The Influence of Roman Jakobson on the Development of Semiotics

1987 ◽  
pp. 109-127 ◽  
Author(s):  
Umberto Eco
Keyword(s):  
Roman Jakobson

A gramática da poesia nas Canções sem metro: uma leitura jakobsoniana dos poemas em prosa de Raul Pompeia

2013 ◽  
Vol 13 ◽  
pp. 67-78
Author(s):  
Franco Baptista Sandanello
Keyword(s):  
Roman Jakobson

O presente trabalho busca aproximar, mediante dois paralelos, o pensamento teórico de Roman Jakobson exposto em “Poesia da gramática e gramática da poesia” e o estudo comparado de diferentes versões dos poemas em prosa de Raul Pompeia nas Canções sem metro. Pretende-se, assim, discutir conceitos importantes da teoria de Jakobson, como o de paralelismo e o de ficção linguística, com auxílio do texto literário, assim como, no caminho inverso, destacar pontos importantes da poética de Pompeia a partir da significativa reescrita dos poemas, por meio de mudanças lexicais, gramaticais e até mesmo de ponto de vista narrativo.

An Historiographical Guide to Subcarpathian Rus'

1973 ◽  
Vol 9 ◽  
pp. 201-265
Author(s):  
Paul R. Magocsi
Keyword(s):  
The United States ◽  
General Nature ◽  
Eastern European ◽  
European Languages ◽  
Article Deal ◽  
Enormous Amount ◽  
History Of ◽  
Roman Jakobson ◽  
Political Economic ◽  
Cultural Developments

It is customary among western scholars who have written about the Carpatho-Rusyns to consider them “the most forgotten among the forgotten.”2 Little is known in the West about the political, economic, and cultural developments of Subcarpathian Rus', especially before 1918. Yet such an enormous amount of material has been written in eastern European languages about this territory that as early as 1931 the noted Slavic linguist Roman Jakobson could write: “In the whole east Slavic world, there is hardly any other marginal area whose past has been examined with such affectionate meticulousness and scholarliness as Carpatho-Russia.”3The present study is intended as an introductory guide to the voluminous historiography of Subcarpathian Rus'. The material has been arranged according to the following topical and chronological subdivisions: bibliographical aids; general historical studies; early history to 1514; 1514 to 1711; 1711 to 1848; 1848 to 1918; 1918 to 1938; October, 1938, to March, 1939; 1939 to 1944; 1945 to the present; cultural developments; Rusyns in Hungary; Rusyns in Jugoslavia; and Rusyns in the United States. Works will be discussed under the heading which most nearly describes the period dealt with in the text regardless of the date of publication. The time periods were not designated arbitrarily but are based on certain historical events the significance of which will be clarified in the appropriate subsection. Most studies treated in this article deal exclusively or primarily with Subcarpathian Rus' only a few are concerned with problems of a more general nature. Many studies dealing with the recent history of the area are not necessarily included because they represent sound historical research but because they are valuable, highly selective accounts of crucial events, many of them written by the participants themselves.

‘Reading‘ and Directing the Play

1987 ◽  
Vol 3 (11) ◽  
pp. 218-223
Author(s):  
Michael L. Quinn
Keyword(s):  
San Francisco ◽  
Doctoral Dissertation ◽  
Original Function ◽  
Preceding Article ◽  
Production History ◽  
Roman Jakobson ◽  
Prague School

A director's ‘reading’ of the play – the hierarchical implications of which were discussed by Peter Holland in the preceding article – normally begins with just that: a reading, of the printed or typewritten text. Here. Michael Quinn discusses the various factors through which this initial acquaintance becomes a stage production carrying the stamp of the resulting perceptions – some of which go unrecognized, as much by the director as by those who evaluate his work. These may vary from preconceptions (or a lack of them) about the writer himself to the prevailing modes of the director's own work, or from such imponderables as the ‘lingering’ effect of objects on stage whose original function has been fulfilled to the ‘intertextuality’ always present when a play has a previous production history. The author argues not for the impossible elimination of such influences, but for their proper recognition, so that the director may be better aware of the reasons behind the choices he makes in translating a ‘reading’ into a production. Michael L. Quinn has previously published essays on Brecht and Roman Jakobson, and is currently serving as a play-reader for the San Francisco Magic Theater while preparing his doctoral dissertation on the theatre semiotics of the Prague school.

The Stylistics Reader: From Roman Jakobson to the Present

1998 ◽  
Vol 7 (1) ◽  
pp. 91-92
Author(s):  
Valerie Shepherd
Keyword(s):  
Roman Jakobson

Using metaphors to get rid of a speech defect by Roman Jacobsen: توظيف الاستعارة في التخلص من العيب النطقي عند رومان جاكوبسن

2020 ◽  
Vol 4 (9) ◽  
Author(s):  
Huda Salah Rashid, Hatem Kareem Huseen
Keyword(s):  
Speech Defect ◽  
Linguistic Differences ◽  
Medical Office ◽  
Roman Jakobson ◽  
Definition Of ◽  
Methods Of Treatment

Praise be to Allah the Lord of the Worlds, prayer and peace be upon Ashraf senders and his family and his family companions either after: Vtad studies linguistics and one of the science of language that has developed a fast in a period of short, entered most of the fields of science and life different, and addressed various phenomena of language and non - language, has had to Ross's role significantly in the development and continuation of this field of scientific their researches and symposia and institutions of different, and these scientists Roman Jakobson, who has the role of a great in the development and discovery of theories and issues of linguistic differences, as well as for diseases of language, and the issues of technical and other, and the issues that dealt with Roman Jakobson with regard to diseases of words is aphasia verbal and treatment employing metaphor to get rid of these defects articulatory, and based also on the development of scientific The medical office in America used it to serve and treat verbal aphasia, as well as its classification of verbal confinement. The stated research entitled (employment of metaphor in the disposal of the defect Alntqa when Roman Jakobson), was a plan research dealt with the definition of abbreviated Proman Jacobson, then the definition of imprisonment verbal and types, definition Borrowing and types when Roman Jakobson, followed by methods of treatment for by metaphor, and a the conclusion that summarizes the most important what reached the search of results

scholarly journals El pensamiento cinematográfico de Roman Jakobson

Arbor ◽  
2011 ◽  
Vol 187 (748) ◽  
pp. 411-420
Author(s):  
Alfonso Puyal
Keyword(s):  
Roman Jakobson

scholarly journals Literatura bíblica e a pintura de Marc Chagall (1885-1987): “Le sacrifice d’Isaac”

Correlatio ◽  
2017 ◽  
Vol 16 (1) ◽  
pp. 175
Author(s):  
Douglas Rodrigues da Conceição
Keyword(s):  
Marc Chagall ◽  
Genesis 22 ◽  
Roman Jakobson

O presente artigo tem por objeto de análise a tela “Le sacrifice d’Isaac”, de Marc Chagall (1885-1987), que desde 1973 passou a pertencer à coleção permanente do Musée National Message Biblique Marc Chagall, em Nice, França. A questão a ser evocada, neste texto, é a ostensiva convocação estética da narrativa bíblica de Gênesis 22, 9-14 para o interior da referida tela. Parte-se da hipótese segundo a qual a tela em questão realiza um fenômeno da linguagem denominado por Roman Jakobson de tradução intersemiótica.

scholarly journals recriação, o retorno e o eterno novo

2021 ◽  
Vol 34 (1) ◽  
pp. 85-107
Author(s):  
José Amarante
Keyword(s):  
Jacques Derrida ◽  
Walter Benjamin ◽  
Ezra Pound ◽  
Roman Jakobson

Propõe-se, neste artigo, ao se retomarem as relações entre Filosofia e Literatura, uma discussão sobre a tradução de poesia, levando-se em conta, principalmente, o pensamento de Walter Benjamin, Roman Jakobson, Ezra Pound, Jacques Derrida e Haroldo de Campos. Para além da discussão, o trabalho traz ainda recriações de epigramas latinos da autoria de Décimo Magno Ausônio, um poeta do séc. IV e.c., também ele recriador de outros poemas. Nessas recriações, realizadas a partir da edição crítica de Roger Green, experimenta-se o exercício de enfrentamento de poemas inçados de dificuldades e, portanto, mais abertos a recriações, conforme propõe Campos. Trata-se, pois, de uma forma de investimento criativo em um dos tipos do make it new poundiano, uma vez que as recriações lidam com aspectos do extratexto cuja tradução se mostrou esteticamente potente e produtiva não via transcriação, mas via recriação, reimaginação ou reinvenção.

scholarly journals Language in social reproduction: Sociolinguistics and sociosemiotics

2009 ◽  
Vol 37 (1/2) ◽  
pp. 43-81
Author(s):  
Patrizia Calefato
Keyword(s):  
Social Reproduction ◽  
Social Dimension ◽  
The Social ◽  
The Sixties ◽  
Roman Jakobson ◽  
New Type ◽  
General Linguistics ◽  
Definition Of ◽  
The Relationship

This paper focuses on the semiotic foundations of sociolinguistics. Starting from the definition of “sociolinguistics” given by the philosopher Adam Schaff, the paper examines in particular the notion of “critical sociolinguistics” as theorized by the Italian semiotician Ferruccio Rossi-Landi. The basis of the social dimension of language are to be found in what Rossi-Landi calls “social reproduction” which regards both verbal and non-verbal signs. Saussure’s notion of langue can be considered in this way, with reference not only to his Course of General Linguistics, but also to his Harvard Manuscripts.The paper goes on trying also to understand Roland Barthes’s provocative definition of semiology as a part of linguistics (and not vice-versa) as well as developing the notion of communication-production in this perspective. Some articles of Roman Jakobson of the sixties allow us to reflect in a manner which we now call “socio-semiotic” on the processes of transformation of the “organic” signs into signs of a new type, which articulate the relationship between organic and instrumental. In this sense, socio-linguistics is intended as being sociosemiotics, without prejudice to the fact that the reference area must be human, since semiotics also has the prerogative of referring to the world of non-human vital signs.Socio-linguistics as socio-semiotics assumes the role of a “frontier” science, in the dual sense that it is not only on the border between science of language and the anthropological and social sciences, but also that it can be constructed in a movement of continual “crossing frontiers” and of “contamination” between languages and disciplinary environments.

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