science, philosophy, and religion. The dream state fascinated Diderot precisely because its structure and content allowed his contemporaries to reflect upon the fate of the human subject in a materially determined world.


Makhz ◽  
2021 ◽  
Vol 2 (II) ◽  
pp. 01-06
Author(s):  
Adnan Mahmood Siddiqui
Keyword(s):  

2021 ◽  
Author(s):  
Elizaveta Solomonova ◽  
Michelle Carr

Traditionally, dreams have been seen as experiences that one cannot control, as something that happensto the dreamer (at times through involvement of supernatural powers), without the dreamer’s permission,volition or agency. This view was famously challenged in the advent of psychoanalysis: in his Interpretation ofDreams, Freud proposed that while we may not be consciously in control of our dreams, our unconscious mindis actively constructing dream content, and that dream content is symptomatic of our repressed, accumulatedneuroses (Freud, 1900/2010). This shift in perspective signaled that dreams may in fact be subject to individualexperience and to one’s mental state (which is something that is possible to change, or even to control),therefore bringing, at least partially, responsibility for dreams to the dreamers themselves. Emergingneuroscience of dreams, in 1970s, however, adopted a more conservative behaviorist position, and for arelatively long time the dominant view has been one of neuro-reductionism, where dreams were seen as randomhallucinatory products of the activity of the sleeping brain (Hobson &amp; McCarley, 1977). In recent years, a more2nuanced picture of dreams is gradually emerging. Research from psychology, philosophy and anthropologyconverges on the idea that dreams may be individual or even collective practices rather than uncontrolled brainevents. Developmentally and temporally, dreaming can be recognized as cognitive achievement (alongside othercognitive abilities, such as memory, perception, attention, etc.) (Foulkes, 2014). And dream qualities, includingwhat is possible in the dream state, how rich the dream experience is, and how well the dream will beremembered, may change as a result of attentional practices during waking hours. Research on dreamincubation, dream sharing and lucid dreams shows that the dreamer is an active participant and co-creator oftheir dream life, and that the dreamer’s agency, awareness and degrees of control are all dynamic, continuousand potentially trainable skills. Further, in line with work on 4E cognition (Menary, 2010) and followingevidence from sensory incorporation studies (Nielsen, 1993, 2017; Sauvageau, Nielsen, &amp; Montplaisir, 1998), ithas been proposed that dreams are not simply experiences of virtual reality confined in the sleeping brain, butrather can be conceptualized as processes of embodied imagination (Thompson, 2014; Solomonova &amp; Sha,2016; Solomonova, 2017), rooted in lived sensorimotor experience and responsive to sensory information fromthe outside world.In this chapter, we review the different ways that attention works in relation to dreams and how it mayfunction in dreams, and apply the framework of attention, proposed in this volume – as a means of accessingand mediating interactions with the world - to the dreaming world. We first review prior work on the role ofattention as 1) access to dreams, e.g., how practices of recording and sharing dreams act as enabling factors forimproving dream recall and enhancing richness of dream experience; and as 2) a mediator of dreams, e.g., howincubation, imagery rehearsal, and ultimately lucidity can be cultivated as cognitive skills enabling agency in thedream experience. We propose that attention functions as a constitutive factor in dream experience and that it isa trainable, developmental cognitive skill. We argue that dreams are not simply experiences that happen to thedreamer, rather, through employing attentional techniques in various ways, the dreamer may cultivate differentdegrees of agency in the dream.


2020 ◽  
pp. 149-169
Author(s):  
Sue Llewellyn

In rapid eye movement (REM) dreams elements are taken out of their waking-life context and associated to portray a complex, non-obvious pattern in experience. In the last chapter we looked at this process as insight into a hidden pattern; here, we focus on the novel nature of the pattern. A series of dream scenes creates a narrative that has not been experienced. REM dream narratives are new, counterfactual, or fictional, but this fiction emerges from associations between elements of previous experiences (or prior knowledge). In this chapter I argue that wake and dream states are not totally differentiated. In particular, creative people may be in a dream-like state during wake; this would enable them to combine the creativity of the dream state with the secondary consciousness of the wake state. In this hybrid, de-differentiated state, creative individuals could imagine innovative, socially valuable, rather than purely personally meaningful, creative products.


2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Jaspal Naveel Singh

AbstractOverstandin occurs when languagers upscale their reading positions to rescale the meanings of texts or signs according to their own intentions. While understanding is an important faculty for languagers and a central analytical category for applied linguistics research, it cannot fully grasp agency and creativity in complex languaging in postcolonial worlds. By focusing on processes of overstandin, this article shows how languagers assume an upscaled reading position from which they find opportunities to attack the form and function of a text/sign. Thereby they can destabilise the indexical equilibrium of a sign and show up the ambivalence of language. Understanding often erases this ambivalence. For this reason, the exposure of ambivalence through overstandin can be emancipative, especially in postcolonial thinking. I further argue that overstandin is emphasised in the dream-state – both conceptualised as a state of relative unconscious experiencing and a wish, desire, aspiration for an emancipated future. In the dream-state the signifier stands over the signified. Such processes of overstandin pose challenges to applied linguistics, which continues to rely on wake-state understanding as a central analytical category for its gaze and its methods and thereby reproduces hegemonic knowledge-power structures that have been put in place during Enlightenment, colonialism and current global modernities. This article suggests that an account of processes of overstandin as an agentive meaning-making of the epistemic hinterlands of the postcolonial, could rehabilitate ambivalence as an anthropological category for our discipline. My detour via dream-states is merely a rhetoric of the argument presented here and it should not be assumed that I suggest that applied linguists have to turn to mysticism or dream analysis in order to account for overstandin, scaling and indexical ambivalence. The oneiric rhetoric itself is an overstandin, which aims to challenge common-sense empiricism in our discipline.


2020 ◽  
Vol 44 (2-3) ◽  
pp. 55-68
Author(s):  
Chantelle Ko ◽  
Lora Oehlberg

Abstract We present the second iteration of a Touch-Responsive Augmented Violin Interface System, called TRAVIS II, and two compositions that demonstrate its expressivity. TRAVIS II is an augmented acoustic violin with touch sensors integrated into its 3-D printed fingerboard that track left-hand finger gestures in real time. The fingerboard has four strips of conductive PLA filament that produce an electric signal when fingers press down on each string. Although these sensors are physically robust, they are mechanically assembled and thus easy to replace if damaged. The performer can also trigger presets via four sensors attached to the body of the violin. The instrument is completely wireless, giving the performer the freedom to move throughout the performance space. Although the sensing fingerboard is installed in place of the traditional fingerboard, all other electronics can be removed from the augmented instrument, maintaining the aesthetics of a traditional violin. Our design allows violinists to naturally create music for interactive performance and improvisation without requiring new instrumental techniques. The first author composed two compositions to highlight TRAVIS II: “Dream State” and “Kindred Dichotomy.” Both of these compositions involve improvisation in their creative process and include interactive visuals. In this article we describe the design of the instrument, experiments leading to the sensing fingerboard, performative applications of the instrument, and compositional considerations for the resultant pieces.


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