Seizure drawings: insight into the self-image of children with epilepsy

2003 ◽  
Vol 4 (1) ◽  
pp. 43-56 ◽  
Author(s):  
Carl E. Stafstrom ◽  
Janice Havlena
Keyword(s):  
The Self ◽  
Self Image ◽  
Insight Into

Simple Hardworking Christian Folks, or the Self-Image of Contemporary Belarusian Kolkhozniks

2013 ◽  
Vol 27 (2) ◽  
pp. 260-279
Author(s):  
Anna Engelking
Keyword(s):  
Collective Identity ◽  
Field Research ◽  
The Self ◽  
Self Image ◽  
Building Process ◽  
The Common ◽  
Definition Of ◽  
Christian Nation ◽  
Source Materials ◽  
Insight Into

This article concerns the anthropological inquiry about collective identity of contemporary Belarusian kolkhozniks. The author had conducted her field research (1993-2011) in both west and east Belarus. Source materials consist of about seven hundred conversations with individuals overwhelmingly more than sixty years of age. By analyzing and interpreting their narrative, the author traced the implicit values, norms, rules, basic semiotic dichotomies, and distinctive attributes in search of an unbiased insight into the content, structure, and building process of collective identity of the subjects under study. She concludes that the dichotomies, constitutive for collective identity of kolkhozniks—“peasant” versus “lord,” “peasant” versus “Jew,” and “Christian” versus “Jew”—result in the self-definition of muzhik-kolkhoznik as a simple, hard-working man “from here” belonging to a “Christian nation.” Neither the nation nor motherland, state nor language, belongs to the principal values of this group, which are “working the land” and “faith in God.” As a result of the petrifaction of the old model of the serfdom manor by the Soviet kolkhoz system, in a Belarusian village we presently encounter one of the last European residuals of premodern mentality and social identity. The image of Belarusian kolkhozniks’ collective identity has little to do with the popular category of Homo sovieticus and with the common stereotype of the kolkhoz. The human subject of the author’s anthropological reflection shows up as a person dealing amazingly well with extremely difficult living conditions and the modern, vivid personification of the archaic Homo religiosus.

LEVEN(S) MET OBJECTEN

2019 ◽  
Vol 3 (3) ◽  
pp. 227-248
Author(s):  
Caroline Drieënhuizen
Keyword(s):  
Social Inequality ◽  
Power Relations ◽  
The Self ◽  
Upper Class ◽  
Collective Identities ◽  
Dutch Society ◽  
Colonial Society ◽  
Self Image ◽  
European Women ◽  
Insight Into

LIVING WITH OBJECTS The European elite of colonial Indonesia, its collections and identification around 1900 Many upper-class migrants from, and to, Dutch colonial Indonesia – often travelling back and forth – collected objects. By analysing the practice of collecting and the meaning these people ascribed to those artefacts, I will provide insight into the way personal, and eventually even collective, identities were formed. The manner in which objects were collected and displayed not only ref lected the self-image of their owners in colonial and Dutch society, but may also have been active inf luences in those processes of (self)identification. The collection of objects, and the meaning ascribed to them, ref lected the unequal power relations within colonial society, and simultaneously, was possible a strategy for marginalised people (such as European women) to liberate themselves from social inequality.

The Relationship between Seeker and Spiritual Guide as portrayed in contemporary Western Sufi Autobiographies

2011 ◽  
Vol 5 (2) ◽  
pp. 297-332
Author(s):  
Kate Zebiri
Keyword(s):  
Life Writing ◽  
New Age ◽  
The Self ◽  
Individual Autonomy ◽  
Religious Authority ◽  
The Face ◽  
The Relationship ◽  
Insight Into ◽  
Continuity And Discontinuity

This article aims to explore the Shaykh-mur?d (disciple) or teacher-pupil relationship as portrayed in Western Sufi life writing in recent decades, observing elements of continuity and discontinuity with classical Sufism. Additionally, it traces the influence on the texts of certain developments in religiosity in contemporary Western societies, especially New Age understandings of religious authority. Studying these works will provide an insight into the diversity of expressions of contemporary Sufism, while shedding light on a phenomenon which seems to fly in the face of contemporary social and religious trends which deemphasize external authority and promote the authority of the self or individual autonomy.

Die Eigen-Werte der Literatur

2009 ◽  
Vol 54 (1) ◽  
pp. 103-119
Author(s):  
Matthias Bickenbach
Keyword(s):  
The Self ◽  
Literary Writing ◽  
Self Organisation ◽  
Insight Into

Eine der zentralen Fragen moderner Poetik ist, wie der Werkentstehungsprozeß von kreativer Materialfülle zur ästhetischen Bestimmtheit des Erzählten als autonomem Kunstwerk übergeht. Sten Nadolnys Poetikvorlesung gibt überraschende Einsichten in die Selbstorganisation von Steuerungsbewegungen, die noch unterhalb der Ebene des Schreibens liegen und die als Theorie der Eigenwerte in der Literatur herauszustellen ist. One of the central questions in modern poetics is, how literary writing proceeds from the creative richness of its material to an aesthetic determination as autonomous art. Sten Nadolnys lectures on his poetics enable an astonishing insight into the self-organisation of operations beyond writing, which can be considered as a theory of self-values in literature.

Speed vs. comfort: Testing the efficacy of a single question for predicting transit users’ route choices

2019 ◽  
Author(s):  
Joseph John Pyne Simons ◽  
Ilya Farber
Keyword(s):  
Data Collection ◽  
Efficient Method ◽  
Choice Task ◽  
The Self ◽  
Self Report ◽  
Model Parameters ◽  
Single Item ◽  
Alternative Approach ◽  
Single Question ◽  
Insight Into

Not all transit users have the same preferences when making route decisions. Understanding the factors driving this heterogeneity enables better tailoring of policies, interventions, and messaging. However, existing methods for assessing these factors require extensive data collection. Here we present an alternative approach - an easily-administered single item measure of overall preference for speed versus comfort. Scores on the self-report item predict decisions in a choice task and account for a proportion of the differences in model parameters between people (n=298). This single item can easily be included on existing travel surveys, and provides an efficient method to both anticipate the choices of users and gain more general insight into their preferences.

Zofia Kulik. The Splendor of Myself

2019 ◽  
Author(s):  
Agata Jakubowska
Keyword(s):  
Women Artists ◽  
The Self ◽  
Self Image ◽  
Physical Presence

Narratives about women artists usually point to the obstacles they face in the development of their artistic careers. In her article, the author proposes an analysis that concentrates on how a woman artist – Zofia Kulik – presented herself as the heroine of a successful story of emancipation in the series of works titled The Splendor of Myself (1997, 2015, 2017). The self-image she presents is paradoxical: we deal with both her ostentatious presence and her absence as her physical presence is hidden behind the gorgeous but extremely stiff dress. It corresponds with Kulik’s understanding of her success as directly related with the wealth of images and the mastery of composition.

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

The Self-Image as Defense and Resistance

1960 ◽  
Vol 29 (1) ◽  
pp. 72-81
Author(s):  
Esther Menaker
Keyword(s):  
The Self ◽  
Self Image
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