The Origins of Totalitarianism

1953 ◽  
Vol 15 (1) ◽  
pp. 68-85 ◽  
Author(s):  
Eric Voegelin
Keyword(s):  
The Body ◽  
Western Civilization ◽  
Mass Movements ◽  
Human Beings ◽  
Common Concern ◽  
The Past

The vast majority of all human beings alive on earth is affected in some measure by the totalitarian mass movements of our time. Whether men are members, supporters, fellow-travellers, naive connivers, actual or potential victims, whether they are under the domination of a totalitarian government, or whether they are still free to organize their defenses against the disaster, the relation to the movements has become an intimate part of their spiritual, intellectual, economic, and physical existence. The putrefaction of Western civilization, as it were, has released a cadaveric poison spreading its infection through the body of humanity. What no religious founder, no philosopher, no imperial conqueror of the past has achieved — to create a community of mankind by creating a common concern for all men — has now been realized through the community of suffering under the earthwide expansion of Western foulness.

Threshold

2016 ◽  
Author(s):  
Emanuele Castrucci
Keyword(s):  
Social Behaviour ◽  
Human Mind ◽  
The Body ◽  
Basic Material ◽  
Moral Order ◽  
Human Beings ◽  
Human History ◽  
Biological Basis ◽  
The Past ◽  
The Mind

The human mind has phased out its traditional anchorage in a natural biological basis (the «reasons of the body» which even Spinoza’s Ethics could count on) – an anchorage that had determined, for at least two millennia, historically familiar forms of culture and civilisation. Increasingly emphasising its intellectual disembodiment, it has come to the point of establishing in a completely artificial way the normative conditions of social behaviour and the very ontological collocation of human beings in general. If in the past ‘God’ was the name that mythopoietic activity had assigned to the world’s overall moral order, which was reflected onto human behaviour, now the progressive freeing of the mind – by way of the intellectualisation of life and technology – from the natural normativity which was previously its basic material reference opens up unforeseen vistas of power. Freedom of the intellect demands (or so one believes) the full artificiality of the normative human order in the form of an artificial logos, and precisely qua artificial, omnipotent. The technological icon of logos (which postmodern dispersion undermines only superficially) definitively unseats the traditional normative, sovereign ‘God’ of human history as he has been known till now. Our West has been irreversibly marked by this process, whose results are as devastating as they are inevitable. The decline predicted a century ago by old Spengler is here served on a platter....

scholarly journals Order, Disobedience and Power in Kieslowski’s Dekalog

2018 ◽  
Vol 7 (1) ◽  
pp. 142-168
Author(s):  
Janet Barış
Keyword(s):  
The Body ◽  
Common Element ◽  
Human Beings ◽  
The Past ◽  
Ten Commandments ◽  
Different Types ◽  
Definition Of ◽  
The Relationship

The Dekalog series, comprised of ten films made by Kieslowski in 1989-90 for the Polish TV, inspired by the Ten Commandments (Decalogues) in the Torah, treats the goodness and innocence of human beings, as well as the evilness and anxiety. Generally, as a common element in all films of the series, appears the triangle of order-submission-disobedience and the power field becomes a tide moving back and forth between different characters. According to Foucault, power is perceived differently today, compared to the past. In the earlier times, power was perceived to be the rulership of a king over its subjects, while today, different types of power exist. Foucault argues that the punishment directed towards the body before is now directed to the soul. The discourse in the Ten Commandments that directs people what to do and what not overlaps the Foucauldian definition of power and the punishment of the soul. This phenomenon appears in every film of the series differently, through the characters and the plot. This article’s objective is to examine Kieslowski’s Dekalog series through the relationship between order, submission and power, and to discuss the effects of this relationship over the characters.

Archaeology and the Body

Anthropology ◽  
2020 ◽  
Author(s):  
Julie K. Wesp ◽  
Rosemary A. Joyce
Keyword(s):  
Cultural Practices ◽  
Skeletal Remains ◽  
The Body ◽  
Archaeological Research ◽  
Human Beings ◽  
Ethical Implications ◽  
The Past ◽  
Starting Point ◽  
Wide Range ◽  
Research Questions

The body has become a central focus of archaeological research as practitioners ask questions about the role of individual human beings, their engagement with things, and the effects of embodied actions in the past. The body can serve as a starting point for analyzing diversity in past populations in terms of sex, gender, status, ethnicity, ability, and other aspects of identity. Study of the human body allows practitioners to reconstruct how culture change affected portions of populations in different ways. Archaeologists draw on a wide range of social theories from allied disciplines that have explored gender, race, ability, and philosophical understandings of living in a body to explore how material remains of past populations can be used to provide temporal depth to questions about embodiment. Archaeologists employ a variety of materials to address embodiment, ranging from human skeletal remains, materials used as clothing and adornment, tools employed as extensions of the body, and objects and immobile features that structure embodied experiences. This diversity of materials facilitates examination of similarly diverse research questions, including phenomenological understandings of how the world is experienced through the body and the senses; how cultural practices modified bodies; how visual culture, including representations of bodies, create and change body ideologies; and how skeletal remains were shaped by daily life in the past. In recent years, archaeologists have begun to reflect on the ethical implications of archaeological research on human bodies and how this research can be conducted to include perspectives from descendant communities and the public regarding research questions and the presentation of results. Archaeologists also consider how their own experiences are shaped by working with human remains.

The Elemental Past

2014 ◽  
Vol 44 (2) ◽  
pp. 262-279 ◽  
Author(s):  
Ted Toadvine
Keyword(s):  
The Body ◽  
The Sun ◽  
Human Beings ◽  
Contemporary Philosophy ◽  
The Past ◽  
Phenomenology Of Perception ◽  
Continental Divide ◽  
The World ◽  
The Subject ◽  
Quentin Meillassoux

In a 1951 debate that marked the beginnings of the analytic-continental divide, Maurice Merleau-Ponty sided with Georges Bataille in rejecting A. J. Ayer’s claim that “the sun existed before human beings.” This rejection is already anticipated in a controversial passage from Merleau-Ponty’s Phenomenology of Perception, where he claims that “there is no world without an Existence that bears its structure.” I defend Merleau-Ponty’s counterintuitive position against naturalistic and anti-subjectivist critics by arguing that the world emerges in the exchange between perceiver and perceived. A deeper challenge is posed, however, by Quentin Meillassoux, who argues that the “correlationism” of contemporary philosophy rules out any account of the “ancestral” time that antedates all subjectivity. Against Meillassoux, and taking an encounter with fossils as my guide, I hold that the past prior to subjectivity can only be approached phenomenologically. The paradoxical character of this immemorial past, as a memory of the world rather than of the subject, opens the way toward a phenomenology of the “elemental” past. Drawing on Merleau-Ponty’s descriptions of the absolute past of nature and the anonymity of the body, as well as Levinas’ account of the elements at the end of the world, I argue that our own materiality and organic lives participate in the differential rhythms of the elements, opening us to a memory of the world that binds the cosmic past and the apocalyptic future.

Derrida on Pornography: Putting (It) Up for Sale

Derrida Today ◽  
2013 ◽  
Vol 6 (1) ◽  
pp. 97-114 ◽  
Author(s):  
Christopher Morris
Keyword(s):  
Cultural Studies ◽  
English Translation ◽  
The Body ◽  
The Past ◽  
French Original ◽  
Definition Of ◽  
Critical Discourses ◽  
Academic Debate

Over the past thirty years, academic debate over pornography in the discourses of feminism and cultural studies has foundered on questions of the performative and of the word's definition. In the polylogue of Droit de regards, pornography is defined as la mise en vente that is taking place in the act of exegesis in progress. (Wills's idiomatic English translation includes an ‘it’ that is absent in the French original). The definition in Droit de regards alludes to the word's etymology (writing by or about prostitutes) but leaves the referent of the ‘sale’ suspended. Pornography as la mise en vente boldly restates the necessary iterability of the sign and anticipates two of Derrida's late arguments: that there is no ‘the’ body and that performatives may be powerless. Deriving a definition of pornography from a truncated etymology exemplifies the prosthesis of origin and challenges other critical discourses to explain how pornography can be understood as anything more than ‘putting (it) up for sale’.

Holism, Chinese Medicine and Systems Ideologies: Rewriting the Past to Imagine the Future

2018 ◽  
Author(s):  
Volker Scheid
Keyword(s):  
Eighteenth Century ◽  
Chinese Medicine ◽  
Medical Humanities ◽  
Science And Technology Studies ◽  
Human Beings ◽  
The Past ◽  
Starting Point ◽  
The Us ◽  
Shared Objective ◽  
Definition Of

This chapter explores the articulations that have emerged over the last half century between various types of holism, Chinese medicine and systems biology. Given the discipline’s historical attachments to a definition of ‘medicine’ that rather narrowly refers to biomedicine as developed in Europe and the US from the eighteenth century onwards, the medical humanities are not the most obvious starting point for such an inquiry. At the same time, they do offer one advantage over neighbouring disciplines like medical history, anthropology or science and technology studies for someone like myself, a clinician as well as a historian and anthropologist: their strong commitment to the objective of facilitating better medical practice. This promise furthermore links to the wider project of critique, which, in Max Horkheimer’s definition of the term, aims at change and emancipation in order ‘to liberate human beings from the circumstances that enslave them’. If we take the critical medical humanities as explicitly affirming this shared objective and responsibility, extending the discipline’s traditional gaze is not a burden but becomes, in fact, an obligation.

Adaptations of Time Travel Narratives in Japanese Multimedia: Nurturing Eudaimonia across Time and Space

2014 ◽  
Vol 7 (2) ◽  
pp. 136-151 ◽  
Author(s):  
Sung-Ae Lee
Keyword(s):  
Travel Narratives ◽  
Time Travel ◽  
Cultural Knowledge ◽  
Human Beings ◽  
The Core ◽  
The Past ◽  
Life Styles ◽  
Concern For Others ◽  
The Future ◽  
Live Action

To displace a character in time is to depict a character who becomes acutely conscious of his or her status as other, as she or he strives to comprehend and interact with a culture whose mentality is both familiar and different in obvious and subtle ways. Two main types of time travel pose a philosophical distinction between visiting the past with knowledge of the future and trying to inhabit the future with past cultural knowledge, but in either case the unpredictable impact a time traveller may have on another society is always a prominent theme. At the core of Japanese time travel narratives is a contrast between self-interested and eudaimonic life styles as these are reflected by the time traveller's activities. Eudaimonia is a ‘flourishing life’, a life focused on what is valuable for human beings and the grounding of that value in altruistic concern for others. In a study of multimodal narratives belonging to two sets – adaptations of Tsutsui Yasutaka's young adult novella The Girl Who Leapt Through Time and Yamazaki Mari's manga series Thermae Romae – this article examines how time travel narratives in anime and live action film affirm that eudaimonic living is always a core value to be nurtured.

All Animals Are Equal, or Are They? The Ikhwān al-Ṣafāʾ’s Animal Epistle and its Unhappy End

2014 ◽  
Vol 16 (2) ◽  
pp. 42-88 ◽  
Author(s):  
Sarra Tlili
Keyword(s):  
The Body ◽  
Final Outcome ◽  
Human Beings ◽  
Main Text ◽  
Nonhuman Animals ◽  
Privileged Status

The Ikhwān al-Ṣafāʾ’s animal epistle is an intriguing work. Although in the body of the narrative the authors challenge anthropocentric preconceptions and present nonhuman animals in a more favourable light than human beings, inexplicably, the narrative ends by reconfirming the privileged status of humans. The aim of this paper is to propose an explanation for this discrepancy. I argue that the egalitarian message reflected in the body of the narrative is traceable back to the Qur'an, the main text with which the authors engage in the fable, whereas the final outcome is due to the Ikhwān's hierarchical worldview.

Receptions of the Past: Commemoration, Racism, Desire

Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 288-303
Author(s):  
Michael Connors Jackman
Keyword(s):  
Critical Point ◽  
Social Relations ◽  
White Privilege ◽  
Body Politic ◽  
The Body ◽  
Race And Racism ◽  
Lesbian And Gay ◽  
The Past ◽  
History Of

This article investigates the ways in which the work of The Body Politic (TBP), the first major lesbian and gay newspaper in Canada, comes to be commemorated in queer publics and how it figures in the memories of those who were involved in producing the paper. In revisiting a critical point in the history of TBP from 1985 when controversy erupted over race and racism within the editorial collective, this discussion considers the role of memory in the reproduction of whiteness and in the rupture of standard narratives about the past. As the controversy continues to haunt contemporary queer activism in Canada, the productive work of memory must be considered an essential aspect of how, when and for what reasons the work of TBP comes to be commemorated. By revisiting the events of 1985 and by sifting through interviews with individuals who contributed to the work of TBP, this article complicates the narrative of TBP as a bluntly racist endeavour whilst questioning the white privilege and racially-charged demands that undergird its commemoration. The work of producing and preserving queer history is a vital means of challenging the intentional and strategic erasure of queer existence, but those who engage in such efforts must remain attentive to the unequal terrain of social relations within which remembering forms its objects.

Body and Desire

2018 ◽  
Author(s):  
Raphael A. Cadenhead
Keyword(s):  
Full Range ◽  
The Body ◽  
Gregory Of Nyssa ◽  
The Past ◽  
Ethical Discourse ◽  
Sex And Sexuality ◽  
Diachronic Analysis

Although the reception of the Eastern father Gregory of Nyssa has varied over the centuries, the past few decades have witnessed a profound awakening of interest in his thought, particularly in relation to the contentious issues of gender, sex, and sexuality. The Body and Desire sets out to retrieve the full range of Gregory’s thinking on the challenges of the ascetic life through a diachronic analysis of his oeuvre. Exploring his understanding of the importance of bodily and spiritual maturation in the practices of contemplation and virtue, Raphael Cadenhead recovers the vital relevance of this vision of transformation for contemporary ethical discourse.

Sign in / Sign up

Export Citation Format

Share Document