Living Abroad During COVID-19

The purpose of this study was to better understand the uncertainties that international students faced and managed throughout COVID-19 and the impact these uncertainties had on their personal relationships. We conducted interviews with 14 international students and found that they were particularly uncertain about the health of their family members (RQ1a), their health (RQ1b), and where to wait out COVID-19 (RQ1c). Those uncertainties that could be navigated were managed via participants giving informational directives, providing instrumental support, making emotional appeals (RQ2a), engaging in new behaviors and self-care (RQ2b), and increasing communication with and withholding information from family members (RQ2c). Last, we found that COVID-19 impacted international students’ personal relationships in two distinct, positive, ways: they became closer with friends and connected more with family members (RQ3). Overall, the findings from our study have implications for future research and offer suggestions for supporting international students during times of future uncertainty.

Noir Fiction and Film

The argument of Noir Fiction and Film is curiously counterintuitive: that in a century of hard-boiled fiction and detective films, characteristics that at first seemed trivial swelled in importance, flourishing into crucial aspects of the genre. Among these are aimless descriptions of people and places irrelevant to plot, along with detectives consisting of little more than sparkling dialogue and flippant attitudes. What weaves together such features, however, seems to be a paradox: that a genre rooted in solving a mystery, structured around the gathering of clues, must do so by misdirecting our attention, even withholding information we think we need to generate the suspense we also desire. Yet successful noir stories and films enhance that suspense through passing diversions (descriptive details and eccentric perspectives) rather than depending on the centerpieces of plot alone (suspected motives or incriminating traces). As the most accomplished practitioners have realized, the “how” of detective fiction (its stylistic detours) draws us in more insistently than the “what” or the “who” (its linear advance). The achievement of recent film noir is to make that “how” become the tantalizing object of our entire attention, shorn of any pretense of reading for the plot, immersing us in the diversionary delight that has animated the genre from the beginning.

Can we talk? Why employees fail to report negative events to their managers

PurposeThe purpose of this research is to understand why and under what conditions employees are likely to partake in a particular type of silence, known as the Hierarchical MUM Effect (HME). This phenomenon occurs when subordinates are reluctant to share bad news with their supervisors, which can lead to deleterious outcomes in organizations due to a lack of communication. The authors also seek to find which conditions minimize HME.Design/methodology/approachThe authors surveyed employees in a large healthcare organization across three weeks. The authors analyzed their results using the SPSS PROCESS macro.FindingsThe authors’ findings suggest one way to minimize a lack of upward communication is to empower employees, via a high-quality LMX relationship, and move away from a bottom-line mentality focus. Employees who are empowered show lower instances of withholding information via HME. A low bottom-line mentality enhanced this relationship.Originality/valueThe authors expand understanding of antecedents to a particular type of silence, the HME, defined as purposefully withholding information from a supervisor or sharing information in a way that silences the dirty details of a situation (i.e. equivocating). Although a wealth of research examines the deleterious consequences of a high BLM, the authors highlight the positive work outcomes associated with a low BLM.

Strategic Nondisclosure in Takeovers

We examine takeover auctions when an informed bidder has better information about the target value than a rival and target shareholders. The informed bidder’s information is either hard or soft, and only hard information can be credibly disclosed. We show that withholding information creates a winner’s curse, thereby serving as a preemption device that deters the rival’s participation. In turn, an endogenous dis- closure cost arises that induces the informed bidder to optimally withhold favorable information to minimize the acquisition price—breaking down the standard unraveling result, even if his information is always hard. Perhaps surprisingly, stronger competition from the uninformed bidder can reduce the target shareholders’ payoff and increase the payoff of the informed bidder while unambiguously improving social welfare. Moreover, “hardened” information can reduce the gains to trade, decreasing welfare but increasing shareholders’ payoff. Our results provide a cautionary note to promoting more competition and more disclosure.

On the undisclosed transfer of abusive Catholic priests: A field theoretical analysis of the sexual repression within the Catholic Church and the use of legitimate language

Catholic priests who sexually abused minors were transferred to other parishes without disclosing the actual reason for their transfer. Based on reports from Ireland, Germany, and the USA, and relying on Bourdieu’s concepts of field and habitus, this article demonstrates that first, the practices of denying and withholding information even to fellow priests are consequences of the repression of sexuality within the Catholic Church. The Church has not provided a legitimate language for priests to be able to engage openly about sexuality. Sexual repression as a field structure is incorporated into the priests’ habitus, resulting in self-censorship when it comes to articulating the issue of sexual abuse. Secondly, the article accounts for the change within the Catholic field and the priest’s habitus, which has resulted in the facility to verbally express sexual matters in order that the undisclosed practice of transferring abusive priests finally stopped.

When Both Utterances and Appearances are Deceptive: Deception in Multimodal Film Narrative

This article gives a comprehensive theoretical account of deception in multimodal film narrative in the light of the pragmatics of film discourse, the cognitive philosophy of film, multimodal analysis, studies of fictional narrative and – last but not least – the philosophy of lying and deception. Critically addressing the extant literature, a range or pertinent notions and issues are examined: multimodality, film narration and the status of the cinematic narrator, the pragmatics of film construction (notably, the characters’ communicative level and the one of the collective sender and the recipient), the fictional world and its truth, the recipient’s film engagement and make believing, as well as narrative unreliability. Previous accounts of deceptive films are revisited and three main types of film deception are proposed with regard to the two levels of communication on which it materialises, the characters’ level and the recipient’s level, as well as the intradiegetic and/or the extradiegetic narrator involved. This discussion is illustrated with multimodally transcribed examples of deception extracted from the American television seriesHouse.In the course of the analysis, attention is paid to how specific types of deception detailed in the philosophy of language (notably, lies, deceptive implicature, withholding information, covert ambiguity, and covert irrelevance) are deployed through multimodal means in the three types of film deception (extradiegetic deception, intradiegetic deception, and a combination of both when performed by both cinematic and intradiegetic narrators). Finally, inspired by the discussion of Hitchcock’s controversial lying flashback scene inStage Fright, as well as films relying on tacit intradiegetic, unreliable narrators (focalising characters) an attempt is made to answer the thorny question of when the extradiegetic (cinematic) narrator can perform lies (through mendacious multimodal assertions) addressed by the collective sender to the recipient, and not just only other forms of deception, as is commonly maintained.

Toward a Theory of Concealment

Concealment, or withholding information from others, is of fundamental sociological interest. Yet, a general theoretical framework of concealment is missing from the sociological cannon. This paper specifies a model that builds upon, and moves beyond, existing accounts of concealment by emphasizing the desire for autonomy. I propose that desire for autonomy, and the subjective assessment of concealment as the best route to achieve autonomy, are necessary for individuals to attempt concealment. After specifying a dyadic model based on the concealer (ego) and the target of concealment (alter), I incorporate ego-alter power differentials as well as norms about privacy and concealment into a multilevel model of how concealment is initiated and maintained. The theoretical and empirical implications of this model of concealment are discussed.

Vagueness and Withholding Information in Christie’s (1926) Detective Fiction The Murder of Roger Ackroyd: A Pragma-Stylistic Study

This study is intended to examine the deceptive strategies utilized in the well-renown Agatha Christie’s (1926/2002) detective fiction The Murder of Roger Ackroyd to fill a gap in the literature by conducting a pragma-stylistic analysis of the novel. To do so, the researchers have set two objectives which are phrased as follows: firstly, examining the pragma-stylistic choices that are used to surface the deceptive strategies on the character-character level in the pre-dénouement stage and secondly, investigating the pragma-stylistic choices that are used to surface the deceptive strategies on the narrator-reader level in the pre-dénouement stage. The stylistic idiosyncrasies of Christie’s Dr. Sheppard are carried out through an eclectic pragma-stylistic approach to expose his deceptive strategies for the fulfillment of his selfish ends. Therefore, the study at issue follows an eclectic conceptual framework which comprises Merzah and Abbas’s deceptive principle (2020) and Chen’s (2001) self-politeness, along with the stylistic effects achieved via the manipulation of such linguistic tools, to explore the two levels of discourse, namely, character-character level and narrator-reader level proposed by Black (2006). The qualitative analysis of the novel has exhibited that Dr. Sheppard is an expert deceiver who principally relies on indirect strategies, as he is cognizant of the power of what is insinuated but left unsaid.

“Wired”

Chapter 5 investigates a case study of Tonéx, a queer preacher-musician who embodies a combination of the most popular archetypes of African-American men’s worship—the preacher and the vocalist head musician—while wielding multifarious rhetorics during his musical performance. Tonéx’s case contests the portrayal of same-gender-loving men as down low, secretive, deceptive, and always withholding information about who they are from their loved ones. Chapter 5 investigates the queer Pentecostal performative strategies behind the creative process of worshipping in Spirit and in truth, as Tonéx grounds his performances in bodily experiences recorded on the Unspoken album. By vocalizing unspoken bodily experiences for gospel music audiences, Tonéx guides his fans through an exploration of what it means to be wired: that is, the occurrence of the embedded, transferred, bestowed, gifted, ridiculed, and surveilled aspects of being a queer masculine survivor of sexual assault in Pentecostal Christian communities.