Notes on Roman Policy in Illyria (230–201 B.C.)

1952 ◽  
Vol 20 ◽  
pp. 72-93 ◽  
Author(s):  
E. Badian

The history of the relations of the Roman Republic with the kings, tribes, and cities of Illyria cannot at present be written, as the evidence does not permit the construction of a coherent and comprehensive account. This, perhaps, is why scholars have often tended to neglect the subject, and have thereby been led into serious errors in dealing with the history of Roman expansion and early imperial organisation. It is the aim of this paper to set out what conclusions can be reached on some important aspects of the subject, and to indicate the way in which these conclusions may be related to the general study of Roman foreign policy during its most interesting period.

1997 ◽  
Vol 28 (3) ◽  
pp. 413-436
Author(s):  
Chris H. Knights

AbstractThis article is the third in a series of studies on The History of the Rechabites. The first, "The Story of Zosimus or The History of the Rechabites?,"1 established the independent identity of this text within the Christian monastic work, The Story of Zosimus, and was a sort of prolegomena to the study of this text. The second, "Towards a Critical-Introduction to The History of the Rechabites,"2 sought to address the standard introductory issues, such as date, original language, provenance and purpose. The present paper seeks to examine the text verse-by-verse, and to offer a commentary on it. Or, rather, an initial commentary. No commentary of any sort has ever been offered on the Greek text of HistRech before, and it would be foolhardy to claim that any one scholar could perceive all the allusions and meanings in a particular text at a first attempt. This commentary, then, is offered in the same spirit as my two previous studies on HistRech: as a step along the way towards unravelling the meaning of this pseudepigraphon about the Rechabites, not as the last word on the subject.


1951 ◽  
Vol 10 (2) ◽  
pp. 205-223
Author(s):  
W. E. Mosse

The part played by Queen Victoria in the conduct of foreign affairs during the early phases of Bismarck's unification of Germany, and more particularly during the crisis of 1866, has been but incompletely revealed in her published correspondence.1 The editors of the Queen's letters, obliged to make a careful selection from abundant manuscript material, could not, from the nature of their task, give a comprehensive account of the Queen's influence on the conduct of diplomatic affairs. Nor has any subsequent historian examined in detail the Queen's tenacious struggle for the success of her German policy. Hardie's study, the only one which covers the subject, is based, on the diplomatic side, exclusively on the Queen's published letters.


2002 ◽  
Vol 01 (03) ◽  
Author(s):  
Emanuele Salerno

This paper is concerned with the interactions between information technology and the humanities, and focuses on how the humanities have changed since adopting computers. The debate among humanists on the subject initially focuses on the alleged methodological changes brought about by the introduction of computing technology. It subsequently analyses the changes in research that were caused by IT not directly but indirectly, as a consequence of the changes effected on society as a whole. After briefly summarising the history of the interactions between information technology and the humanities, the paper draws on literature to examine the way humanists have perceived the evolution of their disciplines. The paper concludes by fitting the phenomenon into a model of scientific revolution.


2010 ◽  
Vol 45 (1) ◽  
pp. 81-107 ◽  
Author(s):  
TAYLOR C. SHERMAN

AbstractWhilst the history of the Indian diaspora after independence has been the subject of much scholarly attention, very little is known about non-Indian migrants in India. This paper traces the fate of Arabs, Afghans and other Muslim migrants after the forcible integration of the princely state of Hyderabad into the Indian Union in 1948. Because these non-Indian Muslims were doubly marked as outsiders by virtue of their foreign birth and their religious affiliation, the government of India wished to deport these men and their families. But the attempt to repatriate these people floundered on both political and legal shoals. In the process, many were left legally stateless. Nonetheless, migrants were able to creatively change the way they self-identified both to circumvent immigration controls and to secure greater privileges within India.


2001 ◽  
Vol 95 (2) ◽  
pp. 515-516
Author(s):  
John Vasquez

When the intellectual history of international relations in- quiry is written for our time, War and Peace in International Rivalry may very well be seen as a seminal book. Along with Frank Wayman, Diehl and Goertz have been at the forefront of a major conceptual breakthrough in the way peace and war are studied. This book is their major statement of the subject and presents their most important findings.


2014 ◽  
Vol 23 (2) ◽  
pp. 167-192 ◽  
Author(s):  
ANNA KRYLOVA

‘Modernity’ has long been a working category of historical analysis in Russian and Soviet studies. Like any established category, it bears a history of its own characterised by founding assumptions, conceptual possibilities and lasting interpretive habits. Stephen Kotkin's work has played a special role in framing the kind of scholarship this category has enabled and the kind of modernity it has assigned to twentieth-century Russia. Kotkin's 1995Magnetic Mountainintroduced the concept of ‘socialist modernity’. His continued work with the concept in his 2001Kritikaarticle ‘Modern Times’ and his 2001Armageddon Avertedmarked crucial moments in the history of the discipline and have positioned the author as a pioneering and dominant voice on the subject for nearly two decades. Given the defining nature of Kotkin's work, a critical discussion of its impact on the way the discipline conceives of Soviet modernisation and presents it to non-Russian fields is perhaps overdue. Here, I approach Kotkin's work on modernity as the field's collective property in need of a critical, deconstructive reading for its underlying assumptions, prescribed master narratives, and resultant paradoxes.


2021 ◽  
Vol 2 (6) ◽  
pp. 290-299
Author(s):  
Venera R. Amineva ◽  

The characteristics of a new type of literary discourse having a feature of transculturality is given on the material of a poem “Prayer for the Cup” (1989–1991) a significant work by R. Bukharaev. A global, multicultural and international world is reconstructed in the poem, the existence of which is determined by the idea of transitivity — simultaneity and continuous flow, transitions from one into another: epochs, events, topos, languages. The hero of this world — is a lonely stranger, walking along the road of life, linearly opening the autonomous world of his “I”. the history of his spiritual travel correlates with the way of Christ full of suffering. The poem is full of historical and literary allusions and reminiscences from the world literary works, performing an identifying function. It is stated that identification performed by different elements of a literary text is carried out both “on the borders”, “in the interval” between different traditions, as well as “within the limits”, “inside” a homogeneous culture. Therefore, it is multiple, and meanwhile fundamentally incomplete, “split”, “fluid”, “intermediate”, “flickering”, probabilistically multiple, constantly questioning its status and revealing the growing plasticity of the subject, who is in the process of constantly recreating its own “I”. A new form of worldview, the product of which is a phenomenon of transcultural literature, is formed by synthesizing tendency. It functions within the artistic world of the poem and overcomes the boundaries between different types of culture and traditions, demonstrating the way new meanings overcome it, tolerant in their content and functions, can be appear from confrontation. An ability of an artistic image to endless mutual overflowing and transformations of meaning is a new quality of poetic language corresponding to the peculiarities of the transcultural type of artistic consciousness.


1970 ◽  
pp. 273-284
Author(s):  
Maciej Pietrzak

Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.


2008 ◽  
Vol 15 (2) ◽  
pp. 1-18
Author(s):  
Malcolm Thomis

Helen Taylor made a unique contribution to the democratisation of history in Queensland. She gave us, in Abraham Lincoln's immortal words, History ‘of the people, by the people, for the people’. In so doing, she loosened the stultifying stranglehold of both schools and universities — history's traditional domain. Since history appeared on the school curriculum, generations of children have undergone the arid and depressing experience of being adjudged ‘not good at history’ because of an inability to memorise a string of meaningless dates. The successful ones who went on to study the subject at university encountered a program that was academic and elitist in both content and purpose. Thought by many to be a worthy successor to the Classics for the training of fine minds, it was for a long time concerned almost exclusively with the activities of governments, the machinery of power in the domestic context and its external manifestations overseas, foreign policy and imperialism. Helen Taylor's notion of history was something very different.


Author(s):  
BRIAN A. SPARKES

Martin Robertson published the History of Greek Art in 1975, which has continued to hold its place in English language scholarship. It was the culmination of years of patient research that had started when he embraced the teaching of the history of the subject nearly thirty years earlier. Reviewers remarked on the way in which the book was both a personal study of Greek art and also a comprehensive treatment of the whole field. Through its measured structure and the grace and power of its style, it shows the author at the peak of his talent.


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