Sonata Structures in Early Britten

Tempo ◽  
1967 ◽  
pp. 2-13
Author(s):  
Peter Evans

Until Britten returned from America in 1942 it would have seemed reasonable, despite the sensitivity he had revealed in setting texts as unexpected and heterogeneous as those of Auden, Rimbaud and Michelangelo, to assume that instrumental composition was to form the core of his work. He had first made his mark in the chamber media, though his Opus 1 perhaps also represented as close an approach to the orchestra as was judicious at a time when opportunities of performance did not easily come the way of an unknown young composer. Structurally these first two works, the Sinfonietta and the Phantasy for oboe quartet, demonstrated notably original modifications of the sonata thesis. The first of his own orchestral textures the composer heard were those of the symphonic cycle, Our Hunting Fathers, but the ‘symphonic’ qualities were those which should control, not determine the nature of, material conceived in response to potent verbal stimuli. The Frank Bridge Variations were individually brilliant character pieces and together a virtuoso display of thematic derivation, and Britten's command of such techniques was to prove no less apt in the Diversions for piano (left hand) and orchestra. But meanwhile the Piano Concerto had also drawn characters more effectively than consequences, and the Violin Concerto, though more creatively at odds with traditional sonata procedure in its first movement, had pointedly thrust the greatest expressive burden on to a final variation structure. Only with the Sinfonia da Requiem and the First Quartet did Britten fully recapture the convincing individuality of sonata practice he had shown in his first two scores.

Author(s):  
Nicola Clark
Keyword(s):  
The Core ◽  
Made In ◽  

While there were clear strategic aims in the way that marriages were made in the Howard dynasty during this period, the family was only unusual in that it operated at the very top of the aristocratic hierarchy and was therefore able to use marital alliances to successfully recover and bolster both status and finances. Where they were different, however, was in the experience of some of these women within marriage. By and large, the marriages made by and for members of the family, including women, seem to have been as successful as others of their class. However, three women close to the core of the dynasty experienced severe marital problems, even ‘failed’ marriages, almost simultaneously during the 1520s and 1530s. The records generated by these episodes tell us about the way in which the family operated as a whole, and the agency of women in this context, and this chapter therefore reconstructs these disputes for this purpose.


Author(s):  
Kevin Thompson

This chapter examines systematicity as a form of normative justification. Thompson’s contention is that the Hegelian commitment to fundamental presuppositionlessness and hence to methodological immanence, from which his distinctive conception of systematicity flows, is at the core of the unique form of normative justification that he employs in his political philosophy and that this is the only form of such justification that can successfully meet the skeptic’s challenge. Central to Thompson’s account is the distinction between systematicity and representation and the way in which this frames Hegel’s relationship to the traditional forms of justification and the creation of his own distinctive kind of normative argumentation.


2013 ◽  
Vol 2013 (1) ◽  
Author(s):  
George Pattison

AbstractNoting Heidegger’s critique of Kierkegaard’s way of relating time and eternity, the paper offers an alternative reading of Kierkegaard that suggests Heidegger has overlooked crucial elements in the Kierkegaardian account. Gabriel Marcel and Sharon Krishek are used to counter Heidegger’s minimizing of the deaths of others and to show how the deaths of others may become integral to our sense of self. This prepares the way for revisiting Kierkegaard’s discourse on the work of love in remembering the dead. Against the criticism that this reveals the absence of the other in Kierkegaardian love, the paper argues that, on the contrary, it shows how Kierkegaard conceives the self as inseparable from the core relationships of love that, despite of death, constitute it as the self that it is.


2021 ◽  
Vol 3 (1) ◽  
pp. 65-89
Author(s):  
Erik Meganck

Abstract In this article, I want to make the following points, none of which are totally new, but their constellation here is meant to be challenging. First, world is not a (Cartesian) thing but an event, the event of sense. This event is opening and meaning – verbal tense. God may be a philosophical name of this event. This is recognized by late-modern religious atheist thought. This thought differs from modern scientific rationalism in that the latter’s so-called areligious atheism is actually a hyperreligious theism. On the way, the alleged opposition between philosophy and theology, between thought and faith is seen to erode. The core matter of this philosophy of religion will be the absolute reference, the system of objectivity and the holiness of the name. All this because of a prefix a- that has its sense turned inside out by the death of God.


Author(s):  
Kaitlyn Barton

Rapid advancements in radical life extension technologies contribute to humanity’s ever-changing world. The normalization of radical life extension technologies would signify that the present era in which biology and evolution act as dictators of human life and health would come to an end, thereby ushering in the age of the post-human. The purpose of this paper is to engage in a theological analysis of how and to what degree the ways in which humanity speaks about God could be changed or influenced if radical life extension becomes normative within society. . It is likely that this powerful technology would have a significant impact on many facets of culture, including the way in which humanity engages with religion, in particular Christianity. To accomplish this, the technology that could potentially support radical life extension, namely nanotechnology and cybernetic immortality, will be explained in terms of their relevance and function. Subsequently, the affects of radical life extension for human life will be addressed. Specifically, the implications of the partial or full eradication of human biological and psychological suffering and death through the use of cybernetic immortality and nanotechnology and will be considered. From there, the core theological concepts and narratives will be analyzed in the context of the potential actualization of radical life extension technology. A focus will be placed on the ethic of loving thy neighbour, Christ’s suffering on the cross, the hope of salvation and the Christian hope of entrance into heaven after death. 


Turyzm ◽  
2021 ◽  
Vol 31 (1) ◽  
pp. 11-19
Author(s):  
Vicky Katsoni ◽  
Anna Fyta

The key aim of this article is to provide an interdisciplinary look at tourism and its diachronic textual threads bequeathed by the ‘proto-tourist’ texts of the Greek travel author Pausanias. Using the periegetic, travel texts from his voluminous Description of Greece (2nd century CE) as a springboard for our presentation, we intend to show how the textual strategies employed by Pausanias have been received and still remain at the core of contemporary series of travel guides first authored by Karl Baedeker (in the 19th century). After Baedeker, Pausanias’ textual travel tropes, as we will show, still inform the epistemology of modern-day tourism; the interaction of travel texts with travel information and distribution channels produces generic hybrids, and the ancient Greek travel authors have paved the way for the construction of networks, digital storytelling and global tourist platforms.


1974 ◽  
Vol 115 (1573) ◽  
pp. 223
Author(s):  
Robert Anderson ◽  
Frank Martin ◽  
Schneiderhan ◽  
Badura-Skoda ◽  
Radio Luxembourg Orchestra ◽  
...  

Author(s):  
Andries Odendaal

The way “the local” had been interpreted led to contrasting top-down or bottom-up understandings of local infrastructures for peace. This chapter presents a reinterpretation of the relevance of infrastructures for peace from a practitioner’s perspective, considering past experiences and current theoretical debates. It argues for an appreciation of the complex, interlinked nature of global, national, and local conflicts and the necessity of flexible yet sustained and productive dialogue platforms at the points of frictional interactions at and between all these levels. The capacity to initiate and support such dialogue platforms where, crucially, local agency is respected is at the core of the approach that became known as “infrastructures for peace.”


2020 ◽  
pp. 67-91
Author(s):  
В.И. Чернышов

Пианист Пауль Витгенштейн, желая расширить и обновить свой концертный репертуар, внес в XX веке существенный вклад в фортепианную литературу для левой руки. В 1929–1930 годах он заказывает фортепианный концерт сначала Морису Равелю, а затем Сергею Прокофьеву. Это оказалось возможным благодаря наследству, полученному пианистом после смерти отца — сталелитейного магната Карла Витгенштейна. Если Равелю удалось, хоть и не полностью, удовлетворить потребности заказчика, то Прокофьеву было вовсе отказано в исполнении его музыки. Одной из главных причин неудачи Прокофьева можно считать творческий кризис конца зарубежного периода, когда композитор находился в поисках нового музыкального языка — «новой простоты». В статье прослеживается и сравнивается судьба этих произведений; устанавливаются причины сравнительной невостребованности концерта Прокофьева исполнителями; анализируется композиция, фортепианная фактура и техника, оркестровка. Освещены биографические факты из жизни Пауля Витгенштейна, а также непростые отношения между заказчиком и композиторами. In the twentieth century, the one-armed pianist Paul Wittgenstein made a significant contribution to piano literature for the left hand, which was due to his wish to broaden and update his concert repertoire. In 1929–1930 he ordered a left-handed piano concerto first to Maurice Ravel and then to Sergei Prokofiev. It was possible through the inheritance that Wittgenstein received after the death of his father, the steel magnate Karl Wittgenstein. While Ravel was able to meet the client’s needs, though not completely, Prokofiev was completely denied the performance of his music. One of the main reasons for Prokofiev’s failure might be the creative crisis of the end of the foreign period, when the composer was in search of a new musical language — “the new simplicity”. The article traces and compares the destiny of these piano concertos, specifying the reasons for the relative lack of demand for Prokofiev’s left-handed concerto on behalf of performers. The article also analyzes music, piano texture and technique, form, orchestration of the lefthanded concertos. Special attention is paid to biographical facts from Paul Wittgenstein’s life, as well as uneasy relationship between the client and the composers.


2015 ◽  
pp. 1387-1416
Author(s):  
Fabio Bracci ◽  
Antonio Corradi ◽  
Luca Foschini

Starting from the core assumption that only a deep and broad knowledge of existing efforts can pave the way to the publication of widely-accepted future Cloud standards, this chapter aims at putting together current trends and open issues in Cloud standardization to derive an original and holistic view of the existing proposals and specifications. In particular, among the several Cloud technical areas, the analysis focuses on two main aspects, namely, security and interoperability, because they are the ones mostly covered by ongoing standardization efforts and currently represent two of the main limiting factors for the diffusion and large adoption of Cloud. After an in-depth presentation of security and interoperability requirements and standardization issues, the authors overview general frameworks and initiatives in these two areas, and then they introduce and survey the main related standards; finally, the authors compare the surveyed standards and give future standardization directions for Cloud.


Sign in / Sign up

Export Citation Format

Share Document