Talk of the Significance of Folk Paper Cutting Art Teaching Introduced to Higher Art Education

Author(s):  
Zhu Xiaohong
Keyword(s):  
Author(s):  
Lanlan Xu ◽  
Qiang Zhou

With the rapid development of computer and network technology, the application of mobile app has been involved in all walks of life, especially the traditional art teaching mode. Therefore, it is of great significance to design an app with art learning and education as the main content based on the concept of young people's cognitive psychology and art training. This paper first analyzes the current situation and development trend of art education app at home and abroad, then analyzes and studies the design and application needs of education app at home, clarifies the needs of students and teachers, analyzes the visual and psychological characteristics of teenagers and their impact on interface and interaction design, and finally designs an art education app that meets the domestic needs. The results show that the app can enhance the interest of young people in art learning.


2020 ◽  
Vol 9 (4) ◽  
pp. 168
Author(s):  
Jianying Bian

In recent years, aesthetic education has been gradually emphasized by higher education. Colleges and universities actively apply aesthetic education in the cultivation of various professional talents, and integrate aesthetic education through courses such as ideological and political education. With a view to enhancing the aesthetic consciousness and ability of higher talents. Art education is the most important and direct way of aesthetic education. Based on this, this paper analyzes the current problems of aesthetic education in colleges and universities, and mainly uses the application of aesthetic education in art teaching as an example to explore the effective ways and methods of aesthetic education.


Paideusis ◽  
2020 ◽  
Vol 15 (2) ◽  
pp. 5-13
Author(s):  
Howard James Cannatella

Of considerable importance in Plato and Aristotle’s educational outlook on the arts was Homer’s Iliad. This paper draws out some of the perceived weaknesses and strengths of this epic poem as it relates to the arguments in Plato’s Republic and Aristotle’s Poetics. I will attempt to do justice to Plato and Aristotle’s differing perspectives on the Iliad and their critique of art educational theory and practice. I will show why two philosophers with very different thinking on art education can still significantly affect art teaching practice today.


2021 ◽  
Vol 4 (4) ◽  
pp. 51
Author(s):  
Jie Fan

The signifier and signified of symbol representation in art works can generate and reflect reality. However, it can never produce the absolute truth. This paper mainly discusses the relationship between immutability with arbitrariness, sociality, and continuity in art education, both online and in outline. Overall, it is recommended that practical art teaching should be guided by artistic achievements. In addition, we clarify immutability of network teaching mode in art education, and recommend exploration of conscious, independent and self-discipline modes.


2021 ◽  
Vol 20 (2) ◽  
pp. 113
Author(s):  
Walter Rodrigues Marques

O artigo objetiva a reflexão sobre educação não-formal em espaço museológico, no sentido de desenvolver habilidades de leitura de imagens, contextualizando-as e, elaborar propostas poéticas embasadas na educação museal (não-formal) e arte/educação por meio da mediação cultural no Museu Cafua das Mercês (Museu do Negro).Tem por finalidade descrever a proposição de práticas educacionais não-formais em mediação cultural na Cafua das Mercês, integrante do complexo MHAM (Museu Artístico e Histórico do Maranhão) embasando-se na educação museal e arte/educação. A educação não-formal contribui para o crescimento cognitivo, emocional e social dos indivíduos como sujeitos de pertencimento identitário, como o que preconiza a Lei n.10.639/2003 sobre o ensino de história e cultura afro-brasileira e africana. Utilizou-se como aporte teórico, Barbosa (2009), tendo o museu como melhor possibilidade de aprendizagem do que a escola; Gohn (2015), ensino de arte não-formal; Selbach (2010), didáticas do ensino de arte; Cury (2005); Chagas (2005), espaços museológicos e a legislação pertinente ao tema. A proposição metodológica é a de realizar-se visitas mediadas aos museus e a produção de reflexão crítica por parte dos educandos e docentes. Espera-se que a partir das visitas ao Museu do Negro, haja ressignificação da visão quanto ao escravizado.AbstractThe article aims to reflect on non-formal education in a museum space, in order to develop skills in reading images, contextualizing them and developing poeticproposals based on museum education (non-formal) and art/education throughcultural mediation in the Cafua das Mercês Museum (Negro Museum). Its purpose is to describe the proposition of non-formal educational practices in cultural mediation in Cafua das Mercês, part of the MHAM complex (Artistic and Historical Museum of Maranhão) based on museum education and art/education. Non-formal education contributes to the cognitive, emotional and social growth of individuals as subjects of identity belonging, as advocated by Law n.10.639/2003 on the teaching of AfroBrazilian and African history and culture. It was used as theoretical support, Barbosa (2009), with the museum as a better learning possibility than the school; Gohn (2015), non-formal art teaching; Selbach (2010), didactics of art education; Cury (2005); Chagas (2005), museum spaces and legislation relevant to the theme. The methodological proposition is to carry out mediated visits to museums and the production of critical reflection by students and teachers. It is expected that from the visits to the Museu do Negro, there will be a redefinition of the vision regarding the enslaved.


Author(s):  
Hai Tang

With the rapid development of information technology, information technology has become the main technology tool in education and teaching. Modern education and teaching must combine with information technology and give full play to the role of information technology in education and teaching. Art education is different from other subjects. Art education has its own characteristics. It is a comprehensive education and teaching system centered on aesthetics. It is one of the important measures to improve students’ comprehensive quality in modern teaching and is an important link of the development of quality education. Based on the background of informatization, this article uses VR technology to apply real experience and interactive “immersive teaching” to art teaching, and at the same time establishes an art teaching system, which realizes online learning, communication, counseling and other functions, reducing students’ knowledge threshold. It further explains the advantages and prominent role of computer-aided teaching in art teaching, and shows that computer-aided teaching should complement traditional teaching in art teaching and give full play to its active role.


2018 ◽  
Vol 1 (1) ◽  
pp. 24
Author(s):  
Yi-Huang Shih

<p><em>In general, the research of early childhood art education </em><em>has its importance. For this reason, </em><em>research into early childhood art education </em><em>in Taiwan has been emphasized by scholars, in the hope that</em><em> </em><em>preschool</em><em> teachers can better understand the </em><em>early childhood art education. By reading, analyzing and discussing related studies, </em><em>t</em><em>his paper aims to explore the research of early childhood art education </em><em>in Taiwan. Hopefully, such an exploration can help teachers </em><em>understand </em><em>concepts related to </em><em>early childhood art education, and most importantly develop an excellent praxis of early childhood art education. After reading, analyzing and discussing related studies, the research issues of early childhood art education </em><em>in Taiwan </em><em>we identified are as follows: (1) young children’s art making processes, (2) the practice of implementing an aesthetic thematic curriculum, (3) the development of learning indicators of the aesthetic domain for kindergarten curriculum in Taiwan, (4) the teaching principles of aesthetic education in early childhood, (5) multicultural art education for children, (6) investigation of art education in kindergartens, (7) children’s art learning with parents, (8) making use of picture books to design a suitable art integrated curriculum for children, (9) teaching art appreciation in kindergarten, (10) employee retention and collaboration with art institutions on early childhood education, (11) integrating mangrove environmental education into art teaching for young children, and (12) the progress of implementing aesthetic feelings by integrating a community based viewpoint.</em></p>


2016 ◽  
Vol 6 (2) ◽  
pp. 221
Author(s):  
Mohammed Al-Amri

This research aims to present the most important contemporary trends in Art Education focusing on the analysis of the relationship between these trends and their related concepts. It also aims to revive some traditions of art education that are based on a scientific approach, with the aim of improving current practices to achieve quality in both art teaching and art production. The aim is also to offer recommendations for developing the teaching of art in accordance with the most recent approaches in the field. The researcher used the descriptive analytical approach to review and analyze these trends. The study shows that there are a number of trends which can be adopted to improve the quality of the input, the process and the output of teaching of art. These include quality assurance standards in art education, cultural diversity in art education, making use of professional artists in schools, creating partnerships with art museums and teacher education colleges and other educational institutions, using new technologies in teaching art, and assessing students’ performance using the “art portfolio” method. Most of these techniques and approaches have proved successful in developed countries. Thus, the researcher recommends that these trends be encouraged in order to improve the curriculum and instruction of Art Education in the Arab countries. 


Author(s):  
Sara Victoria Carrasco ◽  
Rosario García-Huidobro

Resumen: Este artículo intenta rescatar algunas de las ideas que para nosotras como profesoras de artes visuales son relevantes al momento de afrontar la enseñanza de las artes en la educación chilena actual. Estas ideas emergen de algunas contribuciones obtenidas durante el seminario “Diálogos entre la educación artística y los desafíos del siglo XXI”, que se desarrolló en Santiago de Chile durante el año 2014. Este encuentro nos permitió dialogar y reflexionar, a partir de los relatos y experiencias de los(as) académicos(as) que participaron con sus ponencias, en torno a cómo la educación artística se ha visto influenciada por los desafíos sociales, culturales, políticos y económicos que hacen frente a la situación en Chile durante los últimos años. A partir de aquí rescatamos como ejes centrales las nociones de “posmodernidad” y “posicionamiento” para repensar algunos de los desafíos que enfrenta la educación artística y el rol de las y los docentes de arte dentro este cometido.Concebimos la noción de “posicionamiento” como un elemento que puede adquirir un nuevo sentido desde la postura post-estructuralista y otorgar otro valor a las prácticas educativas artísticas, ya que nos permite cuestionar y reflexionar nuestros propios roles como enseñantes de las artes y algunos de los discursos artísticos que se comparten con los y las estudiantes dentro del proceso educativo. Con ello, proponemos pensar la tarea docente desde una posición fluctuante y en constante movimiento donde no exista una sola manera de ser docentes, ni un único modo de hacer o constituir las relaciones pedagógicas a fin de pensar otros espacios y posibilidades que permitan a los estudiantes a resituarse en el centro de la acción educativa desde la significación de sus propias experiencias. Palabras claves: posmodernidad, posicionamiento, enseñanza artística, enfoques artísticos. Abstract: This article rescues some ideas that for us, as art teachers, are relevant when facing the art teaching in the current Chilean education. These ideas emerge from some of the contributions share during the seminar "Dialogues between art education and the challenges of the XXI century", developed in July 2014 in Santiago, Chile. This meeting allowed us to dialogue and reflect, based on the stories and experiences of the academics that participated as speakers, how art education has been influenced by the new social, cultural, political and economic challenges which face the current situation in Chile in recent years. From here we rescue the notion of positioning and the postmodern perspective as main elementsto rethink the challenges of art education and the role of teachers in this labor.We conceived the notion of "positioning" as an element that can acquire a new sense from the post-structuralism stance and give another value to the educational practices of arts, allowing us to question and reflect our own roles as art teachers and some of the artistic discourses that are shared with the students in the educational process. Hence, we proposed to think our teaching task from a fluctuating position and constantly moves, where there is not only one way to be teachers, or one way to do or conform pedagogical relationships, with the intention to think others spaces and possibilities that allow students to reposition in the center of educational action from the significance of their own experiences. Keywords : postmodernism, positioning, art education, artistic teaching approaches. http://dx.doi.org/10.7203/eari.8.7246


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