Being Together at a Distance, Talking and Avoiding Talk: Making Sense of the Present in Victory Square, Tianjin

2021 ◽  
pp. 1-19
Author(s):  
Isabelle Thireau
Keyword(s):  
Public Sphere ◽  
Practical Knowledge ◽  
Public Realm ◽  
Public Square ◽  
Shared Meanings ◽  
Making Sense ◽  
Common Practices ◽  
A Minor ◽  
Specific Distance ◽  
The Way

Abstract This paper explores a “public gathering” which took place every evening from 1991 to 2017 in Victory Square (Shengli guangchang 胜利广场), a public square in Tianjin. The essay opens with an analysis of the type of publicness that stems from the way participants “do things together.” It then describes how a specific public realm appears through the way participants “talk together.” It finally suggests that even if they are overrun with doubt, indeterminacy and anxiety, or embedded in a specific distance-based sociality, the conversations on Victory Square are not a minor, secondary activity. On the contrary, they take place on a common stage where participants interact with one another, reveal themselves as unique individuals and discuss their everyday affairs and common practices. Grasped as an “intermediary public sphere,” this type of gathering engenders and reinforces not only shared meanings and evaluations but also practical knowledge whose validity goes beyond this situated gathering.

Standing up to the Demos

2018 ◽  
Author(s):  
Andrew Erskine
Keyword(s):  
Athenian Democracy ◽  
Parallel Lives ◽  
Standing Up ◽  
A Minor ◽  
Insight Into ◽  
Gaining Insight ◽  
The Way

Plutarch wrote twenty-three Greek Lives in his series of Parallel Lives—of these, ten were devoted to Athenians. Since Plutarch shared the hostile view of democracy of Polybius and other Hellenistic Greeks, this Athenian preponderance could have been a problem for him. But Plutarch uses these men’s handling of the democracy and especially the demos as a way of gaining insight into the character and capability of his protagonists. This chapter reviews Plutarch’s attitude to Athenian democracy and examines the way a statesman’s character is illuminated by his interaction with the demos. It also considers what it was about Phocion that so appealed to Plutarch, first by looking at his relationship with the democracy and then at the way he evokes the memory of Socrates. For him this was not a minor figure, but a man whose life was representative of the problems of Athenian democracy.

Seeing Justice

2021 ◽  
Author(s):  
Mary Angela Bock
Keyword(s):  
Criminal Justice ◽  
Public Sphere ◽  
Criminal Justice System ◽  
Critical Discourse Analysis ◽  
Justice System ◽  
Participant Observation ◽  
The United States ◽  
Detailed Examination ◽  
Visual Media ◽  
The Way

Seeing Justice examines the way criminal justice in the United States is presented in visual media by focusing on the grounded practices of visual journalists in relationship with law enforcement. The book extends the concept of embodied gatekeeping, the corporeal and discursive practices connected to controlling visual media production and the complex ways social actors struggle over the construction of visual messages. Based on research that includes participant observation, extended interviews, and critical discourse analysis, the book provides a detailed examination of the way these practices shape media constructions and the way digitization is altering the relationships between media, citizens, and the criminal justice system. The project looks at contemporary cases that made the headlines through a theoretical lens based on the work of Michel Foucault, Walter Fisher, Stuart Hall, Nicholas Mirzoeff, Nick Couldry, and Roland Barthes. Its cases reveal the way powerful interests are able to shape representations of justice in ways that serve their purposes, occasionally at the expense of marginalized groups. Based on cases ranging from the last US public hanging to the proliferation of “Karen-shaming” videos, this monograph offers three observations. First, visual journalism’s physicality increases its reliance on those in power, making it easy for officials in the criminal justice system to shape its image. Second, image indexicality, even while it is subject to narrative negation, remains an essential affordance in the public sphere. Finally, participation in this visual public sphere must be considered as an essential human capability if not a human right.

scholarly journals Początki kształtowania się reprezentacji społecznej zapożyczeń w sferze publicznej

2019 ◽  
Vol 27 ◽  
pp. 29-41
Author(s):  
Piotr Zbróg
Keyword(s):  
Public Sphere ◽  
Common Sense ◽  
Initial Phase ◽  
Native Language ◽  
Social Representations ◽  
16Th Century ◽  
The Public ◽  
Methodological Basis ◽  
The Public Sphere ◽  
The Way

The beginnings of the shaping of social representations of borrowings in the public sphereThe article presents an initial phase of the process of shaping of social representations of borrowings. The aim was to obtain a view of the way in which participants of the public sphere talked about these elements of language, how they perceived them as well as what common sense image was created on this basis in the communication sphere and how it was modified. The first judgements and opinions on the matter of foreign words appeared around the 16th century and evolved from that moment. The theory of social representations developed by Serge Moscovici was applied as a theoretical and methodological basis of the description. Its research tools allow us to see the way in which societies construct meanings of matters important to them. On the basis of the analysis of the material it was established that from the beginning there were rather antagonistic elements of social representations of borrowings. The functionality of borrowings was noticed. Yet it was postulated that they should be eliminated from texts on account of the necessity to develop the native language, the incomprehensibility of statements as well as the excessive trend of foreignness.

scholarly journals HOW SOCIAL MEDIA AFFORDS POPULIST POLITICS: REMARKS ON LIMINALITY BASED ON THE BRAZILIAN CASE

2020 ◽  
Vol 59 (1) ◽  
pp. 404-427
Author(s):  
Leticia Cesarino
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
Discourse Markers ◽  
Online Ethnography ◽  
The Public ◽  
The Past ◽  
Making Sense ◽  
The Public Sphere ◽  
Key Aspects ◽  
And Linguistics

ABSTRACT In the past decade or so, populism and social media have been outstanding issues both in academia and the public sphere. At this point, evidence from multiple countries suggest that perceived parallels between the dynamics of social media and the mechanics of populist discourse may be more than just incidental, relating to a shared structural field. This article suggests one possible path towards making sense of how the dynamics of social media and the mechanics of populist mobilization have co-produced each other in the last decade or so. Navigating the interface between anthropology and linguistics, it takes key aspects of Victor Turner’s notion of liminality to suggest some of the ways in which social media’s anti-structural affordances may help lay a foundation for the contemporary flourishing of populist discourse: markers of social structure are suspended; communitas is formed; the culture core is addressed; mimesis and anti-structural inversions are performed; subjects become influenceable. I elaborate on this claim based on Brazilian materials, drawn from online ethnography on pro-Bolsonaro WhatsApp groups and other platforms such as Twitter and Facebook since 2018.

scholarly journals TEXT OF POLICY IN THE BACKGROUND OF CIVILIZATIONAL CONTEXTS AND SUBTEXTS AS A MISSING ELEMENT OF EDUCATIONAL DISCOURSE

2020 ◽  
pp. 7-22
Author(s):  
Zoreslav Samchuk
Keyword(s):  
Careful Selection ◽  
Educational Discourse ◽  
Historical Continuity ◽  
The Future ◽  
Institutional Status ◽  
A Minor ◽  
Missing Element ◽  
Minor Episode ◽  
Selection Of ◽  
The Way

Politics feels the steady influence of the civilization factor first of all and mainly because for various reasons the way of its existence prevents the careful selection of optimal articulation, argumentation and rhetorical approaches; instead of this, the civilization factor works not so much within the limits of specific and historical priorities, as in a much longer retrospective and perspective. Unlike politics, for civilization modernity is a minor episode, which becomes meaningful only in the context of some historical continuity and prospects for the future. At the expense of the closest possible association links with the civilization factor, politics tries to legitimize and raise its institutional status and ensure a respectable image. It tries to prove that it also works on the principles of historical continuity, and her argumentatively vulnerable memoranda are not without prospects for the future.

scholarly journals Naturvidenskabernes kanonisering. Forskere, erkendelser eller kulturarv

1970 ◽  
pp. 27
Author(s):  
Kristian Hvidtfelt Nielsen
Keyword(s):  
Social Skills ◽  
Public Sphere ◽  
Knowledge Production ◽  
Science Museums ◽  
The Public ◽  
Science Centres ◽  
Scientific Expertise ◽  
The Public Sphere ◽  
The Way

This paper concerns recent official attempts to place science in Denmark within the context of a cultural canon. Based on differentiation between Mode 1 and 2 knowledge production, the paper points out that such attempts are highly contextualised and contingent on their different modes of application. Consequently, they entangle scientific expertise with other social skills and qualifications. Like science museums and science centres, they are a means of dealing with science in the public agora, i.e. the public sphere in which negotiations, mediations, consultations and contestations regarding science increasingly take place. Analysing the ambiguities and uncertainties associated with the recent official placing of science within an overall cultural canon for Denmark, this paper concludes that even though the agora embodies antagonistic forms of interaction, it might also lead the way to producing socially robust knowledge about science.

scholarly journals Shocking Intimacy: Techniques, Technologies, and Aesthetics of Amplification in Clara Iannotta’s “Intent on Resurrection”

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Giulia Accornero
Keyword(s):  
Public Sphere ◽  
Public Space ◽  
Roland Barthes ◽  
Concert Hall ◽  
The Public ◽  
Low Strength ◽  
Technological Means ◽  
The Way

“Certain sounds, even when they are loud or heard from close by, conjure small sources.” Small sounds, as Chion (2016) describes them in this quote, usually appear in intimate or contained settings, where their relatively low strength will not be spoiled by the masking effects of a noisy public sphere. What happens, however, when they are shared with an audience in a concert venue? Privileging a distributive understanding of agency, I explore the interactions of instruments, techniques, and processes through which the composer Clara Iannotta (b. 1983) brings small sounds to the public space of the concert hall in the first minute of her composition Intent on Resurrection – Spring or Some Such Thing (2014). By articulating the technological means harnessed to allow for the qualities of small sounds to emerge, I reveal the conditions that are required for sound to be recognized and experienced as intimate. Along the way, I draw connections between the amplification aesthetics of Iannotta’s work and Hyperrealist art, and theorize the concept of the “grain of the instrument” drawing on ideas from Roland Barthes, Pierre Schaeffer, and Brian Kane.

scholarly journals Productive perils: on metaphor as a theory-building device

2018 ◽  
Vol 1 (2) ◽  
pp. 102-111
Author(s):  
Claudio J Rodríguez H
Keyword(s):  
Theory Change ◽  
Theory Building ◽  
Making Sense ◽  
Semiotic Theory ◽  
The Way

AbstractMetaphors constitute a relevant method for both building and making sense of theories. Semiotics is not exempt from their influence, and an important range of semiotic theories depends on metaphors to be meaningful. In this paper, we wish to examine the place of theory-constitutive metaphors considering the interaction view and the extent to which some areas of semiotics, particularly, the semiotics of culture and biosemiotics, are enriched by having metaphors dominate the way we think about them. The intention of the paper is not to document the different metaphors that have built semiotic theory, but rather to observe through a number of examples that semiotic research contains theory-building metaphors and that these are productive means of developing semiotic thinking further, with the caveat that theory change can be unexpected based on how we build metaphors for our theories.

The Jews in Rome during the Flavian Period

Antichthon ◽  
2013 ◽  
Vol 47 ◽  
pp. 156-172
Author(s):  
James S. McLaren
Keyword(s):  
Public Sphere ◽  
Jewish Identity ◽  
Abrupt Change ◽  
The Public ◽  
Counter Narrative ◽  
The Public Sphere ◽  
And Function ◽  
The Impact ◽  
Ways Of Life ◽  
The Way

AbstractDuring the late republic and early principate the Jews who called Rome their home occasionally found themselves in the public gaze. Some of their customs and aspects of their ways of life also attracted occasional comment, often for their apparently strange and foreign manner. At no stage, however, during this period did they feature prominently in the public sphere of life in Rome. The aftermath of the war of 66-70 CE brought about an abrupt change in circumstances for the Jews living in Rome. Apart from the immediate visual celebration of the triumph, there followed a number of substantial monumental and numismatic commemorations of the Roman victory. In this article the purpose and function of those commemorations and the possible consequences for the Jews who lived in Rome are examined. In particular, the impact of the public profiling of the war on Jewish identity and of how the writings of Josephus are to be read in this setting is explored. Rather than regard Josephus as a supporter of the Flavian rulers, writing an account of the war that encouraged fellow Jews to collaborate with Rome, it is argued that he was offering Jews in Rome a counter-narrative to the way the war was being publicly commemorated.

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