Some Amharic sources for modern Ethiopian history, 1889–1935

1978 ◽  
Vol 41 (2) ◽  
pp. 283-296 ◽  
Author(s):  
Peter P. Garretson
Keyword(s):  
Fourteenth Century ◽  
Addis Ababa ◽  
Literary Tradition ◽  
Written Language ◽  
Literary Works ◽  
New Era ◽  
Imperial Court ◽  
History Of ◽  
Set Up ◽  
Printing Presses

Emperor Menelik's reign (1889–1913) opens a new era in the kind of sources that the historian has at his disposal for the analysis of modern Ethiopian history. During his reign printing presses were set up in the country and spurred a gradual growth in the more widespread use of Amharic, not just as the spoken but also the written language of the imperial court. This is not to say that the Gә'әz literary tradition in Ethiopia disappeared altogether, for some chronicles in Gә'әz continued to be written after 1935, often very similar in form and content to those which have survived for the Gondarine and earlier periods of Ethiopian history. However, Menelik's reign, and the official chronicle of it by Gäbrä Sәllase, mark a significant departure, not least because the chronicle was written in Amharic and not in Gә'әz. There are a few earlier published literary works in Amharic, the songs of the kings of the fourteenth century being the most significant, but it should be emphasized that the Gә'әz tradition continued parallel to the Amharic in the form of tarikä nägäst, i.e the history of kings. Some of these are now preserved at the Institute of Ethiopian Studies at Addis Ababa, like the Gondarine tarikä nägäst which belonged to Nәgus Wäldä Giyorgis, the valuable biography of the grandson of Emperor Tewodros (1855–68), Mäšäša, and a published biography of Ras Makonnen.

Some Thoughts About Genre in Old Javanese Literature

2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Peter John Worsley
Keyword(s):  
Fourteenth Century ◽  
Thirteenth Century ◽  
Poetic Form ◽  
Literary Works ◽  
Present Essay ◽  
Epic Poem ◽  
The World ◽  
History Of ◽  
Poetic Work

Robson in 1983 and 1988 in his reconsideration of the poetics of kakawin epics and Javanese philology drew readers’ attention to the importance of genre for the history of ancient Javanese literature. Aoyama in his study of the kakawin Sutasoma in 1992, making judicious use of Hans Jauss’s concept of “horizon of expectation”, offered the first systematic discussion of the genre of Old Javanese literary works. The present essay offers a commentary on the terms which mpu Monaguna and mpu Prapañca, authors of the thirteenth century epic kakawin Sumanasāntaka and the fourteenth century Deśawarṇana, themselves, employ to refer to the generic characteristics of their poems. Mpu Monaguna referred to his epic poem as a narrative work (kathā), written in a prakṛt, Old Javanese, and rendered in the poetic form of a kakawin and finally as a ritual act intended to enable the poet to achieve apotheosis with his tutelary deity and his poem to be the means of transforming the world, in particular to ensure the wellbeing of the readers, listeners, copyists and those who possessed copies of his poetic work. Mpu Prapañca described his Deśawarṇana differently. Also written in Old Javanese and in the poetic form of a kakawin—he refers to his work variously as a narrative work (kathā), a chronicle (śakakāla or śakābda), a praise poem (kastawan) and also as a ritual act designed to enable the author in an ecstatic state of rapture (alangö), and filled with the power and omniscience of his tutelary deity, to ensure the continued prosperity of the realm of Majapahit and to secure the rule of his king Rājasanagara. The essay considers each of these literary categories.

The Duchy of Lancaster Council and Court of Duchy Chamber The Alexander Prize Essay

1941 ◽  
Vol 23 ◽  
pp. 159-177 ◽  
Author(s):  
R. Somerville
Keyword(s):  
Fourteenth Century ◽  
English History ◽  
Henry Iv ◽  
The Status ◽  
History Of ◽  
Ex Nihilo ◽  
Set Up ◽  
Prize Essay ◽  
Dividing Line

The origin of that court of equity which sat at Westminster as the court of duchy chamber has prompted more than one guess, but none of the guesses has reached the truth. Their authors, in applying the Lucretian principle ex nihilo nihil fit and by searching for a definite act of creation, have forgotten an equally profound truth so well emphasised in medieval English history, that few of our great institutions were created all at once, or sprang into life completely armed like Pallas Athene from the head of Zeus. Most of these writers have seen in Henry IV's accession to the throne a sharp dividing line in the history of the duchy of Lancaster, which in fact it was not. The charter by which Henry IV regulated the status of the duchy in 1399 expressly provided for a continuance of the existing administration.Another factor in obscuring the origin of this court has been a confusion with the chancery court of Lancashire. This chancery was set up by a definite act in the middle of the fourteenth century and revived soon after; in the course of time it acquired an equity jurisdiction similar to that exercised by the royal chancery. But its jurisdiction was, and still is, limited to Lancashire, whereas the court of duchy chamber had a much wider range. This confusion is apparent in legal works of the sixteenth and seventeenth centuries; Coke continued the misconception, with the result that even modern writers of repute have been led astray.

scholarly journals Identities of Composite literary tradition during the Sultanate of Delhi: A study of Amir Khusrau and Kabir in the making of Indian heritage

2021 ◽  
Vol 7 (1) ◽  
pp. 37-48
Author(s):  
Imon Ul Hossain
Keyword(s):  
Critical Analysis ◽  
Social Relationship ◽  
Literary Tradition ◽  
Human Relationship ◽  
History Writing ◽  
Indian History ◽  
Central Asian ◽  
History Of ◽  
Medieval India ◽  
Set Up

The history of Medieval India had long been interpreted on two grounds basically, - the age  of destruction of Indian civilization by the central Asian invaders; and the growth of composite culture. But the above terms reflect contradictory sense because if the advent of foreigners fully eliminated India’s glorious past then how could there be an amelioration of cultural assimilation during our period of study. In this regard, communalist modern scholars of this period can be held responsible, who sought to disseminate unscientific viewpoints on both Hindu and Muslim superiority, or at best with a so-called notion of “community crisis”. In fact, it is not even so hard to identify the biasness of Marxist scholars who set up a dominance in medieval Indian history writing by excluding many impartial treatments. However, as a chief offshoot of this composite tradition the mystic literary practice had thrived out of Bhakti and Sufi movement, which imparted the idea of love and devotion for God, simultaneously emphasized the harmonious social relationship through the spiritual promulgation of human relationship with extra-mundane world. This paper has attempted to describe the literary aspects of Delhi Sultanate period, by which the composite cultural scenario can be discernible in the making of Indian heritage, and tried to evaluate several subsided corners of this subject. As a part of my discussion, therefore, I have decided to provide a critical analysis about the two most prominent mystic authors of this age- Amir Khusrau and Kabir.

scholarly journals Translation and Historiography: How an Interpreter Shaped Historical Records in Latter Han China1

2008 ◽  
Vol 19 (2) ◽  
pp. 225-252
Author(s):  
Rachel Lung
Keyword(s):  
Sichuan Basin ◽  
Han Dynasty ◽  
Written Language ◽  
First Century ◽  
The Political ◽  
Historical Records ◽  
Chinese Translation ◽  
The West ◽  
Imperial Court ◽  
History Of

Abstract This article analyzes evidence of interpreting activities in first-century China between the Latter Han (25–220 AD) Chinese administration and non-Han Chinese minority tribes along the then Southwestern frontier (modern Yunnan and the west of Sichuan basin). Besides confirming the existence of interpreting events and the subsequent Chinese translation of three tribal sung poems, a tribal tribute to Emperor Ming (r. 58–75) in a Qiang dialect (without a written language, apparently), this piece of evidence is also of interest to historians of interpreting in four aspects, namely, the nature of interpreting activities in China in antiquity; possible political rewards for the amateur interpreter who was a frontier clerk by profession because of possible translation manipulation; textual traces from the Chinese translation of the poems that suggests a possible manipulation in meaning and style; and the (interpreter’s) superior’s part in the manipulation of the translation, which eventually found its way into the standard history of the Latter Han dynasty. Considering the political needs of Latter Han China to promote the Sinicization cause among non-Han tribesmen in the empire, this article argues, based on analyses of the four factors above, that the interpreter, with his rare knowledge of the tribal tongue in the imperial court, might have consciously shaped the translation of the poems to pander to the liking of his superior and the emperor. This article further shows how and why the interpreter, in his official capacity as a frontier clerk, might have capitalized on his competence in a tribal language and manipulated, albeit mildly, the historical records on the Chinese translation of the poems.

Formation and Development of the Pre-Professional Training System of Foreign Medical Applicants in Ukraine (Historical and Educational Aspect)

2014 ◽  
Vol 4 (3) ◽  
pp. 95-98
Author(s):  
Iana Proskurkina
Keyword(s):  
Foreign Students ◽  
Professional Training ◽  
Training System ◽  
Further Education ◽  
Effective System ◽  
History Of ◽  
Set Up ◽  
The University ◽  
History Of Formation ◽  
Educational Aspect

Abstract The growing number of foreign applicants looking forward to getting education in Ukrainian medical universities makes us find the ways how to improve and make effective the pre-professional training system of foreign medical applicants for further education. The article deals with the issues of the history of formation and development of the preprofessional training system of foreign medical applicants in Ukraine. On the ground of the electronic databases of the official websites of higher educational establishments, the data on years of opening first offices of the dean, departments and preparatory faculties for foreign medical applicants in Ukrainian medical universities are analyzed and systematized. Also the data on the setting up preparatory faculties at other universities who carry out licensed training of foreign students of the medical profile are presented. The data on the operating and management of such institutions in the system of the University administration are generalized. It’s revealed that during the years of its functioning the pre-professional training has changed, in particular the system was commercialized and the institutions involved in training foreign applicants have been reorganized. The modern trends in teaching foreign medical students at the preparatory faculties of the Ukrainian medical universities are displayed. Based on the analysis of the data it is concluded that the system of the pre-professional training of foreign medical applicants was set up in the 50s-60s years of the twentieth century. During this time, some positive experience in the preparation of future international medical specialists has been gained. The system of the pre-professional training of foreign medical applicants has been comprehensively improved and an effective system of managing foreign medical applicants has been created.

The Emergence of Rabbinic Culture from the Perspective of Qumran

2015 ◽  
Vol 6 (2) ◽  
pp. 253-274
Author(s):  
Vered Noam
Keyword(s):  
Early Stage ◽  
Second Temple ◽  
Test Case ◽  
Literary Works ◽  
Jewish Culture ◽  
The Bible ◽  
Set Up

The rabbinic halakhic system, with its many facets and the literary works that comprise it, reflects a new Jewish culture, almost completely distinct in its halakhic content and scope from the biblical and postbiblical culture that preceded it. By examining Jewish legislation in the area of corpse impurity as a test case, the article studies the implications of Qumranic halakhah, as a way-station between the Bible and the Mishnah, for understanding how Tannaitic halakhah developed. The impression obtained from the material reviewed in the article is that the direction of the “Tannaitic revolution” was charted, its methods set up, and its principles established, at a surprisingly early stage, before the destruction of the Second Temple, and thus at the same time that the Qumran literature was created.

Отцейхгаузадомузеяизисториивоенно-историческогомузеяартиллерии,инженерныхвойскивойсксвязи

2019 ◽  
pp. 134-197
Author(s):  
V.E. . Sergei
Keyword(s):  
18Th Century ◽  
Military History ◽  
Peter The Great ◽  
General Field ◽  
Signal Corps ◽  
History Of ◽  
Set Up ◽  
The 1960S ◽  
Military Engineering ◽  
The Military

The article is dedicated to the history of the Military Historical Museum of Artillery, Engineering and Signal Corps. The author examines the main stages of the museums formation, starting with the foundation of the Arsenal, established in St. Petersburg at the orders of Peter the Great on August 29th 1703 for the safekeeping and preservation of memory, for eternal glory of unique arms and military trophies. In 1756, on the base of the Arsenals collection, the General Inspector of Artillery Count P.I. created the Memorial Hall, set up at the Arsenal, on St. Petersburgs Liteyny Avenue. By the end of the 18th century the collection included over 6,000 exhibits. In 1868 the Memorial Hall was transferred to the New Arsenal, at the Crownwork of the Petropavlovsky Fortress, and renamed the Artillery Museum (since 1903 the Artillery Historical Museum). A large part of the credit for the development and popularization of the collection must be given to the historian N.E. Brandenburg, the man rightly considered the founder of Russias military museums, who was the chief curator from 1872 to 1903. During the Civil and Great Patriotic Wars a significant part of the museums holdings were evacuated to Yaroslavl and Novosibirsk. Thanks to the undying devotion of the museums staff, it not only survived, but increased its collection. In the 1960s over 100,000 exhibits were transferred from the holdings of the Central Historical Museum of Military Engineering and the Military Signal Corps Museum. In 1991 the collection also received the entire Museum of General Field Marshal M.I. Kutuzov, transferred from the Polish town of Bolesawjec. The Military Historical Museum of Artillery, Engineering and Signal Coprs is now one of the largest museums of military history in the world. It holds an invaluable collection of artillery and ammunition, of firearms and cold steel arms, military engineering and signal technology, military banners, uniforms, a rich collection of paintings and graphic works, orders and medals, as well as extensive archives, all dedicated to the history of Russian artillery and the feats of our nations defenders.Статья посвящена истории создания ВоенноИсторического музея артиллерии, инженерных войск и войск связи. Автор рассматривает основные этапы становления музея, начиная с основания Арсенала, созданного в СанктПетербурге по приказу Петра I 29 августа 1703 года для хранения и сохранения памяти, во имя вечной славы уникального оружия и военных трофеев. В 1756 году на базе коллекции Арсенала генеральный инспектор артиллерии граф П. И. создал мемориальный зал, установленный при Арсенале, на Литейном проспекте СанктПетербурга. К концу 18 века коллекция насчитывала более 6000 экспонатов. В 1868 году Мемориальный зал был перенесен в Новый Арсенал, на венец Петропавловской крепости, и переименован в Артиллерийский музей (с 1903 года Артиллерийский Исторический музей). Большая заслуга в развитии и популяризации коллекции принадлежит историку Н.Е. Бранденбургу, человеку, по праву считавшемуся основателем российских военных музеев, который был главным хранителем с 1872 по 1903 год. В годы Гражданской и Великой Отечественной войн значительная часть фондов музея была эвакуирована в Ярославль и Новосибирск. Благодаря неусыпной преданности сотрудников музея, он не только сохранился, но и пополнил свою коллекцию. В 1960х годах более 100 000 экспонатов были переданы из фондов Центрального исторического военноинженерного музея и Музея войск связи. В 1991 году коллекцию также получил весь музей генералфельдмаршала М. И. Кутузова, переданный из польского города Болеславец. Военноисторический музей артиллерии, инженерных войск и войск связи в настоящее время является одним из крупнейших музеев военной истории в мире. Здесь хранится бесценная коллекция артиллерии и боеприпасов, огнестрельного и холодного оружия, военной техники и сигнальной техники, военных знамен, обмундирования, богатая коллекция живописных и графических работ, орденов и медалей, а также обширные архивы, посвященные истории русской артиллерии и подвигам защитников нашего народа.

Conclusion

2017 ◽  
Author(s):  
Simon A. Waldman ◽  
Emre Caliskan
Keyword(s):  
Turkish Republic ◽  
Fragile State ◽  
New Era ◽  
The Public ◽  
Illiberal Democracy ◽  
History Of ◽  
Election Victory

After another election victory, but this time winning almost 52 per cent of the vote, Recep Tayyip Erdogan became the first popularly elected president in the history of the Turkish Republic. In his victory speech, Erdogan vowed to lead Turkey into a "new era of social reconciliation by leaving old disputes in the Old Turkey." He also called on the public to "mobilize our energy for New Turkey”. However, his polarizing rhetoric and steps towards an illiberal democracy may alienate many Turkish discontents, and unless wounds are healed Turkey risks being a weak and fragile state.

The Art of Love Poetry

2018 ◽  
Author(s):  
Erik Gray
Keyword(s):  
Popular Culture ◽  
Cultural History ◽  
Literary Tradition ◽  
Love Poetry ◽  
Erotic Love ◽  
Wide Range ◽  
History Of ◽  
And Function ◽  
Meaning And Function ◽  
Comprehensive History

Love begets poetry; poetry begets love. These two propositions have seemed evident to thinkers and poets across the Western literary tradition. Plato writes that “anyone that love touches instantly becomes a poet.” And even today, when poetry has largely disappeared from the mainstream of popular culture, it retains its romantic associations. But why should this be so—what are the connections between poetry and erotic love that lead us to associate them so strongly with one another? An examination of different theories of both love and poetry across the centuries reveals that the connection between them is not merely an accident of cultural history—the result of our having grown up hearing, or hearing about, love poetry—but something more intrinsic. Even as definitions of them have changed, the two phenomena have consistently been described in parallel terms. Love is characterized by paradox. Above all, it is both necessarily public, because interpersonal, and intensely private; hence it both requires expression and resists it. In poetry, especially lyric poetry, which features its own characteristic paradoxes and silences, love finds a natural outlet. This study considers both the theories and the love poems themselves, bringing together a wide range of examples from different eras in order to examine the major structures that love and poetry share. It does not aim to be a comprehensive history of Western love poetry, but an investigation into the meaning and function of recurrent tropes, forms, and images employed by poets to express and describe erotic love.

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