Marginalizing the Muslim Ustad: Hindu Nationalism and Music in Modern North India

2020 ◽  
pp. 33-51
Author(s):  
Bob van der Linden
2002 ◽  
Vol 36 (3) ◽  
pp. 619-655 ◽  
Author(s):  
William Gould

A recent trend in the historiography of north India has involved analyses of ‘Hindu nationalist’ motifs and ideologies within both mainstream nationalist discourses and subaltern politics. A dense corpus of work has attempted to provide historical explanations for the rise of Hindutva in the subcontinent, and a great deal of debate has surrounded the implications of this development for the fate of secularism in India. Some of this research has examined the wider implications of Hindutva for the Indian state, democracy and civil society and in the process has highlighted, to some degree, the relationship between Hindu nationalism and ‘mainstream’ Indian nationalism. Necessarily, this has involved discussion of the ways in which the Congress, as the predominant vehicle of ‘secular nationalism’ in India, has attempted to contest or accommodate the forces of Hindu nationalist revival and Hindutva. By far the most interesting and illuminating aspect of this research has been the suggestion that Hindu nationalism, operating as an ideology, has manifested itself not only in the institutions of the right-wing Sangh Parivar but has been accommodated, often paradoxically, within political parties and civil institutions hitherto associated with the forces of secularism. An investigation of this phenomenon opens up new possibilities for research into the nature of Hindu nationalism itself, and presents new questions about the ambivalent place of religious politics in institutions such as the Indian National Congress.


2019 ◽  
Vol 16 (2-3) ◽  
pp. 281-300
Author(s):  
Amanda Lanzillo

Focusing on the lithographic print revolution in North India, this article analyses the role played by scribes working in Perso-Arabic script in the consolidation of late nineteenth-century vernacular literary cultures. In South Asia, the rise of lithographic printing for Perso-Arabic script languages and the slow shift from classical Persian to vernacular Urdu as a literary register took place roughly contemporaneously. This article interrogates the positionality of scribes within these transitions. Because print in North India relied on lithography, not movable type, scribes remained an important part of book production on the Indian subcontinent through the early twentieth century. It analyses the education and models of employment of late nineteenth-century scribes. New scribal classes emerged during the transition to print and vernacular literary culture, in part due to the intervention of lithographic publishers into scribal education. The patronage of Urdu-language scribal manuals by lithographic printers reveals that scribal education in Urdu was directly informed by the demands of the print economy. Ultimately, using an analysis of scribal manuals, the article contributes to our knowledge of the social positioning of book producers in South Asia and demonstrates the vitality of certain practices associated with manuscript culture in the era of print.


JMS SKIMS ◽  
2020 ◽  
Vol 23 (1) ◽  
pp. 48-49
Author(s):  
Javaid Ahmad Bhat ◽  
Shariq Rashid Masoodi

Apropos to the article by Dr Bali, titled “Mupirocin resistance in clinical isolates of methicillin-sensitive and resistant Staphylococcus aureus in a tertiary care centre of North India” (1), the authors have raised important issue of emerging antimicrobial resistance (AMR). Antimicrobial resistance is an increasingly serious threat to global public health that requires action across all government sectors and society. As per WHO, AMR lurks the effective prevention and management of an ever-increasing spectrum of infections caused by bacteria, parasites, fungi and viruses. Novel resistance mechanisms are emerging and spreading globally, threatening the man’s ability to treat common infectious diseases.


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