Ancient Egyptian Wheats

1956 ◽  
Vol 21 ◽  
pp. 93-95 ◽  
Author(s):  
Hans Helbaek
Keyword(s):  
Early History ◽  
Reasonable Doubt ◽  
Cultivated Plants ◽  
Correct Identification ◽  
Late Neolithic ◽  
The Third ◽  
Ancient Egyptian ◽  
The World ◽  
History Of ◽  
The One

Correct identification of remains of cultivated plants is prerequisite to a reasonable concept of the early history of these plants and of agriculture in general. Sooner or later faulty or incomplete identification may lead to wrong conclusions and thus, on the one hand, obscure connections between places and peoples which might otherwise be indicated by contemporary cultivated plants, or on the other, suggest interrelations which did not exist.Perhaps of all countries in the world Egypt is the one which has yielded the most material for the study of ancient plant husbandry, and yet the introduction of the plants into that country and the species grown is not yet fully elucidated.Until quite recently Emmer (Triticum dicoccum Schübl.) was the only species of wheat reported in deposits of prehistoric and dynastic Egypt up to the Ptolemaean period. Then Eincorn (Triticum monococcum L.) was added to the list, in that its presence in the Late Neolithic find at el Omari near Helouan, and in the third dynasty tomb of Pharaoh Zoser at Saqqara was claimed by various authors. These identifications were disputed on the basis of reasonable doubt, but no documentation has hitherto been offered to prove the claim or the validity of the protest.

scholarly journals Türk ve İslam Eserleri Müzesi

2021 ◽  
pp. 339-336
Author(s):  
Zeynep Atbaş
Keyword(s):  
Islamic Art ◽  
Book Illustration ◽  
The Third ◽  
The Arts ◽  
The World ◽  
The Face ◽  
History Of ◽  
The Subject ◽  
The Veil ◽  
The One

"Ottoman sultans showed a great interest in books; on the one hand, they had their palace workshops prepare manuscripts ornamented with unique illustrations and illuminations; on the other hand, they collected books created in other locations of the Islamic world through various means, such as, gifting, looting, and purchasing. The subject of this article involves the artistic manuscripts from the Ilkhanid era that entered the Topkapı Palace Treasury. Most manuscripts in the Topkapı Palace Library consist of copies and sections (juz’) of the Koran. With their illumination and binding, these large-format books designed by the skillful illuminators and bookbinders of the Ilkhanid era are early fourteenth-century masterpieces of Islamic art of the book. Among these are Koran sections prepared for the famous Ilkhanid ruler, Sultan Uljaytu Khodabanda, and the renowned vizier, Rashid al-Din. Some examples were written by the most illustrious Islamic calligraphers, Yaqut al-Musta’simi and Arghun Kamili, illuminated by the famous artist of the era who worked in Baghdad, Muhammad b. Aybak b. Abdallah, and bound by bookbinder Abd al-Rahman. The Ilkhanid era was also a time when fascinating and important manuscripts were prepared in terms of book illustration. Two of the three Mongol-era manuscripts in the Topkapı Palace collection are copies of the Jami’at-Tawarikh—a general history of the world prepared by a commission led by the vizier Rashid al-Din under the order of the Ilkhanid ruler Ghazan Khan— while the third is a copy of the Garshaspnama. In addition, some paintings that appear in one of the palace albums belong to a volume of the Jami’at-Tawarikh on the history of Mongol khans, which has not survived. The significant and unique paintings of the Ilkhanid era are the Miʿrajnama paintings made by Ahmed Musa featured in the album prepared for Bahram Mirza, the brother of the Safavid sultan, Shah Tahmasp. The preface of the album written by Dust Muhammad refers to the famous painter Ahmed Musa, who lived in the era of the Ilkhanid ruler Abu Said, to have “removed the veil from the face of painting and invented the painting that was popular in that era.” In addition, the author states that he illustrated a Miʿrajnama. However, only the eight album pages with miʿraj images have survived this work. Through their bindings, illuminations, calligraphy, and illustrations, Ilkhanid era manuscripts from the Topkapı Palace constitute a vital collection that demonstrates the advanced level reached by the arts of the book during this era. "

scholarly journals Ptolemaic Orbs in Twelfth-Century England: A Study and Edition of the Anonymous Liber de motibus planetarum

2018 ◽  
pp. 145
Author(s):  
C. Philipp E. NOTHAFT
Keyword(s):  
Twelfth Century ◽  
Critical Edition ◽  
Early History ◽  
Latin Text ◽  
Planetary Theory ◽  
The Third ◽  
Terminus Post Quem ◽  
The World ◽  
History Of ◽  
Place Of Origin

This article offers the first study and critical edition of the Liber de motibus planetarum (Lmp), a neglected Latin text on planetary theory that appears anonymously and without any clear indication of date or place of origin in nine manuscripts of the thirteenth to fifteenth centuries. An analysis of its sources and parallels to other Latin treatises and translations from Arabic indicates that the Lmp originated in England in the third quarter of the twelfth century. A plausible terminus post quem is provided by the appearance of similar passages in the anonymous treatise Ptolomeus et multi sapientum (1145), which can be linked to Abraham Ibn Ezra and his astronomical tables for the meridian of Pisa. The Lmp would appear to be historically significant for its relatively detailed textual and diagrammatic presentations of Ptolemy’s planetary models as composed of multipart physical orbs. While it is generally accepted that physicalized or ‘orbed’ versions of these models entered Latin astronomy through the influence of Ibn al-Haytham’s Maqāla fī hayʾat al-ʿālam (On the Configuration of the World), the early history of this idea in a Latin context has not been studied to any deeper extent. In this regard, the Lmp offers clear evidence that Ptolemaic orbs and diagrams representing them already were a part of Latin astronomy three centuries before Peuerbach’s Theoricae novae planetarum (1454).

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)

2021 ◽  
Vol 1 (15) ◽  
pp. 67-107
Author(s):  
Ines R. Artola
Keyword(s):  
Strict Sense ◽  
Sonata Form ◽  
Historical Sources ◽  
Avant Garde ◽  
20Th Century Music ◽  
The Third ◽  
Word Analysis ◽  
The Past ◽  
History Of ◽  
The One

The aim of the present article is the analysis of Concerto for harpsichord and five instruments by Manuel de Falla – a piece which was dedicated by the composer to Wanda Landowska, an outstanding Polish harpsichord player. The piece was meant to commemorate the friendship these two artists shared as well as their collaboration. Written in the period of 1923-1926, the Concerto was the first composition in the history of 20th century music where harpsichord was the soloist instrument. The first element of the article is the context in which the piece was written. We shall look into the musical influences that shaped its form. On the one hand, it was the music of the past: from Cancionero Felipe Pedrell through mainly Bach’s polyphony to works by Scarlatti which preceded the Classicism (this influence is particularly noticeable in the third movement of the Concerto). On the other hand, it was music from the time of de Falla: first of all – Neo-Classicism and works by Stravinsky. The author refers to historical sources – critics’ reviews, testimonies of de Falla’s contemporaries and, obviously, his own remarks as to the interpretation of the piece. Next, Inés R. Artola analyses the score in the strict sense of the word “analysis”. In this part of the article, she quotes specific fragments of the composition, which reflect both traditional musical means (counterpoint, canon, Scarlatti-style sonata form, influence of old popular music) and the avant-garde ones (polytonality, orchestration, elements of neo-classical harmony).

Ukraine and the Challenges of Post-Totalitarian Transit (1990-2019)

2021 ◽  
Author(s):  
Volodymyr Holovko ◽  
◽  
Larysa Yakubova ◽  
Keyword(s):  
World War I ◽  
Essential Feature ◽  
State Building ◽  
Self Awareness ◽  
World War ◽  
Successful Completion ◽  
Wide Audience ◽  
The Third ◽  
The World ◽  
History Of

The key problems of nation- and state-building are revealed in the concept of the chronotope of the Ukrainian “long twentieth century,” which is a hybrid projection of the “long nineteenth century.” An essential feature of this stage in the history of Ukraine and Ukrainians is the realization of the intentions of socioeconomic, ethnocultural and political emancipation: in fact, the end of the Ukrainian revolution, which began in the context of World War I and the destruction of the colonial system. The third book tells about the contradictions of post-Soviet transit. The three modern revolutions, the development of “oligarchic republics,” the subjectivization of Ukraine in the world through self-awareness of the European choice are visible manifestations of the final stage of the century-old Ukrainian revolution and anti-colonial liberation war. The essential transformations of the Ukrainian project are understood in the broad optics of post-totalitarian transit, the successful completion of which now rules for the national idea of Ukraine. For a wide audience.

Contacts and Networks in the Baltic Sea Region

2019 ◽  
Keyword(s):  
Baltic Sea ◽  
Final Section ◽  
Religious Studies ◽  
The Baltic Sea ◽  
Cultural Goods ◽  
The Third ◽  
Baltic Sea Region ◽  
The World ◽  
History Of ◽  
The Baltic

Since prehistoric times, the Baltic Sea has functioned as a northern mare nostrum — a crucial nexus that has shaped the languages, folklore, religions, literature, technology, and identities of the Germanic, Finnic, Sámi, Baltic, and Slavic peoples. This anthology explores the networks among those peoples. The contributions to Contacts and Networks in the Baltic Sea Region: Austmarr as a Northern mare nostrum, ca. 500-1500 ad address different aspects of cultural contacts around and across the Baltic from the perspectives of history, archaeology, linguistics, literary studies, religious studies, and folklore. The introduction offers a general overview of crosscultural contacts in the Baltic Sea region as a framework for contextualizing the volume’s twelve chapters, organized in four sections. The first section concerns geographical conceptions as revealed in Old Norse and in classical texts through place names, terms of direction, and geographical descriptions. The second section discusses the movement of cultural goods and persons in connection with elite mobility, the slave trade, and rune-carving practice. The third section turns to the history of language contacts and influences, using examples of Finnic names in runic inscriptions and Low German loanwords in Finnish. The final section analyzes intercultural connections related to mythology and religion spanning Baltic, Finnic, Germanic, and Sámi cultures. Together these diverse articles present a dynamic picture of this distinctive part of the world.

Evolution and environment in the late Silurian-early Devonian: the rise of the pteridophytes

1985 ◽  
Vol 309 (1138) ◽  
pp. 147-165 ◽  
Keyword(s):  
Vascular Plants ◽  
Preliminary Report ◽  
Life Histories ◽  
Early History ◽  
Flora Of Australia ◽  
Early Devonian ◽  
The World ◽  
History Of

A brief review of the major advances since 1979 in Silurian and Devonian palaeobotany is followed by a preliminary report on a Gedinnian assemblage from the Welsh Borderland. This is dominated by rhyniopsids and includes several species of Cooksonia and Salopella . Spores have been isolated from a number of taxa. The assemblage is used to illustrate the problems of recognition and classification of early vascular plants. Parallel sedimentological and palaeogeographical studies permit speculation on the ecology and life histories of the plants that colonized the Old Red Continent. It is concluded that the lack of well preserved and independently dated assemblages from elsewhere in the world (an exception being the Baragwanathia flora of Australia) prevents the detection of any provincialism in the late Silurian and early Devonian and makes generalizations on the early history of vascular plants premature.

scholarly journals CULTURAL REPRESENTATION OF POWER AND THE COURT DURING THE PERSONAL REIGN OF CHARLES I STUART

2020 ◽  
Vol 30 (1) ◽  
pp. 104-110
Author(s):  
L. I. Ivonina
Keyword(s):  
Social Context ◽  
General Trend ◽  
Daily Life ◽  
Cultural Representation ◽  
The Other ◽  
Charles I ◽  
The World ◽  
King Charles I ◽  
History Of ◽  
The One

The article analyzes the main features of the Caroline era in the history of Britain, which were reflected in the cultural representation of the power of King Charles I Stuart and the court’s daily life in the 1630s. The author shows that, on the one hand, the cult of peace and the greatness of the monarch were the cultural product of the Caroline court against the background of the Thirty Years' War in continental Europe. On the other hand, there was a spread of various forms of escapism, the departure into the world of illusions. On the whole, the representation of the power of Charles Stuart and the court’s daily life were in line with the general trend of the time. At the same time, the court of Charles I reflected his personality. Thinly sensing and even determining the artistic tastes of his era, the English king abstracted from its political and social context.

scholarly journals The Borneo Islamic Heritage and The Significance of Idahan Jawi Manuscript

Al-Albab ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 55-68
Author(s):  
Suraya Sintang ◽  
Rosdiana Onga ◽  
Siti Aidah Hj Lukin ◽  
Asmady Idris
Keyword(s):  
Content Analysis ◽  
Natural Resources ◽  
East Coast ◽  
Native People ◽  
The Third ◽  
Brunei Darussalam ◽  
The People ◽  
Islamic Jurisprudence ◽  
The World ◽  
History Of

Borneo Island is the third largest island in the world, rich in natural resources, biodiversity and cultural diversity. The uniqueness of Borneo is that it is home to three countries; Malaysia, Indonesia and Brunei Darussalam, each with their own valuable cultural heritage. One of the unique aspects of the Borneo archipelago is the shared wealth of civilizations derived from the dissemination of Islam. Treasures known as the “Borneo Islamic Heritage" are not only valuable as cultural artefacts that need to be preserved, but they can also be elevated and commercialised as regional economic drivers. This paper discusses the Idahan manuscript written in Jawi script as one of the treasures of Islamic intellectual legacy in Borneo. The method of study is based on content analysis which depicts the descriptive history of the discovery of the Idahan Jawi manuscript. This manuscript not only serves as evidence of the early embrace of Islam in Sabah, but also as a reference to matters pertaining to religion and the laws of Islamic jurisprudence. This factor leads the Idahan community be considered as the first native people embracing Islam at the east coast of Sabah. The contribution of this study is to enhance understanding of the development of Islamic heritage in Borneo Island and to inculcate the spirit of solidarity among the people living in the region.

scholarly journals Polish Dialectal Phrasematics – the State of Research (for the Five-year Period 2015–2020), Methods and Perspectives

2021 ◽  
pp. 229-241
Author(s):  
Maciej Rak
Keyword(s):  
The State ◽  
Research Trend ◽  
The Third ◽  
South Eastern ◽  
The North ◽  
History Of Research ◽  
The World ◽  
History Of ◽  
State Of Research ◽  
North And South

The article has three goals. The first is to present the history of research on Polish dialectal phrasematics. In particular, attention was paid to the last five years, i.e. the period 2015–2020. The works in question were ordered according to the dialectological key, taking into account the following dialects: Greater Polish, Masovian, Silesian, Lesser Polish, and the North and South-Eastern dialects. The second goal is to indicate the methodologies that have so far been used to describe dialectal phrasematics. Initially, component analysis was used, which was part of the structuralist research trend, later (more or less from the late 1980s) the ethnolinguistic approach, especially the description of the linguistic picture of the world, began to dominate. The third goal of the article is to provide perspectives. The author once again (as he did it in his earlier works) postulates the preparation of a dictionary of Polish dialectal phrasematics.

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