scholarly journals Lina Bo Bardi: Evolution of Cultural Displacement

2016 ◽  
Author(s):  
Smilja Milovanovic-Bertram ◽  
Keyword(s):  
Material Culture ◽  
Design Thinking ◽  
Cultural Influences ◽  
Critical Distance ◽  
Early Years ◽  
Design Work ◽  
Positive Direction ◽  
The Social ◽  
Cultural Displacement ◽  
History Of

In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.

Kharkiv Scenography School of O. Khvostenko-Khvostov: The Experience of Professionalization

2021 ◽  
Vol 2021 (02) ◽  
pp. 85-95
Author(s):  
V. Chechyk ◽  
Keyword(s):  
Material Culture ◽  
Teaching Practice ◽  
Early Years ◽  
Music And Literature ◽  
Avant Garde ◽  
Theatrical Design ◽  
Outstanding Teachers ◽  
History Of ◽  
Compulsory Subject ◽  
The City

The article is devoted to the early years of formation of Kharkiv scenography school and to the creative and pedagogical activities of Olexander Khvostenko-Khvostov (1895–1967). It was reported that the bold experiments of this artist, in the field of theatrical design of 1918–1922, made him one of the central figures of Kharkiv avant-garde scene (“Mystery Buff”; “The Army in the City”; “Lilyuli”, etc), strengthening the reputation of an innovator and causing the beginning of pedagogical activity at the Kharkiv Art College in 1921. The theatrical and decorative workshop was opened at the faculty of painting at the Kharkiv Art College in 1922, it was headed by A. Khvostenko-Khvostov. Among the first graduates were such bright alumni as A. Volnenko, P. Suponin, V. Ryftin, A. Bosulaev, B. Chernyshov, and others. Fundamental provisions of the educational program, which A. Khvostenko borrowed from the teaching practice of A. Exter (Kyiv Studio, 1918–1920), reflected the formation idea of future theater artist’s synthetic thinking. It is known that the education program of the Theater and Scenery Workshop of KAC, equally with the Studio of A. Exter, in addition to the subjects common to all students of painting and drawing faculty as special subjects (theatrical scenery, technique and technology of the stage, etc.) included also the history of theater (I. Turkeltaub), material culture, costume, music and literature (A. Beletsky). O. Khvostenko paid special attention to theoretical and practical issues of composition. He introduced the course of fundamentals of directing (V. Vasilko) as a compulsory subject. Much of what the students mastered at the Workshop was tested on the professional stages of Kharkiv theaters. Associated with the Kharkiv Art School for a quarter of a century (1921–1946), O. Khvostenko-Khvostov has not still been included in the pantheon of its outstanding teachers.

Contraception and the Working Classes: The Social Ideology of the English Birth Control Movement in its Early Years

1976 ◽  
Vol 18 (2) ◽  
pp. 236-251 ◽  
Author(s):  
Angus McLaren
Keyword(s):  
Working Class ◽  
Birth Control ◽  
Early Years ◽  
Social Significance ◽  
Class Culture ◽  
Working Classes ◽  
Social Ideology ◽  
The Social ◽  
Birth Control Movement ◽  
History Of

A host of social movements which had as their goal the improvement of the living conditions of the working classes emerged in England in the 1820s and 1830s. Owenism and Chartism come first to mind, but historians have recently acknowledged the social significance of a number of less well-known groups that proclaimed the benefits of temperance or mechanics' institutes or phrenology or infidel missions. The birth control movement in its early years has as yet received little attention from the historians of the English working classes. A possible reason is that the opposition of the 'pauper press' to the movement has led later observers to adopt the view that it was simply a middle-class Malthusian crusade which set out to convince the poor that the only escape from poverty lay in individual self-help. In what follows I shall sketch out the general lines of argument advanced by the advocates of birth control and their antagonists in the working-class movement. The purpose of the paper is not to provide yet another history of the first neo-Malthusians, but to use the arguments their activities elicited to gain a better understanding of nineteenth-century working-class culture.

Ideology, Chiefly Power, and Material Culture: An Example from the Greater Antilles

1996 ◽  
Vol 7 (2) ◽  
pp. 114-131 ◽  
Author(s):  
L. Antonio Curet
Keyword(s):  
Material Culture ◽  
Puerto Rican ◽  
Cultural History ◽  
Cultural Change ◽  
Social Structures ◽  
Greater Antilles ◽  
Cultural Groups ◽  
The Social ◽  
History Of ◽  
The Caribbean

AbstractTemporal changes in material culture normally have been used by archaeologists to reconstruct the cultural history of an area or site. In the case of the Caribbean, shifts in artifactual style have been used to trace prehistoric migrations and interactions between different cultural groups. Unfortunately, there have been few attempts to explain these changes in terms of the social structures of these cultures. This paper reviews the archaeological evidence for cultural change in eastern Puerto Rico and proposes a model to explain it. Basically, the model suggests that changes in material culture in Puerto Rican prehistory are related to the development of social complexity. Shifts in decoration and types of artifacts are seen as an attempt by elite groups to have greater control over the symbolism represented in the artifacts in order to acquire and maintain their power. These changes are not abrupt, but gradual, as social organization evolves from simple to more complex chiefdoms.

1. All about us

2015 ◽  
pp. 1-8 ◽  
Author(s):  
Richard J. Crisp
Keyword(s):  
Social Psychology ◽  
Social Cognition ◽  
Social Context ◽  
19Th Century ◽  
Early Years ◽  
Late 19Th Century ◽  
The People ◽  
The Social ◽  
History Of ◽  
Context Shape

Social psychology is all about the ‘social universe’ and the people who populate our everyday lives. It’s the study of how society, culture, and context shape attitudes, behaviour, and beliefs. It’s how we figure out who we are, and how who we are is intimately linked to our relationships with others. ‘All about us’ outlines the history of the how the discipline came to be from the early years in the late 19th century with the work of Gustav LeBon and Norman Triplett, through the two world wars that provided inspiration for many studies that shaped social psychology, to the concept of social cognition, and how this is affected and impacted by social context.

‘The televising of science is a process of television’: establishing Horizon, 1962–1967

2014 ◽  
Vol 48 (1) ◽  
pp. 87-121 ◽  
Author(s):  
TIMOTHY BOON
Keyword(s):  
Early Years ◽  
Stable Form ◽  
The Public ◽  
Television Production ◽  
The Social ◽  
Television Programme ◽  
History Of ◽  
Culture Of Science ◽  
The 1960S ◽  
Key Participants

AbstractBBC Television's Horizon series, fifty years old on 2 May 2014, despite its significance to the history of the public culture of science, has been little studied. This microhistorical account follows the gestation and early years of the programme, demonstrating how it established a social and cultural account of science. This was a result of televisual factors, notably the determination to follow the format of the successful arts television programme Monitor. It illuminates how the processes of television production, with a handful of key participants – Aubrey Singer, Gerald Leach, Philip Daly, Gordon Rattray Taylor, Ramsay Short, Michael Peacock and Robert Reid – established the format of the programme. This occurred over seventeen months of prior preparation followed by three troubled years of seeking to establish a stable form. This was finally achieved in 1967 when the programme adopted a film documentary approach after extended attempts at making it as a studio-based magazine programme. The story has implications for understanding the social accounts of science that were circulating in the key decade of the 1960s.

scholarly journals Grassroots of Recordkeeping: an Investigation into  Archival Practices within Rugby Clubs in New Zealand

2021 ◽  
Author(s):  
◽  
Christine Marie Edney
Keyword(s):  
New Zealand ◽  
Social History ◽  
Local Community ◽  
Rugby Union ◽  
Early Years ◽  
The Social ◽  
History Of ◽  
Main Association ◽  
Archival Practices ◽  
Insight Into

<p>The sport of rugby has been officially played in New Zealand since as early as 1870. In the early years of rugby, the rugby club was one place where the community gathered to participate and communicate. It was a hub of the local community and a place which revealed some of the social history of that community. It is where some memories of the community could be captured and this history now needs to be maintained. The purpose of this research is to establish what rugby clubs have done to preserve the archives of the club for the future. It is to investigate if these clubs are even aware of what archives they have and what practices they are carrying out to preserve them. It is these records which contain some of the history of the community and they need to be preserved for future generations so that they can get an insight into the past. The research has been carried out with the participation of seven rugby clubs in the Wellington region with a visit to each club. A club official was interviewed and at the same time there was an opportunity to view the club premises. This research established that from those clubs only one had a good understanding of its holdings and had put an archiving plan into action. Another is about to get the assistance of an archivist. The findings of this research have highlighted the need for education and guidance in the correct archival practices to be carried out. All clubs taking part thought the idea of a manual or guidelines would be of great assistance. If this idea is to be carried through it should be led and encouraged by the clubs' main association, the New Zealand Rugby Union [NZRU]. The idea will need to be promoted to the NZRU to get assistance with development and funding.</p>

scholarly journals Grassroots of Recordkeeping: an Investigation into  Archival Practices within Rugby Clubs in New Zealand

2021 ◽  
Author(s):  
◽  
Christine Marie Edney
Keyword(s):  
New Zealand ◽  
Social History ◽  
Local Community ◽  
Rugby Union ◽  
Early Years ◽  
The Social ◽  
History Of ◽  
Main Association ◽  
Archival Practices ◽  
Insight Into

<p>The sport of rugby has been officially played in New Zealand since as early as 1870. In the early years of rugby, the rugby club was one place where the community gathered to participate and communicate. It was a hub of the local community and a place which revealed some of the social history of that community. It is where some memories of the community could be captured and this history now needs to be maintained. The purpose of this research is to establish what rugby clubs have done to preserve the archives of the club for the future. It is to investigate if these clubs are even aware of what archives they have and what practices they are carrying out to preserve them. It is these records which contain some of the history of the community and they need to be preserved for future generations so that they can get an insight into the past. The research has been carried out with the participation of seven rugby clubs in the Wellington region with a visit to each club. A club official was interviewed and at the same time there was an opportunity to view the club premises. This research established that from those clubs only one had a good understanding of its holdings and had put an archiving plan into action. Another is about to get the assistance of an archivist. The findings of this research have highlighted the need for education and guidance in the correct archival practices to be carried out. All clubs taking part thought the idea of a manual or guidelines would be of great assistance. If this idea is to be carried through it should be led and encouraged by the clubs' main association, the New Zealand Rugby Union [NZRU]. The idea will need to be promoted to the NZRU to get assistance with development and funding.</p>

HISTORY OF MATERIAL CULTURE OF UZBEK TRIBES(on the example of kungirat relatives)

2019 ◽  
Vol 24 (2) ◽  
pp. 63-68
Author(s):  
Husan Kholmuminov ◽  
◽  
Ozodbek Eshmuminov
Keyword(s):  
Material Culture ◽  
Social History ◽  
The Social ◽  
History Of

Anotomy This article analyzes the material culture of ethnic Uzbeks living in the southern oasis of Uzbekistan in the late 19th and early 20th centuries and their ethnic location. It also provides information on the social history of the kangaroo seeds, which is one of the largest genera of Uzbeks. It also provides information on the history of folklore schools in southern oasis.

Regional influences, economic adaptation and cultural articulation: Diversity and cosmopolitanism in fourteenth-century Singapore

2019 ◽  
Vol 50 (4) ◽  
pp. 476-488
Author(s):  
Derek Heng
Keyword(s):  
Material Culture ◽  
Fourteenth Century ◽  
Cultural Influences ◽  
Consumption Patterns ◽  
External Trade ◽  
British Colonialism ◽  
Common View ◽  
Economic Production ◽  
Production And Consumption ◽  
History Of

Studies on the international history of fourteenth-century Singapore have been hitherto limited to external trade conducted by local inhabitants, and material consumption patterns that this trade enabled them to develop. Broader regional cultural influences have been postulated though not clearly demonstrated, given scant textual records and limited material culture remains. This article seeks to examine the external influences, adaptation and assimilation in the production and consumption of fourteenth-century Singapore. In particular, it looks at three aspects of Singapore's pre-colonial existence — modes of economic production, patterns of consumption of international products, and the articulation of high culture vis-à-vis external entities. By examining available archaeological, epigraphic, art historical and cartographic data from the fourteenth through the nineteenth centuries, this article postulates how distinct consumption patterns may have developed among different riverside populations living north of the Singapore River. This study also questions the common view that Singapore developed as a cosmopolitan port-city only after the advent of British colonialism, demonstrating that its diversity and openness was likely a feature centuries before.

An Occupational Neurosis: A Psychoanalytic Case History of a Rabbi

AJS Review ◽  
2010 ◽  
Vol 34 (1) ◽  
pp. 1-31 ◽  
Author(s):  
Maya Balakirsky Katz
Keyword(s):  
Social History ◽  
Sigmund Freud ◽  
Case History ◽  
Experimental Treatment ◽  
Jewish Studies ◽  
Early Years ◽  
History Of Psychoanalysis ◽  
The Social ◽  
History Of

In consultation with Sigmund Freud, the Viennese psychoanalyst Wilhelm Stekel (1868–1940) treated the first Jewish cleric known to undergo analysis, in 1903. According to the case history, published in 1908, a forty-two-year-old rabbi suffered from aBerufsneurose, an occupational neurosis associated with the pressures of his career. Stekel's case history forms an indelible portrait of a religious patient who submitted himself to the highly experimental treatment of psychoanalysis in the early years of the discipline. However, scholars never integrated the rabbi's case into the social history of psychoanalysis, more as a consequence of Freud's professional disparagement of Stekel than of the case history's original reception. Psychoanalytic historiography has largely dismissed Stekel's legacy, resulting in a lack of serious scholarly consideration of his prodigious publications compared to the attention paid to the work of some of Freud's other disciples. Stekel's most recent biographers, however, credit him as the “unsung populariser of psychoanalysis,” and claim that he is due for reconsideration. But in his published case history of the rabbi, Stekel also warrants introduction to the field of Jewish studies, not only because of the literary treatment of the rabbinical profession by a secular Jewish psychoanalyst, but also because the rabbi incorporated aspects of that experience into his own intellectual framework after treatment.

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