scholarly journals Introduction to the Fourth Volume

2011 ◽  
pp. 1853-1856
Keyword(s):  
Fourth Volume

Editorial Introduction

2020 ◽  
Vol 4 (1) ◽  
pp. 1
Author(s):  
Editors of the JIOWS
Keyword(s):  
Nineteenth Century ◽  
Indian Ocean ◽  
Western Indian Ocean ◽  
Late Nineteenth Century ◽  
Fourth Volume ◽  
History Of ◽  
The Indian Ocean ◽  
Complex Relationships ◽  
Indian Ocean World ◽  
Shed Light

The editors are proud to present the first issue of the fourth volume of the Journal of Indian Ocean World Studies. This issue contains three articles, by James Francis Warren (Murdoch University), Kelsey McFaul (University of California, Santa Cruz), and Marek Pawelczak (University of Warsaw), respectively. Warren’s and McFaul’s articles take different approaches to the growing body of work that discusses pirates in the Indian Ocean World, past and present. Warren’s article is historical, exploring the life and times of Julano Taupan in the nineteenth-century Philippines. He invites us to question the meaning of the word ‘pirate’ and the several ways in which Taupan’s life has been interpreted by different European colonists and by anti-colonial movements from the mid-nineteenth century to the present day. McFaul’s article, meanwhile, takes a literary approach to discuss the much more recent phenomenon of Somali Piracy, which reached its apex in the last decade. Its contribution is to analyse the works of authors based in the region, challenging paradigms that have mostly been developed from analysis of works written in the West. Finally, Pawelczak’s article is a legal history of British jurisdiction in mid-late nineteenth-century Zanzibar. It examines one of the facets that underpinned European influence in the western Indian Ocean World before the establishment of colonial rule. In sum, this issue uses two key threads to shed light on the complex relationships between European and other Western powers and the Indian Ocean World.

Kazimir Malevich: Economy as the Fifth Dimension

2019 ◽  
Vol 29 (6) ◽  
pp. 215-228
Keyword(s):  
Karl Marx ◽  
Dialectical Materialism ◽  
Economic Base ◽  
Surplus Value ◽  
Bourgeois Society ◽  
Fifth Dimension ◽  
Fourth Volume ◽  
Contemporary Painting ◽  
New Criterion ◽  
The Impact

This paper deals with the impact that Karl Marx"s Das Kapital (and especially its fourth volume, the theory of Surplus Value) had on the category of economy in Kazimir Malevich"s output. In a series of texts, Malevich proclaims economy the new criterion of art and the Black Square its embodiment in contemporary painting. While the author was analyzing Marx"s views on labor and human nature, echoes of them turned up in Malevich"s manifestos and philosophical essays where the artist pondered the idea of the liberation of creative exaltation. The article others an interpretation of the creative process itself from the standpoint of economy, which for Malevich provided an opportunity to lay down the foundation for a new kind of art that was consistent with the prevailing ideology. The author points out that while Malevich was in Vitebsk he studied Marx"s works with idea of incorporating economic studies into art: his speculations on the relationships between the ideological superstructure and the practical, economic base were written in the manner of Marxist philosophy and provided the basis for his main essays, The World as Non-Objectivity (1923) and Suprematism: Thee World as Non-Objectivity or Eternal Rest (1923-1924). They defined the new art as an independent ideological superstructure positioned “outside of other contents and ideologies.” Parallel to that, the author examines the correspondence between Malevich"s theory of the surplus element and Marxist doctrines on surplus value. It is also shown that Malevich hoped to prove that, as in dialectical materialism, his new surplus element opens the way to a new artistic structure that is emerging from the womb of the old system in the same way that communism comes about as a kind of heterogeneous body from within the underpinnings of bourgeois society.

The Common Law in Colonial America

2018 ◽  
Author(s):  
William E. Nelson
Keyword(s):  
New York ◽  
Colonial America ◽  
Main Theme ◽  
Revolutionary Movement ◽  
American Colonies ◽  
American Law ◽  
Fourth Volume ◽  
The Law ◽  
Substantive Law ◽  
The Revolution

This volume begins where volumes 2 and 3 ended. The main theme of the four-volume project is that the law of America’s thirteen colonies differed profoundly when they first were founded, but had developed into a common American law by the time of the Revolution. This fourth volume focuses on what was common to the law of Britain’s thirteen North American colonies in the mid-eighteenth century, although it also takes important differences into account. The first five chapters examine procedural and substantive law in colonies and conclude that, except in North Carolina and northern New York, the legal system functioned effectively in the interests both of Great Britain and of colonial localities. The next three chapters examine changes in law and the constitution beginning with the Zenger case in 1735—changes that ultimately culminated in independence. These chapters show how lawyers became leading figures in what gradually became a revolutionary movement. It also shows how lawyers used legal and constitutional ideology in the interests, sometimes of an economic character, of their clients. The book thereby engages prior scholarship, especially that of Bernard Bailyn and John Phillip Reid, to show how ideas and constitutional values possessed independent causal significance in leading up to the Revolution but also served to protect institutional structures and socioeconomic interests that likewise possessed causal significance.

The Folly of the Cross

2018 ◽  
Author(s):  
Richard Viladesau
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Theology Of The Cross ◽  
The Enlightenment ◽  
Modern Period ◽  
The Arts ◽  
Modern Thought ◽  
Fourth Volume ◽  
The Cross ◽  
Satisfaction Model

This work surveys the ways in which theologians, artists, and composers of the early modern period dealt with the passion and death of Christ. The fourth volume in a series, it locates the theology of the cross in the context of modern thought, beginning with the Enlightenment, which challenged traditional Christian notions of salvation and of Christ himself. It shows how new models of salvation were proposed by liberal theology, replacing the older “satisfaction” model with theories of Christ as bringer of God’s spirit and as social revolutionary. It shows how the arts during this period both preserved the classical tradition and responded to innovations in theology and in style.

The Cambridge History of America and the World

2021 ◽  
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Military Power ◽  
American Empire ◽  
Global Power ◽  
Cultural Terms ◽  
The World ◽  
Fourth Volume ◽  
History Of

The fourth volume of The Cambridge History of America and the World examines the heights of American global power in the mid-twentieth century and how challenges from at home and abroad altered the United States and its role in the world. The second half of the twentieth century marked the pinnacle of American global power in economic, political, and cultural terms, but even as it reached such heights, the United States quickly faced new challenges to its power, originating both domestically and internationally. Highlighting cutting-edge ideas from scholars from all over the world, this volume anatomizes American power as well as the counters and alternatives to 'the American empire.' Topics include US economic and military power, American culture overseas, human rights and humanitarianism, third-world internationalism, immigration, communications technology, and the Anthropocene.

III.—On a MS. Collection of Ordinances of Chivalry of the fifteenth century, belonging to Lord Hastings

Archaeologia ◽  
1900 ◽  
Vol 57 (1) ◽  
pp. 29-70 ◽  
Author(s):  
Harold Arthur ◽  
Viscount Dillon
Keyword(s):  
Fifteenth Century ◽  
Kind Permission ◽  
James I ◽  
External Evidence ◽  
Fourth Volume

The manuscript volume which, by the kind permission of Lord Hastings, I am enabled to exhibit this evening, is one of great value and interest. Those great antiquaries Sir F. Palgrave and Albert Way saw the volume, and while the former made a rough note of its contents, the latter contributed to the fourth volume of the Archæological Journal a valuable paper on one part. The notes of these two gentlemen have been compared with the original MS., and I have ventured, whilst giving transcripts of some portions of the volume, to add a few notes and descriptions. The manuscript, which is written on vellum, consists of fifteenth-century copies, with some illuminations, of various treatises dealing with chivalry, state, etc. These have been bound in one thick volume, which from external evidence we may suppose to have at one time belonged to that distinguished Prince, Henry, son of James I.

INSECTS OF THE NORTHERN PARTS OF BRITISH AMERICA

1870 ◽  
Vol 2 (6) ◽  
pp. 76-82 ◽  
Author(s):  
The Editor
Keyword(s):  
University Of Toronto ◽  
British America ◽  
Fourth Volume ◽  
The University

For ten years we have been trying, and trying in vain, both in England and America, to obtain a copy of Kirby's descriptions of the insects of the Northern parts of British America, contained in the fourth volume of Richardson's Fauna Boreali-Americana, published at Norwich in 1837. Many of our friends have been making similar attempts, and always with the like ill-success. We have had, however, occasional access to a copy in the iibrary of the University of Toronto, which, with the exception of one in the Library of Parliament at Ottawa, is the only copy we know of in Canada.

Cosmos: The Universe Translated

2018 ◽  
pp. 187-232
Author(s):  
Alison E. Martin
Keyword(s):  
Natural History ◽  
Original Work ◽  
Natural World ◽  
Scientific Thought ◽  
Physical Description ◽  
The World ◽  
Terrestrial Life ◽  
Fourth Volume ◽  
History Of ◽  
The Universe

This chapter is devoted to Humboldt’s last, great work Cosmos. This multi-volume ‘Sketch of a Physical Description of the World’ ranged encyclopaedically from the darkest corners of space to the smallest forms of terrestrial life, describing the larger systems at work in the natural world. But, as British reviewers were swift to query, where was God in Humboldt’s mapping of the universe? Appearing on the market in 1846, just a year after Robert Chambers’ controversial Vestiges of the Natural History of Creation, Humboldt’s Cosmos unavoidably underwent close scrutiny. Hitherto overlooked correspondence between Humboldt and Edward Sabine shows how the Sabines deliberately reoriented the second volume of the English translation for Longman/Murray explicitly to include references to the ‘Creator’ and thus restore Humboldt’s reputation. The fourth volume of the Longman edition on terrestrial magnetism – Edward Sabine’s specialism – included additions endorsed by Humboldt which made Sabine appear as co-writer alongside the great Prussian scientist, and Cosmos a more obviously ‘English’ product. Otté, who produced the rival translation for Bohn, was initially under pressure herself to generate ‘original’ work that differed from its rival, producing a version of a work that would remain central to scientific thought well up to the end of the nineteenth century.

Literary Prestige

2020 ◽  
pp. 63-70
Author(s):  
Claire Ducournau
Keyword(s):  
Political Environment ◽  
Cultural Resources ◽  
Literary Canon ◽  
Collège De France ◽  
Literary Heritage ◽  
The Status ◽  
The Face ◽  
Fourth Volume ◽  
Colonial Order

Literary recognition comprises a good part of the fourth volume of Les Lieux de mémoire, published in 1986. This essay proposes a postcolonial revisiting of literary institutions such as the Académie française or scholarly classics previously addressed in this volume – according to both the chronological and adversarial meanings of the term ‘postcolonial’. It reevaluates the status of those territories that were politically dominated outside the borders of the Hexagon within such realms of literary heritagization by expanding the edges of the nation as it had been envisioned. The French literary canon is home to a range of authors who accepted the colonial order as something that was not to be questioned, and even that should be vigorously defended, but also to writers who were inhabitants of (formerly) colonized territories. The marks of literary prestige obtained by authors from (ex)imperial territories, from the award of a Goncourt Prize to election to the Collège de France, are often determined by decisive conditions, such as the place of publication of literary works, the cultural resources of these writers, and the wider French political environment. This essay highlights the existence of silences and instances of marginalization in national literary heritage, as well as long-term demonstrations of resistance in the face of this colonial or neocolonial order.

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