Later Bronze Age Activity in the Somerset Levels

1972 ◽  
Vol 52 (2) ◽  
pp. 269-275 ◽  
Author(s):  
John M. Coles

SummaryThe evidence of human activity in the Somerset Levels in the first millennium B.C. consists of wooden trackways laid across areas of developing raised bog, and joining small settlements on the higher, drier lands of the Poldens and the Wedmore ridge. The excavation of one of these tracks, of the sixth century B.C., is described. Stray finds of weapons and tools continue to be made by peat-cutters and by archaeologists; the most recent of these finds are a hazelwood peg or truncheon, and a sycamore tent peg, of the fourth or third century B.C. The relationship of the trackways and other finds to the marshside villages at Meare remains to be established.

2011 ◽  
Vol 2 (1) ◽  
pp. 79-114
Author(s):  
Lee I. Levine

This article considers the relationship of synagogue art from the third century C. E. onward to the rabbinic literature of the first millennium C. E. A number of central and prominent artistic remains in synagogues appear to reflect a significant distinction from how the sages would have related to such representations. Disparity between rabbinic texts and early Jewish art can be found in images connected with emperor worship and representations of the seven-branched Temple menorah, the story of the binding of Isaac, and human nudity. Many prominent depictions and symbols appearing in synagogues stand in stark contrast to rabbinic views and preferences. The Rabbis’ relationship to the synagogue reflected their overall recognition and acceptance of the institution, although not without a fair amount of ambivalence. They never assumed (nor were they accorded) leadership positions in the synagogue, and when they commented on what transpired therein they might have been heeded or simply ignored. The bet midrash, and not the synagogue, was the focus for rabbinic activity; rabbis were as peripheral to the synagogue as it was to them.


Author(s):  
Eric Gubel

Rooted in Late Bronze Age Levantine traditions, Phoenician art emerges in the early first millennium bce, spiced with new elements adopted and adapted from contemporary Egyptian models, while also permeable to influence from artistic trends popular with neighboring cultures and overseas recipients of Phoenician luxurious exports. During its acme between the late ninth and early seventh centuries bce, the art shared a common repertoire of motifs among sculptors, metalsmiths, ivory carvers, and seal cutters in a predominantly Egyptianizing style. Mass-produced terracotta plaques, figurines, and the minor arts displayed a more diversified array of autochthonous characteristics. In line with the evolution of sculpture, the Cypriot component was definitely replaced by Greek idioms from the later sixth century bce onward. If Punic art cannot possibly be defined as a mere perpetuation of the Phoenician production, and was impacted by more complex patterns of cultural interaction (e.g. North Africa, Iberia), the latter’s heritage is undeniable in many artistic media.


1998 ◽  
Vol 64 ◽  
pp. 293-330 ◽  
Author(s):  
Patrick Clay ◽  
Clive R. Jones ◽  
Elaine L. Jones ◽  
Gary Haley ◽  
Elizabeth Healey ◽  
...  

Fieldwork east of Oakham, Rutland has located evidence of prehistoric settlement, land use patterns, and ceremonial monuments. Part of this included the excavation of a cropmark site which has revealed an unusual sequence of Neolithic/Early Bronze Age pit circles and a burial area. This is complemented by a fieldwalking survey of the surrounding areas, allowing consideration of the relationship of juxtaposed flint scatters and the excavated ceremonial area.


Author(s):  
Michael Jursa

This chapter examines the aftermath of the Persian conquest of Babylonia in the sixth century BCE. It explores the relationship of the Iranian rulers and the indigenous Babylonian urban upper class and analyses the effects of administrative change introduced by the Achaemenid rulers and their officials, especially in the realm of taxation. It suggests that Cyrus the Great and his administration had achieved continuity by securing the cooperation of the traditional Babylonian elite, specifically by honouring the long-standing claims of these families on important offices both in temple and state administration.


Author(s):  
P. Robinson ◽  
F. Gout

As consultant-educators, the authors created the extreme architecture framework (XAF) in order to quickly grasp an understanding of an organisation’s architecture from different perspectives. The framework is presented as a matrix of system types and architectural perspectives that is described by a single uncluttered diagram. Elements within the framework are defined along with the content that can include architectural representations, planning, and governance information. A discussion follows to show the relationship of the framework to planning, development, and governance activities. The minimalist framework presents a consolidated view of both human activity and software systems and can also help to foster a shared understanding between IT groups and business areas. It has been designed to answer a manager’s questions: • Which elements of the enterprise do I need to be aware of and understand; and • Which elements am I responsible for and need to manage?


2002 ◽  
Vol 712 ◽  
Author(s):  
Jennifer J. Hooper ◽  
Pamela B. Vandiver

ABSTRACTA collection of 70 black ware shards excavated from 16 kiln sites in South Korea and dating from the 3rd-13th centuries were studied using optical microscopy, scanning electron microscopy, and electron beam microprobe analysis to determine the range of technological variability in composition, microstructure and firing temperature. Materials analysis provided a means of deconstructing and reconstructing the development of (1) consistent high temperature firing, (2) unintentional ash glazing on black ware, (3) intentionally applied black glazes, (4) the relationship of grey and black glazes to green and white ones. This paper addresses issues of the influence of high-firing technology on glaze development and the development and continuity of the black glaze tradition. In addition, the black glazed Onggi ware of the late 19th century was compared to the earlier black-glaze tradition, once stabilized in composition in the Koryo dynasty, and results suggest a technological connection with the earlier tradition.


Author(s):  
Paul T. Nimmo

This chapter exposits and analyses the central contours of Barth’s mature doctrine of the church, in which the church is innovatively characterized by a twofold ec-centricity—a double decentring of its life and work. In a first section, it considers Barth’s radical understanding of the being of the church in relation to Jesus Christ and the Spirit, and the way in which the church has its originating centre outwith itself, in its being from God. In a second section, it attends to the creative way in which Barth conceives of the church as a divine event, and thereby relativizes the church as human institution. In a third section, it focuses on the significance and content of the human activity of the church, and the provocative way in which Barth locates the ultimate purpose of the church outwith itself, in its being for the world. In a fourth section, the chapter explores in outline some of the critical responses to Barth’s groundbreaking doctrine of the church. Finally, by way of conclusion, the chapter considers the relationship of Barth’s ecclesiology to ecumenical conversation.


2019 ◽  
Vol 23 (2) ◽  
pp. 186-206 ◽  
Author(s):  
Courtney Nimura ◽  
Peter Skoglund ◽  
Richard Bradley

The rock art of southern Scandinavia is characterized by depictions of watercraft. The majority are close to the coast, and they have been the primary focus of research. Less attention has been paid to similar representations associated with two large inland lakes in southern Sweden. In this article we present the results of fieldwork around Lake Vänern and Lake Vättern and consider the relationship of this rock art to the better-known images on the coast. We explore the practicalities of navigating between the sea and the interior and suggest that there was an important contrast between an early eastern sphere extending to Lake Vättern from the Baltic and a later western sphere connecting Lake Vänern with the Atlantic.


Early China ◽  
2003 ◽  
Vol 28 ◽  
pp. 101-159 ◽  
Author(s):  
Alan K.L. Chan

Zhong Hui (a.d. 225–264) was a major, albeit neglected figure in third- century Chinese intellectual history. Author of a Laozi commentary and a treatise on the relationship between “capacity” (cat) and “nature” (xing), Zhong Hui played a significant role in the development of xuanxue (Learning of the Mysterious Dao), which came into prominence during the early Wei dynasty and dominated the Chinese intellectual scene well into the sixth century. This essay presents a reconstructed version of Zhong Hui's Laozi commentary and compares Zhong's approach with Wang Bi's. Zhong Hui's work on “capacity and nature” (caixing) captures a major debate in early xuanxue philosophy and will be scrutinized also in this discussion.


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