Migration, Citizenship and Belonging in Hyderabad (Deccan), 1946–1956

2010 ◽  
Vol 45 (1) ◽  
pp. 81-107 ◽  
Author(s):  
TAYLOR C. SHERMAN

AbstractWhilst the history of the Indian diaspora after independence has been the subject of much scholarly attention, very little is known about non-Indian migrants in India. This paper traces the fate of Arabs, Afghans and other Muslim migrants after the forcible integration of the princely state of Hyderabad into the Indian Union in 1948. Because these non-Indian Muslims were doubly marked as outsiders by virtue of their foreign birth and their religious affiliation, the government of India wished to deport these men and their families. But the attempt to repatriate these people floundered on both political and legal shoals. In the process, many were left legally stateless. Nonetheless, migrants were able to creatively change the way they self-identified both to circumvent immigration controls and to secure greater privileges within India.

1997 ◽  
Vol 28 (3) ◽  
pp. 413-436
Author(s):  
Chris H. Knights

AbstractThis article is the third in a series of studies on The History of the Rechabites. The first, "The Story of Zosimus or The History of the Rechabites?,"1 established the independent identity of this text within the Christian monastic work, The Story of Zosimus, and was a sort of prolegomena to the study of this text. The second, "Towards a Critical-Introduction to The History of the Rechabites,"2 sought to address the standard introductory issues, such as date, original language, provenance and purpose. The present paper seeks to examine the text verse-by-verse, and to offer a commentary on it. Or, rather, an initial commentary. No commentary of any sort has ever been offered on the Greek text of HistRech before, and it would be foolhardy to claim that any one scholar could perceive all the allusions and meanings in a particular text at a first attempt. This commentary, then, is offered in the same spirit as my two previous studies on HistRech: as a step along the way towards unravelling the meaning of this pseudepigraphon about the Rechabites, not as the last word on the subject.


2002 ◽  
Vol 01 (03) ◽  
Author(s):  
Emanuele Salerno

This paper is concerned with the interactions between information technology and the humanities, and focuses on how the humanities have changed since adopting computers. The debate among humanists on the subject initially focuses on the alleged methodological changes brought about by the introduction of computing technology. It subsequently analyses the changes in research that were caused by IT not directly but indirectly, as a consequence of the changes effected on society as a whole. After briefly summarising the history of the interactions between information technology and the humanities, the paper draws on literature to examine the way humanists have perceived the evolution of their disciplines. The paper concludes by fitting the phenomenon into a model of scientific revolution.


2021 ◽  
pp. 209-218
Author(s):  
Valeriy Sakharuk

It is becoming ever harder to discover the truth about the events that comprise the history of contemporary Ukrainian art. What gets in the way are the evaluations, interpretations and opinions whose objectivity is cast in doubt by the biases of their authors, largely participants of the events. This article is an attempt to take an unbiased look at these events, define their context in art, and describe the details that have so far escaped the scholarly attention.


2021 ◽  
pp. 1-30
Author(s):  
Raphaëlle Khan ◽  
Taylor C. Sherman

Abstract Despite the existence of a large Indian diaspora, there has been relatively little scholarly attention paid to India's relations with overseas Indians after its independence in 1947. The common narrative is that India abruptly cut ties with overseas Indians at independence, as it adhered to territorially based understandings of sovereignty and citizenship. Re-examining India's relations with Indian communities in Ceylon and Burma between the 1940s and the 1960s, this article demonstrates that, despite its rhetoric, independent India did not renounce responsibility for its diaspora. Instead, because of pre-existing social connections that spanned the former British empire, the Government of India faced regular demands to assist overseas Indians, and it responded on several fronts. To understand this continued engagement with overseas Indians, this article introduces the idea of ‘post-imperial sovereignty'. This type of sovereignty was layered, as imperial sovereignty had been, but was also concerned with advancing norms designed to protect minority communities across the world. India’s strategy to argue for these norms was simultaneously multilateral, regional, and bilateral. It sought to use the United Nations, the Commonwealth, and the 1947 Asian Relations Conference to secure rights for overseas Indians. As those attempts failed, India negotiated claims for citizenship with governments in Burma and Ceylon, and shaped the institutions and language through which Indians voiced demands for their rights in these countries. Indian expressions of sovereignty beyond the space of the nation-state, therefore, impacted on practices of citizenship, even during the process of de-recognition in Asia.


2017 ◽  
Vol 4 (1) ◽  
pp. 95-122 ◽  
Author(s):  
Janjira Sombatpoonsiri

Street interactions between the police and protesters can serve as a barometer of state–society conflict. This article seeks to examine the way in which the police respond to anti-government protests, and how these responses influence the politics of legitimacy at stake. Through the examination of protest policing in Thailand’s decade-long political conflicts, which reached the zenith in 2013–2014, I will show that police responses to these protests were a mixture of three approaches: accommodative, restrictive and hands-off. At least four factors influenced the interplay of these methods: (i) the police’s tactical improvement, which however faces structural challenges; (ii) a history of police politicization; (iii) extreme characteristics of the protests; and (iv) the nature of conflict over governmental legitimacy contributing to public mistrust in the police. The Thai case illustrates that handling anti-government protests necessitates political sensitivity and creativity. Otherwise, the government and especially the police can run the risk of further damaging public trust and institutional legitimacy.


2001 ◽  
Vol 95 (2) ◽  
pp. 515-516
Author(s):  
John Vasquez

When the intellectual history of international relations in- quiry is written for our time, War and Peace in International Rivalry may very well be seen as a seminal book. Along with Frank Wayman, Diehl and Goertz have been at the forefront of a major conceptual breakthrough in the way peace and war are studied. This book is their major statement of the subject and presents their most important findings.


2014 ◽  
Vol 23 (2) ◽  
pp. 167-192 ◽  
Author(s):  
ANNA KRYLOVA

‘Modernity’ has long been a working category of historical analysis in Russian and Soviet studies. Like any established category, it bears a history of its own characterised by founding assumptions, conceptual possibilities and lasting interpretive habits. Stephen Kotkin's work has played a special role in framing the kind of scholarship this category has enabled and the kind of modernity it has assigned to twentieth-century Russia. Kotkin's 1995Magnetic Mountainintroduced the concept of ‘socialist modernity’. His continued work with the concept in his 2001Kritikaarticle ‘Modern Times’ and his 2001Armageddon Avertedmarked crucial moments in the history of the discipline and have positioned the author as a pioneering and dominant voice on the subject for nearly two decades. Given the defining nature of Kotkin's work, a critical discussion of its impact on the way the discipline conceives of Soviet modernisation and presents it to non-Russian fields is perhaps overdue. Here, I approach Kotkin's work on modernity as the field's collective property in need of a critical, deconstructive reading for its underlying assumptions, prescribed master narratives, and resultant paradoxes.


1969 ◽  
Vol 32 (3) ◽  
pp. 3-27
Author(s):  
Sandro Landi

Despite its status as archival source, the public correspondence of Machiavelli has rarely been studied by historians. This essay offers an analysis of this source from the viewpoint of the history of political communication. Usually focussing on the means of transmission, studies on political communication generally fail to address the question of the ontological status of public opinion and its relationship to truth: it is precisely this point that concerns us first of all. We then propose to study communication practices in a defined historical and historiographical context, namely, the construction of the state in modern Italy, understood as both territorial control and conflict management. Machiavelli’s correspondence captures the practical dimension of doxa in a twofold context: that of diplomatic mission, which requires the construction and transmission of truth, and the government of the territory, which requires constant attention both to current rumours and the changing moods of the subject populations.


2021 ◽  
Vol 2 (6) ◽  
pp. 290-299
Author(s):  
Venera R. Amineva ◽  

The characteristics of a new type of literary discourse having a feature of transculturality is given on the material of a poem “Prayer for the Cup” (1989–1991) a significant work by R. Bukharaev. A global, multicultural and international world is reconstructed in the poem, the existence of which is determined by the idea of transitivity — simultaneity and continuous flow, transitions from one into another: epochs, events, topos, languages. The hero of this world — is a lonely stranger, walking along the road of life, linearly opening the autonomous world of his “I”. the history of his spiritual travel correlates with the way of Christ full of suffering. The poem is full of historical and literary allusions and reminiscences from the world literary works, performing an identifying function. It is stated that identification performed by different elements of a literary text is carried out both “on the borders”, “in the interval” between different traditions, as well as “within the limits”, “inside” a homogeneous culture. Therefore, it is multiple, and meanwhile fundamentally incomplete, “split”, “fluid”, “intermediate”, “flickering”, probabilistically multiple, constantly questioning its status and revealing the growing plasticity of the subject, who is in the process of constantly recreating its own “I”. A new form of worldview, the product of which is a phenomenon of transcultural literature, is formed by synthesizing tendency. It functions within the artistic world of the poem and overcomes the boundaries between different types of culture and traditions, demonstrating the way new meanings overcome it, tolerant in their content and functions, can be appear from confrontation. An ability of an artistic image to endless mutual overflowing and transformations of meaning is a new quality of poetic language corresponding to the peculiarities of the transcultural type of artistic consciousness.


1970 ◽  
pp. 273-284
Author(s):  
Maciej Pietrzak

Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.


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