visual demonstration
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Author(s):  
Olena Levchenko ◽  
Olha Pasichnyk

The purpose of the research is to reveal the features of the use of a human behaviour manner in the process of preparing a cinema actor preparing for a role. The research methodology is based on the principles of descriptive, comparative, cultural and artistic methods, the method of observation and experiment, in addition, individualizing and social and psychological approaches are applied during the study of the psycho-physiology of acting through the analysis of the behaviour in the process of individual human capabilities disclosing. The scientific novelty of the research is that the workmanship of the acting game is analyzed through the allocation of a visual demonstration of the manner of behaviour from the inner senses of the character for the first time. Conclusions. The research has shown and analyzed the use of human behaviour in the process of film actor preparing for his/her role. It has been found that the accumulated experience of body movements enriches the repertoire of acting, reduces the risk of the hero emotional state over the inner freedom of a professional actor. Accordingly, with the explored information, the main point here is that impersonation for a character is demonstrating by the simplest properties of human behaviour.


Author(s):  
Harneet Kaur ◽  
Busireddy Guru Saran Reddy ◽  
Guna Chanukya Sai ◽  
Akula Srujan Raj

The research is all about how often people could identify alphabets and numbers written in the open air. A leap motion captures motion trajectory information and plots it as a continuous stream of points. Lines would be combined and major slopes identified from the major points. Significant slopes are converted into directions by the use of geometry. Slope orientation is another name for this. Slope Alignment Sequence is a list of slope orientations that are used to individually depict Alphanumeric Letters. In this experiment, Dependency injection OpenCV is used to sketch on the camera with a virtual pen, i.e. any marker may be used to draw using the contour detection technique centered on the mask of the desired cultured reference marker. If you're a beginner who wants to enthuse your fellow members with a visual demonstration, the application user will be identified by the system until the produced slope direction sequence matches the system's comparison slope alignment sequence. In the algorithm's matching process, the sets and subsets process is used. The researchers suggested a new approach for classifying Alphabetic Chars written in the air in this article. The outcome of the experiment shows that the suggested approach is reliable.


Author(s):  
Elena Sergeevna Reshetnikova ◽  
Tatyana Vladimirovna Usataya ◽  
Lubov Viktorovna Kurzaeva

This article reviews the experience of application of VR-AR technologies (virtual and augmented reality technologies) for visual demonstration of production facilities in the process of engineering and operation. The three-dimensional modeling in CAD systems is commonly used as a means for development of construction documentation, visualization of work at different stages of engineering, and preparation of objects for engineering analysis. The authors believe that the use of AR-solutions not in parallel, but along with modern CAD systems for solution of engineering and design problems would allow avoiding design flaws and simplify the process of demonstration of projects. Based on the blueprints and three-dimensional models of the parts and assembly of two-stage reduction gear used  for lifting a thermal furnace in metallurgical production, within the framework of development of the Unity multimedia application is developed the AR application for visual demonstration of the device. As the guide mark for visualization is selected the assembly drawing of the reduction gear in digital graphical format edited in the Vuforia portal. The guide mark database is imported into the Unity environment, the logic of implementation of the technique for demonstrating the assembly of the device and separate parts is written in script program. The application is installed on a smartphone and tested; pointing the camera at the printed assembly drawing allows seeing the 3D model of the reduction gear from different angles, hide any details and scrutinize the device. The AR-applications developed according to the proposed method can be used in the process of training operational personnel, which would improve the performance and quality of work during installation and maintenance of industrial facilities, as well as for displaying the projects during exhibitions and presentations of new products.


2021 ◽  
pp. 68-85
Author(s):  
Renata Dźwigoł ◽  

Phraseologism (tam) gdzie diabeł mówi dobranoc in the dictionary and in texts. Modified forms Summary The purpose of the paper is to present the phraseological unit, which is used for naming and visual demonstration of distant, secluded, hard-to-reach and forgotten places. The subject of analysis are notations of this unit in lexicographic sources, as well as its textual uses (data from the National Corpus of Polish). Particular attention has been paid to conscious and deliberate modifications of the phraseological unit, which were applied in titles: innovations concerning exchange, development, shortening, regulation and contamination. Also, semantic changes resulting from the use of the phraseological unit in a modified form have been analysed.


2020 ◽  
pp. CLINLACT-D-20-00018
Author(s):  
Cecilia Parajon

ObjectiveTo highlight a new format, a newborn clinic is providing lactation care during the pandemic. COVID-19 is affecting many families, and lactation consultants can adapt during these times. Families are staying isolated in their homes to reduce exposure to the virus, but problems concerning lactation still exist, and in-person appointments are discouraged.MethodsFamilies continue to get lactation advice and care through scheduled telephone appointments and simultaneous viewing of Global Health Media breastfeeding videos sent through secure message emails. The contents of the videos are discussed, and questions answered. The no-cost telephone appointments continue until the family reaches their goals. The videos are multicultural, translated into many languages, easy to use, and provide a visual demonstration for the families. The families can watch the videos and practice breastfeeding as well as get all their questions answered during the telephone call.ConclusionsInfant- and mother-related lactation problems continue to exist during the pandemic, but because of in-person restrictions, families are not able to attend clinic appointments. The scheduled telephone appointments and the simultaneous video viewing addresses many lactation problems with great success and satisfaction among the families.


2020 ◽  
Vol 2020 (28) ◽  
pp. 7-12
Author(s):  
Yongmin Park ◽  
Michael J. Murdoch ◽  
Mark D. Fairchild

White lighting and neutral-appearing objects are essential in numerous color applications. In particular, setting or tuning a reference white point is a key procedure in both camera and display applications. Various studies on observer metamerism pointed out that noticeable color disagreements between observers mainly appear in neutral colors. Thus, it is vital to understand how observer metamers of white (or neutral) appear in different colors by different observers. Most observers who participated in a visual demonstration reported that white observer metamers appear pinkish or greenish but rarely yellowish or bluish. In this paper, this intriguing question, "Why observer metamers of white are usually pinkish or greenish?," is addressed based on simulations. Besides, it is also analyzed that which physiological factors play an essential role in this phenomenon and why it is less likely for humans to perceive yellowish or bluish observer metamers of white.


2020 ◽  
Vol 11 (2) ◽  
pp. 115-113
Author(s):  
M. S. Terekhova ◽  
S. I. Rudikov ◽  
A. P. Shumski ◽  
A. P. Shkadarevich

The development of non-lethal weapons and, in particular, temporary blinding devices is associated with problem of choosing boundaries of effectiveness. The aim of present work is determination of criteria for estimation of the effects of visual jamming devices action on the naked eye.The present-day scoring system used for effectiveness estimation of laser temporary blinding devices is based on maximum permissible exposure and/or accessible emission level defined for each hazard class in accordance with operating standard.In the present work we carried out analysis and modeling of the cases of application of temporary blinding laser devices. The proposed scoring system was founded on international standard IEC 60825-1-2014 as well as Manual on Laser Emitters and Flight Safety. The modeling of bright light action on observer eye was rested on CIE General Disability Glare Equation and provided quantitative description of jamming effectiveness. The main parameters used in this model and dictated by ambient light level and human eye characteristics, were veiling luminance and angle of distinguishing objects under it.In terms of exposition level and perception effects we determined six zones – unallowed, hazard, temporary blinding, discomfort, alerting, completely safe. Proposed system combined with modeling provides with visual demonstration of perceived light source and allows to describe human physiological sensation and to establish the fact of jamming at different distances. This system was the basis of the development of temporary blinding device for revelation of safe but effective spatial boundaries of action.


2020 ◽  
Vol 77 (2) ◽  
pp. 27-32
Author(s):  
Т. П. Матюшкова

The article is focused on one of the urgent tasks for domestic scholars and practitioners – the development and implementation of non-traumatic methods of interrogation. Thus, the author of the article defines theoretical and practical aspects of using anatomically detailed puppets during the interrogation of extremely vulnerable persons – minor victims and witnesses of rape, sexual abuse, corruption of minors, human trafficking, pornography, etc., including children with physical or (and) mental disorders. The tactics of interrogation of these extremely vulnerable persons need to be improved through the introduction of the “Green Room” method declared by international and national standards, one of the elements of which is a set of anatomically detailed puppets. It has been noted that despite mentioning about the method of interrogation in the domestic normative, scientific and methodological literature, there are no detailed studies of the rules and conditions of using “Green Room” and the possibility of applying anatomical puppets. Theoretical approaches and practical aspects of modern world experience of interrogating extremely vulnerable persons with the use of anatomically detailed puppets have been analyzed. It has been also determined that puppets are used as an anatomical model, demonstration aid, memory stimulation, diagnostic tool or “icebreaker” in the world theory and practice of interviewing children. The author has determined the tasks of applying of the set of anatomically detailed puppets: 1) actualization of recollection; 2) visual demonstration by the child of the mechanism of criminal actions committed against the child; 3) increasing the reliability and significance of information about the circumstances of the commission; 4) prevention of secondary traumatization of minor victims and eyewitnesses of certain types of crimes. The author has formulated the rules and has determined conditions for using anatomically detailed puppets during the interrogation of extremely vulnerable persons. The tactics of interrogation of minor victims and witnesses of certain types of crimes have been improved. The emphasis has been placed on the need for widespread introduction of this non-traumatic method of interrogation of minors into the training of future police officers, advanced training or (and) specialization of existing police officers, and into the investigative and judicial practice.


Author(s):  
Sergey Avanesov ◽  
Ada Bernatonite

В статье проанализированы специфические причины появления в советских детских фильмах эпизодов, демонстрирующих городские и сельские ландшафты Литвы и создающих особую атмосферу в кадре. Поскольку вильнюсское барокко испытало на себе влияние итальянской архитектуры, то съёмки в Литве создавали в советском кинематографе иллюзию Италии. Ещё одна из причин лежит в плоскости инаковости культуры, внутри которой легко сотворить образ врага. Но вместе с этой крайностью в контексте детского кинематографа лежит и полярно другая целевая причина: визуально продемонстрировать абсолютную идентичность литовского городского пространства российскому, точнее, советскому пространству. Использование ландшафтов литовских городов носило мозаичный характер. Определённые места, которые зритель видит в кадре, по смыслу выполняют иную функцию, нежели та, которая характерна для них в реальности. Городское пространство Литвы в детском советском кинематографе лишено присущей ему семантики. В статье выявляются закономерности, согласно которым авторы фильмов намеренно отказывают в узнаваемости историческим и повседневным объектам этой прибалтийской республики.The article analyzes the specific reasons for the occurrence of episodes demonstrating urban and rural landscapes of Lithuania and creating a distinctive atmosphere within the frame in Soviet children films. Since Vilnius baroque was influenced by Italian architecture, filmmaking in Lithuania created the illusion of Italy for Soviet cinema. Another reason lies in the ground of otherness of the culture, inside which an image of an enemy was easier to create. But along with this extreme point there is another opposite aspect in the context of Soviet children cinematograph – visual demonstration of the absolute identity of Lithuanian urban space to Russian, or, more precisely, Soviet one. The use of Lithuanian cities landscapes was mosaic by its nature. Different meaning, than the one they performed in reality, was attributed to certain places that the audience saw in frames. The urban space of Lithuania in children’s Soviet cinema is devoid of its true meaning. The article reveals those patterns by which filmmakers deliberately refuse to show historical and everyday objects of this Baltic republic in a recognizable way.


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