DARMSTADT 2014: THE COMPOSER-PERFORMER

Tempo ◽  
2015 ◽  
Vol 69 (271) ◽  
pp. 69-72
Author(s):  
Viola Yip

It seems clear that, by a certain point in the twentieth century, the roles of composer and performer had become increasingly separated, but when we think of composers such as JS Bach, Beethoven and Rachmaninov, we are reminded that the idea of the musician as composer-performer is not new. Today, we can see an increasing number of musicians running a double life as composer and performer. What does it mean to be a composer-performer in the twenty-first century? How does the relationship of compositions to their performances change when the composer is the performer?

Author(s):  
Thomas Barfield

This chapter looks at the first decade of the twenty-first century in Afghanistan. As the twentieth century ended, ever-larger numbers of Afghans had become caught up in political and military struggles from which they had been previously isolated. Whether as fighters, refugees, or just victims of war and disorder, few escaped the turmoil that roiled the country. Ethnic and regional groups in Afghanistan had become politically and militarily empowered, reversing the process of centralization that had been imposed by Amir Abdur Rahman. Yet when the international community set about creating the new Afghan constitution, it did not start afresh but attempted to restore the institutions of old. This brought to the surface long-simmering disputes about the relationship of the national government to local communities, the legitimacy of governments and rulers, and the relationship that Afghanistan should have with the outside world.


Author(s):  
William G. Rusch

This chapter describes how Lutheranism has viewed, responded to, and contributed to the ecumenical movement. It defines the nature of Lutheranism and the ecumenical movement. It traces the history of the relationship of Lutheranism to other Christians and their churches from the sixteenth until the twenty-first century. Thus it shows how Lutherans developed their views of the unity of the Church and of its importance. The initial response of Lutheranism to the rise of the ecumenical movement in 1910 was one of caution and fear of doctrinal compromise. During the twentieth century, Lutheran reflection about and involvement in all aspects of the ecumenical movement increased dramatically. One result is that global Lutheranism as represented by the Lutheran World Federation is now a major partner on the ecumenical scene.


Author(s):  
Jan Frans van Dijkhuizen

This chapter offers a history of Dutch translations of Paradise Lost, from the early eighteenth to the early twenty-first century. The focus is on the question of how Dutch translators have grappled with two issues: the epic’s verse form, especially its lack of rhyme and syntactic idiosyncrasies; and its politico-religious dimension, its complex view of the relationship between earthly and divine authority, as well as its anti-predestinarian stance. The history of Paradise Lost in Dutch, which starts with the translation of Van Zanten in 1728, is characterized by an unresolved formal struggle with Milton’s blank verse, embraced unreservedly only in the early twentieth century, with translator Gutteling. Before 1900, the politico-religious dimension of Paradise Lost was at the fore for translators, yet this aspect of the poem has receded in prominence, with translators after 1900 presenting the poem instead as a timeless and self-contained work of literary genius.


Author(s):  
Robert Wuthnow

A CENTURY AND A HALF after Abraham Lincoln lectured at the Methodist Church in Atchison, the principal questions for those of us who ponder the relationship of faith and politics in the twenty-first century are these: What are the decisive turning points that with hindsight can be said to have shaped the region’s political climate—to have produced, in this instance, one of the reddest of the nation’s red states and led to the Religious Right’s lengthy ascendancy? And what broader conclusions can be drawn from this history about the contested place of religion in U.S. politics?...


Author(s):  
Muhammad Khalique ◽  
Shazali Abu Mansor ◽  
Abu Hassan bin Md. Isa ◽  
Jamal Abdul Nassir bin Shaari

In the present century, intellectual capital is recognized as the most important and strategic asset for organizations. Intellectual capital is mainly based on knowledge and useful information. Intellectual capital is playing a critical role to create value from the combination of tangible and intangible assets to enhance the performance of organizations. This chapter looks at the concept and application of intellectual capital and its associated challenges of organizations in a competitive environment. More specifically, this chapter highlights the relationship of intellectual capital with the performance of organizations of various sectors. The relationship of intellectual capital was supported by empirical studies which were done by various renowned researchers in the intellectual capital field. In addition, this chapter discusses the various major components and models of intellectual capital.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Philip Reynolds

Abstract Napoleon harnessed unlimited enmity to transform wars from limited ones to unlimited ones. Accordingly, Clausewitz developed the Trinity to describe this source of power. However, the increasing destruction due to interstate wars has led to a decrease in this type of conflict. At the same time, there has been an increase in partisan wars. The Trinity cannot explain partisan victories or state defeats. Using social psychology to explain the relationship of the partisan to the group, this research shows how partisans harness unlimited enmity to engage in existential wars. Furthering Clausewitzian philosophy, a new analogy, the singularity, is created to describe this power. Implications and conclusions drawn are at the end of the paper.


2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.


2020 ◽  
Vol 38 (1) ◽  
pp. 44-66
Author(s):  
Christine Adams

The relationship of the French king and royal mistress, complementary but unequal, embodied the Gallic singularity; the royal mistress exercised a civilizing manner and the soft power of women on the king’s behalf. However, both her contemporaries and nineteenth- and early twentieth-century historians were uncomfortable with the mistress’s political power. Furthermore, paradoxical attitudes about French womanhood have led to analyses of her role that are often contradictory. Royal mistresses have simultaneously been celebrated for their civilizing effect in the realm of culture, chided for their frivolous expenditures on clothing and jewelry, and excoriated for their dangerous meddling in politics. Their increasing visibility in the political realm by the eighteenth century led many to blame Louis XV’s mistresses—along with Queen Marie-Antoinette, who exercised a similar influence over her husband, Louis XVI—for the degradation and eventual fall of the monarchy. This article reexamines the historiography of the royal mistress.


Author(s):  
Alison James

This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambivalent documentary imagination, present in works by Gide, Breton, Aragon, Yourcenar, Duras, and Modiano (among others), shapes the relationship of literature to visual media, testimonial discourses, and self-representation. Far from turning away from realism in the twentieth century, French literature often turns to the document as a site of both modernist experiment and engagement with the world.


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