Moguls of the Chinese Cinema: The Story of the Shaw Brothers in Shanghai, Hong Kong and Singapore, 1924–2002

2007 ◽  
Vol 41 (4) ◽  
pp. 665-682 ◽  
Author(s):  
STEPHANIE PO-YIN CHUNG
Keyword(s):  
Hong Kong ◽  
Vertical Integration ◽  
Chinese Family ◽  
Institutional Evolution ◽  
Chinese Cinema ◽  
The Past ◽  
Production Distribution ◽  
Retail Outlets ◽  
Technological Developments ◽  
History Of

The history of the Shaw enterprise in Shanghai, Hong Kong and Singapore, is a history of Chinese cinema in a century of business evolution. The Shaw industrial model of “vertical integration”, which combines production, distribution with exhibition, keeps pace with the technological developments and manages to expand its retail outlets from the stage to cinema, television, DVD and the Internet. Although the Shaw organization embraces a western industrial model to expand its business, it retains the very nature of a traditional Chinese family business. The issues surrounding the cultural and institutional evolution of the Shaw enterprise over the past 80 years are profound indications of its time.

scholarly journals Nongalenic arteriovenous fistulas: history of treatment and technology

2006 ◽  
Vol 20 (6) ◽  
pp. 1-8 ◽  
Author(s):  
Kristen Upchurch ◽  
Lei Feng ◽  
Gary R. Duckwiler ◽  
John G. Frazee ◽  
Neil A. Martin ◽  
...  
Keyword(s):  
Open Surgery ◽  
Interventional Neuroradiology ◽  
Endovascular Embolization ◽  
High Flow ◽  
Vascular Lesions ◽  
Arteriovenous Fistulas ◽  
The Past ◽  
Technological Developments ◽  
History Of ◽  
Endovascular Technology

✓ Nongalenic cerebral arteriovenous fistulas (AVFs) are uncommon, high-flow vascular lesions first treated by Walter Dandy and his colleagues by using open surgery with ligation of the feeding artery. Due to advances in endovascular technology over the past four decades that make possible the control of high flow in AVFs, treatment has evolved from the sole option of surgery to include the alternative or adjunct option of endovascular embolization. The authors of this review discuss the history of nongalenic AVF treatment, including techniques of both surgery and interventional neuroradiology and the technological developments underlying them.

Surviving Economic Crises in Southeast Asia and Southern China: The History of Eu Yan Sang Business Conglomerates in Penang, Singapore and Hong Kong

2002 ◽  
Vol 36 (3) ◽  
pp. 579-617 ◽  
Author(s):  
Stephanie Po-Yin Chung
Keyword(s):  
Hong Kong ◽  
Southern China ◽  
Business Environment ◽  
Economic Behavior ◽  
Confucian Ethics ◽  
Business Success ◽  
Chinese Family ◽  
Business Culture ◽  
Business Networks ◽  
History Of

Prologue: Business Environment and Economic BehaviorFor more than two decades, sociologists, historians and economic geographers have produced many case studies on Chinese family businesses. A major consensus of these works suggests that ‘networking’, especially ethnic and familial, is extremely important to Chinese businesses. Various models and theories have been employed to explain this phenomenon. Notable among these explanations is the idea of Chinese entrepreneurship. According to this idea, such ethnicity-based groups as the Cantonese and the Fujianese (of the provinces of Guangdong and Fujian), are regarded to be culturally oriented towards business entrepreneurship and the cultivation of business networks. Before the outbreak of the Asian economic crisis in October 1997, many researchers believed that ‘Chinese entrepreneurship’ and the ‘business culture of networking’ contributed to the success of Chinese businesses in Asia (especially in the ‘Four Little Dragons’ of coastal Asia). For example, Confucian ethics and its emphasis on familial and ethnic networks is regarded as an asset for business expansion by Chinese international enterprises based in Hong Kong, Taiwan and Singapore. After the outbreak of the crisis, more research on the nature of Chinese entrepreneurship and the culture of networking was carried out. This research started from a different angle. The reliance on politically secured economic privileges (i.e.; nepotism), was identified as a defect of networking and thus, one of the major underlying causes of the crisis. The claim that the culture of networking contributes to business success actually offers a readily available explanation for its failure as well (see for examples Redding, 1990; Yeung, 1997; Yeung, 1998).

The International Position of Hong Kong

1983 ◽  
Vol 95 ◽  
pp. 456-468 ◽  
Author(s):  
Lucian W. Pye
Keyword(s):  
Hong Kong ◽  
Colonial Rule ◽  
Usual Practice ◽  
Standard Methods ◽  
The Past ◽  
The Future ◽  
History Of ◽  
Rule Set

Uncertainty about Hong Kong's future has been aggravated by lack of precedent. When before has there been an established date of termination of colonial rule set by treaty? Even more confounding is that the history of the Crown Colony provides so little guidance as to its future. The usual practice in facing uncertainty is to look to the past to chart trends, identify propensities and make projections. All of these standard methods are, however, to no avail with respect to the future of Hong Kong. We are left to the mercy of that purported ancient Chinese saying, “Prediction is exceedingly difficult, especially with respect to the future.”

scholarly journals Drawing on the Past to Shape the Future of Synthetic Yeast Research

2020 ◽  
Vol 21 (19) ◽  
pp. 7156
Author(s):  
Thomas A. Dixon ◽  
Isak S. Pretorius
Keyword(s):  
History Of Science ◽  
Human Society ◽  
The Past ◽  
Environmental Recovery ◽  
Collaborative Innovation ◽  
The World ◽  
Technological Developments ◽  
History Of ◽  
Synthetic Genomics ◽  
Global Events

Some years inspire more hindsight reflection and future-gazing than others. This is even more so in 2020 with its evocation of perfect vision and the landmark ring to it. However, no futurist can reliably predict what the world will look like the next time that a year’s first two digits will match the second two digits—a numerical pattern that only occurs once in a century. As we leap into a new decade, amid uncertainties triggered by unforeseen global events—such as the outbreak of a worldwide pandemic, the accompanying economic hardship, and intensifying geopolitical tensions—it is important to note the blistering pace of 21st century technological developments indicate that while hindsight might be 20/20, foresight is 50/50. The history of science shows us that imaginative ideas, research excellence, and collaborative innovation can, for example, significantly contribute to the economic, cultural, social, and environmental recovery of a post-COVID-19 world. This article reflects on a history of yeast research to indicate the potential that arises from advances in science, and how this can contribute to the ongoing recovery and development of human society. Future breakthroughs in synthetic genomics are likely to unlock new avenues of impactful discoveries and solutions to some of the world’s greatest challenges.

On union, displaced: Capture and captivity with the Hong Kong Artist Union (HKAU)

2021 ◽  
Vol 8 (1) ◽  
pp. 49-70 ◽  
Author(s):  
Emily Verla Bovino
Keyword(s):  
Hong Kong ◽  
Trade Unions ◽  
Conceptual Art ◽  
Mainland China ◽  
Special Administrative Region ◽  
Conceptual Frameworks ◽  
The Past ◽  
Administrative Region ◽  
History Of

In 2016, between Guangdong strikes in mainland China and Hong Kong’s unionization momentum, Hong Kong artist Wong Ka Ying posted a call on Facebook founding the Hong Kong Artist Union (HKAU). The gesture followed the mischievously named Come Inside, Hong Kong’s ‘first female artist duo’ created by Wong and artist Mak Ying Tung, which declared it would combat art’s ‘formalized system’. Ironically, one of its first actions was to enrol in a course on insurance that could help it formalize healthcare for artists. Come Inside welcomed the idea that opposition to the ‘system’ brings artists into it. HKAU took shape within this ‘trap’ when Wong and Mak started researching trade unions. ‘On Union, Displaced’ explores the past four years of HKAU existing as a union-not-yet-registered-as-an-official-union, a serious gesture of ludic conceptualism that plays with artistic freedom’s relationship to captivity and capture. Through Rey Chow’s theory of conceptual art as trap, it traces HKAU’s entanglement in the history of Hong Kong art groups, regional labour organizing, and efforts to reground the term ‘artist’. Studying HKAU requires various conceptual frameworks: Yuk Hui’s cosmotechnics; Laikwan Pang’s multiple sovereignties; Sandro Mezzandra and Brett Neilson’s border-as-method; Linda Lai Chiu-han’s performative research; and Frank Vigneron’s plastician. The article explores how being ‘plastic’ – a union displaced; a union whose registration with the Hong Kong Special Administrative Region is perpetually negotiated – has helped HKAU pose important questions about solidarity and sovereignty in art.

scholarly journals Studies of Chinese Cinema in Japan

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Seio Nakajima
Keyword(s):  
Film Studies ◽  
Chinese Cinema ◽  
The Past ◽  
Fifth Generation ◽  
Production Distribution ◽  
Post War ◽  
Political Turmoil ◽  
Film Text ◽  
Literature And Film ◽  
Academic Interests

Abstract Japanese interests in Chinese cinema go as far back as to the 1910s, when film magazines reported on the situation of Chinese cinema. Discussions of Chinese cinema began to flourish in the 1920s, when intellectuals wrote travelogue essays on Chinese cinema, particularly on Shanghai cinema. In the mid-1930s, more serious analytical discourses were presented by a number of influential contemporary intellectuals, and that trend continued until the end of WWII. Post-War confusion in Japan, as well as political turmoil in China, dampened academic interests of Japanese scholars on Chinese cinema somewhat, but since the re-discovery of Chinese cinema in the early 1980s with the emergence of the Fifth Generation, academic discussions on Chinese cinema resumed and flourished in the 1980s and the 1990s. In the past decade or so, interesting new trends in studies of Chinese cinema in Japan are emerging that include more transnational and comparative approaches, focusing not only on film text but the context of production, distribution, and exhibition. Moreover, scholars from outside of the disciplines of literature and film studies—such as cultural studies, history, and sociology—have begun to contribute to rigorous discussions of Chinese cinema in Japan.

The Past and Future of Joycean Copyright

2017 ◽  
Author(s):  
Amanda Golden
Keyword(s):  
First Century ◽  
The Novel ◽  
Legal Regime ◽  
The Past ◽  
Technological Developments ◽  
History Of ◽  
Twenty First Century

This essay chronicles how copyright has affected the publication of James Joyce's work, the scholarly and aesthetic use of Joyce's words, and how the legal regime has been used in criticism. It offers prognosticatory thoughts on the outcomes of recent technological developments and copyright changes: "new scholarship can quote more liberally and editions can present the novel in a fashion that speaks to the changing scope of Joyce scholarship in the twenty-first century." While research continues in the history of Joyce and copyright, this essay gives an overview of how this legal regime has inflected Joyce studies thus far.

In Reverse Order—The Third Pandemic First

2021 ◽  
pp. 61-78
Author(s):  
Robert N. Wiedenmann ◽  
J. Ray Fisher
Keyword(s):  
Hong Kong ◽  
Human Disease ◽  
Yunnan Province ◽  
Biological Diversity ◽  
Reverse Order ◽  
Southwestern China ◽  
Maritime Trade ◽  
The Third ◽  
The Past ◽  
History Of

This chapter reviews the history of the human disease popularly known as plague, which has caused three major pandemics in the past two millennia, focusing on the most recent pandemic and the discovery of the insect that transmitted the disease. It begins with the Third Pandemic started in 1855, which began in Yunnan Province in southwestern China, an area rich in geological and biological diversity. Infections increased as the disease slowly spread to Hong Kong, where it reached epidemic levels in 1894. From there, maritime trade on steamships carried the plague to India, Australia, and then worldwide, to Africa, Europe, and the Americas. The chapter describes how, while the pandemic raged, scientists investigated the cause of the disease, learning that bacteria carried by Oriental rat fleas and rats were responsible. This pandemic killed at least 15 million people, mostly in India, and continued for nearly a century.

Manifestations of the Flying Dutchman: On Materializing Ghosts and (Not) Remembering the Colonial Past

2015 ◽  
Vol 4 (2) ◽  
pp. 187-205
Author(s):  
Agnes Andeweg
Keyword(s):  
Twentieth Century ◽  
Real Object ◽  
Technological Advancement ◽  
Colonial History ◽  
Spectral Character ◽  
The Past ◽  
The Future ◽  
Technological Developments ◽  
History Of ◽  
Wide Dissemination

This article investigates remediations of the Flying Dutchman legend – the story about a ghost ship doomed to sail the oceans forever – in English and Dutch sources from the nineteenth and twentieth century. It explains the popularity and wide dissemination of the Flying Dutchman by interpreting the story, firstly, within the context of Anglo-Dutch colonial competition and, secondly, within the context of new technological developments, paying particular attention to the moments when the Flying Dutchman seems to lose its spectral character and becomes a real object or person. Of the two interpretations of the spectre put forward here – staging colonial history versus staging technological advancement –, the second seems to be the more dominant throughout the history of continuous remediation and adaptation of the Flying Dutchman. When the ghost materializes, temporality is reversed: the focus shifts from the present's fraught relation to the past to the present's imagination of the future. In the dissemination of the figure itself however the colonial dimension is often still present.

EPISTEMOLOGIES OF TIME AND METRE IN THE LONG EIGHTEENTH CENTURY

2009 ◽  
Vol 6 (1) ◽  
pp. 59-75 ◽  
Author(s):  
ROGER MATHEW GRANT
Keyword(s):  
Eighteenth Century ◽  
Music Theory ◽  
Temporal Passage ◽  
The Past ◽  
History Of Music Theory ◽  
Technological Developments ◽  
History Of ◽  
Long Eighteenth Century ◽  
The Impact

ABSTRACTWilhelm Seidel was the first to regard Johann Philipp Kirnberger’s reformulation of metre in Die Kunst des reinen Satzes in der Musik as a watershed moment in the history of music theory. As we consider Kirnberger’s innovation and importance in regard to his break with the past, we might examine more closely the conditions that made his re-imagining of metre possible. Kirnberger’s vital treatise participated in a broad epistemological shift in the conception of time. Changing metaphysical notions of time, along with technological developments such as the mechanical clock and the marine chronometer, helped to reshape a wider public’s notion of temporal passage. Alongside these developments, the nature of metre and tempo in music underwent continual revision. This article will explore the impact of shifting temporal conceptualizations on metre in the eighteenth century.

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