Augustan Rome and the Body of Christ: A Comparison of the Social Vision of theRes Gestaeand Paul's Letter to the Romans

2013 ◽  
Vol 106 (1) ◽  
pp. 1-36
Author(s):  
James R. Harrison

A surprising omission in New Testament studies of the imperial world is a comparison of Augustus's conception of rule in theRes Gestae(RG) with Paul's eschatological gospel of grace in his letter to the Romans. Even though each document has been foundational in the history of Western civilization, a comparison of their vastly different social outcomes has not been undertaken. Neil Elliott has made an outstanding contribution in laying the foundations for such a study, offering a scintillating analysis of Paul's letter to the Romans in terms ofiustitia(justice),clementia(mercy),pietas(piety), andvirtus(valor), the four virtues of Augustus inscribed on the Golden Shield erected in the Julian senate house (RG34.2). However, a full-scale investigation of the Augustan conception of rule in theRGwould open up new perspectives on Paul's engagement with the imperial world in Romans, given that Augustus became the iconicexemplumof virtue for his Julio-Claudian successors. Nonetheless, the difference in genre and aims of each document makes such a comparison daunting for New Testament scholars, as does the controversy that each document continues to generate in its own discipline. Further, we are unsure about the extent of the exposure that Paul might have had to theRG, directly or indirectly. Possibly Paul saw a Greek version of theRGtext at Pisidian Antioch, along with the Latin text that still survives there, during his first missionary journey (Acts 13:14–50), even though there are no archaeological remains of the Greek text at Antioch today. Presumably Paul would have been aware that the original Latin copy of theRGwas inscribed in bronze at Augustus's mausoleum at Rome. This article will argue that Paul, in planning to move his missionary outreach from the Greek East to the Latin West (Rom 15:19a–24), thought strategically about how he was going to communicate the reign of the crucified, risen, and ascended Son of God to inhabitants of the capital who had lived through the “Golden Age” of grace under Augustus and who were experiencing its renewal under Nero. What social and theological vision did Paul want to communicate to the city of Rome in which Augustus was the yardstick of virtue to which future leaders of Rome should aspire?

GIS Business ◽  
2019 ◽  
Vol 14 (3) ◽  
pp. 202-206
Author(s):  
SAJITHA M

Food is one of the main requirements of human being. It is flattering for the preservation of wellbeing and nourishment of the body.  The food of a society exposes its custom, prosperity, status, habits as well as it help to develop a culture. Food is one of the most important social indicators of a society. History of food carries a dynamic character in the socio- economic, political, and cultural realm of a society. The food is one of the obligatory components in our daily life. It occupied an obvious atmosphere for the augmentation of healthy life and anticipation against the diseases.  The food also shows a significant character in establishing cultural distinctiveness, and it reflects who we are. Food also reflected as the symbol of individuality, generosity, social status and religious believes etc in a civilized society. Food is not a discriminating aspect. It is the part of a culture, habits, addiction, and identity of a civilization.Food plays a symbolic role in the social activities the world over. It’s a universal sign of hospitality.[1]


2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


2011 ◽  
Vol 19 (3) ◽  
pp. 253-275 ◽  
Author(s):  
Richard Walsh ◽  
George Aichele

Abstract This essay examines the recent movies Avatar and District 9 in conjunction with the so-called "transfiguration stories" of Matt. 17, Mark 9, and Luke 9. It explores the difference between "transfiguration" and "metamorphosis" in these stories, and questions the avoidance of the latter term in English translations of the New Testament, as well as theological implications of the preference for "transfiguration." This tendency is already observable in the ideological dimensions of the New Testament. That the net effect of this translation preference is to obscure monstrous changes to the body of Jesus is made clear through contrast with the movies, and with Franz Kafka's story, "The Metamorphosis."


2017 ◽  
Vol 1 (1) ◽  
pp. 72
Author(s):  
LG Saraswati Putri

This research and community engagement investigates an ancient Balinese ritual known as Sang Hyang Dedari. The dance is interrelated to an agricultural aspect of the traditional Balinese living. As the Balinese struggle to maintain their values from the constant threat of modernization and industrialization, this dance reveals the powerful impact of creating an awareness of socio-ecological equilibrium. The effort made by the villagers of Geriana Kauh, Karangasem, displays how local community rebuilds its environment based on their traditional ecological value. Analyzing Sang Hyang Dedari dance through phenomenological approach, thus, it can be discovered how the ritual sustains the social relations. The bodies of the dancers are the center of an elaborate nexus between people, nature and god. To understand how the dualism of sacred and profane bodies, this research utilizes the body theory by Maurice Merleau-Ponty. The importance of phenomenology as a theory relates to the understanding on how the ritual works as an event in its totality. Understanding the unity between the presence of the divine, nature and human. The output of this research and community engagement is a museum built in cooperation between University of Indonesia with the villagers of Geriana Kauh, Karangasem. As the performance and knowledge about Sang Hyang Dedari appeared to be scarce, this museum is a form of collaboration to retrace the history of Sang Hyang Dedari ritual, in an attempt to conserve the ancient knowledge.


2020 ◽  
pp. 016224392097408
Author(s):  
Mareike Smolka ◽  
Erik Fisher ◽  
Alexandra Hausstein

Reports from integrative researchers who have followed calls for sociotechnical integration emphasize that the potential of interdisciplinary collaboration to inflect the social shaping of technoscience is often constrained by their liminal position. Integrative researchers tend to be positioned as either adversarial outsiders or co-opted insiders. In an attempt to navigate these dynamics, we show that attending to affective disturbances can open up possibilities for productive engagements across disciplinary divides. Drawing on the work of Helen Verran, we analyze “disconcertment” in three sociotechnical integration research studies. We develop a heuristic that weaves together disconcertment, affective labor, and responsivity to analyze the role of the body in interdisciplinary collaborations. We draw out how bodies do affective labor when generating responsivity between collaborators in moments of disconcertment. Responsive bodies can function as sensors, sources, and processors of disconcerting experiences of difference. We further show how attending to disconcertment can stimulate methodological choices to recognize, amplify, or minimize the difference between collaborators. Although these choices are context-dependent, each one examined generates responsivity that supports collaborators to readjust the technical in terms of the social. This analysis contributes to science and technology studies scholarship on the role of affect in successes and failures of interdisciplinary collaboration.


2004 ◽  
Vol 19 (3) ◽  
pp. 185-185 ◽  
Author(s):  
Vittorio Di Michele ◽  
Francesca Bolino

The treatment of depressive symptoms in patients affected by schizophrenia is often a concern for clinicians [2] due to potential interaction, in terms of safety and efficacy. Citalopram seems to be a safe SSRI as adjunctive treatment to Olanzapine because of the lack of interactions. We report a serendipitous finding showing that the adjunction of Citalopram to Olanzapine, led to disappearence of residual hallucinations and depersonalization symptoms in a few weeks.Mr A is a 27-year-old male, living in the community, with a 4-year history of schizophrenia,. He was treated with low doses of Olanzapine (10 mg/daily) since 2000 because of an intolerance to dose increments (weight gain and mydriasis).The persistence of sporadic hallucinations (commenting voices) and depersonalization symptoms (when he walked alone he felt his self leaving the body) was well tolerated by the patient. The social functioning was satisfactory: he had a protected job and was involved in a comprehensive rehabilitation programme.


Maska ◽  
2016 ◽  
Vol 31 (181) ◽  
pp. 138-141
Author(s):  
Gregor Pompe

A review of Jelena Novak’s work is an excellent sphere within which to grapple with the term “postopera”, which was introduced into operatic theory by way of analogy with Hans-Thies Lehmann’s term “postdramatic theatre”. In addition to defining the characteristics of postopera, the work (and this review) offers a window into the history of opera and the development of the genre. Options for the interpretation of operatic works are presented mostly through the body-voice gap, that is, the difference between the visual and audible elements of operatic art; this relationship is redefined or, rather, foregrounded by postopera. The review highlights the author’s primary focus on six examples of postopera, for the most part postmodern and minimalist; discloses the broad theoretical and historical foundations, as well as methodologies, on which the author bases her discourse; and locates the book contextually in the wider theory of musical-theatre praxes. Additionally, it presents the meaning that Novak’s book could have in the Slovenian operatic space, identifies certain limitations of the work, and at the same time offers options for the broadening of the author’s questions and further research.


1975 ◽  
Vol 25 ◽  
pp. 21-38 ◽  
Author(s):  
John Bossy

When I offered to read a paper on this subject, I had a particular hypothesis in mind. I thought—perhaps it would be more honest to say, I hoped—it would be possible to show that, during a period roughly contemporaneous with the Reformation, the practice of the sacrament of penance in the traditional church had undergone a change which was important in itself and of general historical interest. The change, I thought, could roughly be described as a shift from the social to the personal. To be more precise, I thought it possible that, for the average layman, and notably for the average rural layman in the pre-reformation church, the emphasis of the sacrament lay in its providing part of a machinery for the regulation and resolution of offences and conflicts otherwise likely to disturb the peace of a community. The effect of the Counter-Reformation (or whatever one calls it) was, I suspected, to shift the emphasis away from the field of objective social relations and into a field of interiorized discipline for the individual. The hypothesis may be thought an arbitrary one: we can but see. I think it will be admitted that, supposing it turned out to be correct, we should have learnt something worth knowing about the difference between the medieval and the counter-reformation church, and something about the difference between pre- and post-reformation European society. If if did not turn out to be correct, we might nevertheless expect to pick up some useful knowledge about something which is scarcely a staple of current historical discourse, though it threatens to become so.


2017 ◽  
Vol 19 (1) ◽  
pp. 5
Author(s):  
Oana Crusmac

The present paper aims to analyse the social representation of feminism within the “Women Against Feminism” (WAF) on-line movement that is based on a shared blog which gained significant coverage in the U.S. and U.K. media since the summer of 2014. Using the method of quantitative content analysis and the insights provided by social representations theory, the paper will disclose what lies behind the concept of ‘feminism’ for the group embracing the WAF movement and also aims to find whether the members of this on-line community can be described as postfeminists. The article will conclude that the social representation of feminism within the WAF on-line movement is not based on a lack of information, but rather on a stereotypical understanding of the concept and on a non-nuanced perspective upon the history of feminism and its current developments (in particular the difference between post-feminism and third wave feminism). Moreover, similar arguments raised against feminism have been also drawn in the past, WAF sharing similar arguments with the ‘80s media backlash against feminsim.


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