Echoes of the Guillotine: Berlioz and the French Fantastic

2010 ◽  
Vol 34 (2) ◽  
pp. 168-185
Author(s):  
Marianna Ritchey
Keyword(s):  
Nineteenth Century ◽  
Narrative Theory ◽  
Literary Genre ◽  
Important Contributor ◽  
Political Beliefs ◽  
The Past ◽  
Nineteenth Century France ◽  
The Subject ◽  
The Fantastic ◽  
The Many

Abstract The fantastic, theorized as an expression of the anxieties, fears, and political beliefs of the generation of young French writers born in the decades directly following the Revolution and Terror, has long been viewed primarily as a literary genre. Observed in light of this artistic movement, Berlioz's most famous work, Symphonie fantastique, emerges as a musical manifestation of fantastic techniques, and Berlioz himself as an important contributor to the Fantastic culture that swept nineteenth-century France. Using Tzvetan Todorov's narrative theory, I identify two techniques fantastic authors exploit that are most useful in understanding Symphonie Fantastique: an intentional ambiguity of form, and a privileging of ambiguous ““thresholds”” over teleological plot resolution. In pursuing a new explanation of the symphony's strange deviations from musical norms, I highlight the many different ways the symphony has been understood and analyzed by prominent musicologists over the past 180 years. By now, musicologists have effectively demonstrated that Berlioz was not the ““incompetent genius”” (in Charles Rosen's wry formulation) he was long considered to be; however, the fact that there is still disagreement and debate over Symphonie Fantastique's deviations from normative form and content, as well as what those deviations might mean, demonstrates the highly fraught signifying structure of the music. Locating the symphony's use of fantastic tropes and techniques demonstrates that many of its strangest aspects——those ““failures”” that have been the subject of musicological debate since 1835——come into focus when we take its title seriously and regard the work as a symphony in the fantastic genre.

scholarly journals Māori Urban Migrations and Identities, ‘Ko Ngā Iwi Nuku Whenua’: A study of Urbanisation in the Wellington Region during the Twentieth Century

2021 ◽  
Author(s):  
◽  
Erin Keenan
Keyword(s):  
Twentieth Century ◽  
Urban Areas ◽  
Urban Migration ◽  
World War ◽  
Historical Sources ◽  
The Past ◽  
Complex Interactions ◽  
The Subject ◽  
The Many ◽  
Migration Experiences

<p>Māori urbanisation and urban migrations have been the subject of much discussion and research, especially following World War Two when Māori individuals, whānau and communities increasingly became residents of towns and cities that were overwhelmingly Pākehā populated. However, Māori urbanisation experiences and urban migrations are difficult topics to address because kaumātua are reluctant to discuss ‘urban Māori’, especially considering its implications for Māori identities. The original contribution this thesis makes to histories of Māori urban migrations is that it explores these and other understandings of urbanisations to discover some of their historical influences. By discussing urbanisations directly with kaumātua and exploring historical sources of Māori living in, and moving to, the urban spaces of Wellington and the Hutt Valley through the twentieth century, this thesis is a ‘meeting place’ for a range of perspectives on the meanings of urbanisations from the past and the present. Although urbanisation was an incredible time of material change for the individuals and whānau who chose to move into cities such as Wellington, the histories of urban migration experiences exist within a scope of Māori and iwi worldviews that gave rise to multiple experiences and understandings of urbanisations. The Wellington region is used to show that Māori in towns and cities used Māori social and cultural forms in urban areas so that they could, through the many challenges of becoming urban-dwelling, ensure the persistence of their Māoritanga. Urbanisations also allowed Māori to both use traditional identities in urban areas, as well as develop new relationships modelled on kinship. The Ngāti Pōneke community is used as an example of the complex interactions between these identities and how many Māori became active residents in but not conceptually ‘of’ cities. As a result, the multiple and layered Māori identities that permeate throughout Māori experiences of the present and the past are important considerations in approaching and discussing urbanisations. Urban Māori communities have emphasised the significance of varied and layered Māori identities, and this became particularly pronounced through the Māori urban migrations of the twentieth century.</p>

Introduction

2019 ◽  
pp. 1-26
Author(s):  
Quintin Colville ◽  
James Davey
Keyword(s):  
Eighteenth Century ◽  
Political Influences ◽  
The Past ◽  
Current State ◽  
Naval History ◽  
The Subject ◽  
Early Eighteenth Century ◽  
The Many ◽  
Historical Profession

This introduction gives on overview of the sub-discipline of naval history since its emergence in the early eighteenth-century. It outlines the various social, cultural and political influences that have shaped the subject over the past three centuries, and discusses its relationship with the wider historical profession. The second half of the introduction sums up the current state of naval history, describing the many historiographies that now have a bearing on how the subject is conducted. Each contribution to the volume is introduced in this context, offering a precis of the chapters that follow.

Introducing the Prose Poem

Prose Poetry ◽  
2020 ◽  
pp. 3-27
Author(s):  
Paul Hetherington ◽  
Cassandra Atherton
Keyword(s):  
Nineteenth Century ◽  
English Language ◽  
Literary Form ◽  
Prose Poetry ◽  
Literary Genre ◽  
Prose Poem ◽  
Nineteenth Century France ◽  
The Common ◽  
Common Observation ◽  
Intense Emotion

This chapter traces prose poetry's development in nineteenth-century France and its early reception and subsequent critical views about the form. The prose poem in English is now established as an important literary form in many countries at a time when the composition and publication of poetry is thriving. However, while poetry generally continues to be recognized as a literary genre highly suited to expressing intense emotion, grappling with the ineffable and the intimate, and while lineated lyric poetry is widely admired for its rhythms and musicality, the main scholarship written about English-language prose poetry to date defines the form as problematic, paradoxical, ambiguous, unresolved, or contradictory. The common observation that the term “prose poetry” appears to contain a contradiction is not surprising given that poetry and prose are often understood to be fundamentally different kinds of writing. The chapter then defines the prose poem's main features and discusses the challenge prose poetry presents to established ideas of literary genre.

Toleration and the Cromwellian Protectorate

1984 ◽  
Vol 21 ◽  
pp. 199-233 ◽  
Author(s):  
Blair Worden
Keyword(s):  
Nineteenth Century ◽  
Religious Toleration ◽  
Moral Foundations ◽  
The Past ◽  
History Of ◽  
The Subject ◽  
Late Nineteenth

Toleration is a Victorian subject, a monument to Victorian liberalism. ‘To us who have been educated in the nineteenth century’, proclaimed F. A. Inderwick in his book on the Interregnum, ‘any declaration inconsistent with religious toleration would be abhorrent and inadmissible’. His sentiment would not have seemed controversial to a generation raised on such best-selling works as Buckle’s History of Civilisation in England and Lecky’s History of the Rise and Influence of the Spirit of Rationalism. It may be that the Victorians, enquiring into the origins of the toleration which they had achieved, were prone to congratulate the past on becoming more like the present. Yet in the late nineteenth and early twentieth centuries, when interest in the subject was perhaps at its peak, we can also detect, in the statements on toleration of a Creighton or a Figgis, a fear that the present might become more like the past: that materialism and religious indifference might destroy the moral foundations of toleration, and foster a new barbarism which would persecute Christians afresh.

Bertrand Russell (1872-1970) after twenty years

1990 ◽  
Vol 44 (2) ◽  
pp. 280-306 ◽  
Keyword(s):  
Nova Scotia ◽  
Historical Research ◽  
Bertrand Russell ◽  
British History ◽  
Arithmetical Property ◽  
The Past ◽  
History Of ◽  
The Subject ◽  
Long Life ◽  
The Many

1990 marks the vicesenary of the death of Bertrand Russell, in his 98th year; and this arithmetical property is sufficient reason to review the historical research that has been published on his life and work during the past 20 years. During his long life he had already become the subject of historical research in many of his activities; but this interest accelerated considerably around the time of his death because in the mid 1960s he had decided to sell the bulk of his manuscripts, to raise money to finance his current projects. One of these was the series of conferences financed by the Canadian industrialist Cyrus Eaton, which began at his birthplace of Pugwash, in Nova Scotia. An alumnus of McMaster University at Hamilton, Ontario, Eaton announced that he would put forward a considerable sum of his own money if the papers went to McMaster. Some deft work by the librarian there secured the rest of the required capital, and the papers were purchased in 1968. Thus was created the ‘Bertrand Russell Archives’, as Russell insisted it be called, rejecting the original appellation of ‘Archive’; it is a major resource for British history of Russell’s time, and for the many other concerns in which he was involved. Soon after its launch in 1972, the first Russell conference at McMaster took place, to commemorate the centenary of his birth; its proceedings were published as a book four years later.

Sexuality in Nineteenth-Century England: the social context of illegitimacy in rural Kent

Rural History ◽  
1990 ◽  
Vol 1 (2) ◽  
pp. 219-247 ◽  
Author(s):  
Barry Reay
Keyword(s):  
Nineteenth Century ◽  
Social Context ◽  
Lower Class ◽  
General Phenomenon ◽  
Local Study ◽  
The Past ◽  
The People ◽  
The Social ◽  
The Subject

More bad history has been written about sex than any other subject. Our ignorance about the sexual attitudes and behaviour of people in the past is compounded by a desire to rush to rash generalisation. This is unfortunate, for (consciously or not) our perceptions of the present are shaped by our assumptions about the past. Britain's current preoccupation with ‘Victorian values’ is but a politically visible example of a more general phenomenon. And, more specifically, we do not know a great deal about lower-class sexuality in nineteenth-century England. There are studies of bourgeois desires and sensibilities, but little on the mores of the vast bulk of the population.As Jean Robin has demonstrated recently, one of the most fruitful approaches to the subject is the detailed local study – the micro-study. It may not appeal to those with a penchant for the broad sweep, but such an approach can provide a useful entry into the sexual habits of the people of the past. This article is intended as a follow-up to Robin's work. It deals with a part of rural Kent and, like Robin's work, it covers an aspect of nineteenth-century sexuality – in this case, the social context of illegitimacy. More particularly, this study (and here I differ from Robin) will question the usefulness of the concept of a ‘bastardy-prone sub-society’ (more of which later), a term still favoured by many historical sociologists. The experience of rural Kent suggests that bearing children outside marriage should be seen not as a form of deviancy but rather as part of normal sexual culture.

The New Immortality: “Readings” in Aesthetics

Dialogue ◽  
1965 ◽  
Vol 4 (2) ◽  
pp. 243-251
Author(s):  
Geoffrey Payzant
Keyword(s):  
The Other ◽  
The Past ◽  
Commercial Publisher ◽  
The Subject ◽  
The Many ◽  
Different Levels

It is no easy matter for a teacher of aesthetics to make a choice among the many textbooks now available in that subject. I have been looking at fourteen books of “readings” in aesthetics, all of them in English, and all but one of them published during the past twenty years. Three were published within the past six months: how many more will arrive before we have to settle down to work on another choice?There are two main reasons for this proliferation of anthologies or books of “readings”. One reason is that it is almost fatally easy for a busy academic to prepare an anthology rather than to write a book. Deans and presidents are as much impressed by the book a man edits as they are by the book he writes, although they are achievements of two very different levels. The other is that aesthetics is currently big in the booming textbook industry, and every commercial publisher wants a title on the subject in his catalogue.

scholarly journals Proclaiming East Timor: Historical Reflections on Political Declarations

2012 ◽  
Vol 10 ◽  
Author(s):  
Douglas Kammen
Keyword(s):  
Nineteenth Century ◽  
East Timor ◽  
History Of ◽  
The Subject ◽  
The Many

East Timor celebrated its independence in 2002, but behind the euphoria the subject of the celebration was hotly contested. While most foreign observers treated this as the achievement of independence, according to the Constitution and the first government 20 May 2002 marked the restoration of independence that was first proclaimed by Francisco Xavier do Amaral in November 1975. Given the significance that declarations of independence hold, this article traces the history of political declarations in East Timor over the course of three centuries. It examines a curious pair of declarations in 1702-1703, the many declarations of vassalage in the nineteenth century, the declaration of the Portuguese Republic in 1910, the competing political declarations in 1975, and a curious declaration of a breakaway republic in 2005. 

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