Tracheostomy in ancient Egypt

2014 ◽  
Vol 128 (8) ◽  
pp. 665-668 ◽  
Author(s):  
Patric Blomstedt

AbstractIt has often been reported that the ancient Egyptians performed tracheostomies. An analysis of this claim demonstrates it to be founded on only two depictions from the Protodynastic period (thirty-first centurybc). These depictions are difficult to reconcile with tracheostomy from an anatomical point of view and can more easily be explained as human sacrifices. Considering that Egyptian surgery included only minor procedures even at its zenith during later dynastic periods, it is difficult to imagine that they would have developed such an advanced procedure at such an early date.

Author(s):  
Maria Consuelo Forés Rossell

Shakespeare’s works have long been a place of cultural and political struggles, and continues to be so. Twenty-first century non-canonical fiction is appropriating Shakespeare for activist purposes. The present article will analyze this phenomenon, applying the concept of cultural capital, the theories of cultural materialism, intertextuality, and appropriation in relation to popular culture, in order to study how Shakespeare’s plays are being appropriated from more radically progressive positions, and resituated in alternative contexts. Among the plethora of Shakespearean adaptations of the last decades, non-canonical appropriations in particular offer brand new interpretations of previously assumed ideas about Shakespeare’s works, popularizing the playwright in unprecedented ambits and culturally diverse social spaces, while giving voice to the marginalized. Thus, through entertainment, non-canonical fiction products such as V for Vendetta and Sons of Anarchy recycle the Shakespearean legacy from a critical point of view, while using it as a political weapon for cultural activism, helping to make people aware of social inequalities and to inspire them to adopt a critical stance towards them, as free and equal citizens.


Author(s):  
Liz Harvey-Kattou

This chapter argues that cinema has been the primary creative vehicle to reflect on national – tico – identity in Costa Rica in the twenty-first century, and it begins with an overview of the industry. Considering the ways in which film is uniquely positioned to challenge social norms through the creation of affective narratives and through the visibility it can offer to otherwise marginalised groups, this chapter analyses four films by key directors. Beginning with an exploration of Esteban Ramírez’s Gestación, it considers youth culture, gender, and class as non-normative spaces in the city of San José. Similarly, Jurgen Ureña’s Abrázame como antes is then discussed from the point of view of its ground-breaking portrayal of trans women in the capital. Two films shot at the geographic margins of the nation are then discussed, with the uncanny coastline the focus of Paz Fábrega’s Agua fría de mar and the marginalized Afro-Costa Rican province of Limón the focus of Patricia Velásquez’s Dos aguas.


Humanities ◽  
2018 ◽  
Vol 7 (3) ◽  
pp. 70
Author(s):  
Christopher Breu

This essay begins by surveying our current moment in the humanities, diagnosing the language of crisis that frames much of the discourse about them. It argues that the crisis is a manufactured economic one not a symbolic one. The problems with many recent proposals—such as the new aestheticism, surface reading, and postcritique—is that they attempt to solve an economic crisis on the level of symbolic capital. They try to save the humanities by redisciplining them and making them mirror various forms amateur inquiry. I describe these approaches as the new enclosures, attempts at returning the humanities to disciplinarity with the hopes that administrative and neoliberal forces will find what we do more palatable. Instead of attempting to appease such forces by being pliant and apolitical, we need a new workerist militancy (daring to be “bad workers” from the point of view of neoliberal managerial rhetorics) to combat the economic crisis produced by neoliberalism. Meanwhile, on the level of knowledge production, the humanities need to resist the demand to shrink the scope of their inquiry to the disciplinary. The humanities, at their best, have been interdisciplinary. They have foregrounded both the subject of the human and all the complex forces that shape, limit, and exist in relationship and contradiction with the human. The essay concludes by arguing that the humanities, to resist neoliberal symbolic logics, need to embrace both a critical humanism, and the crucial challenges to this humanism that go by the name of antihumanism and posthumanism. It is only by putting these three discourses in negative dialectical tension with each other that we can begin to imagine a reinvigorated humanities that can address the challenges of the twenty-first century.


2017 ◽  
Vol 4 (1) ◽  
pp. 10-18
Author(s):  
Gandolfo Dominici

In this opinion article, the author aims to depict the state of systems thinking research through the lens of my own personal experience. His point of view is that of a relatively young scholar who has the privilege to be involved in the international systems thinking community in many ways. Indeed, in 2012 he established, with other colleagues, an academic society named Business Systems Laboratory (BSLab), which has rapidly become an important society for research into the application of systems thinking to society, business and organizations. Through his activity of organization of conferences and his editorial activity at the journals associated with BSLab (and recently as Editor-in-Chief of one of the older leading scientific journals on systems thinking and cybernetics, Kybernetes), the author has a privileged point of observation over the path of systems thinking in recent years. With this premise this opinion article aims to point out through a SWOT analysis the strength, the weaknesses, the opportunities and the threats of and for Systems Thinking.


Phlebologie ◽  
2020 ◽  
Vol 49 (03) ◽  
pp. 133-138
Author(s):  
Erich Brenner

AbstractFrom an anatomical point of view, recurrences at the saphenofemoral junction (SFJ) could result from various sources. For one, it could be caused by a recanalisation of an originally occluded great saphenous vein (GSV). Secondly, another vein in the junction region could take over the function of the GSV and dilate. A third variation is a – more or less successful – generation of a new vein. In the last case, a sufficient vein could be generated, an insufficient vein could arise, or an inadequate venous regeneration, so that a cluster of frail but incomplete vasculature remains (neovasculature).


2014 ◽  
Vol 484-485 ◽  
pp. 268-271
Author(s):  
Jian Jun Xia ◽  
Fei Guo

Today, with the economic globalization, the cultural and creative industries boomingly became one of the promising industries with great growing potential recognized internationally in twenty-first Century, can achieve enormous economic benefits and social benefits. Although there are many scholars no matter who are from domestic and abroad undertake discussing from different point of view, there are still many problems and shortcomings, especially in the areas around Beijing and Tianjin, Hubei Province cultural and creative industry also cannot ignore the problems to be solved urgently.


1994 ◽  
Vol 4 ◽  
pp. 177-201
Author(s):  
Michael Bentley

DUST has scarcely had time to settle on Lady Thatcher; yet already a thick sediment of historical significance attaches to the fifteen years of her ascendancy. The period between 1975 and 1990 looks likely to prove as significant for the political ideologies of the twenty-first century as that between, say, 1885 and 1906 currently looks for our own. In the twilight world of John Major (who appears part-antidote, part-surrogate), Conservative ideology is becoming informed by reviews from both sides as they reflect on not only what went wrong but what it was that seemingly went so right, from a party point of view, for so long. We have just had placed before us, for example, John Campbell's admirable biography of Sir Edward Heath, on theone hand, and Alan Clark's transfixing diaries very much on the other. Such documents supplement amass of theorising and comment by political scientists and journalists, most of which dwells on the twin themes of discontinuity and dichotomy. The history of the Tory party is seen to enter a period of catastrophe by the end of the Heath government out of which there emerges a distinct party ideology which people call ‘Thatcherism’: a ‘New Conservatism’ radically distinct from the compromise and accommodation that marked politics after 1951. But that process was contested within the party—hence a dichotomy between two persuasions: the hawks and the doves, the dries and the wets, the Tories and the Conservatives, the true blues and the Liberals. Language of this kind has a particular interest to historians. They want to raise issues about its chronological deep-structure: how ‘new’ was this ‘New Conservatism’?. They recognise the need to situate the dichotomies of the moment in a wider context of Conservative experience: how singular is a doctrine of dichotomy within Conservative party doctrine? Above all they bring into question bald postulates about the nature of current Conservatism which do not compare experience across time


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