scholarly journals Studies of Chinese Cinema in Japan

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Seio Nakajima

Abstract Japanese interests in Chinese cinema go as far back as to the 1910s, when film magazines reported on the situation of Chinese cinema. Discussions of Chinese cinema began to flourish in the 1920s, when intellectuals wrote travelogue essays on Chinese cinema, particularly on Shanghai cinema. In the mid-1930s, more serious analytical discourses were presented by a number of influential contemporary intellectuals, and that trend continued until the end of WWII. Post-War confusion in Japan, as well as political turmoil in China, dampened academic interests of Japanese scholars on Chinese cinema somewhat, but since the re-discovery of Chinese cinema in the early 1980s with the emergence of the Fifth Generation, academic discussions on Chinese cinema resumed and flourished in the 1980s and the 1990s. In the past decade or so, interesting new trends in studies of Chinese cinema in Japan are emerging that include more transnational and comparative approaches, focusing not only on film text but the context of production, distribution, and exhibition. Moreover, scholars from outside of the disciplines of literature and film studies—such as cultural studies, history, and sociology—have begun to contribute to rigorous discussions of Chinese cinema in Japan.

2020 ◽  
pp. 89-138
Author(s):  
Kamilla Elliott

Chapter 3 discusses how, just as new copyright laws were legitimizing intermedial adaptations, modernist theories drastically diminished the theoretical fortunes of adaptation with their rejection of the past and celebration of the new. Modernism shattered adaptation into allusions: studying allusions as adaptations would indubitably help to restore the theoretical fortunes of adaptation under modernism. Modernism’s hostility to mass culture was often aimed at adaptation: even theorists valorizing other popular cultural forms opposed it. Requiring film to dissociate from other art forms in order to emerge as an art in its own right, rather than as a craft or a recording device for other arts, medium specificity theory undermined adaptation in literature-and-film studies. Affecting all kinds of adaptation, the formalist turn diminished the theoretical fortunes of adaptation by rejecting the cultural theories that had valorized adaptation in prior centuries. Joined to medium specificity theories and structuralist semiotics, intermedial adaptation became not only aesthetically undesirable but also theoretically impossible under theories that content cannot separate from form to appear in another medium. With the advent of the theoretical turn in the humanities, adaptation became a battleground upon which theoretical wars were fought, battles that, paradoxically, foregrounded it. By the 1990s, adaptation was becoming an established, if divided, diasporic field, engaging a panoply of theories.


2007 ◽  
Vol 41 (4) ◽  
pp. 665-682 ◽  
Author(s):  
STEPHANIE PO-YIN CHUNG

The history of the Shaw enterprise in Shanghai, Hong Kong and Singapore, is a history of Chinese cinema in a century of business evolution. The Shaw industrial model of “vertical integration”, which combines production, distribution with exhibition, keeps pace with the technological developments and manages to expand its retail outlets from the stage to cinema, television, DVD and the Internet. Although the Shaw organization embraces a western industrial model to expand its business, it retains the very nature of a traditional Chinese family business. The issues surrounding the cultural and institutional evolution of the Shaw enterprise over the past 80 years are profound indications of its time.


Author(s):  
Magdalena Saryusz-Wolska

The article focuses on advertisements as visual and historical sources. The material comes from the German press that appeared immediately after the end of the Second World War. During this time, all kinds of products were scarce. In comparison to this, colorful advertisements of luxury products are more than noteworthy. What do these images tell us about the early post-war years in Germany? The author argues that advertisements are a medium that shapes social norms. Rather than reflecting the historical realities, advertisements construct them. From an aesthetical and cultural point of view, advertisements gave thus a sense of continuity between the pre- and post-war years. The author suggests, therefore, that the advertisements should not be treated as a source for economic history. They are, however, important for studying social developments that occurred in the past.


Author(s):  
Jim Sykes

In the conclusion to The Musical Gift, Jim Sykes discusses Sri Lankan versions of viral music videos over the past decade, particularly Pharrell Williams’ video “Happy.” Sykes notes that several people filming themselves dancing to Williams’ song were stopped by the police, who could not comprehend why people were singing and dancing in public outside of the bounds of an official concert. The Sri Lankan “Happy” videos have also been criticized as depicting upper- and middle-class Sri Lankans and thus obscuring the fact that happiness has not been achieved for many Sri Lankans, including those who suffered greatly from the war. Returning to the concept of “the musical gift,” Sykes argues the promotion of public song and dance from and between various communities has a role to play in forging post-war reconciliation and building a “happiness” that emerges from Sri Lankan aesthetics.


1926 ◽  
Vol 20 (1) ◽  
pp. 14-30
Author(s):  
Percy Alvin Martin

To students of international relations it has become almost a commonplace that among the most significant and permanent results of the World War has been the changed international status of the republics of Latin America. As a result of the war and post-war developments in these states, the traditional New World isolation in South America, as well as in North America, is a thing of the past. To our leading sister republics is no longer applicable the half-contemptuous phrase, current in the far-off days before 1914, that Latin America stands on the margin of international life. The new place in the comity of nations won by a number of these states is evidenced—to take one of the most obvious examples—by the raising of the legations of certain non-American powers to the rank of embassies, either during or immediately after the war. In the case of Brazil, for instance, where prior to 1914 only the United States maintained an ambassador, at the present time Great Britain, France, Italy, Belgium, Portugal, and Japan maintain diplomatic representatives of this rank.Yet all things considered one of the most fruitful developments in the domain of international relations has been the share taken by our southern neighbors in the work of the League of Nations. All of the Latin American republics which severed relations with Germany or declared war against that country were entitled to participate in the Peace Conference. As a consequence, eleven of these states affixed their signatures to the Treaty of Versailles, an action subsequently ratified in all cases except Ecuador.


2017 ◽  
Vol 80 (1) ◽  
pp. 127-155
Author(s):  
Eleanor F. Moseman

Abstract The Surrealist artist Richard Oelze’s postwar enterprise was one of inner reflection and personal questioning linked to the broader project of coming to terms with the past. The essay takes a critical view of his artworks and his automatist Wortskizzen to assess the manner and extent to which Oelze utilizes his artistic practice as a mode of working through his, and Germany’s, complicity with the Nazi regime. Analysis of the Wortskizzen exposes how verbal probing informs Oelze’s visual expression of inner turmoil, while implied gaps and voids in paintings and drawings puncture space as well as time, illuminating memory and blending the past with the present. Oelze’s serious play with word and image in turn invites his viewers to release repressed memories through reflective contemplation.


Author(s):  
Pamela Kulbok ◽  
Joan Kub ◽  
Doris Glick

Ruth Hubbard, a public health nursing (PHN) leader in 1950, offered a timeless comment, “To each age comes its own peculiar problems and challenges, but to it also comes the necessary vision and strength” (p. 608). Similar to the 1950s, from 1950 to 2015 unique healthcare and workforce issues continued to arise calling for public health nurses to respond with vision and strength. In Part Two of a three-part series on PHN history, we examine seminal documents, events, and policies that influenced practice. We begin by considering the time period 1950 to 1975, and then discuss healthcare transitions; social activism and community health planning; and concerns from the years 1975 to 2000 and 2000 to 2015. These milestones reflected challenges of emerging chronic diseases, re-emerging infectious diseases, immigration and terrorism, as well as post-war prosperity and improvements in health care. As in the early 20th century, response to challenges included periods of expansion and recession. We conclude by considering the past as prologue, discussing prospects for present and future PHN.


1927 ◽  
Vol 21 (4) ◽  
pp. 716-736
Author(s):  
James Brown Scott

The scientific organizations which flourished before the World War have had great difficulty in continuing their labors after its termination. The Institute of International Law has been no exception. It was to have met in Munich in September, 1914, and its program had been completely arranged; but the war which started in August, 1914, necessarily put an end to all arrangements for the session. A resort to arms inevitably brings with it a desire for its avoidance; and the greater the war, the greater the desire. A decade, a generation struggles in the mists and shadows, seeking to extricate itself from the post-war spirit, condemning the past somewhat indiscriminately and advocating innovations which, new in expression, are nevertheless the aspirations of those who, in all time, crushed and bruised by force, seek to replace it by justice.


Author(s):  
Benjamin Woo

Dramatic recent growth in comics research suggests that comics studies has matured as a field, perhaps even constituting an emergent discipline. Yet important questions about the nature of this field and how it relates to established academic disciplines remain unresolved. This introductory chapter examines the genealogy of comics studies and explores the relationship between theory and method as a proxy for the field’s “paradigmatic” status. Four theories of page layout are analyzed as examples of theorization in comics studies. Drawing on Robert T. Craig’s “constitutive metamodel” of communications theory, the chapter ultimately rejects both attempts to retread the path of established humanities disciplines such as English literature and film studies and arguments against disciplinarity as such, calling instead for a dialogic conception of academic disciplines that continually reflects on the differences through which they are constituted.


2021 ◽  
Vol 13 (2) ◽  
pp. 293-304
Author(s):  
Nikolay F. Bugay ◽  

In the proposed review of scientific research, set out in 2 books, in a chronological framework: 1917–1977. and 1977–1993, the analysis of social technologies associated with the forms of organization of councils as state authorities, its political basis in the USSR / Russia, their capabilities, which had transformations during the periods of their formation and development, as well as other types – executive committees, revolutionary committees (revolutionary committees). The process of the emergence of the system of these authorities on the territory of the Kamchatka province / region is considered. The attitude of the researcher to the study of aspects of the topic is shown. His knowledge of both the essence of the existing assessments of their role, and the contribution to the development of the system itself. The content of directions for improving the management and regulation of social processes is analyzed. Attention is drawn to the direction of solutions to the problems of strengthening statehood, achieving effective activity of structural units, from lower to higher authorities. The author identified about 2000 portraits of political and public figures, representatives of this system in the Kamchatka region, disclosed the forms and methods of their work in different areas of management, development of the community of peoples on the territory of the multinational region. Materials and methods. In the writing of a review, the appeal to such methods as historical-genetic, historical-comparative, historical-typological, which allows, in aggregate, to trace the differences of the process, events that reflect the essence of the phenomenon that characterize the interaction, prevails. Along with this, a comparison of the processes of development of society and the management system at different stages of the period under study in 1917–1977, the military situation on the eve of the war, the war period of 1941–1945, post-war reconstruction, 1977–1993, the degree of generalization by the author of the material presented, revealing by him the essence of the transformations that took place. It is also obvious that there was every reason for attracting the prosopographic method of research, which allows not only to fully cognize the person (who represents power), but also to show the background of events. As for the materials directly, http://www.hist-edu.ru Историческая и социально-образовательная мысль. Toм 13 №2, 2021 Historical and Social-Educational Idea. Volume 13 #2, 2021 295 the researcher evaluates those that are used by him in the narrative – "living sources" (archival documents, press, memoirs) Due to the lack of analysis of the historiography of the problem under study, it is possible to present not only an assessment of the work done by the author. They mention, with rare exceptions, for example, the works of the famous writer of the Kamchatka Territory A.A. Smyshlyaev, as well as a collection of documents. The author identifies in the course of his work a large corps of workers' deputies employed in the past or in modern conditions in the work of government bodies (since 1917), of whom about 2 thousand people are mentioned.


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