The New Immortality: “Readings” in Aesthetics

Dialogue ◽  
1965 ◽  
Vol 4 (2) ◽  
pp. 243-251
Author(s):  
Geoffrey Payzant

It is no easy matter for a teacher of aesthetics to make a choice among the many textbooks now available in that subject. I have been looking at fourteen books of “readings” in aesthetics, all of them in English, and all but one of them published during the past twenty years. Three were published within the past six months: how many more will arrive before we have to settle down to work on another choice?There are two main reasons for this proliferation of anthologies or books of “readings”. One reason is that it is almost fatally easy for a busy academic to prepare an anthology rather than to write a book. Deans and presidents are as much impressed by the book a man edits as they are by the book he writes, although they are achievements of two very different levels. The other is that aesthetics is currently big in the booming textbook industry, and every commercial publisher wants a title on the subject in his catalogue.

Author(s):  
Daiva Milinkevičiūtė

The Age of Enlightenment is defined as the period when the universal ideas of progress, deism, humanism, naturalism and others were materialized and became a golden age for freemasons. It is wrong to assume that old and conservative Christian ideas were rejected. Conversely, freemasons put them into new general shapes and expressed them with the help of symbols in their daily routine. Symbols of freemasons had close ties with the past and gave them, on the one hand, a visible instrument, such as rituals and ideas to sense the transcendental, and on the other, intense gnostic aspirations. Freemasons put in a great amount of effort to improve themselves and to create their identity with the help of myths and symbols. It traces its origins to the biblical builders of King Solomon’s Temple, the posterity of the Templar Knights, and associations of the medieval craft guilds, which were also symbolical and became their link not only to each other but also to the secular world. In this work we analysed codified masonic symbols used in their rituals. The subject of our research is the universal Masonic idea and its aspects through the symbols in the daily life of the freemasons in Vilnius. Thanks to freemasons’ signets, we could find continuity, reception, and transformation of universal masonic ideas in the Lithuanian freemasonry and national characteristics of lodges. Taking everything into account, our article shows how the universal idea of freemasonry spread among Lithuanian freemasonry, and which forms and meanings it incorporated in its symbols. The objective of this research is to find a universal Masonic idea throughout their visual and oral symbols and see its impact on the daily life of the masons in Vilnius. Keywords: Freemasonry, Bible, lodge, symbols, rituals, freemasons’ signets.


2003 ◽  
Vol 19 (01) ◽  
pp. 29-30
Author(s):  
Thomas Lamb

I have been working in this area for the past 9 years. As the Craggs et al paper states, I have presented a number of papers on the subject (Lamb 1998, Lamb 2002, Lamb & Hellesoy 2001, Lamb & Knowles 1999, Storch et al 1995). The Craggs et al paper is the second publication I have seen by others about naval ship compensation coefficients. The other was Brian Tanner's paper presented at the Royal Institution of Naval Architects meeting last year describing how the British Ministry of Defence with First Marine International has been working on this matter for the past 2 years.


1940 ◽  
Vol 44 (352) ◽  
pp. 338-349
Author(s):  
A. P. West

During the past few years an extensive amount of experimental data on split flaps has been made available to the aircraft industry, through the publications of aeronautical research laboratories, both in this country and abroad. In general, each publication deals with one particular aspect of the problem, and when the effect of wing flaps on the performance of an aircraft is being estimated a certain amount of difficulty may be experienced in deciding which of the many reports available gives results most readily applicable to the case being considered ; and what allowances, if any, should be made for wing taper, flap cut-out, fuselage, etc.In this report the available data has been analysed with a view to answering these questions, and presented in such a form that it may be readily applied to determine the most probable change in the aerodynamic characteristics of a wing that may be expected from the use of this type of flap.From the appendix an estimate of the accuracy of the method can be obtained, as a comparison with full-scale data is given for lift and drag, and for the other flap characteristics the original curves have been reproduced.


2021 ◽  
Author(s):  
◽  
Erin Keenan

<p>Māori urbanisation and urban migrations have been the subject of much discussion and research, especially following World War Two when Māori individuals, whānau and communities increasingly became residents of towns and cities that were overwhelmingly Pākehā populated. However, Māori urbanisation experiences and urban migrations are difficult topics to address because kaumātua are reluctant to discuss ‘urban Māori’, especially considering its implications for Māori identities. The original contribution this thesis makes to histories of Māori urban migrations is that it explores these and other understandings of urbanisations to discover some of their historical influences. By discussing urbanisations directly with kaumātua and exploring historical sources of Māori living in, and moving to, the urban spaces of Wellington and the Hutt Valley through the twentieth century, this thesis is a ‘meeting place’ for a range of perspectives on the meanings of urbanisations from the past and the present. Although urbanisation was an incredible time of material change for the individuals and whānau who chose to move into cities such as Wellington, the histories of urban migration experiences exist within a scope of Māori and iwi worldviews that gave rise to multiple experiences and understandings of urbanisations. The Wellington region is used to show that Māori in towns and cities used Māori social and cultural forms in urban areas so that they could, through the many challenges of becoming urban-dwelling, ensure the persistence of their Māoritanga. Urbanisations also allowed Māori to both use traditional identities in urban areas, as well as develop new relationships modelled on kinship. The Ngāti Pōneke community is used as an example of the complex interactions between these identities and how many Māori became active residents in but not conceptually ‘of’ cities. As a result, the multiple and layered Māori identities that permeate throughout Māori experiences of the present and the past are important considerations in approaching and discussing urbanisations. Urban Māori communities have emphasised the significance of varied and layered Māori identities, and this became particularly pronounced through the Māori urban migrations of the twentieth century.</p>


Author(s):  
Quintin Colville ◽  
James Davey

This introduction gives on overview of the sub-discipline of naval history since its emergence in the early eighteenth-century. It outlines the various social, cultural and political influences that have shaped the subject over the past three centuries, and discusses its relationship with the wider historical profession. The second half of the introduction sums up the current state of naval history, describing the many historiographies that now have a bearing on how the subject is conducted. Each contribution to the volume is introduced in this context, offering a precis of the chapters that follow.


Author(s):  
A. E. Hefford

The observations which form the subject of the following notes deal with only part of the total material on which my studies of teleostean reproduction, pursued during the last two years, have been made; but as the other and larger part of the material consists of preserved specimens of the young (chiefly post-larval) stages of fishes collected during the four years 1906 to 1909 inclusive, it is more convenient to deal with the egg collections of the past year first and to treat the whole collection of young fry separately in a further paper.


1990 marks the vicesenary of the death of Bertrand Russell, in his 98th year; and this arithmetical property is sufficient reason to review the historical research that has been published on his life and work during the past 20 years. During his long life he had already become the subject of historical research in many of his activities; but this interest accelerated considerably around the time of his death because in the mid 1960s he had decided to sell the bulk of his manuscripts, to raise money to finance his current projects. One of these was the series of conferences financed by the Canadian industrialist Cyrus Eaton, which began at his birthplace of Pugwash, in Nova Scotia. An alumnus of McMaster University at Hamilton, Ontario, Eaton announced that he would put forward a considerable sum of his own money if the papers went to McMaster. Some deft work by the librarian there secured the rest of the required capital, and the papers were purchased in 1968. Thus was created the ‘Bertrand Russell Archives’, as Russell insisted it be called, rejecting the original appellation of ‘Archive’; it is a major resource for British history of Russell’s time, and for the many other concerns in which he was involved. Soon after its launch in 1972, the first Russell conference at McMaster took place, to commemorate the centenary of his birth; its proceedings were published as a book four years later.


1898 ◽  
Vol 30 (4) ◽  
pp. 96-97 ◽  
Author(s):  
W. J. Holland

The other day a distinguished artist friend of mine called upon me with a small bottle containing some whiskey, which by its odour I judged was good, when he first took it from his flask, and in it was what he denominated a “bug.” He told me that he had experienced “one of the most wonderful adventures of his life” in connection with the specimen he put before me, and went on to tell me that during the past summer, while sketching in the mountains, he had discovered one evening, when undressing, a small, dark swelling on his breast. He thought it to be a little abnormal growth on the skin and paid no attention to it. From time to time he noticed it afterwards, when retiring, and found to his considerable alarm that it was gradually growing larger, and evil thoughts of cancer, tumors, and what not, began to float through his mind. Finally, after some two weeks had passed, one evening, as he expressed it, “while fooling with the darned thing it came off” He laid it down on the dressing-case before him and was presently astounded to see it slowly crawling away from the spot. Then a small bottle was sought out, the whiskey flask was brought into requisition, and the “bug” was safely bottled, to be referred to me for an explanation. This proved not difficult to give. The specimen was a well-developed example of Ixodes albipictus, Packard. We had a hearty laugh together, and my friend assured me that he “would know better the next time, and not let such creatures establish such a lengthy abode upon his person.” His adventure recalled to me a letter which I have long had in my possession, intending to publish it, as it is very well written, and adds a touch of humour to the subject. The specimen referred to in the letter is in my collection, and proves to be an example of Ixodes bovis, a very common plague in the south-western part fo this country.


1982 ◽  
Vol 17 (1) ◽  
pp. 1-11
Author(s):  
Lane

The subject upon which I have been invited to address you is a gloomy one. There is little pleasure to the speaker in recounting a catalogue of failures. The hope is that you may be able at the end to say “Thank goodness we have done better than the British”, or even, perhaps, “The British have made that mistake, we can avoid it”. In other words, a free and candid exchange of views never does any harm.Thirty-five years ago were stirring times for Israel. For us too, in Great Britain, in a more mundane way. Some of us were exchanging flying helmets for barristers wigs. There was new hope in the air. Social injustice would be a thing of the past. No one would go hungry. No one would go short of medical attention through lack of money, involuntary unemployment would no longer mean that a man's family would go short of food and the other necessities of life.


2010 ◽  
Vol 34 (2) ◽  
pp. 168-185
Author(s):  
Marianna Ritchey

Abstract The fantastic, theorized as an expression of the anxieties, fears, and political beliefs of the generation of young French writers born in the decades directly following the Revolution and Terror, has long been viewed primarily as a literary genre. Observed in light of this artistic movement, Berlioz's most famous work, Symphonie fantastique, emerges as a musical manifestation of fantastic techniques, and Berlioz himself as an important contributor to the Fantastic culture that swept nineteenth-century France. Using Tzvetan Todorov's narrative theory, I identify two techniques fantastic authors exploit that are most useful in understanding Symphonie Fantastique: an intentional ambiguity of form, and a privileging of ambiguous ““thresholds”” over teleological plot resolution. In pursuing a new explanation of the symphony's strange deviations from musical norms, I highlight the many different ways the symphony has been understood and analyzed by prominent musicologists over the past 180 years. By now, musicologists have effectively demonstrated that Berlioz was not the ““incompetent genius”” (in Charles Rosen's wry formulation) he was long considered to be; however, the fact that there is still disagreement and debate over Symphonie Fantastique's deviations from normative form and content, as well as what those deviations might mean, demonstrates the highly fraught signifying structure of the music. Locating the symphony's use of fantastic tropes and techniques demonstrates that many of its strangest aspects——those ““failures”” that have been the subject of musicological debate since 1835——come into focus when we take its title seriously and regard the work as a symphony in the fantastic genre.


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