Ukraina Wschodnia jako przestrzeń symboliczna w prozie Serhija Żadana – na podstawie powieści Woroszyłowgrad i Mezopotamia

2020 ◽  
pp. 233-248
Author(s):  
Marta Zambrzycka ◽  
Paulina Olechowska

The subject of the article is an analysis of the three aspects of depicting urban space of Eastern Ukraine, focusing specifi cally on the Donbass region and the city of Kharkov as depicted in the novels Voroshilovgrad (2010) and Mesopotamia (2014) by Serhiy Zhadan. The urban space of Eastern Ukraine overlaps with the most important values that shape a person’s personality and aff ect her or his self-identifi cation. The city space is also a “place of memory” and experiences of generations that infl uence current events. In addition to the historical and axiological dimension, the imaginative aspect of space is also important. This approach is used by the author to describe the urban space as a functioning imagination or stereotypes associated with it as opposed to its realistic depiction.

2021 ◽  
Vol X (2) ◽  
pp. 54-70
Author(s):  
Tea Kamushadze ◽  

The article discusses the revelation of the religiosity of the Azerbaijani community in the postSocialist city of Rustavi and their visibility in the urban space. The subject of research is how their religiosity is expressed in the city space. The article pinpoints the attempt by the Muslim community to build a mosque in the city. This unsuccessful try is forgotten by both members of the community- the Azerbaijani and the Christian population. Everyone has forgotten about it, and the topic has become a subject of taboo. In the article, the search for the invisible traces of Islam in the urban space of the city can be linked to two pasts of the city; one is the experience of the Soviet multi-ethnicity and the more distant, historical past of the city interpreted by the Communists. It is also influenced by the peculiarities of the region, the ethno-confessional composition, and the state's attempt to control religious groups and their activities, which has a corresponding impact on the self-perception and self-representation of the Azerbaijani community in the city. Findings presenting in the article based on the ethnographical research done in Rustavi 2019-2020.


2021 ◽  
pp. 23-27
Author(s):  
M. Aleksandrova ◽  
N. Sholukho

The topicality of the work is determined by the need to expand the theoretical base of the Ukrainian urbanism and the formation of the own problems of cultural studies of urban space. The purpose of the article is to comprehend the aspect of corporeity in the concept of Michel de Certeau’s walk (based on the work “Walking the City”) as a cultural practice. The methodology. The research was carried out on the basis of the analysis of the source base and scientific literature with the help of comparative analysis, semiotic and hermeneutic methods, as well as with the involvement of phenomenological and biographical approaches. Generalization was carried out using the modeling method within the framework of the cultural approach. The results. The peculiarities of the concept of Michel de Certeau’s walk as a form of attracting the subject of culture to the urban space are revealed. The walk is investigated as a cultural practice of urban space assimilation, realization of active civil position and formation of individuality. It is shown that corporeity acts as a way of interacting the subject of culture with the space of the city. It is shown that the subject’s corporeity combines spatial and semiotic practices of assimilation of urban space. Actions to form a symbolic dimension of the culture of the city are shown as equivalent to the practices of spatial activities of the subject. It is noted that the cultural practice of Michel de Certeau’s walk becomes consonant to the mechanics of forming the image of the city of Kevin Lynch. It is emphasized that the combination of spatial and semiotic practices in the activity of the subject leads to the formation of the cultural space of the city. The cultural practice of walking in Michel de Certeau’s “Walking the City” is shown as a form of subject integration into the city space. The isolation of the aspect of corporeity made it possible to see the walk as a holistic form of the subject’s activity, which combines spatial actions with practical assimilation of the city together with practices of constructing the image of the city. The formation of the culture of the city, therefore, is determined by the intensity of the subject’s practices in it. The scientific novelty. In this study for the first time we have explored the concept of Michel de Certeau’s “Walking the City” as a cultural practice. Also for the first time the corporeity aspect of the walk as a form of assimilation of the city space by the subject of culture is studied. The practical significance. The results of the study can be used in teaching courses on city culture, urban studies, museumification of urban space, corporeity of culture, semiotics of culture. Also scientific achievements can be included into urban projects of modern public spaces of residential areas of Ukrainian cities with the involvement of civil activists and local residents.


Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk

Nowadays, in the age of massive spatial transformations in the built environment, cities witness a new type of development, different in size, scale and momentum that has been thriving since late 20th century. Diverse transformation of historic cities under modernisation has led to concerns in terms of the space and time continuity disintegration and the preservation of historic cities. In a similar approach, we can state that city and city space do not only consist of present, they also consist of the past; they include the transformations, relations, values, struggles and tensions of the past. As it could be defined, space is the history itself. Currently, we would like to display how Chernivtsi cultural and architectural heritage is perceived and maintained in the course of its evolution. Noteworthy, Chernivtsi city is speculated a condensed human existence and vibes, with public urban space and its ascriptions are its historical archives and sacred memory. Throughout the history, CHERNIVTSI’s urban landscape has changed, while preserving its unique and distinctive spirit of diversity, multifacetedness and tolerance. The city squares of the Austrian, Romanian and Soviet epochs were crammed with statuary of royal elites and air of aristocracy, soviet leaders and a shade of patriotic obsession, symbolic animals and sacred piety – that eventually shaped its unique “Bukovynian supranational identity”. Keywords: Chernivtsi, cultural memory, memory studies, monuments, squares, identity.


The article shows a significant role of social networks in the system of forms of social interaction in the vital city space. The task to identify the most popular platforms for promotion SMO and SMM – brands in the tourist area of a hero city Volgograd was chosen as the key tool. The study identified the effectiveness of priority methods of given marketing practices such as the community formation of brand of territory, work with blogosphere, reputation management, personal branding and extraordinary promotion. The conditions for the infinite social interaction are created in these forms in open ICT environment for the residents and the city guests who have common interests in urban space. The research has accomplished the following tasks such as identification of the most popular open platforms for SMO and SMM of tourist area brand promotion of a hero city Volgograd, detection of related communities, identification of a trust level to them, establishment of their purposes and the range of issues of their interest, places and attractions, related to the brand of territory; uncovering of factors and mechanisms which detect mood changing of the target audience and creation of methodological templates which allow to develop, implement and optimize SMO and SMM campaigns


2019 ◽  
Vol 7 (5) ◽  
pp. 975-981
Author(s):  
Ekaterina V. Vishnevskaya ◽  
Tatiana B. Klimova ◽  
Inna S. Koroleva ◽  
Olga K. Slinkova ◽  
Svetlana N. Yasenok

Purpose: The modern city with its complex structure and dynamics is an important part of the tourist space, which has become especially attractive for travelers who tirelessly exploring the cultural heritage. Hotels, restaurants, amusement parks and other tourist infrastructure actively invading the urban environment changed the usual composition of the city. During the trip, tourists buy not only goods and services, they perceive the image of the city as a synthesis of impressions from the movement in the urban space, exploring it from different points of view, at different times of the day and in different seasons. Methodology: To assess the impact of environmental factors on the activities of catering enterprises of the Belgorod region and the quality of customer service, the authors proposed a method using STEP-analysis and SWOT-analysis. The analysis of environmental factors was carried out on the basis of the expert evaluation results conducted in two stages. Result: In tourism, the food infrastructure acts as an important element of entertainment and knowledge of local culture. Food is not just a common need of every person; tourists see it as entertainment and pleasure. Food of different peoples and even areas is usually very peculiar, so attractive to tourists. Catering infrastructure as an integral part of the hospitality industry should have a significant potential for adaptability, providing an opportunity for catering enterprises to respond quickly to frequent changes in the situation of the unstable tourism market, as well as to comply with the requirements of the destination brand. Applications: This research can be used for universities, teachers, and students. Novelty/Originality: In this research, the model of The Infrastructure of Public Catering In the Context of Tourist City Space Development is presented in a comprehensive and complete manner.


2020 ◽  
Vol 8 (1) ◽  
pp. 149-157
Author(s):  
Dominika Hlavinová Tekeliová

Abstract The aim of the paper is to characterize the city of Bratislava after the First World War as a literary space in the short story The Worst Crime in Wilson City (Najhorší zločin vo Wilsonove) and its film adaptation Wilson City (Wilsonov). For millions of Czechs and Slovaks, the US President W. Wilson was a legendary figure. The multi-ethnic city wanted to gratify him and suggested to name itself after him. This short episode of our history was found interesting for a Slovak writer Michal Hvorecký, who set a mysterious (horror) short story in Wilson City (Bratislava). The topos of the city became the basic organizational, or, structural element on which the story is built. In the film adaptation of the Czech director Tomáš Mašín there was a generic shift and the film became a detective comedy, or parody of historical events that happened (or could have happened). The paper focuses on the motif of the city and compares this urban space in the literary and film form. It tries to answer the question whether the city – space is only a backdrop of the story or it becomes its (role)player.


2019 ◽  
Vol 28 (4) ◽  
pp. 44-59
Author(s):  
S. A. Smirnov

The article considers the city from the point of view of its educational potential and in the categories of educational space, approaching the main cultural and historical forms of the city as educational institutions. With this review, at least three focus points are retained: 1) Consideration of the city space and its infrastructure as an educational space and educational infrastructure that are not reducible to usual school and university (the latter should also be culturally and historically distributed, showing their basic etymons and missions); 2) Consideration of education as an institution of educational and, more broadly, anthropological practices of the development and formation of a person, and not as a disciplinary institution and matrix; 3) Consideration of the repertoire of anthropological practices development as a practice unfolding in urban space. It is shown that these three foci act as mirrors directed at each other, mirroring and showing each other mutual potential and mutual scarcity, the need for each other. The actual wealth (thesaurus) of the urban space depends on the density, frequency and variety of connections between these areas. Next, we look at specific cultural and historical forms, such as the Temple, School, Museum, University, etc., which constitute the basic infrastructure nodes of the city space itself. These cultural institutions are considered not so much from the point of view of their internal tasks, but from the position of their place in the city, in the urban space, with regard to their place and role as special educational nodes-institutions in this space. Further, the urban space is considered in the categories of the campus city, in which this space is linked by different anthropological practices repertoires.


Author(s):  
Natalia Chwaja

„It was all there already, from the beginning” – Microcosms by Claudio Magris as a Triestineauto/bio/geographyAbstractThe aim of my article is to study the relation between the subject and the city, focusing on thecase of an autobiographic essayistic novel by a contemporary Italian writer Claudio Magris.The space of Trieste, author’s native city, plays a multiple role in the Microcosms narration.On one hand, it works as a “mnemotechnical pretext” for the protagonist’s sentimentaljourney into the past, both individual and collective. On the other hand, the city space canbe seen as an active factor, shaping the hero’s “triestine” state of mind and reflecting itself inthe novel’s poetics. In my analysis, I refer to some essential categories of geopoetics (“auto/bio/geography” by Elżbieta Rybicka, Tadeusz Sławek’s and Stefan Symotiuk’s interpretationsof genius loci), as well as to Walter Benjamin’s oeuvre, which I consider one of the mostimportant Microcosms’ intertexts.Keywords: Claudio Magris, Trieste, city, auto/bio/geography, space, genius loci


Author(s):  
Malini Guha

This introductory chapter examines a configuration that brings together globalization, urban space and the cinema, taking a series of contemporary films set in London and Paris as primary case studies. What these films have in common are migrant mobilities of various types, ranging from asylum seekers and clandestine migrants, to the first generation of settled migrants as well as economic migrants. The chapter focuses on mobilities that reveal the contradictions of the globalizing process while also contesting a view of city space in these films as non-places. The analysis of these films also exhibits early scholarly trends on the cinematic city and its central preoccupation with European modernity, the city, and the cinema.


Urban History ◽  
2013 ◽  
Vol 41 (3) ◽  
pp. 456-477 ◽  
Author(s):  
RUTH PERCY

ABSTRACTGarment strikes in London and Chicago provide a setting to consider the role of the city in early twentieth-century labour struggles. While strikers in the two cities shared similar experiences and confronted similar imaginings of the city, they faced different built environments. The comparative approach thus highlights the importance of considering spatial dynamics when studying strikers’ strategies. Journalists’ and other onlookers’ responses to picket lines, parades or mass meetings reflected normative understandings and expectations of workers’ behaviour, especially if those workers were young, women or ethnic minorities. The article considers the ways in which strikers in early twentieth-century London and Chicago transgressed contemporary perceptions of their cities by appropriating city space and by subverting behavioural norms in spaces where they did belong. I argue that the strikers drew attention to their struggles via their atypical use of the city streets and that occupying these spaces helped unify the strikers and thus strengthen the strike.


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