STRUCTURING THE ‘HISTORY OF PHILOSOPHY’—A COMPARISON BETWEEN PHILODEMUS AND DIOGENES LAERTIUS IN THE LIGHT OF NEW EVIDENCE

2019 ◽  
Vol 69 (2) ◽  
pp. 684-699
Author(s):  
Kilian Fleischer

Considering the fair amount of ancient authors who compiled works on the subject of the ‘History of Philosophy’, it is remarkable—and regrettable—that there is no solid basis for a comparative analysis of their structures. Most ancient histories of philosophy are only preserved in a few fragments or excerpts and hardly allow any meaningful non-trivial comparison of the structure and order of the philosophers and schools discussed. The only more or less entirely preserved ‘History of Philosophy’ is Diogenes Laertius’ famous treatise. Although his work seems to offer an idiosyncratic rendering in some respects, and is hardly representative of the genre, some structural similarities with Sotion's Διαδοχαί (Successions) can be identified. Generally, a crucial question concerning the structure is how the philosophers and their schools were arranged in these works. Did the works basically follow a chronological order? How were the Διαδοχαί arranged? Were certain schools or philosophers dealt with together in a single book or in more than one book, or were they presented in a certain order?

2012 ◽  
Vol 23 (3) ◽  
pp. 199-217
Author(s):  
Vanja Radakovic

In the history of philosophy, Jean-Jacques Rousseau is mainly considered as an atypical philosopher of the Enlightenment, as a pioneer of the revolutionary idea of a free civilian state and natural law; in literary history, he is considered the forerunner of Romanticism, the writer who perfected the form of an epistolary novel, as well as a sentimentalist. However, this paper focuses on the biographical approach, which was mostly excluded in observation of those works revealing Rousseau as the originator of the autobiographical novelistic genre. The subject of this paper is the issue of credibility of self-portraits, and through this problem it highlights the facts from the author?s life. This paper relies on a biographical approach, not in the positivistic sense but in the phenomenological key. This paper is mainly inspired by the works of the Geneva School theorists - Starobinski, Poulet and Rousset.


Litera ◽  
2020 ◽  
pp. 47-60
Author(s):  
Aleksandr Pavlovich Nogovitsyn

This article examines the works of A. E. Kulakovsky based on theoretical positions of D. S. Likhachev and practical data from commentaries to the volume II of A. E. Kulakovsky (author P. V. Maksimov), as well as conducts comparative analysis of the early versions with major texts of A. E. Kulakovsky. The subject of this research is the comparative analysis of A. E. Kulakovsky's early publications with major texts. The goal consists in determination and description of the authorial editing and revisions, which allows substantiating their motives for, as well as tracing the evolution of author’s thought. The discrepancies between the texts of early period and major text are viewed as improvements: addition of lines, substitution of separate words, rearrangement lines and stanzas. The novelty of this study consists in substantiation of early publications of A. E. Kulakovsky and lifetime edition as the subject of textological research. From this perspective, early publications of the works of A. E. Kulakovsky's are attributed to as research materials of cross-disciplinary nature: as the testimonies of the stage of establishment of Yakut literature as a whole, and as the variants of writer's major texts that reveal the history of his works in particular. The relevance is defined by the fact that special textological studies of poet’s separate works, including profound examination of historiographical part of his literary heritage, are currently of special significance. Over the past decade, a sizeable corpus of new documents related to A. E. Kulakovsky’s biography, including the unpublished works and scientific writings, has been revealed; this gives a new perspective on the already familiar materials in the context of analysis of his evolution as a writer and the history of publication of his works in the XX century.


1981 ◽  
Vol 76 ◽  
pp. 323-328
Author(s):  
Carlos Arturo Picón

A fruitful combination of excavation, fieldwork, and research has in recent years increased our knowledge of the Temple of Apollo Epikourios at Bassai. In particular, the sculptured frieze which encircled the interior of the cella has been the subject of numerous studies, the most recent being the monograph by C. Hofkes-Brukker and A. Mallwitz published in 1975. The investigations made at Bassai by N. Yalouris and F. A. Cooper have produced important new evidence. As a result of the excavations conducted by Yalouris since 1959, the early history of the sanctuary and of the structures preceding the classical (‘Iktinian’) temple are reasonably clear. Furthermore, Cooper has shown that the ‘Iktinian’ building, the fourth in a series of temples to Apollo on the site, was not designed to receive pedimental sculpture, and that some, if not all, of this temple's akroteria were floral. The traditional attributions of pedimental and akroterial statues must be discarded, along with the theory that the ‘Iktinian’ building was started as early as the middle of the fifth century B.C.Yet, despite this progress, and the fact that the temple is one of the best-preserved monuments from antiquity, many issues remain controversial. Scholars postulate several building phases for the Classical temple. The chronology of the sculptures is still debated, as is the order of the twenty-three frieze-slabs within the cella.


2016 ◽  
Vol 50 (3) ◽  
pp. 299-312
Author(s):  
Irina Andrianova

This article analyzes Anna Dostoevskaia’s (1846–1918) publication work on the basis of new evidence drawn from hitherto unpublished archival materials. Dostoevskaia’s contribution to the world of publishing has never before been the subject of a special investigation; the documents testifying to her massive work, such as her memoir, correspondence and notebooks, all kept in archives, have never been published. Anna Dostoevskaia was not only the wife of the great Russian author Feodor Dostoevsky, but also one of the first female publishers and book-sellers in Russia. In the second half of the nineteenth century, when women were struggling for economic independence and equal rights to take up “men’s jobs,” Dostoevskaia managed to start out and successfully handle a publishing business. The article expands on Dostoevskaia’s educational and professional development, the history of her publishing and book-selling business, and the difficulties she encountered in the process. Her most outstanding achievement was Dostoevsky’s Complete Works which underwent seven editions (1882–1906). Anna Dostoevskaia had an immense contribution to the publishing business of the late nineteenth and early twentieth centuries and played an important role in the enhancement of the cultural life and feminist movement in Russia.


Dialogue ◽  
1986 ◽  
Vol 25 (1) ◽  
pp. 53-66
Author(s):  
Thomas Mathien

Some writers about the history of philosophy in Canada have wondered why it should be studied. That is a worthy question, but it is not the one I want to discuss here. I am going to assume there are good reasons for doing so because I want to consider some general features of the subject of such studies and to determine what has to be done to establish certain descriptive claims about it. I will also point out some concerns I have about the proper explanation of certain interesting features of Canadian philosophic activity, and I will present a brief evaluation of one major study. I will do this with the aid of a contention that the study of the history of an intellectual discipline is a little like an evolutionary study of a biological species, but I will close by pointing out one reason for doing history which goes beyond description, and even explanation, of the past.


Author(s):  
Vladislava Igorevna Makeeva

This article describes the Ancient Greek mythological characters who were attributed with murdering children: Lamia (Λάμια), Mormo (μορμώ) and Gello (γελλώ).The ssuperstitions associated with these demons remain in Greece to this day, although their images have undergone certain transformation. The object of this research is the mythological representations of the Ancient Greeks, while the subject is demons who murdered children. The goal of this article is to determine the role of children's horror stories in life of the Ancient Greek society. The author reviews the facts testifying to the existence of characters as Lamia, Mormo, Gello and Empusa in the Greek and Roman texts, as well gives characteristics to their images based on the comparative analysis. The conducted analysis reveals the common traits of the demons who murdered children: frightening appearance, combination of human and animal traits, ability to transform, identification with Hecate, as well as the story of the failed motherhood underlying the history of emergence of the demon. The key functions of these mythological characters consisted in explanation of the sudden infant and maternal mortality typical to the ancient times, as well as teaching children and adults a lesson. The first could be frightened with such stories, and the latter had to learn from the tale that demonstrates the harm of reckless following the temptations or refusal of fulfilling the prescribed social roles, socially acceptable behavior.


2013 ◽  
Vol 34 (2) ◽  
Author(s):  
Jaco W. Gericke

J.H. le Roux had a passion for philosophy. His writings contain recourse to the history of philosophy in a way that bespeaks a deep underlying interest in the subject. This much is relatively well-known. This contribution, by contrast, aims at reconstructing something hitherto mostly covert: Le Roux�s philosophy of religion. Of interest is what his writings presuppose about the nature of religion, religious language, the nature of God, the existence of God, religious epistemology, the relation between religion and morality and the problem of religious pluralism.


2018 ◽  
Author(s):  
Filip Spagnoli

The subject of the thesis - the universal value of human rights and democracy - is highly topical in view of the 'democratic imperialism' of the current (dd 2002) US-government. While leaving aside the problem of the acceptability of war as a means to promote democracy (e.g. the second Gulf War), the thesis focusses on a philosophical, moral and pragmatical defence of the universal application of democracy and human rights. Only if this defence is successful can the discussion on the means and tactics of democratic imperialism begin.The originality of the thesis is its defence of the universal value of both democracy and human rights. Whereas the defence of the universality of human rights has a long tradition, there is as yet almost no literature on the universal desirability of democracy. The defence is partly philosophical, ethical, political, legal and practical. It draws on the history of philosophy and ethics, as well as on political science.


Author(s):  
Marina Deveykis

This article examines the little-studied problem of periodization of the history of museology. The author describes the existing approaches of various scholars towards periodization, conducts their critical analysis, and offers original concept. The recommended model of the development of museology is based on the criterion of evolution of state power in the country. The subject of this research is to determine the peculiarities of museum construction in Saint Petersburg (the emergence of new profile groups, changes of social functions, impact of government policy upon museology) during the imperial, Soviet and presidential periods. The proposed methodology does not repeat any of the previously proposed periodization, which defines the novelty of this work. The recommended periodization, first and foremost, would allow conducting comparative analysis of the history of museum construction in different regions, both horizontally – each period, and vertically – between the periods; secondly, it is universal tool for all researchers in solution of research tasks and problems of museology; thirdly, it provides broader regional coverage – for identification of specific, common to certain areas, processes of the development of museology, as well as for introduction of regional material into the overall trend of museum development in Russia.


Author(s):  
Andrey Aleksandrovich Yurasov

The subject of this research is the concept of free will. The modern philosophical discussions either do not explicate it, or interpret far from the traditional meaning that has been instilled into this term throughout the centuries, The goal of this article lies in the historical-philosophical reconstruction of the concept of free will. However, the interest towards achieving this goal is not limited to the sphere of history of philosophy. Understanding of the key term largely determines the fruitfulness of theoretical constructions aimed at solution of the problem of free will. The article expounds and substantiates the methodological principles the reconstruction concept of free is based upon. It is demonstrated that free will features two characteristics that can be designated as conformity and independence. Therefore, free will can be defined as the will that corresponds to the value system of an individual and is independent of external factors. Such definition summarizes the practice of utilization of this term in history of philosophy. However, since the late XIX century, and namely in the XX century, there has developed a strong tendency towards distortion of the traditional concept of free will, which implies exclusion of the characteristic of independence and defining free will through the concept of moral responsibility.


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