‘A volcano viewed from afar’: the Music of Salvatore Sciarrino

Tempo ◽  
1995 ◽  
pp. 22-26 ◽  
Author(s):  
Nicolas Hodges

With the exception of a few small-scale pieces programmed by the more adventurous contemporary music ensembles, the music of Salvatore Sciarrino has not been performed frequently in this country; BBC Radio 3 has given occasional airtime to larger works, but we have yet to hear much of his most important music in any form. This article should act, I hope, as a pointer to readers who might wish to explore his output on disc, which currently is really the only way to do so in this country.

2021 ◽  
pp. 152483992110249
Author(s):  
April M. Ballard ◽  
Alison T. Hoover ◽  
Ana V. Rodriguez ◽  
Bethany A. Caruso

The Dignity Pack Project is a small-scale, crisis-oriented supply chain in Atlanta, Georgia, designed to meet the acute personal hygiene,menstrual health, and sexual health needs of people experiencing homelessness (PEH). It was organized in response to conditions during the COVID-19 pandemic that continue to illuminate and exacerbate the distinct and complex challenges PEH face when trying to meet their basic needs and maintain their health. In addition to being particularly vulnerable to COVID-19 due to underlying conditions, crowding, and shared living spaces, the pandemic makes it harder for PEH to access already scant resources. Specifically, shelters across the United States have experienced outbreaks and, as a result, have reduced capacity or closed completely. Social support organizations have paused or restricted services. Donations and volunteering have decreased due to economic conditions and social distancing requirements. This practice note describes how we integrated feedback from PEH at the outset of the Dignity Pack project—and continue to do so—enabling the development of a pragmatic, humanistic outreach model that responds to the evolving needs of PEH as pandemic conditions and the seasons change. We detail how we established complementary partnerships with local organizations and respond to critical insights provided by PEH. We offer lessons and recommendations driven by the needs and preferences of PEH.


2018 ◽  
Vol 11 (3) ◽  
pp. 296-314 ◽  
Author(s):  
Hélène B. Ducros

Purpose The purpose of this paper is to explore a grassroot festival in rural France organized around the concept of soup. The annual fête de la soupe held in a village in Auvergne provides a small-scale example of the ways in which space, time and festivalization interact in placemaking. Design/methodology/approach Ethnographic research highlights the motivations and experiences of the organizers and volunteer-participants, as well as some of the organizational challenges. Findings Revealing that the profit motive and economic outcomes are not dominant, this paper shows instead that the fête constitutes a space of relation-building between place and people, between people themselves and an introspective moment over the past and future of place as “rural”. While preserving rurality symbolized and mediated by the exchange of soup as the ultimate peasant dish, the festival is also an opportunity for villagers to revitalize the rural and showcase it as a place of creativity. Originality/value The study addresses the experience of volunteers and organizers in festivals, uses qualitative methods to do so and focuses on festivals in the rural setting, filling three gaps identified by others in the literature.


TURBA ◽  
2022 ◽  
Vol 1 (1) ◽  
pp. 71-84

This article examines the practice of concert organization from an ethical perspective. By examining the field in relation to the notion of value, it explores the processes by which curators produce live acts, and the issues they face when they do so. The central argument traces a trajectory from the material to the immaterial aspects. The first part (Context and Value) shows how financial and cultural matters are embedded into live music production, and frames curatorship as the articulation of their co-dependent relations. The second part (Praxis) explores how music curators breathe value creation in their work context, by comparing interviews with the directors of Venice Biennale Musica, London Contemporary Music Festival, and No-Nation. The third part (Risk and Ethics) introduces risk-taking as a unit of value measurement, and points out the force of the curatorial in its power to confer value.


2020 ◽  
Vol 19 (4) ◽  
pp. 389-397
Author(s):  
Svein Jentoft

Abstract“Life under water” is UN Sustainable Development Goal No. 14, under which small-scale fisheries fall. Yet, most of what is happening in small-scale fisheries, and certainly those things that are interesting to social scientists, are taking place above water—on the water and by the water. Small-scale fishers make their living off the fish that swims in the ocean, but they do so with the lives they construct for themselves and with others on land. Therefore, small-scale fishers depend on their communities as much as they depend on the fish, their boats, and gear. It is as members of communities that fishers acquire the knowledge, energy, motivation, and meaning they need to carry out their work. For fisheries social scientists, the community is a unit of analysis. However, fisheries communities are not isolated from what is happening outside them. Consequently, social scientists focus on forces at higher scales. Still, I argue that it is important that they do not lose sight of local communities, because if they do they also lose the sight of small-scale fisheries.


2010 ◽  
Vol 10 (6) ◽  
pp. 1317-1330 ◽  
Author(s):  
C. Shea ◽  
B. Jamieson

Abstract. Surface hoar size and location relate directly to avalanche initiation trigger points, and they do so in small-scale spatial distributions. Physically, surface hoar will grow where the snow surface is cold relative to the air and water vapour is plentiful. Vapour aside, snow cools at night primarily by longwave radiation emittance. Emittance can be restricted by clouds, trees, and terrain features. With 96 independent spatial point samples of surface hoar size, we show the extreme small-scale size variation that trees can create, ranging from 0 to 14 mm in an area of 402 m2. We relate this size variation to the effects of trees by using satellite photography to estimate the amount that trees impinge on sky view for each point. Though physically related to longwave escape, radiation balance can be as difficult to estimate as surface hoar size itself. Thus, we estimate point surface hoar size by expected maximum areal crystal size and dry terrain greyscale value only. We confirm this relation by using it at a different area and in a different formation cycle. There, its overall average error was 1.5 mm for an area with surface hoar sizes ranging from 0 to 7 mm.


2018 ◽  
Vol 11 (2) ◽  
pp. 252
Author(s):  
Robert G. Silberman

<span>The laboratory part of a chemistry courses is considered essential by most chemistry instructors, yet few instructors attempt to assess the laboratory learning with anything other than written lab reports. At best lab reports may only provide feedback on students observational skills, communication skills, and their ability to follow directions, skills that students should have, but are hardly the essence of laboratory training. Those instructors that do attempt to assess students laboratory skills often do so with paper and pencil exams.</span>


2021 ◽  
pp. 155-161
Author(s):  
Christoph Seibert

Performance sociograms provide a means with which to visualize and investigate relationships between musicians during ensemble performance as they are subjectively experienced. This chapter presents a case study with a contemporary music ensemble, exemplifying a methodological approach that provides insights on a phenomenological level by minimally affecting the performance itself. Relationships between co-performers as experienced by individuals in three performances were assessed via questionnaires, interviews, and self-created sociograms. Performance sociograms were also generated based on a qualitative content analysis of these data. Each performance sociogram provides a view on the respective performance situation from an individual musician’s perspective. Comparing sociograms reveals insights into individual differences and developments from concert to concert. Enabling integration of qualitative and quantitative data, which can be combined with a variety of approaches from ethnography to computational approaches, sociograms are a promising tool for future research into understanding relationships between players in music ensembles.


1986 ◽  
Vol 3 (1) ◽  
pp. 91-100
Author(s):  
Thomas Edward Chatburn

As musicians from no less than twenty-two European states gathered at Strasbourg in September to discuss Contemporary Music, one began to realise that Europe, in 1985, had already moved beyond the familiar concept of a political and commercial federation. Historically, however, and motivated only by musical opportunity, musicians had for centuries largely regarded Europe as one patch ever since it became possible to travel. But in recent times it has become clear that the new Europe and European organisations which have emerged may, one day, have far-reaching effects upon many aspects of musical life which have hitherto evolved locally or nationally at different paces and in response to widely differing circumstances. By means of this and other conferences, therefore, Europe is beginning to give expression to corporate artistic concerns, and attempting to do so with a single voice as independent nations are gradually transformed into member states and ultimately, one might anticipate, into regions. This process and the means by which it is accompanished (e.g. the organisation of large European conferences) is also viewed cynically by some as political inevitability being transformed into desirability.


2005 ◽  
Vol 13 (02) ◽  
pp. 145-170 ◽  
Author(s):  
GODFREY BALDACCHINO

Developing successful, indigenously-owned, small scale, export-oriented, manufacturing firms from small island locations is difficult but not impossible. This paper describes key outcomes of a research project which is reviewing a selection of such successful firms from 5 European island territories. Operating in the information and communication technology sector allows small island firms to compete successfully in export markets. They often do so by depending on the wide, 'extra-island' contacts and experiences of their 'global-local' entrepreneurial founder-owners, who often leverage start-up funds from private and personal sources. The absence of notable local market opportunities induces island entrepreneurs to 'export or perish', obliging a competitive strategy from inception.


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