Pathways of a Disassembly: From the Poetics of the Body to the Contemporary Scene

2016 ◽  
Vol 2016 ◽  
pp. 174-179
Author(s):  
Silvia Maria Geraldi ◽  
Marisa Martins Lambert

This lecture-demonstration aims to synthesize a creative journey that resulted in the production of the choreographic work Rehearsal on Small Distances: Study to Infinity. This work investigated the relationship between body/space from two main references: the anthropological studies of Edward Hall regarding the use of space by humans within the context of culture and the research on the phenomenological space conducted by the somatic educator Hubert Godard. Communication will be made in the disassembly of the scene, a kind of educational performance, with the intention of making the artistic process visible and promoting a discussion about the structural systems involved in the creation.

REPERTÓRIO ◽  
2017 ◽  
pp. 298
Author(s):  
Regina Miranda

<p class="p1">Resumo:</p><p class="p2">Ao tomar como contexto teórico as pesquisas em Harmonias Espaciais desenvolvidas pelo teórico de movimento Rudolf Laban na primeira metade do século XX, este artigo considera o longo predomínio da visão de um <em>alguém</em> que habitava um <em>espaço vazio </em>separado do corpo e aponta perspectivas contemporâneas, que<em> </em>tornaram o<em> </em>espaço entre/em ambos mais fluido e plástico. A contribuição teórica aqui apresentada indicou a necessidade da inclusão de configurações geométricas mais instáveis no campo Labaniano e também a criação de percursos para a encarnação de conceitos, que pudessem representar essas novas interações. Como um dos territórios da pesquisa artística que fundamenta esta narrativa, o encontro com a tecnologia foi explorado, inicialmente, como uma forma de ampliar a experiência corpo-espacial dos atuantes formais e informais de uma performance, oferecendo a possibilidade de um desenho cênico que incluía a articulação entre espaços físicos e virtuais e de conexões espaciais de livre escolha. Mais recentemente, a relação se ampliou em uma experiência interdisciplinar de criação cênica e coreográfica em interatividade com processos computacionais. Nos exemplos apontados, o que rege a escolha das tecnologias é o interesse artístico e conceitual de investigar como cada tecnologia pode colaborar na criação, deslocamento e distorção de espaços performáticos.</p><p class="p3"><span class="s1">Palavras-chave: </span>Arte e tecnologia. Artes cênicas. Campo labaniano. Corpo-espaço. Performance imersiva.</p><p class="p3"> </p><p>SHIFTING SPACES: POETICS OF INTERACTION BETWEEN ART AND TECHNOLOGY</p><p class="p1"><em>Abstract:</em></p><p class="p5"><em>Embracing as theoretical context the Space Harmonies’ research developed by movement theorist Rudolf Laban during the first half of the 20th century, this paper considers the long predominance of the vision of someone who inhabited an empty space separated from the body, and points toward contemporary perspectives, which have made the space between/in both more fluid and plastic. The theoretical contribution presented here indicated the need to include more unstable geometric configurations in the Labanian field and the creation of paths for the incarnation of concepts, which could represent these new interactions. As one of the areas of artistic research that underlies this narrative, the encounter with technology was initially explored as a way to broaden the body-space experience of the formal and informal participants of a performance. It offered the possibility of a scenic design that included the articulation between physical and virtual spaces and free-choice spatial connections. More recently, the relationship expanded in an interdisciplinary experience of scenic and choreographic creation in interactivity with computational processes. In the mentioned examples, what defines the choice of the technologies is the artistic and conceptual interest to investigate how each technology can collaborate in the creation, displacement and distortion of performative spaces.</em></p><p class="p3"><span class="s1"><em>Keywords: </em></span><em>Art and technology. Performing arts. Labanian field. Body-space. Immersive performance.</em></p>


2012 ◽  
Vol 18 (1) ◽  
pp. 99-119 ◽  
Author(s):  
Janet Harbord

After a century of cinema, accounts of this cultural form see it as divided between documentation and animation (the real and the magical). Yet the challenge that cinema presented in terms of a relocation of perception from the eye to the machine has become occluded. The shock of cinema in its earliest manifestations resided in the body of the spectator, no longer the site of primary perception, but dependent on an other (the camera, the projector) lacking in human qualities. This article argues that the newly configured body–machine relationship provided by cinema became a marginalized feature of cinematic culture, an ex-centric cinema relegated to the sub-fields of science and educational film. In the mid-20th century the project surfaces spectacularly in the work of pioneering designers Charles and Ray Eames, most poignantly in their film Powers of Ten (first made in 1968, remade in 1977) , a journey into the cosmos and back again into the body of a man. Bringing together discourses of space travel, cartography, physics and cinema, the film moves us towards an understanding of visual culture as an apparatus of calculated possibilities, where visualization replaces representation. If we take the Powers of Ten as a non-representational film, an ex-centric cinematic practice, we uncover non-linear and non-representational ways of apprehending the relationship between bodies and matter. This literal line of flight is one path that cinema may have taken. Its presence, however, is detectable outside of the cinema, in the software programs of electronic cartography copyrighted as Google Earth. The human body is not made virtual by its engagement with calculated visualization but is in turn part of the field of enquiry, equally porous, and definable in various scales and in different dimensions.


2021 ◽  
Author(s):  
Maria Asuncion L. Magsino

As a counterargument to the Cartesian split that has impacted both speculative and practical fields of knowledge and culture, we propose Peirce’s doctrine of synechism to show the continuity in the semiotic activity that moves from the body as an Interpretant to the emergence of another Interpretant called the “self.” Biosemiotics, a nascent field of interdisciplinary research that tackles inquiries about signs, communication, and information involving living organisms is used as the framework in the discussion. The main question of whether a non-material “self” can emerge from a material body is tackled in many stages. First, the biosemiotic continuum is established in the natural biological processes that takes place in the body. These processes can be taken as an autonomous semiotic system generating the “language” of the body or the Primary Modeling System (PMS). Second, synechism is also observed in the relationship between the mind and the body and this is evident in any physician’s clinical practice. The patient creates a Secondary Modeling System (SMS) of how she perceives what the body communicates to her regarding its state or condition. Finally, the question about whether the emergence of “self” is synechistic as well is tackled. There is one organ from which emerges an Interpretant that is capable of generating a dialog between a Subject, that is the “self,” with its Object, and that is the brain. It is the primordial seat of specifically human activities like thought and language. The recent theory on quantum consciousness supports the doctrine synechism between the body as Interpretant to the “self” as Interpretant. This synechism is crucial for the creation of Secondary Models of “reality” that will, in turn, determine the creation of Tertiary Models more familiarly called culture.


2020 ◽  
Vol 14 (02) ◽  
pp. 161-183
Author(s):  
Edinael Pinheiro Da Silva ◽  
Geovani Goncalves Farias ◽  
Odair José Aragão Alves

Este trabalho tem como objetivo identificar e analisar de que maneira as políticas públicas permeiam o cotidiano dos ribeirinhos da Comunidade Menino Deus, bem como, indicar a relação existente entre ela e o modo de vida desses sujeitos. Desse modo, verificamos que as políticas públicas aplicadas nessa Comunidade são desarticuladas uma das outras, onde os órgãos responsáveis, não planejam e nem formulam suas ações de forma conjunta, muito menos garantem a participação desses sujeitos nos processos de elaboração e decisões das políticas públicas. Portanto, a análise desse processo deu-se por meio de observações realizadas na referida Comunidade, onde foi possível apreender os reflexos de tais políticas no modo de vida. Utilizou-se de aplicação de questionários e entrevistas com os moradores de Menino Deus, bem como, alguns instrumentos de pesquisa como fotos do espaço estudado e, posteriormente, a análise dos dados que são apresentados no corpo deste trabalho, facilitando o entendimento e a interpretação dos resultados. Palavras-chave: Políticas Públicas; Modo de Vida Ribeirinho; Comunidade.   THE PUBLIC POLITICIES AND THEIR REFLEXES IN THE WAY OF LIFE OF THE RIVERSIDE DWELLERS IN THE MENINO DEUS COMMUNITY IN PORTEL (PA) Abstract The aim of this work is to identify and analyze how these public politicies permeat the daily lives of the Riverside dwellers from the Menino Deus Community, as well as explain the relationship that exixts between it and the way of living of those people. Even though, we have noticed  that the public politicies that were applied in that Community are disjointed fron the others, where the responsible bodies don’t plan, nor formulate their actions jointly and much less guarantee the participation of those individuals in the process of elaborations and decisions of the public politicies. Therefore, the analysis of that process was through observations made in the referred Community, where it was possible to learn the reflexes of such politicies in their way of living. It was used the application of a questionnaire and interviews with Menino Deus’ residentes, as well as, some research tools as pictures of the studied space and subsequentlyr, the analysis of the data that are presented in the body of this work, facilitates the understanding and the interpretation of the results. Word-keys: Public Politicies; Riverside dwellers; Way of Life; Community.   LAS POLITICAS PUBLICAS Y SUS REPERCUSION EN EL MODO DE VIDA RIBEREÑOS EN LA COMUNIDAD MENINO DEUS EM PORTEL (PA) Resumen Este trabajo tiene como objetivo identificar y analizar de qué manera las políticas públicas permean lo cotidiano de los ribereños de la Comunidad Menino Deus, bien como indicar la relación existente entre ella y el modo de vida de los comunarios. De ese modo, se verifico que las políticas públicas aplicadas en esa comunidad son desarticuladas unas con las otras donde los órganos responsables no planean ni formulan sus acciones de forma conjunta y mucho menos garanten la participación de los comunarios en los procesos de elaboración y decisiones de las políticas públicas. Por tanto, el análisis de ese proceso se dio por medio de observaciones realizadas en la mencionada comunidad, donde fue posible aprender los reflejos de tales políticas en el modo de vida. Se utilizaron aplicaciones de entrevistas con los moradores de Menino Deus, así como algunos instrumentos de investigación como fotos del espacio estudiado, y posteriormente el análisis de los datos que son presentados en el cuerpo de este trabajo, facilitando el entendimiento y la interpretación de los resultados.  Palabras clave: Políticas Públicas, Modo de Vida Ribereño, Comunidad.


2021 ◽  
pp. 30-42
Author(s):  
David Matthews

A historical-materialist analysis of the relationship between disability, the body, welfare, and capitalism is needed in order to further develop a Marxist understanding of disability. In this framework, we can see how the British welfare state, given recent changes to British disability policy, determines who is able-bodied and who is disabled, with this evaluation made in regard to the needs of monopoly capitalism.


2012 ◽  
Vol 6 (2) ◽  
pp. 293-320 ◽  
Author(s):  
Rae Erin Dachille-Hey

Abstract This article dives into the idiosyncrasies of the life of the body in the world and the physician’s encounter with it. It asks the reader to patiently probe the images found within a set of seventeenth-century medical paintings, to seek the clues they provide to better understand the variable conditions of different bodies and, finally, to reflect upon how the details of the paintings themselves train the viewer to see the body in a very specific way. The paintings employ particular modes of expression, referred to here as ‘modes of representation’, to generate meaning. In reflecting upon the relationship between image and meaning in these paintings, it will become clear that it is the manner in which the idiosyncrasies of the body are depicted, the ways in which they are framed and patterned and the ways in which the viewer learns to make sense of them, that are ultimately meaningful.


2020 ◽  
Vol 2 (1) ◽  
pp. 3-21
Author(s):  
Nibras Chehayed

Abstract “God is dead!” This is one of the most famous claims in Nietzsche’s philosophy, difficult to fully affirm. While the higher men fail to overcome the ghost of God, Zarathustra joyfully affirms God’s death. This affirmation deconstructs the metaphysical and moral concept of “divinity,” turning it into a metaphor. The new metaphor of the divine, mainly developed through the figure of Dionysius, expresses the capacity of affirming life beyond the old values, related to the dead God. It also involves the creation of a higher body beyond the body of despair, associated with these values. The purpose of this paper is to study the relationship between the death of God and the body in Nietzsche’s account by analyzing the meanings of this death for the higher men, the question of the divine in Zarathustra’s account, and the status of the Dionysian body.


2021 ◽  
Vol 6 (3) ◽  
pp. 132-142
Author(s):  
Alireza Haj Vaziri ◽  
Parnaz Goodarzparvari ◽  
Ismail Baniardalan

A mosque is a manifestation in which religion meets with art, demonstrating the most distinctive features of this art. Among the structural analysis approaches in architectural science, body analysis is critical, especially while the conceptual characteristics are considered. The positioning of the mosque building bodies and their relation to each other is also essential. The study aims to realize the geometry of motifs in Islamic architecture contemplated in many scientific and artistic disciplines from the perspective of body approach and understand the pattern on which this creative adaptation is made. In the Safavid era and the Ottoman Empire, Iran, due to its religious approaches, political rivalries, and European influence, saw new relations, and their cultural and artistic influences became tight. To understand the structural features of the architecture of the Safavid and Ottoman era, Sheikh Lotfollah and Sultan Ahmad mosques were studied (as a case study), considering their body analysis as a route to investigate the application of concepts and elements of Islamic architecture, as well as considering the architectural practices of the region and geographical location. Obtained results provided the relationship of the bodies and spaces to each other. Despite many differences, there are some distinct similarities in the body of the studied mosques due to the mystery of the motifs that unite the whole building in Islamic buildings. There is a display of homogeneity and dominance of decoration over the form. The one behind the decoration is in line with Islamic concepts and values. It is a message of unity and solidarity.


1986 ◽  
Vol 39 (4) ◽  
pp. 329 ◽  
Author(s):  
PI Hynd ◽  
AC Schlink ◽  
PM Phillips ◽  
DR Scobie

Mitotic activity in the cells of the germinative region of wool follicle bulbs was quantified by using small (0 '1-0; 5 ml) intradermal doses of colchicine and selective staining of the metaphase-blocked nuclei using either crystal violet, iodine and eosin or haematoxylin and eosin. The number of metaphase nuclei present 3 h after colchicine administration increased with colchicine dose from 0 to 1 p,g and thereafter remained relatively constant up to 200 p,g colchicine. The accumulation of metaphase nuclei was linear for up to 6 h after intradermal colchicine. The metaphase-blocking effect of intradermal colchicine was confined to a radius of less than 5 cm from the injection site, allowing a number of estimates of mitotic rates to be made over a small area of skin. Such estimates revealed little variation in mitotic activity over the midside region of the sheep, although there were substantial differences in follicle activity at different sites over the body. The technique is simple, allows serial or concurrent estimates of mitotic activity to be made in the same animal, and eliminates problems associated with intravenous colchicine administration. It was used to derive the relationship between follicle activity and fibre production after nutritional changes, and to define the time course of mitotic events after administration of the antimitotic defleecing agent cyclophosphamide.


2020 ◽  
Vol 4 (4) ◽  
Author(s):  
Malcolm Voyce ◽  

This article aims to describe the relationship between donors and their recipients in the context of organ transplants. This analysis is made in the light of Marcel Mauss’s work, offering an expansion on an analysis of his discussion on the “spirit of the gift” and his idea that gifts require reciprocation. It is argued that some recipients of donated organs receive a personal element from the donor in that there is a transfer or sharing of the donors’ personality and spiritual qualities. The article examines the nature of this form of “interconnectedness”. The article considers the qualities of this form of interconnectedness between donors and recipients by examining two specific cases of gift giving. One such case concerns the accounts of the reception of organs by recipients and how they may feel connected with a donated entity. The second case of gifting is the case of Tibetan lamas concerning their funeral ceremonies, where, following cremation, their relics are donated to disciples. This “donation” does not take place by dissecting useable parts of a body for use in another person, but rather by ingestion of the remains of the corpse following cremation. This example shows how such “donations” are seen as incorporating the spiritual qualities and attributes of the donor [1]. The article concludes that while scholars have employed different forms of metaphors to understand the cultural context of organ donations this article analyzes the elements of the “spirit of the gift.” This form of analysis may best be understood in terms of Mauss’s notions of the return of the gift and the creation of a “communal bond”.


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