scholarly journals Effect of vocal fold asymmetries on glottal flow

2016 ◽  
Vol 126 (11) ◽  
pp. 2534-2538 ◽  
Author(s):  
Liran Oren ◽  
Sid Khosla ◽  
Ephraim Gutmark
Keyword(s):  
2021 ◽  
Vol 11 (3) ◽  
pp. 1221
Author(s):  
Dariush Bodaghi ◽  
Qian Xue ◽  
Xudong Zheng ◽  
Scott Thomson

An in-house 3D fluid–structure–acoustic interaction numerical solver was employed to investigate the effect of subglottic stenosis (SGS) on dynamics of glottal flow, vocal fold vibration and acoustics during voice production. The investigation focused on two SGS properties, including severity defined as the percentage of area reduction and location. The results show that SGS affects voice production only when its severity is beyond a threshold, which is at 75% for the glottal flow rate and acoustics, and at 90% for the vocal fold vibrations. Beyond the threshold, the flow rate, vocal fold vibration amplitude and vocal efficiency decrease rapidly with SGS severity, while the skewness quotient, vibration frequency, signal-to-noise ratio and vocal intensity decrease slightly, and the open quotient increases slightly. Changing the location of SGS shows no effect on the dynamics. Further analysis reveals that the effect of SGS on the dynamics is primarily due to its effect on the flow resistance in the entire airway, which is found to be related to the area ratio of glottis to SGS. Below the SGS severity of 75%, which corresponds to an area ratio of glottis to SGS of 0.1, changing the SGS severity only causes very small changes in the area ratio; therefore, its effect on the flow resistance and dynamics is very small. Beyond the SGS severity of 75%, increasing the SGS severity, leads to rapid increases of the area ratio, resulting in rapid changes in the flow resistance and dynamics.


2004 ◽  
Author(s):  
Michael Barry

The design and testing of an experimental apparatus for in vitro study of phonatory aerodynamics (voice production) in humans is presented. The presentation includes not only the details of apparatus design, but flow visualization and Digital Particle Image Velocimetry (DPIV) measurements of the developing flow that occurs during the opening of the constriction from complete closure. The main features of the phonation process have long been understood. A proper combination of air flow from the lungs and of vocal fold tension initiates a vibration of the vocal folds, which in turn valves the airflow. The resulting periodic acceleration of the airstream through the glottis excites the acoustic modes of the vocal tract. It is further understood that the pressure gradient driving glottal flow is related to flow separation on the downstream side of the vocal folds. However, the details of this process and how it may contribute to effects such as aperiodicity of the voice and energy losses in voiced sound production are still not fully grasped. The experimental apparatus described in this paper is designed to address these issues. The apparatus itself consists of a scaled-up duct in which water flows through a constriction whose width is modulated by motion of the duct wall in a manner mimicking vocal fold vibration. Scaling the duct up 10 times and using water as the working fluid allows temporally and spatially resolved measurements of the dynamically similar flow velocity field using DPIV at video standard framing rates (15Hz). Dynamic similarity is ensured by matching the Reynolds number (based on glottal flow speed and glottis width) of 8000, and by varying the Strouhal number (based on vocal fold length, glottal flow speed, and a time scale characterizing the motion of the vocal folds) ranging from 0.01 to 0.1. The walls of the 28 cm × 28 cm test section and the vocal fold pieces are made of clear cast acrylic to allow optical access. The vocal fold pieces are 12.7 cm × 14 cm × 28 cm and are rectangular in shape, except for the surfaces which form the glottis, which are 6.35 cm radius half-circles. Dye injection slots are placed on the upstream side of both vocal field pieces to allow flow visualization. Prescribed motion of the vocal folds is provided by two linear stages. Linear bearings ensure smooth execution of the motion prescribed using a computer interface. Measurements described here use the Laser-Induced Fluorescence (LIF) flow visualization and DPIV techniques and are performed for two Strouhal numbers to assess the effect of opening time on the development of the glottal jet. These measurements are conducted on a plane oriented perpendicular to the glottis, at the duct midplane. LIF measurements use a 5W Argon ion laser to produce a light sheet, which illuminates the dye injected through a slot in each vocal fold piece. Two dye colors are used, one for each side. Quantitative information about the velocity and vorticity fields are obtained through DPIV measurements at the same location as the LIF measurements.


2021 ◽  
Vol 15 (2) ◽  
Author(s):  
Petr Hájek ◽  
Pavel Švancara ◽  
Jaromír Horáček ◽  
Jan G. Švec

Finite-element modeling of self-sustained vocal fold oscillations during voice production has mostly considered the air as incompressible, due to numerical complexity. This study overcomes this limitation and studies the influence of air compressibility on phonatory pressures, flow and vocal fold vibratory characteristics. A two-dimensional finite-element model is used, which incorporates layered vocal fold structure, vocal fold collisions, large deformations of the vocal fold tissue, morphing the fluid mesh according to the vocal fold motion by the arbitrary Lagrangian-Eulerian approach and vocal tract model of Czech vowel [i:] based on data from magnetic resonance images. Unsteady viscous compressible or incompressible airflow is described by the Navier-Stokes equations. An explicit coupling scheme with separated solvers for structure and fluid domain was used for modeling the fluid-structure-acoustic interaction. Results of the simulations show clear differences in the glottal flow and vocal fold vibration waveforms between the incompressible and compressible fluid flow. These results provide the evidence on the existence of the coupling between the vocal tract acoustics and the glottal flow (Level 1 interactions), as well as between the vocal tract acoustics and the vocal fold vibrations (Level 2 interactions).


Author(s):  
Weili Jiang ◽  
Charles Farbos De Luzan ◽  
Xiaojian Wang ◽  
Liran Oren ◽  
Sid Khosla ◽  
...  

Abstract A combined experimental-numerical work was conducted to comprehensively validate a subject-specific continuum model of voice production in larynx using excised canine laryngeal experiments. The computational model is a coupling of the Navier-Stokes equations for glottal flow dynamics and a finite element model of vocal fold dynamics. The numerical simulations employed a cover-body vocal fold structure with the geometry reconstructed from MRI scans and the material properties determined through an optimization-based inverse process of experimental indentation measurement. The results showed that the simulations predicted key features of the dynamics observed in the experiments, including the skewing of the glottal flow waveform, mucosal wave propagation, continuous increase of the divergent angle and intraglottal swirl strength during glottal closing, and flow recirculation between glottal jet and vocal fold. The simulations also predicted the increase of the divergent angle, glottal jet speed and intraglottal flow swirl strength with the subglottal pressure, same as in the experiments. Quantitatively, the simulations over-predicted the frequency and jet speed and under-predicted the flow rate and divergent angle for the larynx under study. The limitations of the model and their implications were discussed.


2013 ◽  
Vol 135 (12) ◽  
Author(s):  
Mehrdad H. Farahani ◽  
John Mousel ◽  
Fariborz Alipour ◽  
Sarah Vigmostad

The false vocal folds are hypothesized to affect the laryngeal flow during phonation. This hypothesis is tested both computationally and experimentally using rigid models of the human larynges. The computations are performed using an incompressible Navier–Stokes solver with a second order, sharp, immersed-boundary formulation, while the experiments are carried out in a wind tunnel with physiologic speeds and dimensions. The computational flow structures are compared with available glottal flow visualizations and are employed to study the vortex dynamics of the glottal flow. Furthermore, pressure data are collected on the surface of the laryngeal models experimentally and computationally. The investigation focuses on three geometric features: the size of the false vocal fold gap; the height between the true and false vocal folds; and the width of the laryngeal ventricle. It is shown that the false vocal fold gap has a significant effect on glottal flow aerodynamics, whereas the second and the third geometric parameters are of lesser importance. The link between pressure distribution on the surface of the larynx and false vocal fold geometry is discussed in the context of vortex evolution in the supraglottal region. It was found that the formation of the starting vortex considerably affects the pressure distribution on the surface of the larynx. The interaction of this vortex structure with false vocal folds creates rebound vortices in the laryngeal ventricle. In the cases of small false vocal fold gap, these rebound vortices are able to reach the true vocal folds during a time period comparable with one cycle of the phonation. Moreover, they can create complex vorticity patterns, which result in significant pressure fluctuations on the surface of the larynx.


2020 ◽  
Vol 63 (1) ◽  
pp. 109-124
Author(s):  
Carly Jo Hosbach-Cannon ◽  
Soren Y. Lowell ◽  
Raymond H. Colton ◽  
Richard T. Kelley ◽  
Xue Bao

Purpose To advance our current knowledge of singer physiology by using ultrasonography in combination with acoustic measures to compare physiological differences between musical theater (MT) and opera (OP) singers under controlled phonation conditions. Primary objectives addressed in this study were (a) to determine if differences in hyolaryngeal and vocal fold contact dynamics occur between two professional voice populations (MT and OP) during singing tasks and (b) to determine if differences occur between MT and OP singers in oral configuration and associated acoustic resonance during singing tasks. Method Twenty-one singers (10 MT and 11 OP) were included. All participants were currently enrolled in a music program. Experimental procedures consisted of sustained phonation on the vowels /i/ and /ɑ/ during both a low-pitch task and a high-pitch task. Measures of hyolaryngeal elevation, tongue height, and tongue advancement were assessed using ultrasonography. Vocal fold contact dynamics were measured using electroglottography. Simultaneous acoustic recordings were obtained during all ultrasonography procedures for analysis of the first two formant frequencies. Results Significant oral configuration differences, reflected by measures of tongue height and tongue advancement, were seen between groups. Measures of acoustic resonance also showed significant differences between groups during specific tasks. Both singer groups significantly raised their hyoid position when singing high-pitched vowels, but hyoid elevation was not statistically different between groups. Likewise, vocal fold contact dynamics did not significantly differentiate the two singer groups. Conclusions These findings suggest that, under controlled phonation conditions, MT singers alter their oral configuration and achieve differing resultant formants as compared with OP singers. Because singers are at a high risk of developing a voice disorder, understanding how these two groups of singers adjust their vocal tract configuration during their specific singing genre may help to identify risky vocal behavior and provide a basis for prevention of voice disorders.


2019 ◽  
Vol 4 (3) ◽  
pp. 474-482
Author(s):  
Sarah L. Schneider

PurposeVocal fold motion impairment (VFMI) can be the result of iatrogenic or traumatic injury or may be idiopathic in nature. It can result in glottic incompetence leading to changes in vocal quality and ease. Associated voice complaints may include breathiness, roughness, diplophonia, reduced vocal intensity, feeling out of breath with talking, and vocal fatigue with voice use. A comprehensive interprofessional voice evaluation includes auditory-perceptual voice evaluation, laryngeal examination including videostroboscopy, acoustic and aerodynamic voice measures. These components provide valuable insight into laryngeal structure and function and individual voice use patterns and, in conjunction with stimulability testing, help identify candidacy for voice therapy and choice of therapeutic techniques.ConclusionA comprehensive, interprofessional evaluation of patients with VFMI is necessary to assess the role of voice therapy and develop a treatment plan. Although there is no efficacy data to support specific voice therapy techniques for treating VFMI, considerations for various techniques are provided.


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