Public Sculpture Exhibitions in Neighborhoods: Arts-Driven, Heritage-Based, Urban Revitalization, and Social Practice (Part 1)

2021 ◽  
pp. 143-158
Author(s):  
Hilary A. Braysmith
Keyword(s):  
Social Practice ◽  
Urban Revitalization ◽  
Public Sculpture

Public Sculpture and Social Practice in the Roman Republic

2021 ◽  
pp. 244-269
Author(s):  
Riccardo Di Cesare
Keyword(s):  
Roman Republic ◽  
Social Practice ◽  
Fourth Century ◽  
Public Places ◽  
Plastic Arts ◽  
Social Use ◽  
The Impact ◽  
The Temple ◽  
Active Interaction ◽  
Public Sculpture

This chapter examines the production, function, and social use of public sculpture during the Roman Republic (509–27 bce). After an historical introduction, it focuses on the active interaction of plastic arts with the viewer and the different levels of meaning and understanding, surveying the types, subjects, and materials and the intent (honorary, commemorative, votive, funerary, or cult images) of republican sculpture. The state-regulated management of statues in public places—mainly honorary portraiture, which spread from the fourth century bce onward—is also discussed. Space is devoted to the viewing and reception of a portrait, which was a system of visual and material signs. Besides, statues “functioned” in a specific topographical setting. The chapter then discusses the urban scenography for statues along the triumphal route in Rome; the impact of the new Greece-oriented artistic tendencies in marble sculpture and acrolithic cult statues with respect to the conservative perception of the traditional terracotta plastic; and the ideological and religious meaning of the temple coroplastic art, which followed the spread of sacred buildings constructed both in Rome and in Italy.

scholarly journals Public Sculpture and Social Practice in the Roman Empire

2021 ◽  
pp. 269-291
Author(s):  
Elizabeth Wolfram Thill
Keyword(s):  
Roman Empire ◽  
Social Practice ◽  
Large Scale ◽  
Public Areas ◽  
Set Up ◽  
History And Myth ◽  
Public Sculpture

One of the more fruitful lines of research in recent decades has been the exploration of how Roman sculpture interacted with the lives of its contemporary viewers. This chapter employs monumental reliefs, large-scale sculptures set up in public areas by official authorities, as a case study to examine how sculpture contributed to social practice under the Roman emperors. Particular focus is given to the phenomenon of imperial portrait types, the blending of history and myth in sculpted narratives, issues of visibility, and the afterlife of some reliefs. The chapter also examines possible means of evaluating responses to relief monuments, from provincial imitations, to private copies in other media, to the written record. In the end, monumental reliefs prove an excellent means to highlight the general dissonance between ancient and modern perceptions of sculpture.

The Pornographer and McGahern's Allusive Practice

2017 ◽  
Vol 47 (2) ◽  
pp. 281-297
Author(s):  
Tom Walker
Keyword(s):  
Social Practice ◽  
Literary Tradition ◽  
The Novel ◽  
Present Value ◽  
The Past

Allusions to other texts abound in John McGahern's fiction. His works repeatedly, though diffidently, refer to literary tradition. Yet the nature of such allusiveness is still unclear. This article focuses on how allusion in The Pornographer (1979) is depicted as an intellectual and social practice, embodying particular attitudes towards the function of texts and the knowledge they represent. Moreover, the critique of the practice of allusion that the novel undertakes is shown to have broader significance in terms of McGahern's whole oeuvre and its evolving attempts to salvage something of present value from the literature of the past.

Jazz Bubble

2018 ◽  
Author(s):  
Dale Chapman
Keyword(s):  
New York ◽  
Political Economy ◽  
Social Practice ◽  
Global Economy ◽  
First Century ◽  
Music Culture ◽  
Social Trends ◽  
Governmental Organizations ◽  
Early Twenty ◽  
A Site

Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period. The emergence of financialization as a key dimension of the global economy shapes a variety of aspects of contemporary jazz culture, and jazz culture comments upon this dimension in turn. During the stateside return of Dexter Gordon in the mid-1970s, the cultural turmoil of the New York fiscal crisis served as a crucial backdrop to understanding the resonance of Gordon’s appearances in the city. The financial markets directly inform the structural upheaval that major label jazz subsidiaries must navigate in the music industry of the early twenty-first century, and they inform the disruptive impact of urban redevelopment in communities that have relied upon jazz as a site of economic vibrancy. In examining these issues, The Jazz Bubble seeks to intensify conversations surrounding music, culture, and political economy.

Cultivating Intimacy

2009 ◽  
Vol 3 (1) ◽  
pp. 51-69 ◽  
Author(s):  
James Bielo
Keyword(s):  
Social Practice ◽  
Symbolic Interaction ◽  
Bible Study ◽  
Relational Spirituality ◽  
Restoration Movement ◽  
Study Approach ◽  
The Bible ◽  
Study Experience ◽  
Scant Attention ◽  
American Evangelicalism

In this article I contribute to the sociology and anthropology of American Evangelicalism by examining the discourse of group Bible study. Every week millions of Christians in the U.S. meet for group study, and in doing so, actively negotiate the categories of meaning central to their faith. Yet, this crucial practice has received scant attention from scholars. This study is grounded in theories of social practice and symbolic interaction, where cultural life is understood through its vital institutions, and institutions are treated as inter-subjective accomplishments. I employ the concept of ‘interactive frames’ to define how Evangelicals understand the Bible study experience. Ultimately, I argue that the predominant interactive frame for Evangelicals is that of cultivating intimacy, which directly reflects the type of personalized, relational spirituality characteristic of their faith. This, in turn, has serious consequences for how Bible reading and interpretation are performed in groups. I use a case study approach, providing close ethnographic analyses of a mixed-gender group from a Restoration Movement congregation.

ANALISIS WACANA KRITIS DALAM PERSPEKTIF NORMAN FAIRCLOUGH

1970 ◽  
Vol 8 (1) ◽  
pp. 1-19
Author(s):  
Elya Munfarida
Keyword(s):  
Discourse Analysis ◽  
Social Practice ◽  
Discourse Theory ◽  
Three Dimensions ◽  
Analysis Model ◽  
Important Concept ◽  
Multidisciplinary Study ◽  
Discourse Model ◽  
Discourse Practice ◽  
Domination Relation

Discourse analysis has been a study that attracts many intelectuals of various disciplines to discuss about, generating the emergence of theories of their own perspectives. Many criticisms for the theories also show that intelectuals are more interested in this field leading to make discourse analysis as a multidisciplinary study. Based on this ground, Norman Fairclough seeks to reconstruct discourse theory as a criticism to the existing theories, which tends to be side-emphasis and partial on the basis of their own discipline. Combining three traditions, i.e. linguistic, interpretative, and sociological traditions, he offers a discourse model integrating three dimensions: text, discourse practice, and social practice. Each dimension has its area, process, and analysis model, in which all of them dialectically connect to one another. In addition, Fairclough also formulates another important concept, namely intertextuality, which affirms the interrelation of various texts and discourses to a text. This concept will also create ideological effect of structuration and restructuration of the prevalent discourse order. When power and ideology embed in a discourse, intertextuality will function as a mechanism for maintaining and changing the domination relation.

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