The Informational Fabric of Eighteenth-Century India and the Middle East: Couriers, Intermediaries and Postal Communication

2009 ◽  
Vol 43 (5) ◽  
pp. 1085-1116 ◽  
Author(s):  
GAGAN D. S. SOOD
Keyword(s):  
Eighteenth Century ◽  
Middle East ◽  
Early Modern ◽  
Historical Inquiry ◽  
Proper Understanding ◽  
Making Sense ◽  
Low Weight ◽  
Wide Range ◽  
Personal Trust ◽  
Cultural Domain

AbstractMundane knowledge of how information flows is essential for a proper understanding of large organisations and complex activities. It gives us valuable insights into the prevailing constraints of the era and the creative responses that enabled the demands of its cosmopolitan residents to be met. Though the sinews of communication have been a major topic of historical inquiry in recent decades, the focus has been decidedly uneven; much of the attention has been directed towards modern times and, for earlier periods, has been confined almost entirely to Europe, the western European empires and those sectors of the world's political economy in which Europeans had a stake. The rest of the world, in comparison, has been neglected, which may be seen clearly in the case of early modern India and the Middle East. This paper seeks to rectify the imbalance by offering a typology for making sense of how packages of low weight and high value were collected, transported and delivered over long distances within the region in the eighteenth century. While drawing on a wide range of sources, at the core of this analysis lies the correspondence of the headmen of a group—the Aiyangar pattamars—who specialised as couriers in pre-colonial southern India. Among the principal claims set forth are that there existed in this period two basic modes of private communication: in one, personal trust was paramount, in the other, the mode was effectively monopolised by recognised communities providing the necessary informational services within their cultural domain. These claims, if sustained, have major implications for current views on early modern India and the Middle East.

Introduction

2010 ◽  
pp. 1-20
Author(s):  
Sharon Flatto
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
World View ◽  
Ashkenazi Jews ◽  
Deep Roots ◽  
Central Aspect ◽  
Wide Range ◽  
Longue Duree ◽  
Longue Durée ◽  
East And West

This chapter describes the multi-layered mystical rabbinic culture of eighteenth-century Prague. It reveals the prominence of Kabbalah in traditional life, particularly in the biography and writings of one of the towering figures of Ashkenazi Jewry named Ezekiel Landau, Prague's chief rabbi from 1754 to 1793. It also explores the deep roots of mysticism of the rabbinic culture of eighteenth-century Prague and sheds light on a central aspect of the life and world-view of a large number of early modern Ashkenazi Jews. The chapter covers the neglect of Prague's rabbinic culture, the importance of Prague as a meeting ground between East and West, and the centrality of Kabbalah for Prague Jews and its persistence over the longue durée. It reviews a wide range of kabbalistic materials and sources that influenced seventeenth- and eighteenth-century Ashkenazi Jews.

Conclusion

2018 ◽  
Author(s):  
Margaret S. Graves
Keyword(s):  
Middle East ◽  
Early Modern ◽  
Final Consideration

The conclusion places the art of the object into an expanded field, where it is shown to be contiguous with other visual and verbal artforms including architecture, painting, poetry, and rhetoric. It locates the peak of the allusive object in the pre-Mongol Middle East and speculates about its decline in the later medieval and early modern periods. It also considers the change in meaning that the subjects of the book have undergone as they transition from being objects of use to objects of display. The conclusion ends with final consideration of the nature of allusion and its implications for the intelligent art of the object.

After Arminius

2020 ◽  
Author(s):  
Thomas H. McCall ◽  
Keith D. Stanglin
Keyword(s):  
Primary Sources ◽  
Reformed Theology ◽  
Proper Understanding ◽  
System Building ◽  
Wide Range ◽  
Modern Thought ◽  
History Of ◽  
The Subject ◽  
Vision Of God ◽  
Important Position

“Arminianism” was the subject of important theological controversies in the seventeenth and eighteenth centuries, and it maintains an important position within Protestant thought. What became known as “Arminian” theology was held by people across a swath of geographical and ecclesial positions; it developed in European, British, and American contexts, and it engaged with a wide range of intellectual challenges. While standing together in their common rejection of several key planks of Reformed theology, proponents of Arminianism took various positions on other matters. Some were broadly committed to catholic and creedal theology; others were more open to theological revision. Some were concerned primarily with practical concerns; others were engaged in system building as they sought to articulate and defend an overarching vision of God and the world. The story of this development is both complex and important for a proper understanding of the history of Protestant theology. However, this historical development of Arminian theology is not well known. In this book, Thomas H. McCall and Keith D. Stanglin offer a historical introduction to Arminian theology as it developed in modern thought, providing an account that is based upon important primary sources and recent secondary research that will be helpful to scholars of ecclesial history and modern thought as well as comprehensible and relevant for students.

Lying in Early Modern English Culture

2017 ◽  
Author(s):  
Andrew Hadfield
Keyword(s):  
Early Modern ◽  
Cultural History ◽  
Identity Politics ◽  
Social Life ◽  
Thomas More ◽  
Early Modern English ◽  
Wide Range ◽  
Constant Feature ◽  
The Right ◽  
English Culture

Lying in Early Modern English Culture is a major study of ideas of truth and falsehood from the advent of the Reformation to the aftermath of the Gunpowder Plot. The period is characterized by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. Many saw the need for a secular power to define the truth; others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life, determining ideas of identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in practice and theory, concentrating on a series of particular events, which are read in terms of academic debates and more popular notions of lying. The book covers a wide range of material such as the trials of Anne Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.

Free Trade before Liberalism

2017 ◽  
Author(s):  
Corey Tazzara
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Free Trade ◽  
State Policy ◽  
Early Modern Period ◽  
Free Trade Zone ◽  
Central Mediterranean ◽  
Modern Period ◽  
Institutional Variation ◽  
Intellectual Legacy

Chapter 8 situates Livorno amidst a larger picture of competition in the central Mediterranean. It analyzes the spread of free ports by considering the two axes along which Italian ports liberalized during the early modern period: hospitality toward merchants and openness toward goods. Despite much institutional variation, a maritime free trade zone was in existence by the mid-eighteenth century. The intellectual legacy of free ports such as Livorno was nonetheless ambivalent. Though some Enlightenment thinkers used free ports to formulate general theories of free trade, others believed they promoted the subjection of state policy to foreign merchants.

Introduction

2018 ◽  
Author(s):  
Anna-Maria Hartmann
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Literary History ◽  
First Generation ◽  
Early Modern England ◽  
Related Material ◽  
Wide Range ◽  
The World ◽  
Early English

Mythographies were books that collected, explained, and interpreted myth-related material. Extremely popular during the Renaissance, these works appealed to a wide range of readers. While the European mythographies of the sixteenth century have been utilized by scholars, the short, early English mythographies, written from 1577 to 1647, have puzzled critics. The first generation of English mythographers did not, as has been suggested, try to compete with their Italian predecessors. Instead, they made mythographies into rhetorical instruments designed to intervene in topical debates outside the world of classical learning. Because English mythographers brought mythology to bear on a variety of contemporary issues, they unfold a lively and historically well-defined picture of the roles myth was made to play in early modern England. Exploring these mythographies can contribute to previous insights into myth in the Renaissance offered by studies of iconography, literary history, allegory, and myth theory.

Textual Transformations

2019 ◽  
Keyword(s):  
Early Modern ◽  
Financial Incentives ◽  
Book History ◽  
John Dryden ◽  
Book Production ◽  
Original Essays ◽  
Wide Range ◽  
Lucy Hutchinson ◽  
The Many ◽  
The Impact

This collection of twelve original essays by an international team of eminent scholars in the field of book history explores the many ways in which early modern books were subject to reworking, re-presentation, revision and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected and transformed in ways that their original authors might hardly recognize. The essays discuss the processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation and posthumous publication that resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author’s name are no longer sufficient pointers to a book’s identity or contents. The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest is also in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs. They engage with early modern religious, political, philosophical and scholarly trends and debates as they discuss a wide range of genres and kinds of publication (including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy) and of authors and booksellers (including Lucy Hutchinson, Richard Baxter, Thomas Burnet, Elizabeth Rowe, John Dryden, and Samuel Taylor Coleridge, Lucy Hutchinson, Henry Maundrell, John Nourse; Jonathan Swift, Samuel Richardson, John Tillotson, Isaac Watts and John Wesley).

Baroque Opera

2018 ◽  
pp. 369-385
Author(s):  
Downing A. Thomas
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Early Modern Period ◽  
Spoken Language ◽  
Social World ◽  
Musical Language ◽  
Modern Period ◽  
Nested Structures ◽  
Core Elements ◽  
Baroque Opera

The fundamental assumption of commentators from the early modern period is that tasteful music functions simultaneously to express sentiment and to move listener-spectators. The three core elements of the baroque operatic spectacle—poetry, music, and dance—are defined by their ability to express and convey passion. Commentators point to the particular ability of musical language—and its combination with poetry and movement—to represent that which is out of reach of spoken language, or below the threshold of linguistic representation. Although both dramma per musica and the tragédie en musique arose and were fundamentally grounded in monarchical cultural worlds, both also endured successfully as public art forms. Aesthetically, baroque opera exhibits and revels in nested structures, manifested in plays within plays and in references that place the operatic moment within a social world outside the opera. Opera left this aesthetic behind as it moved into the second half of the eighteenth century, influenced by the views of Jean-Jacques Rousseau and the works of Christoph Willibald Ritter von Gluck among others.

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