Regional influences, economic adaptation and cultural articulation: Diversity and cosmopolitanism in fourteenth-century Singapore

2019 ◽  
Vol 50 (4) ◽  
pp. 476-488
Author(s):  
Derek Heng
Keyword(s):  
Material Culture ◽  
Fourteenth Century ◽  
Cultural Influences ◽  
Consumption Patterns ◽  
External Trade ◽  
British Colonialism ◽  
Common View ◽  
Economic Production ◽  
Production And Consumption ◽  
History Of

Studies on the international history of fourteenth-century Singapore have been hitherto limited to external trade conducted by local inhabitants, and material consumption patterns that this trade enabled them to develop. Broader regional cultural influences have been postulated though not clearly demonstrated, given scant textual records and limited material culture remains. This article seeks to examine the external influences, adaptation and assimilation in the production and consumption of fourteenth-century Singapore. In particular, it looks at three aspects of Singapore's pre-colonial existence — modes of economic production, patterns of consumption of international products, and the articulation of high culture vis-à-vis external entities. By examining available archaeological, epigraphic, art historical and cartographic data from the fourteenth through the nineteenth centuries, this article postulates how distinct consumption patterns may have developed among different riverside populations living north of the Singapore River. This study also questions the common view that Singapore developed as a cosmopolitan port-city only after the advent of British colonialism, demonstrating that its diversity and openness was likely a feature centuries before.

scholarly journals Sustainable Welfare beyond Growth

2020 ◽  
Vol 12 (5) ◽  
pp. 1824
Author(s):  
Tuuli Hirvilammi ◽  
Max Koch
Keyword(s):  
Welfare States ◽  
Consumption Patterns ◽  
Industrial Capitalism ◽  
Production And Consumption ◽  
History Of ◽  
Mode Of Regulation

The history of welfare states is tightly linked to industrial capitalism and a mode of regulation where production and consumption patterns increased in parallel [...]

“A GLOWING FOOTPRINT”: HERZEN, PROUDHON, AND THE ROLE OF THE INTELLECTUAL REVOLUTIONARY

2005 ◽  
Vol 2 (2) ◽  
pp. 179-204
Author(s):  
AILEEN KELLY
Keyword(s):  
French Revolution ◽  
Cultural Influences ◽  
Significant Degree ◽  
Common View ◽  
Social Philosopher ◽  
History Of ◽  
Religion Of Humanity ◽  
Revolution Of 1848 ◽  
Century Thought

The founder of Russian socialism, Alexander Herzen, was also an original moral and social philosopher, anticipating much twentieth-century thought in his attack on “grand narratives” that endow history with a rational direction and a final goal. The critique of radical utopianism which he based on his observations of the French revolution of 1848 did not (contrary to the common view) deprive him of any further role as a revolutionary intellectual. Rather, it forced him to redefine this role. The key influences on him in this respect were the thought and the activity of Pierre-Joseph Proudhon. He saw Proudhon's attack on the anthropotheism of Feuerbach's “religion of humanity” as completing the demystification of the world begun by the Left Hegelians' critique of religious alienation, and interpreted Proudhon's unpopularity with the French Left as confirmation of his role as a forerunner who had articulated a vision of freedom from transcendent authorities and systems much in advance of his time. During his subsequent involvement in the Russian political scene Herzen modelled himself to a significant degree on Proudhon, attacking systematizers on all sides, urging a pragmatic approach to the problem of political reform, and accepting his loss of influence among Russian radicals as the price for unmasking the authoritarianism hidden in the ideologies of the Left: a notable instance of cross-cultural influences at work in the history of nineteenth-century revolutionary thought.

Global Energy Cultures of Speed and Lightness: Materials, Mobilities and Transnational Power

2014 ◽  
Vol 31 (5) ◽  
pp. 127-154 ◽  
Author(s):  
Mimi Sheller
Keyword(s):  
Material Culture ◽  
Energy Transition ◽  
Power Grids ◽  
Figured Worlds ◽  
Aluminum Production ◽  
Industrial Complex ◽  
Production And Consumption ◽  
Production And Distribution ◽  
History Of ◽  
The Military

Following aluminum as part of a material culture of speed and lightness, this article examines how assemblages of energy and metals connect built environments, ways of life, and ideologies of acceleration. Aluminum can be theorized as a circulatory matrix that forms an energy culture. Through a discussion of speed and social justice, the history of aluminium-based socioecologies reveals how the materiality of energy forms assemblages of objects, infrastructures, and practices. The article then traces the aluminum industry’s involvement in the production and distribution of energy itself both at the national scale of power grids and in the emergence of transnational transfers of energy, such as hydropowered smelters in Iceland. Finally, this analysis of deeply embedded energy cultures calls for a transnational approach to the accelerated socioecologies of aluminum production and consumption; and for energy transition theories to pay closer attention to the figured worlds and figuring work of the military-industrial complex.

Slavery and the Making of Early American Libraries

2019 ◽  
Author(s):  
Sean D. Moore
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
British Literature ◽  
History Of The Book ◽  
British Identity ◽  
Atlantic Studies ◽  
Early American ◽  
Cultural Life ◽  
Production And Consumption ◽  
History Of

Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries bridges the study of these trades by demonstrating how Americans’ profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. It makes these claims on the basis of recent scholarship on how participation in London cultural life was very expensive in the eighteenth century, and evidence that enslavers were therefore some of the few early Americans who could afford importing British cultural products. In doing so, this work merges the fields of the history of the book, Atlantic studies, and the study of race, arguing that the empire-wide circulation of British books was underwritten by the labor of the African diaspora. This book, accordingly, is the first in early American and eighteenth-century British studies to fuse our growing understanding of the material culture of the transatlantic text with our awareness of slavery as an economic and philanthropic basis for the production and consumption of knowledge. In studying the American dissemination of works of British literature and political thought, this book claims that Americans were seeking out the forms of citizenship, constitutional traditions, and rights that were the signature of that British identity. Even though they were purchasing the sovereignty of Anglo-Americans at the expense of African-Americans through these books, however, some colonials were also making the case for the abolition of slavery.

scholarly journals Lina Bo Bardi: Evolution of Cultural Displacement

2016 ◽  
Author(s):  
Smilja Milovanovic-Bertram ◽  
Keyword(s):  
Material Culture ◽  
Design Thinking ◽  
Cultural Influences ◽  
Critical Distance ◽  
Early Years ◽  
Design Work ◽  
Positive Direction ◽  
The Social ◽  
Cultural Displacement ◽  
History Of

In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.

Remembering summer in the city: Production and consumption of yanqishui in twentieth-century Shanghai

2022 ◽  
pp. 146954052110620
Author(s):  
Liang Yao
Keyword(s):  
Consumption Patterns ◽  
Modern China ◽  
Local Context ◽  
Historical Continuity ◽  
Local Newspapers ◽  
Production And Consumption ◽  
Symbolic Meanings ◽  
History Of ◽  
The City ◽  
Commercial Center

By investigating the history of how yanqishui, originally a drink for factory heatstroke prevention, changed from welfare in the Mao years to a popular drink in post-socialist Shanghai, this article attempts to show the historical continuity of consumption in modern China and that the understanding of consumption patterns must be rooted in a local context. Using archives, local newspapers, memoirs, and interviews, the article explores the symbolic meanings of yanqishui before China’s 1978 reforms, which have left a deep impression on the Chinese masses and continuously impacted consumption thereafter. It argues that the popularity of yanqishui in contemporary Shanghai, to an extent, represents some kind of nostalgic consumption. However, instead of a nationwide sentiment, the nostalgia is sometimes local. As the biggest commercial center and then an industrial core in China’s modern history, Shanghai left people special memories on yanqishui that have greatly shaped the local consumer culture.

Oceans and Landless Farms: Linking Southern and Northern Shadow Places of Industrial Livestock (1954–1975)

2020 ◽  
Author(s):  
Floor Haalboom
Keyword(s):  
Animal Feed ◽  
Marine Ecosystem ◽  
Global South ◽  
Humboldt Current ◽  
The Public ◽  
The Pacific ◽  
Production And Consumption ◽  
Boom And Bust ◽  
History Of ◽  
Global North

This article argues for more extensive attention by environmental historians to the role of agriculture and animals in twentieth-century industrialisation and globalisation. To contribute to this aim, this article focuses on the animal feed that enabled the rise of ‘factory farming’ and its ‘shadow places’, by analysing the history of fishmeal. The article links the story of feeding fish to pigs and chickens in one country in the global north (the Netherlands), to that of fishmeal producing countries in the global south (Peru, Chile and Angola in particular) from 1954 to 1975. Analysis of new source material about fishmeal consumption from this period shows that it saw a shift to fishmeal production in the global south rather than the global north, and a boom and bust in the global supply of fishmeal in general and its use in Dutch pigs and poultry farms in particular. Moreover, in different ways, the ocean, and production and consumption places of fishmeal functioned as shadow places of this commodity. The public health, ecological and social impacts of fishmeal – which were a consequence of its cheapness as a feed ingredient – were largely invisible on the other side of the world, until changes in the marine ecosystem of the Pacific Humboldt Current and the large fishmeal crisis of 1972–1973 suddenly changed this.

Ceramic-ware along the Ancient Silk Trade Route—A Short Study of Cross-Cultural Influences on Product Form

2016 ◽  
Vol 4 (2) ◽  
pp. 84-97
Author(s):  
Ravi Mokashi Punekar ◽  
◽  
Shiva Ji ◽  
Keyword(s):  
Material Culture ◽  
Cultural Influences ◽  
Cross Cultural ◽  
Product Form ◽  
Ceramic Ware ◽  
Ancient Times ◽  
Silk Route ◽  
Trade Route ◽  
Multiple Domains ◽  
Trading Routes

The exchange of goods and materials by way of trading and exchanges were common in ancient times between India and China via silk route and other trading routes. The movement of people from one place to another brought exchange of not only materials but also techniques and processes and helped to establish their own manufacturing facilities and craftsmanship. This has resulted into a cross-cultural influence over the craft forms as reflected in many resemblances of material culture, annotations and apologies seen in various forms and shapes in multiple domains such as ceramic pottery, glazed pottery, metalware, ship buildings, printing, silk and other fabrics, patterns and motifs etc. Observations of ancient remains from Belitung and artifacts from Indian cities along secondary and tertiary Silk routes, show significant influence in the similarities in techniques, materials, surface treatments, kiln processes, colors, motifs , etc. This paper examines a cross-cultural resemblance of product form factor between Changsha pottery and pots to ceramic ware from eastern parts and metalware from western regions of India like Gujarat and Rajasthan. The spread of Buddhism from India to China and other eastern and south eastern countries during this period must also form a strong reason for this cultural exchange.

Introduction

2017 ◽  
Author(s):  
Tom Hamilton
Keyword(s):  
Sixteenth Century ◽  
Material Culture ◽  
Early Modern ◽  
Everyday Life ◽  
Civil Wars ◽  
Modern History ◽  
Early Modern History ◽  
History Of Collecting ◽  
History Of ◽  
Late Renaissance

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.

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