The impact of festivals on the image of a cultural industry: The case of the new Italian dance platform

Poetics ◽  
2021 ◽  
pp. 101630
Author(s):  
Ludovica Leone ◽  
Fabrizio Montanari
Keyword(s):  
2020 ◽  
Vol 12 (3) ◽  
pp. 1159
Author(s):  
Ma del Pilar Muñoz Dueñas ◽  
Antonio Vaamonde Liste ◽  
Maria do Rosário Cabrita

Cultural firms are an important development factor in economic and social terms. Their objectives are often aimed at maintaining and disseminating the traditions and values of societies. The prosperity of these firms in a nation ensures that its tangible and intangible cultural heritage is made known to other nations and generations. Despite their importance, little is known about their survival and the factors associated with it. This paper analyses data from 6951 Spanish firms, of which 2105 are cultural firms. We have studied the survival of non-cultural firms in comparison with cultural firms and also the impact that profitability, solvency and indebtedness may have on their survival. We have used the Kaplan–Meier method in order to assess their survival and the Harrington–Fleming test and the Cox regression model to check the statistical significance of variables. These variables are key factors influencing the survival of cultural enterprises. Particularly, low solvency in firms increases by twenty the risk of disappearance. This paper contributes to literature highlighting some of the key factors for the survival of cultural enterprises. It provides administrations with a roadmap in order to implement measures for the promotion of the cultural industry, favouring the process of enhancement of cultural heritage.


Mathematics ◽  
2021 ◽  
Vol 9 (22) ◽  
pp. 2844
Author(s):  
Pablo Dorta-González ◽  
Sara M. González-Betancor

This work analyzes the tourist sector, the employment generated by the tourism industries, and its relationship with tourism receipts. The hypothesis is that there are tourist subsectors with a potentially higher level of income. The article studies the impact of the distribution of the employed population in the different subsectors of the tourism industry, controlling for the most important economic variables, on the level of income per arrival in 24 OECD countries, using panel data for the period 2008–2018. As its main result, the model indicates that the labor force that increases most the receipts per arrival is the ‘travel agencies and other reservation services’, followed by the ‘sports and recreation industry’ labor force, while having a large labor force in the ‘food and beverage’ or ‘cultural industry’ operates in the opposite direction.


2019 ◽  
Vol 5 (4) ◽  
pp. 205630511988017 ◽  
Author(s):  
Ji-Hyeon Kim ◽  
Jun Yu

Despite the transformative benefits of platform technology for cultural production, critical scholars have raised vigilance against the emergence of digital platforms as a new hegemonic constellation of 21st-century capitalism, and the neoliberal governance and exploitation of labor that concomitantly intensify. Taking as a case study, the platformization of the “Webtoon” industry in South Korea, this article addresses such concerns, questioning the potentially detrimental effects of platforms on creative labor and their dominance in the market. More importantly, however, it commands wider attention to how platformization has been restructuring this particular cultural industry, and reveals that this process does not simply augment exploitation. Instead, focusing our analysis on the reconfiguration of the process of Webtoon production and the opportunities it affords for the creative labor, we illuminate the complication of relationship between the involved actors, and argue for a broader scope of inquiry that makes explicit the ramifications of platformization on cultural production.


2021 ◽  
Vol 47 (4) ◽  
pp. 333-361
Author(s):  
Alexander Golovlev

Abstract The article examines the financial history of the Bolshoi within USSR’s mobilized wartime cultural industry as an example of a cultural institution highly placed in the Stalinist establishment and symbolic canon. It explores the income-outcome flows, personnel management, the impact of evacuation, notably on Bolshoi’s hard capital, and relations with supervising authorities. The theater’s perceived importance within the war effort conditioned unshakable financial support, a non-market protective environment, and lenient administrative treatment, contrasting with logistical and personnel challenges which the house only partly mastered. This relative stability stands in contrast with the absence of strong leadership, as the director’s position was kept vacant in stark difference to most European opera theaters. The shock of 1941–1942 was absorbed with internal adjustment measures and external subventions, and the Bolshoi’s budgets swelled towards the end of the war, indicating inflation and the house’s “most-favored-opera status”. The stable and conservative management still showed shortcomings, which the state chose not to punish. The opera’s symbolic and prestige capital trumped quantitative efficiency, creating a haven in the war economy.


2014 ◽  
Vol 64 (Supplement-2) ◽  
pp. 151-164
Author(s):  
Shang-Ping Lin ◽  
Chuan-Chung Wang ◽  
Pi-Yun Huang

The impact of financial crisis has resulted in the global economic depression. It is merely cultural industry that acts in a diametrically opposite way so businesses related to cultural industry are still growing. For this reason, this study tends to explore the innovation activities in cultural parks in Taiwan, from the aspect of cultural value. Nevertheless, research on cultural parks in Taiwan still focuses on architecture design and reuse of space; studies on Service Innovation are rather few. This study therefore aims to discuss Service Innovation in cultural parks themselves. With questionnaire survey, the data are further analyzed and discussed. The research findings show 1. significantly positive correlations between Service Innovation and Product Price in Customer Satisfaction, 2. partially positive correlations between Service Innovation and Service Efficiency in Customer Satisfaction, 3. remarkably positive correlations between Service Innovation and Perceived Value in Customer Satisfaction, and 4. notable effects of Customer Characteristics on the correlations between Service Innovation and Customer Satisfaction. The research results are expected to be the reference and contribution to cultural park managers.


2018 ◽  
Vol 9 (4) ◽  
pp. 78
Author(s):  
Maoguo Wu ◽  
Nan Gu

China’s communication and cultural industry is an emerging industry at the primary stage of its development. Nowadays, the public’s increasing demand for cultural products, coupled with the strong support from the state and the government for the communication and cultural industry, have provided huge room for the development of this industry. However, some listed companies in the communication and cultural industry have not kept up with the constantly changing market and have not invested heavily in R&D and technological innovation, resulting in widespread product homogeneity and poor corporate performance. This paper empirically tests the impact of technological innovation on corporate performance of 56 listed companies from 2007 to 2016 in the communication and cultural industry. Along with variables that proxy technological innovation, variables that proxy solvency, profitability, operational capability, development capability, social responsibility, and shareholder indicators are included in the regression as explanatory variables. Empirical results show that technological innovation has a positive impact on the corporate performance of listed companies in the communication and cultural industry.


Complexity ◽  
2021 ◽  
Vol 2021 ◽  
pp. 1-11
Author(s):  
Jian Li

The influence of cultural industry competitiveness on economic growth is analyzed by using grey relational degree method. Then, the influence of cultural industry on the three industries is analyzed and compared in the same way. On this basis, further from the cultural industry, the impacts of core layer, outer layer, and related layer on economic growth were compared and analyzed. Finally, the economic growth model is used to measure the impact of investment, labor, and innovation in cultural industry on economic growth. The results show that cultural industry has a great influence on economic growth. The cultural industry has an obvious driving effect on the tertiary industry. The correlative layer of cultural industry has the greatest influence on economic growth. Cultural industry innovation has a huge pulling effect on economic growth. The SPSS software was used to process the data, and the data indicators were screened. Finally, the grey relational degree model was constructed. Then, the improved diamond model was used to select the influential factors of the development of cultural industry, and the main influencing factors were found out through the grey relational degree analysis. This paper analyzes the factors affecting economic benefits and puts forward countermeasures. The results show that it is of great significance to pay attention to the development of cultural manufacturing industry in cultural industry and promote cultural innovation to promote economic growth.


2017 ◽  
Vol 23 (3) ◽  
pp. 200-217 ◽  
Author(s):  
Michael Osei Asibey ◽  
Kwasi Osei Agyeman ◽  
Vivian Yeboah

The importance of cultural enterprises to the creation of jobs, generating incomes, alleviating poverty and distributing development has long been recognized. Based on empirical research, this article adopts the convergent parallel mixed design to assess extent of influence of cultural values on the type of cultural industry established in Ghana, taking a case of the kente textile industry in Adanwomase. Adanwomase is argued to be a prominent traditional community in the printing of kente cloths in Ghana. Primary data were obtained from 210 weavers and relevant bodies, such as the Business Advisory Council and traditional leaders through direct interviews, observation and focus group discussions. Findings show that the craft industry in Adanwomase is informal and small-scale in nature. Six key cultural values were identified to statistically have significant influence on the establishment of the textile craft industry. Strongest among them were the festival celebrations and customary law/traditional customs. There was strong correlation between the identified cultural values and the establishment of the textile industry in Adanwomase. Urgent policy and creation of the enabling environment to promote entrepreneurship and create employment through support for research and development (R&D) of cultural industries are needed.


2021 ◽  
Author(s):  
Jeremy Morris

Music artists and their products share attributes with other branded commodities but are rarely discussed as such. Using Hirschman's "Culture Production System" model in conjunction with literature from popular music, communication and cultural studies, this thesis considers whether music artists and their products can be considered as brands? If so, how are music brands created? To explore these questions, I present case studies of marketing materials from albums by Keane, Radiohead, U2 and Wilco. Branding reveals itself as a process that creates expectations among consumers, critics and others. Expectations can hinder artist creativity and result in increased standardization of the music product. However, brands may offer artists a level of control. This investigation has implications for all parties involved in the business of music and provides cultural industry researchers a unique way of analyzing the impact of marketing and branding on commodities while accounting for the complexities presented by the consumption of cultural goods.


2020 ◽  
Vol 6 (4) ◽  
Author(s):  
Shiqi Zhou ◽  
Songsak Siriboonchitta ◽  
Woraphon Yamaka ◽  
Paravee Maneejuk

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