Adjectives in Modern Greek: an instance of predication, or an old issue revisited

1996 ◽  
Vol 32 (1) ◽  
pp. 79-112 ◽  
Author(s):  
Melita Stavrou
Keyword(s):  
Present Article ◽  
Noun Phrase ◽  
Definite Article ◽  
Asymmetrical Distribution ◽  
Modern Greek ◽  
Semantic Account ◽  
The Way

In the present article the problem of the position of the adjectives in the noun phrase in Modern Greek is addressed. Rather than starting from their alleged ‘asymmetrical’ distribution, according to which postnominal adjectives are only allowed in indefinite DPs, I concentrate on the possible interpretations that the adjective can have relative to the noun. The differences between prenominal and apparently postnominal adjectives in indefinite DPs suggest a predicative reading of the latter. This semantic account motivates a corresponding syntactic one, according to which the noun moving upwards to a head DEF, formally distinct from D, enters a predicative relationship with the AP generated uniquely prenominally. Such a movement is precluded in definite DPs, because the DEF position is occupied by the definite article. In this way, a number of differences observed between definite and indefinite NPs, as far as ‘postnominal’ adjectives are concerned, are seen as consequences of their predicative nature and the way this interacts with the definiteness/indefiniteness of what serves as their subject.

Un Dieu sadique : le rôle de l’image blasphématoire de Dieu dans Dolce agonia de Nancy Huston

2013 ◽  
pp. 160-166
Author(s):  
Izabela Front
Keyword(s):  
Present Article ◽  
Human Life ◽  
Character Of God ◽  
Double Character ◽  
The Way

The present article seeks to analyze the way in which the blasphemous figure of God in Dolce agonia by Nancy Huston allows the author to describe the sacred element in human life, seen as deprived of transcendental character. This is possible thanks to the three aspects of the text dependent on the type of God’s figure, which are: the contrast between passages marked by the cynical God’s voice and passages focused on man’s life filled with suffering; the tone and the appropriation of time var-iations and, finally, the double character of God who, at the same time, is indifferent to man’s lot while touched by his capacity of love.

Two puzzles on the nominative particle ga in Japanese

2018 ◽  
Vol 34 (2) ◽  
pp. 223-243
Author(s):  
Noriko Kawasaki
Keyword(s):  
Present Article ◽  
Semantic Content ◽  
Japanese Language ◽  
Conversational Implicature ◽  
Long Distance ◽  
Nominative Case ◽  
Semantic Account ◽  
The Subject

Abstract Back in the 1970s, Kazuko Inoue observed that some active sentences in Japanese allow a prepositional subject. Along with impersonal sentences pointed out by S.-Y. Kuroda, such examples suggest that the nominative subject is not an obligatory element in Japanese sentences. While this observation supports the hypothesis that important characteristics of the Japanese language follow from its lack of (forced-)agreement, Japanese potential sentences require the nominative ga on at least one argument. The present article argues that the nominative case particle ga is semantically vacuous even where a ga-marked phrase is indispensable or the ga-marked phrase is construed as exhaustively listing. Stative predicates require a ga-marked phrase because they can ascribe a property to an argument only by function application. The exhaustive listing reading arises by conversational implicature when the presence of a ga-marked phrase signals that a topic phrase is being avoided. The discussion leads to a semantic account of subject honorification whereby the honorification only concerns the semantic content of the predicate, and does not involve agreement with the subject. It is also shown that sentences with a prepositional subject allow zibun only as a long-distance anaphor, which indicates that they do lack a subject with the nominative Case.

scholarly journals The Kwanyin Clan: Modern Literati Graffiti Writers

2019 ◽  
Author(s):  
Adriana Iezzi
Keyword(s):  
Present Article ◽  
Chinese Art ◽  
Artistic Production ◽  
New Development ◽  
Art Forms ◽  
Traditional Arts ◽  
First Time ◽  
The Way

After illustrating the varied artistic production of the Kwanyin Clan, one of the most important Chinese graffiti crews, this paper analyses six of their main artworks in detail (styles, techniques, aesthetic conceptions and artworks texts). In these artworks, the Kwanyin Clan tried for the first time to merge Euro-American graffiti practice with the ancient traditional arts practiced and appreciated by the Chinese literati (calligraphy, poetry, painting, seals and ceramics). Comparing the Kwanyin Clan members to ‘modern literati writers’, the present article shows how this crew succeeded in reinventing ancient Chinese art forms using Euro-American graffiti vocabulary, paving the way for a new development of graffiti art in China.

scholarly journals Art (and) Criticism: Hart Crane and David Siqueiros

Text Matters ◽  
2018 ◽  
pp. 229-243
Author(s):  
Alicja Piechucka
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Present Article ◽  
Art Criticism ◽  
Hart Crane ◽  
Historical Texts ◽  
Art And Literature ◽  
History Of ◽  
The Way

The article focuses on an analysis of Hart Crane’s essay “Note on the Paintings of David Siqueiros.” One of Crane’s few art-historical texts, the critical piece in question is first of all a tribute to the American poet’s friend, the Mexican painter David Siqueiros. The author of a portrait of Crane, Siqueiros is a major artist, one of the leading figures that marked the history of Mexican painting in the first half of the twentieth century. While it is interesting to delve into the way Crane approaches painting in general and Siqueiros’ oeuvre in particular, an analysis of the essay with which the present article is concerned is also worthwhile for another reason. Like many examples of art criticism—and literary criticism, for that matter—“Note on the Paintings of David Siqueiros” reveals a lot not only about the artist it revolves around, but also about its author, an artist in his own right. In a text written in the last year of his life, Hart Crane therefore voices concerns which have preoccupied him as a poet and which, more importantly, are central to modernist art and literature.

scholarly journals The “A-theist” Christ

Kairos ◽  
2021 ◽  
Vol 15 (2) ◽  
pp. 195-205
Author(s):  
Teofil Stanciu
Keyword(s):  
Human Nature ◽  
Present Article ◽  
The Other ◽  
Secular World ◽  
The Cross ◽  
The Way

For Metropolitan Anthony Bloom, the kenosis of Christ climaxes with his God-forsakenness on the cross. It is this aspect of kenosis that the present article tries to explore and build upon. One key element will be the meaning of the concept of “a-theist” Christ – coined by Bloom – and how this status of the incarnated Son can function as a basis for our identification and solidarity with today’s atheists. By the way of kenosis, the incarnation brings together in one hypostasis the divine and human nature. This reality endowed both our nature and created order with significant dignity. This paper explores the possibilities from this dignity and how it can serve as a bridge for dialogue with humanists and materialists. As Bloom suggests, this can open the discussion towards the secular world and Christians could take some responsibility for the process of secularization. The objective of this article is to demonstrate that Anthony Bloom’s controversial idea of “a-theist” Christ can become a connection point with the other and a mirror in which western Christians might look at some of their anthropological shortcomings that hamper their solidarity and dialogue with those who do not share the faith in God.

scholarly journals The Definite and Indefinite Articles of Spanish (or Castilian) Language in Context

2019 ◽  
Vol 26 (1) ◽  
pp. 99-127
Author(s):  
Sonia Montero Gálvez
Keyword(s):  
Common Knowledge ◽  
Definite Article ◽  
Cognitive Approach ◽  
Indefinite Article ◽  
The Common ◽  
Communicative Context ◽  
The Way

The present paper addresses the contrast between the definite article (el/la/los/las) and the indefinite article (un/a/os/as) from a cognitive approach that not only poses a single meaning for each kind of article, but also highlights the pragmatic (or contextual) aspects that underlie that meaning and establish the use of one form or another. The article’s meaning is shaped by the way we conceptualize the reference: the definite article implies an inclusive reference characterized by the uniqueness of the referent, while the indefinite article implies an exclusive reference characterized by the lack of uniqueness. The possibility to choose one or other way depends on contextual aspects related to the common knowledge shared by the interlocutors, the communicative context (linguistic and situational) and the space (physical or mental) where the referent is located.

scholarly journals Γιατί οι ηθικές βελτιώσεις χαρακτήρα είναι καταδικασμένες να αποτύχουν; Η κριτική των φιλοσοφιών της αρετής

Bioethica ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 18
Author(s):  
Ελένη Καλοκαιρινού (Eleni Kalokairinou)
Keyword(s):  
Moral Reasoning ◽  
Present Article ◽  
Basic Element ◽  
Moral Enhancement ◽  
Human Autonomy ◽  
The Way

All kinds of enhancements, cognitive, physical, psychological, moral etc. are at the center of moral debates nowadays. In particular the moral enhancements of character by virtue of pharmacological and biotechnological means are widely discussed, as they raise a number of questions regarding human autonomy and freedom. In the present article, we argue that if we study carefully the way in which the moral enhancements are applied according to the bioethicists Julian Savulescu and Ingmar Persson, we will realize that they are logically impossible. That is, if we analyze the logical procedure of enhancing characters morally, as this is presented in Aristotle’s and Kant’s moral account, then we will understand that the kind of moral enhancement of character by virtue of biotechnological means which the two philosophers put forward is doomed to fail. Furthermore, we will also understand that the two philosophers offer an impoverished conception of morality, since reason, the basic element of the moral process, plays no role in the account of moral reasoning they propound.

How Your Power Affects My Impression of You

2018 ◽  
Vol 45 (4) ◽  
pp. 495-509
Author(s):  
Diana Orghian ◽  
Filipa de Almeida ◽  
Sofia Jacinto ◽  
Leonel Garcia-Marques ◽  
Ana Sofia Santos
Keyword(s):  
Present Article ◽  
Implicit Measure ◽  
Control Power ◽  
And Control ◽  
The Way

In the present article, we investigate how a person’s power affects the way we infer traits from their behavior. In Experiment 1, our results suggest that, when faced with behavioral descriptions about others, participants infer both positive and negative traits about powerless actors, whereas for powerful and control (power irrelevant) actors, only positive but no negative traits are inferred, an effect we call the benevolence bias. In the second experiment, (a) we replicate this effect, (b) we show that it does not depend on the specific traits used in Experiment 1, and (c) we show that it is also detected when an implicit measure of inferences is used. Experiment 3 further shows that this effect generalizes to a more generic power manipulation. Theoretical explanations for these findings are discussed.

Are Some Things Unrepresentable?

2011 ◽  
Vol 28 (7-8) ◽  
pp. 85-102 ◽  
Author(s):  
Alexander Galloway
Keyword(s):  
Present Article ◽  
Political Violence ◽  
Data Visualization ◽  
Information Society ◽  
Information Network ◽  
Visual Form ◽  
Jacques Ranciere ◽  
First Time ◽  
Information Aesthetics ◽  
The Way

Jacques Rancière, in his essay ‘Are Some Things Unrepresentable?’, puts forth a challenge that is ever more pertinent to our times. What constitutes the unrepresentable today? Rancière frames his answer in a very specific way: the question of unrepresentability leads directly to the way in which political violence may or may not be put into an image. Offering an alternative to Rancière’s approach, the present article turns instead to the information society, asking if and how something might be unrepresentable in a world saturated by data and information. Thus one approaches the issue of transparency and secrecy here from the perspective of the relative perspicuity (or opacity) of data visualization. Two theses structure the argument, first that ‘data have no necessary visual form’ and, second, that ‘only one visualization has ever been made of an information network’. The tension between these two theses leads to a disconcerting conclusion, that the triumph of information aesthetics precipitates a decline in informatic perspicuity. One is obligated therefore to call for a strong reinvigoration of poetics and hermeneutics within the digital universe, so that representation as such can take place, perhaps for the first time.

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