The Victorian Marionette Theatre

2006 ◽  
Vol 47 (1) ◽  
pp. 133-135
Author(s):  
Joseph Donohue
Keyword(s):  
Point Of View ◽  
Southern Illinois ◽  
Cambridge University ◽  
Popular Art ◽  
Cultural Phenomenon ◽  
Art Form ◽  
Puppet Theatre ◽  
History Of ◽  
The Subject ◽  
Comprehensive History

John McCormick's delightful book The Victorian Marionette Theatre is at once a labor of love, a comprehensive history of a popular art form, an insider's description of the craft by a longtime practitioner, and a nostalgic reminiscence of a nearly forgotten aspect of the Victorian theatre. For all that, the book has an authoritative point of view and a cohesive unity establishing it as one of the most important sources of its kind, complementing George Speaight's more wide-ranging, classic treatment of the subject, The History of the English Puppet Theatre (London: G. G. Harrap, 1955; 2d ed., Carbondale: Southern Illinois University Press, 1990) and McCormick's own companion study, coauthored with Bennie Pratasik, Popular Puppet Theatre in Europe, 1800–1914 (Cambridge: Cambridge University Press, 1998). Those three works anchor a shelf of studies of a major cultural phenomenon.

Beérkezett könyvek

2008 ◽  
Vol 63 (4) ◽  
pp. 769-770
Author(s):  
Csaba Pléh
Keyword(s):  
New York ◽  
Point Of View ◽  
Cambridge University ◽  
New Science ◽  
Oxford University ◽  
History Of ◽  
The Mind ◽  
Oxford University Press

Danziger, Kurt: Marking the mind. A history of memory . Cambridge University Press, Cambridge, 2008Farkas, Katalin: The subject’s point of view. Oxford University Press, Oxford, 2008MosoninéFriedJudités TolnaiMárton(szerk.): Tudomány és politika. Typotex, Budapest, 2008Iacobini, Marco: Mirroring people. The new science of how we connect with others. Farrar, Straus and Giroux, New York, 2008Changeux, Jean-Pierre. Du vrai, du beau, du bien.Une nouvelle approche neuronale. Odile Jacob, PárizsGazzaniga_n

Finding a Voice: the Community Dramas of Monticchiello

1991 ◽  
Vol 7 (25) ◽  
pp. 77-96
Author(s):  
Richard Andrews
Keyword(s):  
Social History ◽  
Systematic Analysis ◽  
Cambridge University ◽  
Italian Comedy ◽  
Full Study ◽  
History Of ◽  
Complete Survey ◽  
The Subject ◽  
Regular Contact ◽  
The Village

The regular community drama activity of the village of Monticchiello in Italy has been pursued for nearly a quarter of a century, but is still little known abroad. A full study of the phenomenon is as much a study of the community, past and present, as it is a piece of theatrical analysis, in the area where there is a complete interlock between social history and the theatrical activity which a society produces. Since the work and history of the Teatro Povero have too many ramifications for everything to be summarized or even alluded to in one article, Richard Andrews here sets out to introduce the subject to students of theatre ‘by example’ – aiming to dig a single trench into the strata, in order to convey the outlines of the subject, hopefully without damage to the evidence needed for a more complete survey. Richard Andrews is Professor of Italian at Leeds University, having previously taught at Swansea and Kent. For the past fifteen years his research interests have been mainly concentrated on theatrical material, and he is currently preparing a study of sixteenth-century Italian comedy for Cambridge University Press. His regular contact with Monticchiello dates from 1983, and has been supported by a systematic analysis of all the texts produced there since 1967.

Glorious Apollo: Poetic and Political Themes in the First Opera

1979 ◽  
Vol 32 (4) ◽  
pp. 485-513 ◽  
Author(s):  
Barbara Russano Hanning
Keyword(s):  
Art Form ◽  
History Of ◽  
The Subject ◽  
The Universe ◽  
Early Opera

Historians of early opera have occasionally noted the appropriateness of Orpheus’ appearance as artistic spokesman for the new art form. Poet-singer par excellence of antiquity, whose music shook the very depths of the universe as he retrieved Eurydice from the Underworld, Orpheus surely appealed to the early opera composers and their humanist program—to recreate the moving power of an entirely sung drama by forging a new union of poetry, music, and gesture.In the history of opera, however, primacy of place must be given to the god Apollo, for the legend of Apollo and Daphne was the subject of the first favola per musica, La Dafne, written by Ottavio Rinuccini, with music composed by Jacopo Corsi and Jacopo Peri, and first performed in 1598 at Corsi's home in Florence.

scholarly journals Two Anatolys and One “Angelica”: On the History of the “Southwestern Literary School”

Literary Fact ◽  
2021 ◽  
pp. 280-313
Author(s):  
Alena L. Yavorskaya ◽  
Andrei B. Ustinov
Keyword(s):  
Radical Change ◽  
Cultural Phenomenon ◽  
Cultural Life ◽  
History Of ◽  
The Subject ◽  
Viktor Shklovsky ◽  
Creative Life ◽  
The Revolution

The subject of the paper is the cultural life of Odessa in the 1910s, and the reconstruction of Anatoly Gamma’s biography, who was 21 when he died in the fall of 1918. His creative life was very short, and appeared to be almost a literary hoax. However, Gamma’s poetry reflected a radical change in the artistic paradigm after the Revolution of 1917. Here the authors reprint all the existing Gamma’s poems published in 1917–18 in the Odessa periodicals. After the tragic death of another Odessa poet Anatoly Fioletov at the age of 21, Gamma’s name happened to appear in obituaries dedicated to both poets. One of those memorial articles entitled “On Two Anatolys (Anatoly Gamma, Anatoly Fioletov)” was published in the Kharkov magazine “Muses” under the nom de plume “Angelica d’Éspré,” which the authors decipher in this essay. Most importantly, being associated with Anatoly Fioletov, Eduard Bagritsky and other Odessa poets, Gamma became a part of a cultural phenomenon that was called by Viktor Shklovsky in 1932 the “Southwestern Literary School.”

An introduction to the history of modern Persian Sufism, Part I: The Ni'matullāhī order: persecution, revival and schism

1998 ◽  
Vol 61 (3) ◽  
pp. 437-464 ◽  
Author(s):  
Leonard Lewisohn
Keyword(s):  
Religious Tradition ◽  
Point Of View ◽  
The Political ◽  
Religious Thought ◽  
Literature And Philosophy ◽  
Modern Period ◽  
Modern Development ◽  
Mystical Tradition ◽  
History Of ◽  
The Subject

Following the political upheavals of 1978, the history and development of Shiite religious thought in modern-day Persia has been the subject of detailed scholarly studies, but the modern development of Sufism—the mystical tradition that lies at the heart of traditional Persian culture, literature and philosophy, which is, from the cultural and literary point of view at least, the most fascinating aspect of the Perso-Islamic religious tradition—remains almost completely uncharted. In contrast to the classical and medieval periods of Persian Sufism which have undergone much scholarly investigation in recent years, the study of the modern period of Iranian tasawwuf, though far better known and documented, has been seriously neglected by scholars.

СРАВНИТЕЛЬНО-ИСТОРИЧЕСКИЙ АНАЛИЗ ПОНУДИТЕЛЬНОГО ЗАЛОГА (на материале кыргызского и турецкого языков)

2020 ◽  
pp. 8-12
Author(s):  
Айгүл Турсунова
Keyword(s):  
Point Of View ◽  
The Real ◽  
History Of ◽  
The Subject ◽  
Semantic Point ◽  
Linguistic Methods ◽  
The Relationship

Баарыбызга маалым болгондой аркылуу мамиле этишке мүнөздүү категория. Мамиле категорияларынын эӊ негизги өзгөчөлүгү - кыймыл-аракеттин субъектиси менен объектисинин ортосундагы мамиле, б.а. сүйлөмдө ээлик милдет аткарган сөздүн же кыймыл-аракеттин чыныгы аткаруучусунун субъект же объект экендигин аныктайт. Алардын ичинен аркылуу мамиле кыймыл-аракеттин башка бирөө тарабынан иштелгенин билдирет. Биз бул эмгегибизде кыргыз тилиндеги мамиле категорияларынан - аркылуу мамилени тарыхый жана маанилик жактан анализдемекчибиз. Маанилерди аныктоодо бул мамиленин байыркы Көктүркчөдөн азыркы убакка чейинки басып өткөн жолу талданып, кандай лигвистикалык методдор менен түзүлөрүнө да кеӊири токтолдук. Макалабызда кыргыз тили менен түрк тили негизге алынды. Категория залога - есть необходимая категория языковой мысли, присущая общению. Важнейшей особенностью категорий залога является отношение между субъектом и объектом действия. В предложении данная категория определяет, является ли реальный исполнитель слова или действия, выполняющий функцию, субъектом или объектом, и означает ли что действие было разработано кем-то другим. В этой статье мы проанализируем категорию залога с исторической и семантической точек зрения в кыргызском языке. Определяя значения, мы будем анализировать историю этих залогов от древнего Коктюрского времени до наших дней и подробно обсуждать лингвистические методы, с помощью которых они сформированы. Наша статья основана на материале кыргызского и турецкого языков. The collateral category is a necessary category of linguistic thought inherent in communication. The most important feature of the categories of collateral is the relationship between the subject and the object of the action. In a sentence, this category determines whether the real performer of a word or action performing a function is a subject or an object, and means that the action was designed by someone else. In this article, we will analyze the category of collateral from a historical and semantic point of view in the Kyrgyz language. By defining the meanings, we will analyze the history of these pledges from ancient Cocturian times to the present day and discuss in detail the linguistic methods by which they were formed. Our article is based on the material of the Kyrgyz and Turkish languages.

New technologies for data and image storage and their application to the history of art

1982 ◽  
Vol 7 (2) ◽  
pp. 67-81 ◽  
Author(s):  
Michael Greenhalgh
Keyword(s):  
New Technologies ◽  
New Technology ◽  
Point Of View ◽  
Image Storage ◽  
General Terms ◽  
History Of Art ◽  
Art Historians ◽  
History Of ◽  
The Subject

In general terms, this paper is about the possibilities newly available to art historians, because of the new cheapness, of computing, and the problems which still exist in the areas of data and image storage, retrieval and display. First it tries to assess the technology from a layman’s point of view, then ventures into the contentious matter of how many art historians (in these days of reduced funding) are either able or willing to take advantage (if there are advantages) of new technology. Threading throughout the paper are doubts about whether the use of computers can or will advance the study of the subject (as opposed to making that study easier), and about whether the finance for some of the hardware mentioned could ever be raised by any non-scientific department.

IV. John Lingard and the Simancas Archives

1967 ◽  
Vol 10 (1) ◽  
pp. 57-76
Author(s):  
Edwin Jones
Keyword(s):  
Sixteenth Century ◽  
Point Of View ◽  
English History ◽  
Parish Priest ◽  
The Reformation ◽  
The World ◽  
History Of ◽  
The Subject ◽  
State Archives ◽  
Source Materials

John Lingard (1771–1851) was the first English historian to attempt to look at the history of England in the sixteenth century from an international point of view. He was unconvinced by the story of the Reformation in England as found in the works of previous historians such as Burnet and Hume, and believed that new light needed to be thrown on the subject. One way of doing this was to look at English history from the outside, so to speak, and Lingard held it to be a duty of the historian ‘to contrast foreign with native authorities, to hold the balance between them with an equal hand, and, forgetting that he is an Englishman, to judge impartially as a citizen of the world’. In pursuit of this ideal Lingard can be said to have given a new dimension to the source materials for English history. As parish priest in the small village of Hornby, near Lancaster, Lingard had few opportunities for travel. But he made good use of his various friends and former pupils at Douai and Ushaw colleges who were settled now in various parts of Europe. It was with the help of these friends that Lingard made contacts with and gained valuable information from archives in France, Italy and Spain. We shall concern ourselves here only with the story of Lingard's contacts with the great Spanish State Archives at Simancas.

scholarly journals V. On the early development of cirripedia

1894 ◽  
Vol 185 ◽  
pp. 119-232 ◽  
Keyword(s):  
Life History ◽  
Early Development ◽  
Developmental Stages ◽  
Short Stay ◽  
Complete Understanding ◽  
Cambridge University ◽  
Modern Methods ◽  
History Of ◽  
Complete Series ◽  
The Subject

During a short stay at Plymouth, in 1889, I was engaged in studying certain points in the anatomy of Cirripedia; finding, however, that a knowledge of the embryology was necessary in order to arrive at a complete understanding of the adult structure, I became wishful to investigate the life-history of some one member of the group. This I had an opportunity of doing at Naples, where I was appointed to occupy the Cambridge University Table at the Zoological Station for a period of six months, subsequently increased to nine. I here succeeded in obtaining a practically complete series of stages of Balanus perforatus , Bruguiere, as well as many stages in other members of the group. Though a number of able observers have occupied themselves with the embryology of Cirripedes, yet, owing to lack of opportunity, and to the difficulty of obtaining complete series of developmental stages, as well' as to the inherent difficulties in the subject, much remained to be done in this line. Willemoes-Suhm alone, with the advantages afforded by his position during the Challenger Expedition, has hitherto obtained a complete series of stages of any one form, but he failed to trace the history of the earlier stages, and in the later, limited himself to the appearance of fresh and spirit specimens, as seen without cutting sections. In fact the method of sections has been little applied to the development of Cirripedes, and not at all to the earlier stages. There is, therefore, little apology needed for an account embracing the results obtained by the employment of some of the more modern methods of embryological study.

Depth, Ecology, and the Deep Ecology Movement

2019 ◽  
Vol 41 (4) ◽  
pp. 293-303
Author(s):  
Luca Valera ◽  
Keyword(s):  
Research Methodology ◽  
Point Of View ◽  
Deep Ecology ◽  
Total Field ◽  
Relational Ontology ◽  
Psychological Dimension ◽  
Ecological Self ◽  
History Of ◽  
The Subject ◽  
Arne Næss

The aim of this paper is to focus on the idea of depth developed by Arne Næss, which is related both to his research methodology and some of its anthropological/cosmological implications. Far from being purely a psychological dimension (as argued by Warwick Fox), in Næss’s perspective, the subject of depth is a methodological and ontological issue that underpins and lays the framework for the deep ecology movement. We cannot interpret the question of “depth” without considering the “relational ontology” that he himself has developed in which the “ecological self” is viewed as a “relational union within the total field.” Based on this point of view, I propose that we are able to reinterpret the history of the deep ecology movement and its future, while rereading its politics, from the issue of depth.

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