The Court: power relations and forms of social life

Author(s):  
Giovanni Montroni
Keyword(s):  
CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Renta Vulkanita Hasan

Culture growing in Indonesia and overseas intrinsically dynamic. Nature of culture as a result of human creativity is always moving and displacement. When his journey to the vibrant place anyway, culture is likely to mix with the native culture which then grow and develop into a new culture. Culture is a strong factor that affects the mindset. Over time, society has a way of looking at the world deal, behave, and interact with each other. In other words, they have their own color and pattern of the deal while making rules in social life. Yogyakarta in Java, which is known as one of the cultural centers of Java development, especially ritual Grebeg Maulud. Ritual Grebeg Maulud over time reflecting the constantly changing movement of social change, culture, politics, economics and society in his day. Ritual is a means of connecting Grebeg Maulud transcendental between man and God (Manunggaling Kawula-Gusti) and guidance from the teachings of the holy book (Islam). But this time Grebeg Maulud also has another function, namely as a spectacle. This suggests a cultural shift from the sacred to the profane. Batik as a dress code in the Carnival celebrations Grebeg Maulud is one reflection of the existence of culture in Yogyakarta Palace. The use of batik in a ritual procession Grebeg Maulud is a tradition that continues to this day. Batik palace is considered one of the symbols of the existence of power relations by creating a specific motive for a particular class. Dynamism of culture led to the use of batik is not only a marker of power relations, but also as an exciting treat for the fashion show at the Carnival lasts Grebeg Maulud.Keyword: Grebeg, Maulud, representations, clothing, batik, palace, Yogyakarta


2021 ◽  
pp. 1468795X2110220
Author(s):  
Manuel Castells

Power relations are the source of social organization and institutions. This has been observed and theorized by the author in relation to various realms of social life, such as the formation of spatial structures and the networking of human activities around digital communication networks.


CORAK ◽  
2012 ◽  
Vol 1 (2) ◽  
Author(s):  
Renta Vulkanita Hasan

Culture growing in Indonesia and overseas intrinsically dynamic. Nature of culture as a result ofhuman creativity is always moving and displacement. When his journey to the vibrant place anyway,culture is likely to mix with the native culture which then grow and develop into a new culture.Culture is a strong factor that affects the mindset. Over time, society has a way of looking at theworld deal, behave, and interact with each other. In other words, they have their own color andpattern of the deal while making rules in social life. Yogyakarta in Java, which is known as one of thecultural centers of Java development, especially ritual Grebeg Maulud. Ritual Grebeg Maulud overtime reflecting the constantly changing movement of social change, culture, politics, economics andsociety in his day. Ritual is a means of connecting Grebeg Maulud transcendental between man andGod (Manunggaling Kawula-Gusti) and guidance from the teachings of the holy book (Islam). But thistime Grebeg Maulud also has another function, namely as a spectacle. This suggests a cultural shiftfrom the sacred to the profane. Batik as a dress code in the Carnival celebrations Grebeg Maulud isone reflection of the existence of culture in Yogyakarta Palace. The use of batik in a ritual processionGrebeg Maulud is a tradition that continues to this day. Batik palace is considered one of the symbolsof the existence of power relations by creating a specific motive for a particular class. Dynamism ofculture led to the use of batik is not only a marker of power relations, but also as an exciting treat forthe fashion show at the Carnival lasts Grebeg Maulud. Keyword: Grebeg, Maulud, representations, clothing, batik, palace, Yogyakarta


Author(s):  
Linda McDowell

Divisions based on the assumption that men and women are different from one another permeate all areas of social life as well as varying across space and between places. In the home and in the family, in the classroom or in the labour market, in politics, and in power relations, men and women are assumed to be different, to have distinct rights and obligations that affect their daily lives and their standard of living. Thirty years ago, there were no courses about gender in British geography departments. This chapter discusses the challenges to geographical knowledge, and to the definition of knowledge more generally, that have arisen from critical debates about the meaning of difference and diversity in feminist scholarship. It examines a number of significant conceptual ideas, namely: the public and the private; sex, gender and body; difference, identity and intersectionality; knowledge; and justice. Finally, it comments on the role of feminism in the academy as a set of political practices as well as epistemological claims.


2020 ◽  
pp. 212-224
Author(s):  
Phillip Brown

This concluding chapter provides arguments based on mounting research evidence showing that, for many, learning is not earning. It also rests on the contention that historical possibilities exist to improve the quality of individual and social life through the transformation of economic means—in other words, by developing a new way of thinking about human capital. The chapter goes on to confront future prospects for the new human capital, even as these prospects depend on rebalancing the power relations between capital and labor. To conclude, the chapter calls for a different narrative that connects with the disconnections in people’s lives—their sense of disappointment, alienation, and unfairness. However, the distributional conflict revealed at the very heart of capitalism, which is central to the crisis of human capital, remains to be resolved.


2019 ◽  
Vol 39 (3) ◽  
pp. 462-474
Author(s):  
Ammara Maqsood

Abstract In the aftermath of 9/11, with respect to the US-led invasion of Afghanistan, the Federally Administered Tribal Areas (FATA) in Pakistan have been the site of immense violence and destruction, including from US drone attacks, ground military operations by the Pakistan Army, and retaliatory attacks by different factions of Taliban fighters. Using uncertainty as an analytic and ethnographic concept, this article traces the social life of the rumors, conspiracy theories, and stories that float around this violence. It draws attention to their multiple and often contradictory effects: rumors simultaneously breed fear and confusion, help forge intimacy, and provide certainty and coherence. Rather than subvert power relations or simply critique the powerful, I suggest that rumors and conspiracy theories provide the means through which tribal Pashtuns live and make their way in a social world in which they remain unequal, but coeval, participants.


2018 ◽  
Vol 9 (3) ◽  
pp. 859-864
Author(s):  
Dr. Angela Ngozi Dick

Although the social construction of the human hair varies from culture to culture, the symbolic function of hair varies from person to person. In Adichie’s  Americanah, the characters are primarily defined by their hair before the construction of their race, career and  personality. The human hair becomes the premise for brotherhood and sisterhood in. Many episodes take place in the salon, thereafter a person’s hair is qualified as either good or bad. The theoretical framework for this paper is New Historicism which interrogates social life and power relations among people in the society. In this work we conclude that Adichie tells the story of human hair not for its sake but to portray the problem of immigrants, religious fanaticism, disruption of academic calendar and the frustration therein, loveless marriage, the environment and other human conditions. Finally, the hair shows that every person is a complete human being first and foremost


2015 ◽  
Vol 5 (4) ◽  
pp. 21
Author(s):  
Pegah Marandi ◽  
Alireza Anushiravani

<p>Caryl Churchill is one of the most widely performed female dramatists in contemporary British theatre. She is arguably the most successful and best-known socialist-feminist playwright to have merged from Second Wave feminism. Her plays have been performed all over the world. In her materialist plays, she shows the matters of culture, education, power, politics, and myth. Her oeuvre hovers over the material conditions which testify to the power relations within society at a given time in history. Pierre Bourdieu, a French sociologist, and theorist in cultural studies points out the dynamics of power relations in social life throughout ideas such as capital, field, habitus, symbolic violence, theories concerned with class and culture. The overarching concern for the purpose of this essay is to analyse Churchill’s <em>Serious Money </em>(1987) in the light of Bourdieu’s sociological concepts. In accordance with Bourdieu, there exist various kinds of capital (cultural, economic, social, and symbolic) which distinguish every individual’s status both in society and in relation to other individuals. The present study attempts to show that in <em>Serious Money</em>, the capital especially economic capital forms the foundation of social life and dictates one’s position within the social order and respectively, determining the power discourse in the matrix of social life.</p>


Inner Asia ◽  
2009 ◽  
Vol 11 (1) ◽  
pp. 83-95
Author(s):  
Anatoliy Breslavsky

AbstractThis article describes the development of criminal youth networks in rural Buryatia, Eastern Siberia. As it shows, the criminal gangs emerging out of the state collapse in the 1990s have colonised entire villages: a movement originally offering escape from a harsh economic environment has acquired the power to dictate the social reality of the regions it occupies. This piece also investigates the extent to which the practices mediating power relations within these criminal networks generate a distinct subculture, using Huizinga's analysis of culture as a 'game', which has to be 'played out' according to mutually understood conventions and norms.


2021 ◽  
pp. 0961463X2110167
Author(s):  
Raymond LM Lee

Zygmunt Bauman addressed spatiotemporal compression as a critical aspect of the transition from solid to liquid modernity. In this transition, speed and flexibility came to define the conditions of social life which no longer relied on spatiotemporal separation as the basis of all power relations. But digitization of these conditions raises the question of whether the present phase of modernity depicts a resolidification of capital and power that exploits the fluidity of a densely intermediated world. By treating databases as the new localities of power, the digital operations inherent to their utility and productivity render the systemic nature of intermediation as solid as the power relations of the pre-digital era. The example of mass surveillance demonstrates the solidity of a new power derived from surreptitious data gathering and collation in populations attuned to intermediation as a way of life. A new mass culture is emerging through spaces of power that have reset speed in the service of datafication. This is not simply a culture of mobility and choice but one prefabricated and utilized for advancing the redesigned solidity of a digitized modernity.


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